Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

"The Wild Children of Yesteryear" The New York Times, May 31, 2014.
"How Generational Divisions Have Driven Down Voter Turnout in the United States," The Atlantic, July 30, 2016.
"Anxious Youth, Then and Now" New York Times, December 31, 2013.
"America's 'Violent Little Partisans,'" The Atlantic, May 8, 2016.
"When the Civil War Came to New York" New York Times, July 13, 2013.
"Riling Up the 'Shrewd, Wild Boys" New York Times, August 9, 2012.
"A Birthday Like None Other: Turning Twenty-One in the Age of Popular Politics" Age in America: The Colonial Era to the Present, Ed. Corinne Field (New York: New York University Press, 2015), 86-102.
"The Stephen Colbert of the Civil War" New York Times, June 11, 2012.
“Sorrowfully Amusing: The Popular Comedy of the Civil War,” Journal of the Civil War Era, (September, 2011), 313-338.
"Laugh During Wartime" New York Times, January 9, 2012.
"When Anger Trumped Progress" New York Times, January 16, 2016
"D.I.Y Education Before YouTube" New York Times, July 11, 2015
The Virgin Vote: How Young Americans Made Democracy Social, Politics Personal, and Voting Popular in the Nineteenth Century. Chapel Hill: University of North Carolina Press, 2016.
"Was Abolitionism a Failure?" New York Times, January 30, 2015.
"Don't Throw the Bums Out" New York Times, September 12, 2014
"How Coffee Fueled the Civil War," New York Times, July 9, 2014
"The Wild Children of Yesteryear" New York Times, May 31, 2014
The Virgin Vote: How Young Americans Made Democracy Social, Politics Personal, and Voting Popular in the Nineteenth Century Forthcoming, Chapel Hill: University of North Carolina Press, 2016.

The Virgin Vote uncovers the forgotten role young men and women played in American politics from 1840 through 1900. Drawing on hundreds of unpublished diaries and letters – by barmaids and belles, sharecroppers and cowboys – it explores the way children, youths, and young adults used democracy to win maturity. At the same time, parents and politicians trained children to be “violent little partisans” and pushed young men to assert their masculinity by casting their “virgin votes” at age twenty-one, pushing voter turnouts to historic peaks. On a personal level, youths used democracy to win adulthood, while on a structural level politicians used youths to maintain political power.

"Anxious Youth, Then and Now" New York Times, December 31, 2013
"D.I.Y. Education Before YouTube," The New York Times, July 11, 2015.
“The Archives Center and Photography: National Museum of American History,” History of Photography, Spring 2000 (Vol. 24, No. 1), p. 49.

A description of the Archives Center's photographic collections, policies, and programs, with emphasis on major recent acquisitions, such as the Scurlock Studio Records.

“The Scurlock Ninety-Year Project: Black Washington in Black America,” Exposure, vol. 32:1 (1999), pp. 64–73.

A summary of the history of the Scurlock Studio and a description of the the Museum's Scurlock collection, with remarks about conservation challenges, especially regarding deteriorating acetate negatives.

“Wayward Wife as Muse: Anais Nin and Ian Hugo,” in Anais Nin: A Book of Mirrors, ed. by Paul Herron. Huntington Woods, Mich.: Sky Blue Press, 1996, pp. 44–57.

A critical appraisal of the influence of diarist and surrealist Anais Nin on the films of her husband Ian Hugo. Nin served as muse, model, actress, and collaborator in inspiring Hugo to become a creative artist.

African American Photographers in Segregated America

Illustrated blog in Smithsonian Collections Blog.  A reflection about photographs of Eddie "Rochester" Anderson and Bill "Bojangles" Robinson in Clyde Stauffer's snapshot album, compiled during travels to V.F.W. posts.

“Souvenirs of Roads Not Taken: Virtual Travel with the Underwood & Underwood Travel System and the World Wide Web,” in Culture as the Tourist Product, ed. by Mike Robinson, Nigel Evans, and Paul Callaghan. Newcastle-upon-Tyne, England, 1996, pp. 131–139.

The text of a paper delivered at a conference on tourism details the ways in which commercially published stereographs were used to simulate travel experiences, 1895-1921.

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