CD recording of the last three of Haydn’s sixty-eight string quartets, played on period instruments by the Smithson String Quartet—Jaap Schroeder and Marilyn McDonald, violins; Judson Griffin, viola; and Kenneth Slowik, cello—resident artists of the Smithsonian Chamber Music Society from 1982–1991. Slowik’s accompanying essay discusses the works and their relationship to the Op. 18 quartets of Beethoven.
The list of selected staff publications may be searched by keyword or author and can be sorted by year.
The first period-instrument CD recordings of Beethoven’s early Op. 18 quartets, the initial six of his eventual sixteen string quartets, performed by the Smithson String Quartet—Jaap Schroeder and Marilyn McDonald, violins; Judson Griffin, viola; and Kenneth Slowik, cello—resident artists of the Smithsonian Chamber Music Society from 1982–1991. Slowik’s accompanying essay discusses the works and their relationship to the late quartets of Haydn and Mozart.
This peer-reviewed article shares the Lemelson Center's primary and secondary research behind the award-winning Invention at Play exhibition regarding connections among play, child development, creativity, and invention.
Places of Invention tells the stories of people who lived, worked, played, collaborated, adapted, took risks, solved problems, and sometimes failed--all in the pursuit of something new. It dispels the myth of the lone inventor and shows that invention and innovation abound--not just in the Silicon Valleys of America but in hometowns across the country.
Monica Smith served as the Editor in Chief of the Journal of Museum Education from 2005 to 2008.
This chapter examines how the Lemelson Center's first major exhibition evolved into an exhibition focused on play, and the research, implementation, and evaluation processes along the way, to hopefully provide inspiration for future play-related museum initiatives.
This virtual exhibition features instruments that illustrate how innovative makers and players combined the guitar with a pickup and amplifier to create a new instrument and a new sound that profoundly changed popular music—blues, country, rhythm and blues, jazz, and rock and roll—in the 20th-century. From an exhibition produced by the Lemelson Center for the Study of Invention and Innovation at the Smithsonian's National Museum of American History, November 1996 through October 1997.