Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

“The Convergence of History and Military Museums,” with Margaret Vining. In Acta of the Asociacion de amigos de los museos militares, Madrid, Nov. 2003, in press.

Military museums and history museums arose from distinct traditions, but in recent years have come increasingly to share common views on how to exhibition military history.

"Military Institutions and the Labor Process: Noneconomic Sources of Technological Change, Women's Subordination, and the Organization of Work." with Sally L. Hacker. Technology and Culture 28 (1987): 743–75.

Society and economy are as much products as causes of military and technological change.

"Uniforms Make the Woman." with Margaret Vining. In Materializing the Military. Artefacts VI: Military Technology, ed. Bernard Finn and Barton C. Hacker. London: Science Museum Press, in press

In the 1920s, a Smithsonian exhibition of women's uniforms validated women's World War I contributions and expanded political roles.

“Fast Attacks and Boomers: A Museum Presentation of Cold War Military History.” World Archaeology Congress, Washington, June 2003.

On the unusual organization of the exhibition team, stressing its efforts to display nuclear submarine development and operations in the context of the Cold War.

“A Note on Sources: Remarks upon Receiving the Leonardo da Vinci Medal, 18 October 2003.” Technology and Culture 45 (2004): 137–41.

On the author’s intellectual history.

“The Machines of War: European Military Technology in the Twentieth Century.” Technology and History, in press.

Military technological change greatly influenced the course of European and American history in the 20th century.

"Fortunes of War: From Primitive Warfare to Nuclear Weapons in Anthropological Thought.” In The Cultural Shaping of Violence, ed. Myrdene Anderson. West Lafayette, Ind.: Purdue University Press, in press.

How anthropology and archaeology have dealt with war since the 19th century.

"Industrial Armies: From Industrial Revolution to World War." Acta of the International Congress of Military History, Rabat (Morocco), August 2004, in press

On the interaction of industrial and military institutions from the 18th century to World War I

World Military History Bibliography: Premodern and Nonwestern Military Institutions and Warfare. History of Warfare, vol. 16. Leiden: Brill, 2003.

Annotated bibliography of works published 1967–97.

On the Shoulders of Titans: A History of Project Gemini, with James M. Grimwood. Washington: National Aeronautics and Space Administration, 2002. Reprint of 1977 edition.

Documented narrative history of the second U.S. manned spaceflight project during the 1960s.

“Out of the Shadows: Images of Women’s Military Work, 1500–1920,” with Margaret Vining. In War, Media and Military from Guteburg to Today, ed. M. E. Ionescu, 164-75. Bucharest: Military Publishing House, 2004.

Graphic images of women in military settings document women's changing military roles from the 16th century through World War I.

World Military History Annotated Bibliography: Premodern and Nonwestern Military Institutions and Warfare (Works published before 1967). History of Warfare, vol. 27. Leiden: Brill, 2005.

Annotated bibliography of works published before 1967.

“Western Military Technology and East Asian Modernization in the 19th Century.” In Modernization in China and East Asia, 1850–1950, ed. Edouard Vermeer and Dong Zhenghue, in press.

Adoption of Western weapons played a key role in the modernization of East Asian states.

Bataan Survivor: A POW's Account of Japanese Captivity in World War II Edited by Frank A. Blazich, Jr. Columbia, MO: University of Missouri Press, 2016.

The personal memoir of Colonel David L. Hardee, first drafted at sea from April-May 1945 following his liberation from Japanese captivity, is a thorough treatment of his time in the Philippines. A career infantry officer, Hardee fought during the Battle of Bataan as executive officer of the Provisional Air Corps Regiment. Captured in April 1942 after the American surrender on Bataan, Hardee survived the Bataan Death March and proceeded to endure a series of squalid prison camps. A debilitating hernia left Hardee too ill to travel to Japan in 1944, making him one of the few lieutenant colonels to remain in the Philippines and subsequently survive the war. As a primary account written almost immediately after his liberation, Hardee’s memoir is fresh, vivid, and devoid of decades of faded memories or contemporary influences associated with memoirs written years after an experience. This once-forgotten memoir has been carefully edited, illustrated and annotated to unlock the true depths of Hardee’s experience as a soldier, prisoner, and liberated survivor of the Pacific War.

The Boy and His Press. Washington, D.C.: National Museum of American History, 1992.

Amateur and young printers in the 19th century.

Patent Models in the Graphic Arts Collection, (Washington, DC: National Museum of American History, 1997).

Lists Graphic Arts Collection patent models from the following groups: Printing presses and stamps; Press-related apparatus; Compositors' tools; Type; Plate, stone, and block making; Bookbinding; Copying and autographic printing (with stencils and pantographs); Picture framing; Miscellaneous.

“Perishable: Handle with Care.” Museum News. Vol. 56, No. 2, November/December 1977.

An article outlining guidelines for handling historic costumes delivered in a question and answer format. Also includes basics on storage, cleaning, labeling of costume as well as environmental elements.

Costume Display Techniques. Nashville, Tennessee: American Association for State and Local History, 1977.

A book presenting an overview of preparing costumes for display to include selecting costumes for exhibition, conservation and treatment, methods of display, supports for display forms, dressing costumes, environmental conditions in display areas, and costume bibliographies. Includes appendixes and illustrations.

"Above the Boundary: The Development of Kalorama and Washington Heights, 1872–1900," Washington History 14:2 (fall/winter 2002).

The transformation of Kalorama Heights and Washington Heights from private estates into streets and houses is presented as a case study of the process, pace, and limits of Washington, D.C.'s suburban expansion in the last quarter of the nineteenth century.

"The Evil of the Misfit Subdivisions: Creating the Permanent System of Highways of the District of Columbia," Washington History 14:1 (spring/summer 2002).

An examination of efforts in the 1880s and 1890s to create a master street plan for those parts of the District of Columbia outside the cities of Washington and Georgetown. The resulting Permanent System of Highways guided the city's growth during the twentieth century.

"A Catalog of Suburban Subdivisions of the District of Columbia, 1854–1902," with Matthew B. Gilmore. Washington History 14:2 (fall/winter 2002).

A catalog covering 176 major subdivisions of land made outside the city of Washington between 1854 and 1902, compiled out of the records of the D.C. Surveyor's Office. The information was gathered to provide modern researchers with a starting point for tracing the origins of District neighborhoods outside Florida Avenue and east of the Anacostia River.

Teacher’s Guide to Jazz: The First Century. Alexandria, Va.: The author, 2000. 64 pp., bibliog.

A guide for college professors to Jazz: The First Century, featuring 500 discussion and test questions (and answers); and chapter-by-chapter recommendations for further reading.

Beyond Category: The Musical Genius of Duke Ellington; The Best of Ellington from Victor, Bluebird, and RCA, 1927–1967, (producer and annotator). Two compact discs (or cassettes) with 28-page booklet. Washington: Smithsonian Collection of Recordings; New York: BMG Records, 1994.

An anthology of the best Ellington recordings, from his Cotton Club years (Black and Tan Fantasie, Mood Indigo, and his early-1940s recordings (Ko-Ko, Concerto for Cootie), to his late-career recordings (Far East Suite, Concert of Sacred Music).

The Classic Hoagy Carmichael (producer and annotator). Washington, D.C.: Smithsonian Collection of Recordings; Indianapolis: Indiana Historical Society; London, England: BBC Records, 1988. Four 12" LPs, boxed, with a 64-page book, bibliog., discog., filmog., illus. Also issued on cassette and CD.

Spanning 60 years of recordings, from 1927–1987, this anthology presents 57 classic recordings of songs composed by Hoagy Carmichael, including Stardust, Skylark, Lazy River, Georgia On My Mind, and Rockin’ Chair, as recorded by Louis Armstrong, Artie Shaw, Frank Sinatra, Ella Fitzgerald, Ray Charles, Carmichael himself, and others.

“Duke Ellington: The Smithsonian Will Preserve and Perpetuate Duke Ellington's Legacy,” Jazz Educators Journal 22, no. 1 (January 1990), 24–27.

Describes the scope of the huge Duke Ellington Collection acquired by the NMAH in 1988, and the Museum’s plans to catalog it and present it to the public.

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