Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

“Military Patronage and the Geophysical Sciences in the United States: An Introduction.” Historical Studies in the Physical and Biological Sciences 30:2 (2000): 1–5.

Military funding has shaped the development of American meteorology, oceanography, geology, geodesy, and other earth sciences.

“Comment on Josef Lange.” In Research Budgets in an Age of Limits: American-European Comparative Perspectives, ed. Klaus-Dirk Henke et al., 122–24. Europäische Schriften zu Staat und Wirtschaft 2. Baden-Baden: Nomos Verlagsgesellschaft, 2000.

On military funding for scientific research.

"Uniforms Make the Woman." with Margaret Vining. In Materializing the Military. Artefacts VI: Military Technology, ed. Bernard Finn and Barton C. Hacker. London: Science Museum Press, in press

In the 1920s, a Smithsonian exhibition of women's uniforms validated women's World War I contributions and expanded political roles.

“Nuclear Weapons.” In The Oxford Companion to United States History, ed. Paul S. Boyer et al., 562–63. New York: Oxford University Press, 2001.

Overview of U.S. nuclear weapons development from World War II to the present.

“The 400–Years War: Conquest and Acculturation in the Military Struggle for North America.” In Coming to the Americas: The Eurasian Military Impact on the Development of North America, ed. John Lynn, 107–35. Wheaton, IL: Cantigny First Division Foundation, 2003.

Until the 19th century, North American Indians successfully confined European settlement to the area east of the Appalachians and south of the Great Plains by adapting European technology and exploiting European enmities.

“Western Military Technology and East Asian Modernization in the 19th Century.” In Modernization in China and East Asia, 1850–1950, ed. Edouard Vermeer and Dong Zhenghue, in press.

Adoption of Western weapons played a key role in the modernization of East Asian states.

The Boy and His Press. Washington, D.C.: National Museum of American History, 1992.

Amateur and young printers in the 19th century.

Patent Models in the Graphic Arts Collection, (Washington, DC: National Museum of American History, 1997).

Lists Graphic Arts Collection patent models from the following groups: Printing presses and stamps; Press-related apparatus; Compositors' tools; Type; Plate, stone, and block making; Bookbinding; Copying and autographic printing (with stencils and pantographs); Picture framing; Miscellaneous.

“Perishable: Handle with Care.” Museum News. Vol. 56, No. 2, November/December 1977.

An article outlining guidelines for handling historic costumes delivered in a question and answer format. Also includes basics on storage, cleaning, labeling of costume as well as environmental elements.

Costume Display Techniques. Nashville, Tennessee: American Association for State and Local History, 1977.

A book presenting an overview of preparing costumes for display to include selecting costumes for exhibition, conservation and treatment, methods of display, supports for display forms, dressing costumes, environmental conditions in display areas, and costume bibliographies. Includes appendixes and illustrations.

"Above the Boundary: The Development of Kalorama and Washington Heights, 1872–1900," Washington History 14:2 (fall/winter 2002).

The transformation of Kalorama Heights and Washington Heights from private estates into streets and houses is presented as a case study of the process, pace, and limits of Washington, D.C.'s suburban expansion in the last quarter of the nineteenth century.

"The Evil of the Misfit Subdivisions: Creating the Permanent System of Highways of the District of Columbia," Washington History 14:1 (spring/summer 2002).

An examination of efforts in the 1880s and 1890s to create a master street plan for those parts of the District of Columbia outside the cities of Washington and Georgetown. The resulting Permanent System of Highways guided the city's growth during the twentieth century.

"A Catalog of Suburban Subdivisions of the District of Columbia, 1854–1902," with Matthew B. Gilmore. Washington History 14:2 (fall/winter 2002).

A catalog covering 176 major subdivisions of land made outside the city of Washington between 1854 and 1902, compiled out of the records of the D.C. Surveyor's Office. The information was gathered to provide modern researchers with a starting point for tracing the origins of District neighborhoods outside Florida Avenue and east of the Anacostia River.

Teacher’s Guide to Jazz: The First Century. Alexandria, Va.: The author, 2000. 64 pp., bibliog.

A guide for college professors to Jazz: The First Century, featuring 500 discussion and test questions (and answers); and chapter-by-chapter recommendations for further reading.

Beyond Category: The Musical Genius of Duke Ellington; The Best of Ellington from Victor, Bluebird, and RCA, 1927–1967, (producer and annotator). Two compact discs (or cassettes) with 28-page booklet. Washington: Smithsonian Collection of Recordings; New York: BMG Records, 1994.

An anthology of the best Ellington recordings, from his Cotton Club years (Black and Tan Fantasie, Mood Indigo, and his early-1940s recordings (Ko-Ko, Concerto for Cootie), to his late-career recordings (Far East Suite, Concert of Sacred Music).

The Classic Hoagy Carmichael (producer and annotator). Washington, D.C.: Smithsonian Collection of Recordings; Indianapolis: Indiana Historical Society; London, England: BBC Records, 1988. Four 12" LPs, boxed, with a 64-page book, bibliog., discog., filmog., illus. Also issued on cassette and CD.

Spanning 60 years of recordings, from 1927–1987, this anthology presents 57 classic recordings of songs composed by Hoagy Carmichael, including Stardust, Skylark, Lazy River, Georgia On My Mind, and Rockin’ Chair, as recorded by Louis Armstrong, Artie Shaw, Frank Sinatra, Ella Fitzgerald, Ray Charles, Carmichael himself, and others.

“Duke Ellington: The Smithsonian Will Preserve and Perpetuate Duke Ellington's Legacy,” Jazz Educators Journal 22, no. 1 (January 1990), 24–27.

Describes the scope of the huge Duke Ellington Collection acquired by the NMAH in 1988, and the Museum’s plans to catalog it and present it to the public.

“Ellington at 100: Genius Beyond Category,” Jazz Educators Journal, March 1999, pp. 32–37, 39–40.

Discusses the genius of Ellington, his increasing recognition by colleges and concert halls, and the Smithsonian’s extensive set of initiatives to interpret his legacy, including exhibitions, fellowships, performance programs, publications, and radio broadcasts.

“Introduction” to The Stardust Road; Sometimes I Wonder: The Autobiographies of Hoagy Carmichael. New York: Da Capo Press, 1999, pp. v–xvii.

Presents a concise biography of Carmichael, provides the background for his two memoirs, and assesses his talents and contributions to American culture. With a select discography.

“All That Jazz,” in James Conaway’s The Smithsonian: 150 Years of Adventure, Discovery, and Wonder, pp. 336–37. Washington: Smithsonian Institution Press; New York: Alfred A. Knopf, 1995.

This essay describes the Smithsonian’s work in jazz, including collections, oral histories, exhibitions, and the Smithsonian Jazz Masterworks Orchestra.

“Launching Jazz Appreciation Month,” Jazz Education Journal, March 2002, pp. 40–42, 44–45.

Explains the origins and purposes of this international celebration, and details the cultural coalition that is supporting it.

Ragtime: Its History, Composers, and Music. New York: Schirmer Books, 1985; London: Macmillan, 1985 and 1986. Cloth and paper ed.s, x + 400 pp., bibliog., discog., illus., music, photos, tables.

An overview of ragtime, with chapters covering the history (e.g., jazz and classical music), leading figures (Scott Joplin, Jelly Roll Morton), and its music.

Beyond Category: The Life and Genius of Duke Ellington. With a Foreword by Wynton Marsalis. New York: Simon & Schuster, 1993. Paperback ed., with revisions: New York, Da Capo Press, 1995. UK ed., London: Omnibus Press, 1996. 480 pp., appendices, bibliog., discog., filmog., index, notes, photos.

A “career biography” of Ellington, one of the 20th century’s greatest composers, based in part upon the vast Duke Ellington archives at NMAH. With chapter-by-chapter sidebar essays on essential recordings. Illustrated with 130 photos.

“The Duke Ellington Renaissance: A Review of Recent Books, Recordings, and Music Editions,” College Music Symposium 40 (2000), pp. 183–89.

Reviews a spate of important publications on Ellington, whose centennial was celebrated in 1999 and whose vast archives are housed at NMAH.

Jazz: The First Century. With forewords by Tony Bennett and Quincy Jones. New York: Wm. Morrow, 2000. 246 pp., bibliog., discog., illus., photos, tables. Chapter 1: “The Emergence of Jazz,” Chapter 3: “The Swing Era,” as well as “Introduction” and twenty-one sidebars.

This book marks the passage of jazz music’s first century by bringing together text by 27 experts with more than 300 images. Authors include David Baker, Bob Blumenthal, James Dapogny, Krin Gabbard, William H. Kenney, Neil Tesser, et al. With seventy concise sidebars on jazz songs, styles, techniques, repertory, landmarks, radio, television, etc., and extensive backmatter.

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