Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

“Out of the Shadows: Images of Women’s Military Work, 1500–1920,” with Margaret Vining. In War, Media and Military from Guteburg to Today, ed. M. E. Ionescu, 164-75. Bucharest: Military Publishing House, 2004.

Graphic images of women in military settings document women's changing military roles from the 16th century through World War I.

"Military Institutions, Weapons, and Social Change: Toward a New History of Military Technology." Technology and Culture 35 (1994): 768–834.

On the historiography of military technology, including the role of museums.

World Military History Annotated Bibliography: Premodern and Nonwestern Military Institutions and Warfare (Works published before 1967). History of Warfare, vol. 27. Leiden: Brill, 2005.

Annotated bibliography of works published before 1967.

"Technology and Research." In Encyclopedia of the American Military, ed. John J. Jessup and Louise B. Ketz, 1373–1414. New York: Charles Scribner's Sons, 1994.

Overview of the development of American military technology, from colonial times to the present.

“Military Patronage and the Geophysical Sciences in the United States: An Introduction.” Historical Studies in the Physical and Biological Sciences 30:2 (2000): 1–5.

Military funding has shaped the development of American meteorology, oceanography, geology, geodesy, and other earth sciences.

"Engineering and Science." In Encyclopedia of the American Military, ed John J. Jessup and Louise B. Ketz, 1415–44. New York: Charles Scribner's Sons, 1994.

Overview of relationships between science, engineering, and American military institutions, from colonial times to the present.

“Comment on Josef Lange.” In Research Budgets in an Age of Limits: American-European Comparative Perspectives, ed. Klaus-Dirk Henke et al., 122–24. Europäische Schriften zu Staat und Wirtschaft 2. Baden-Baden: Nomos Verlagsgesellschaft, 2000.

On military funding for scientific research.

"Military Technology and World History: A Reconnaissance." The History Teacher 30 (August 1997): 461–487.

Military technological innovation has profoundly influenced the course of world history since earliest times.

“Nuclear Weapons.” In The Oxford Companion to United States History, ed. Paul S. Boyer et al., 562–63. New York: Oxford University Press, 2001.

Overview of U.S. nuclear weapons development from World War II to the present.

"Science and Technology in the Nineteenth Century." In A Guide to the Sources of United States Military History: Supplement IV, ed.Robin Higham and Donald J. Mrozek, 82–117. Hamden, Conn.: Archon Books, 1998.

Bibliographical essay focused on recent scholarship on the interaction of science and technology with American military institutions in the 19th century.

“The 400–Years War: Conquest and Acculturation in the Military Struggle for North America.” In Coming to the Americas: The Eurasian Military Impact on the Development of North America, ed. John Lynn, 107–35. Wheaton, IL: Cantigny First Division Foundation, 2003.

Until the 19th century, North American Indians successfully confined European settlement to the area east of the Appalachians and south of the Great Plains by adapting European technology and exploiting European enmities.

“Western Military Technology and East Asian Modernization in the 19th Century.” In Modernization in China and East Asia, 1850–1950, ed. Edouard Vermeer and Dong Zhenghue, in press.

Adoption of Western weapons played a key role in the modernization of East Asian states.

The Boy and His Press. Washington, D.C.: National Museum of American History, 1992.

Amateur and young printers in the 19th century.

Patent Models in the Graphic Arts Collection, (Washington, DC: National Museum of American History, 1997).

Lists Graphic Arts Collection patent models from the following groups: Printing presses and stamps; Press-related apparatus; Compositors' tools; Type; Plate, stone, and block making; Bookbinding; Copying and autographic printing (with stencils and pantographs); Picture framing; Miscellaneous.

“Perishable: Handle with Care.” Museum News. Vol. 56, No. 2, November/December 1977.

An article outlining guidelines for handling historic costumes delivered in a question and answer format. Also includes basics on storage, cleaning, labeling of costume as well as environmental elements.

Costume Display Techniques. Nashville, Tennessee: American Association for State and Local History, 1977.

A book presenting an overview of preparing costumes for display to include selecting costumes for exhibition, conservation and treatment, methods of display, supports for display forms, dressing costumes, environmental conditions in display areas, and costume bibliographies. Includes appendixes and illustrations.

"Above the Boundary: The Development of Kalorama and Washington Heights, 1872–1900," Washington History 14:2 (fall/winter 2002).

The transformation of Kalorama Heights and Washington Heights from private estates into streets and houses is presented as a case study of the process, pace, and limits of Washington, D.C.'s suburban expansion in the last quarter of the nineteenth century.

"The Evil of the Misfit Subdivisions: Creating the Permanent System of Highways of the District of Columbia," Washington History 14:1 (spring/summer 2002).

An examination of efforts in the 1880s and 1890s to create a master street plan for those parts of the District of Columbia outside the cities of Washington and Georgetown. The resulting Permanent System of Highways guided the city's growth during the twentieth century.

"A Catalog of Suburban Subdivisions of the District of Columbia, 1854–1902," with Matthew B. Gilmore. Washington History 14:2 (fall/winter 2002).

A catalog covering 176 major subdivisions of land made outside the city of Washington between 1854 and 1902, compiled out of the records of the D.C. Surveyor's Office. The information was gathered to provide modern researchers with a starting point for tracing the origins of District neighborhoods outside Florida Avenue and east of the Anacostia River.

“Ellington at 100: Genius Beyond Category,” Jazz Educators Journal, March 1999, pp. 32–37, 39–40.

Discusses the genius of Ellington, his increasing recognition by colleges and concert halls, and the Smithsonian’s extensive set of initiatives to interpret his legacy, including exhibitions, fellowships, performance programs, publications, and radio broadcasts.

“Introduction” to The Stardust Road; Sometimes I Wonder: The Autobiographies of Hoagy Carmichael. New York: Da Capo Press, 1999, pp. v–xvii.

Presents a concise biography of Carmichael, provides the background for his two memoirs, and assesses his talents and contributions to American culture. With a select discography.

“Launching Jazz Appreciation Month,” Jazz Education Journal, March 2002, pp. 40–42, 44–45.

Explains the origins and purposes of this international celebration, and details the cultural coalition that is supporting it.

“The Duke Ellington Renaissance: A Review of Recent Books, Recordings, and Music Editions,” College Music Symposium 40 (2000), pp. 183–89.

Reviews a spate of important publications on Ellington, whose centennial was celebrated in 1999 and whose vast archives are housed at NMAH.

Jazz: The First Century. With forewords by Tony Bennett and Quincy Jones. New York: Wm. Morrow, 2000. 246 pp., bibliog., discog., illus., photos, tables. Chapter 1: “The Emergence of Jazz,” Chapter 3: “The Swing Era,” as well as “Introduction” and twenty-one sidebars.

This book marks the passage of jazz music’s first century by bringing together text by 27 experts with more than 300 images. Authors include David Baker, Bob Blumenthal, James Dapogny, Krin Gabbard, William H. Kenney, Neil Tesser, et al. With seventy concise sidebars on jazz songs, styles, techniques, repertory, landmarks, radio, television, etc., and extensive backmatter.

Smithsonian Jazz Masterworks Orchestra, Big Band Treasures, Live (annotator and assistant producer). Compact disc with 28-page booklet. Washington: Smithsonian Recordings, 1995.

The first commercially-issued recording by this important ensemble, which was established by Congress in 1990. The recorded performances were conducted by David Baker and Gunther Schuller, and feature works by Duke Ellington, Billy Strayhorn, Lionel Hampton, Miles Davis, and others.

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