Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

“The Archives Center and Photography: National Museum of American History,” History of Photography, Spring 2000 (Vol. 24, No. 1), p. 49.

A description of the Archives Center's photographic collections, policies, and programs, with emphasis on major recent acquisitions, such as the Scurlock Studio Records.

“The Scurlock Ninety-Year Project: Black Washington in Black America,” Exposure, vol. 32:1 (1999), pp. 64–73.

A summary of the history of the Scurlock Studio and a description of the the Museum's Scurlock collection, with remarks about conservation challenges, especially regarding deteriorating acetate negatives.

“Wayward Wife as Muse: Anais Nin and Ian Hugo,” in Anais Nin: A Book of Mirrors, ed. by Paul Herron. Huntington Woods, Mich.: Sky Blue Press, 1996, pp. 44–57.

A critical appraisal of the influence of diarist and surrealist Anais Nin on the films of her husband Ian Hugo. Nin served as muse, model, actress, and collaborator in inspiring Hugo to become a creative artist.

“Souvenirs of Roads Not Taken: Virtual Travel with the Underwood & Underwood Travel System and the World Wide Web,” in Culture as the Tourist Product, ed. by Mike Robinson, Nigel Evans, and Paul Callaghan. Newcastle-upon-Tyne, England, 1996, pp. 131–139.

The text of a paper delivered at a conference on tourism details the ways in which commercially published stereographs were used to simulate travel experiences, 1895-1921.

“Labyrinthine Walk: A Guide for Politically Incorrect Tourists,” in Culture as the Tourist Product, ed. by Mike Robinson, Nigel Evans, and Paul Callaghan. Newcastle-upon-Tyne, England, 1996, pp. 141–157.

The text of a paper delivered at a conference on tourism analyzes the goals of tourists when visiting museums as part of a sight-seeing ritual.

“Betty Hahn: The Early Years,” essay in Betty Hahn: Photography or Maybe Not, Albuquerque: University of New Mexico Press, 1995.

This essay describes the influence of Hahn's graduate school photography professor, Henry Holmes Smith, on her early work, including her revival of "obsolete" photographic processes such as gum-bichromate. Her technical and aesthetic experiments are described.

“Automatic Photobooths in Context(s),” foreword in Nakki Goranin, American Photobooth.   New York:  W.W. Norton & Co., Feb. 2008, pp. 9-13.

A psychological and cultural meditation about the unique experience of photobooth photographs, with notes about the NMAH Hall of Photography’s photobooth.

"The Scurlock Studio: A Biography," (with Donna M. Wells), Picturing the Promise: The Scurlock Studio and Black Washington.  Washington, D.C.: National Museum of African American History and Culture in collaboration with the National Museum of American history, 2009, pp. 196-212.

A history of the Scurlock family studio and its significance for the African American community of Washington.

“American Photographs in Europe and Illusions of Travel,” American Photographs in Europe, ed. by David Nye and Mick Gidley. Netherlands Institute for Advanced Study, Amsterdam: VU University Press, 1994, pp. 57–75.

A discussion of the interrelationship of stereograph publisher Underwood & Underwood's European sales activities and its stereoscopic documentation of Europe for both the American and European markets.

African American Photographers in Segregated America

Illustrated blog in Smithsonian Collections Blog.  A reflection about photographs of Eddie "Rochester" Anderson and Bill "Bojangles" Robinson in Clyde Stauffer's snapshot album, compiled during travels to V.F.W. posts.

"Objects in an Exhibition: Reflections on 'Fast Attacks and Boomers." In Materializing the Military. Artefacts VI: Military Technology, ed. Bernard Finn and Barton C. Hacker. London: Science Museum Press, in press

On several key objects in an exhibition on submarines in the Cold War and how they contributed to the exhibition theme

“Military Science.” In Cambridge History of Modern Science, vol. 8, Science in the Nineteenth and Twentieth Centuries, ed. David Livingstone and Ronald L. Numbers et al. Cambridge: Cambridge University Press, in press.

Links between military and scientific institutions expanded and intensified during the 19th and 20th centuries.

"Engineering and Science." In Encyclopedia of the American Military, ed John J. Jessup and Louise B. Ketz, 1415–44. New York: Charles Scribner's Sons, 1994.

Overview of relationships between science, engineering, and American military institutions, from colonial times to the present.

West Point in the Making of America. with Margaret Vining. Irvington, N.Y.: Hydra, 2002.

Catalog of the West Point in the Making of America exhibition.

"Military Technology and World History: A Reconnaissance." The History Teacher 30 (August 1997): 461–487.

Military technological innovation has profoundly influenced the course of world history since earliest times.

“The World of Camp and Train: The Changing Role of Women in Early Modern Armies.” with Margaret Vining. In Sovereign Arms: Armies and Fleets in the World between Lepanto and the French Revolution, 1571–1789, Rome, 2002.

On the necessary and vital roles women served in supporting the activities of early modern armies.

"Science and Technology in the Nineteenth Century." In A Guide to the Sources of United States Military History: Supplement IV, ed.Robin Higham and Donald J. Mrozek, 82–117. Hamden, Conn.: Archon Books, 1998.

Bibliographical essay focused on recent scholarship on the interaction of science and technology with American military institutions in the 19th century.

“From Camp Follower to Lady in Uniform: Women, Social Class and Military Institutions before 1920.” with Margaret Vining. Contemporary European History 10 (2001): 353–73.

Relationships between women and military institutions altered radically from the mid-19th century to World War I, reflecting the changing social status of both women and the military.

"Military Institutions and the Labor Process: Noneconomic Sources of Technological Change, Women's Subordination, and the Organization of Work." with Sally L. Hacker. Technology and Culture 28 (1987): 743–75.

Society and economy are as much products as causes of military and technological change.

“Volunteers Inspired by Conscription: Uniformed Women in World War I.” with Margaret Vining. In Total War, Total Defense, 1789–1900, ed. Per Iko et al., 346–52. Stockholm: Svenska militärhistorika kommissionen, 2001.

Civilian women in large numbers volunteered for military-related health and welfare services in World War I, donning military-style uniforms as a symbolic claim to full citizenship.

"Uniforms Make the Woman." with Margaret Vining. In Materializing the Military. Artefacts VI: Military Technology, ed. Bernard Finn and Barton C. Hacker. London: Science Museum Press, in press

In the 1920s, a Smithsonian exhibition of women's uniforms validated women's World War I contributions and expanded political roles.

“The Convergence of History and Military Museums,” with Margaret Vining. In Acta of the Asociacion de amigos de los museos militares, Madrid, Nov. 2003, in press.

Military museums and history museums arose from distinct traditions, but in recent years have come increasingly to share common views on how to exhibition military history.

“Military Patronage and the Geophysical Sciences in the United States: An Introduction.” Historical Studies in the Physical and Biological Sciences 30:2 (2000): 1–5.

Military funding has shaped the development of American meteorology, oceanography, geology, geodesy, and other earth sciences.

“Comment on Josef Lange.” In Research Budgets in an Age of Limits: American-European Comparative Perspectives, ed. Klaus-Dirk Henke et al., 122–24. Europäische Schriften zu Staat und Wirtschaft 2. Baden-Baden: Nomos Verlagsgesellschaft, 2000.

On military funding for scientific research.

"Industrial Armies: From Industrial Revolution to World War." Acta of the International Congress of Military History, Rabat (Morocco), August 2004, in press

On the interaction of industrial and military institutions from the 18th century to World War I

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