Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

“Fast Attacks and Boomers: A Museum Presentation of Cold War Military History.” World Archaeology Congress, Washington, June 2003.

On the unusual organization of the exhibition team, stressing its efforts to display nuclear submarine development and operations in the context of the Cold War.

“The Machines of War: European Military Technology in the Twentieth Century.” Technology and History, in press.

Military technological change greatly influenced the course of European and American history in the 20th century.

"Military Institutions and the Labor Process: Noneconomic Sources of Technological Change, Women's Subordination, and the Organization of Work." with Sally L. Hacker. Technology and Culture 28 (1987): 743–75.

Society and economy are as much products as causes of military and technological change.

“A Note on Sources: Remarks upon Receiving the Leonardo da Vinci Medal, 18 October 2003.” Technology and Culture 45 (2004): 137–41.

On the author’s intellectual history.

"Fortunes of War: From Primitive Warfare to Nuclear Weapons in Anthropological Thought.” In The Cultural Shaping of Violence, ed. Myrdene Anderson. West Lafayette, Ind.: Purdue University Press, in press.

How anthropology and archaeology have dealt with war since the 19th century.

“Gunpowder and the Changing Military Order: The Islamic Gunpowder Empires, ca. 1450–ca. 1650.” In The Heirs of Archimedes: Technology, Science and Warfare, 1350–1800, ed. Brett D. Steele and Tamera L. Dorland. Cambridge, MA: MIT Press, in press.

The adoption of gunpowder weapons tended to strengthen central governments against regional powers.

“Military Science.” In Cambridge History of Modern Science, vol. 8, Science in the Nineteenth and Twentieth Centuries, ed. David Livingstone and Ronald L. Numbers et al. Cambridge: Cambridge University Press, in press.

Links between military and scientific institutions expanded and intensified during the 19th and 20th centuries.

West Point in the Making of America. with Margaret Vining. Irvington, N.Y.: Hydra, 2002.

Catalog of the West Point in the Making of America exhibition.

“The World of Camp and Train: The Changing Role of Women in Early Modern Armies.” with Margaret Vining. In Sovereign Arms: Armies and Fleets in the World between Lepanto and the French Revolution, 1571–1789, Rome, 2002.

On the necessary and vital roles women served in supporting the activities of early modern armies.

“From Camp Follower to Lady in Uniform: Women, Social Class and Military Institutions before 1920.” with Margaret Vining. Contemporary European History 10 (2001): 353–73.

Relationships between women and military institutions altered radically from the mid-19th century to World War I, reflecting the changing social status of both women and the military.

On the Shoulders of Titans: A History of Project Gemini, with James M. Grimwood. Washington: National Aeronautics and Space Administration, 2002. Reprint of 1977 edition.

Documented narrative history of the second U.S. manned spaceflight project during the 1960s.

“Volunteers Inspired by Conscription: Uniformed Women in World War I.” with Margaret Vining. In Total War, Total Defense, 1789–1900, ed. Per Iko et al., 346–52. Stockholm: Svenska militärhistorika kommissionen, 2001.

Civilian women in large numbers volunteered for military-related health and welfare services in World War I, donning military-style uniforms as a symbolic claim to full citizenship.

"Uniforms Make the Woman." with Margaret Vining. In Materializing the Military. Artefacts VI: Military Technology, ed. Bernard Finn and Barton C. Hacker. London: Science Museum Press, in press

In the 1920s, a Smithsonian exhibition of women's uniforms validated women's World War I contributions and expanded political roles.

“The Convergence of History and Military Museums,” with Margaret Vining. In Acta of the Asociacion de amigos de los museos militares, Madrid, Nov. 2003, in press.

Military museums and history museums arose from distinct traditions, but in recent years have come increasingly to share common views on how to exhibition military history.

An Annotated Index to Volumes 1 through 25 of “Technology and Culture” 1959–1984. Chicago: Univ. of Chicago Press, 1991.

Includes author, title, and subject indexes, with annotation for all articles.

"Women and Military Institutions in Early Modern Europe: A Reconnaissance." Signs: Journal of Women in Culture and Society 6 (1981): 643–71.

Women played important and indispensable military support roles in European and American armies from the 15th through the early 19th centuries.

"Engineering a New Order: Military Institutions, Technical Education, and the Rise of the Industrial State." Technology and Culture 33 (1993): 1–27.

Military concerns greatly influenced the development of engineering and engineering education in the 18th and 19th centuries, with important consequences for 19th-century industrialization.

"Military Institutions, Weapons, and Social Change: Toward a New History of Military Technology." Technology and Culture 35 (1994): 768–834.

On the historiography of military technology, including the role of museums.

"Industrial Armies: From Industrial Revolution to World War." Acta of the International Congress of Military History, Rabat (Morocco), August 2004, in press

On the interaction of industrial and military institutions from the 18th century to World War I

“Western Military Technology and East Asian Modernization in the 19th Century.” In Modernization in China and East Asia, 1850–1950, ed. Edouard Vermeer and Dong Zhenghue, in press.

Adoption of Western weapons played a key role in the modernization of East Asian states.

Bataan Survivor: A POW's Account of Japanese Captivity in World War II Edited by Frank A. Blazich, Jr. Columbia, MO: University of Missouri Press, 2016.

The personal memoir of Colonel David L. Hardee, first drafted at sea from April-May 1945 following his liberation from Japanese captivity, is a thorough treatment of his time in the Philippines. A career infantry officer, Hardee fought during the Battle of Bataan as executive officer of the Provisional Air Corps Regiment. Captured in April 1942 after the American surrender on Bataan, Hardee survived the Bataan Death March and proceeded to endure a series of squalid prison camps. A debilitating hernia left Hardee too ill to travel to Japan in 1944, making him one of the few lieutenant colonels to remain in the Philippines and subsequently survive the war. As a primary account written almost immediately after his liberation, Hardee’s memoir is fresh, vivid, and devoid of decades of faded memories or contemporary influences associated with memoirs written years after an experience. This once-forgotten memoir has been carefully edited, illustrated and annotated to unlock the true depths of Hardee’s experience as a soldier, prisoner, and liberated survivor of the Pacific War.

Patent Models in the Graphic Arts Collection, (Washington, DC: National Museum of American History, 1997).

Lists Graphic Arts Collection patent models from the following groups: Printing presses and stamps; Press-related apparatus; Compositors' tools; Type; Plate, stone, and block making; Bookbinding; Copying and autographic printing (with stencils and pantographs); Picture framing; Miscellaneous.

The Boy and His Press. Washington, D.C.: National Museum of American History, 1992.

Amateur and young printers in the 19th century.

“Perishable: Handle with Care.” Museum News. Vol. 56, No. 2, November/December 1977.

An article outlining guidelines for handling historic costumes delivered in a question and answer format. Also includes basics on storage, cleaning, labeling of costume as well as environmental elements.

Costume Display Techniques. Nashville, Tennessee: American Association for State and Local History, 1977.

A book presenting an overview of preparing costumes for display to include selecting costumes for exhibition, conservation and treatment, methods of display, supports for display forms, dressing costumes, environmental conditions in display areas, and costume bibliographies. Includes appendixes and illustrations.

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