Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

"The wreck of the 1848 propeller Indiana: interim report," with David S. Robinson. International Journal of Nautical Archaeology 22.3 (1993) 219–235.

Archaeology of one of the earliest propeller-driven steamboats in the Great Lakes, the propulsion machinery of which was raised by the Smithsonian in the late 1970s and early 1980s.

“Underwater Heritage Milestone Legislation,” MARITimes 15.1 (2002) 11–12.

An examination of Bermuda’s recent legislation preserving submerged cultural resources.

"The Wreck of the Steamboat Indiana," Bermuda Journal of Archaeology and Maritime History 5 (1993) 181–192.

History and archaeology of one of the earliest propeller-driven steamboats in the Great Lakes.

“Preliminary Report on the 1998 Excavations of the 1824 Wreck of the Royal Hawaiian Yacht Ha‘aheo o Hawaii (ex-Cleopatra’s Barge)," in A.A. Askins and M.W. Russell (eds.), Underwater Archaeology 1999. Tucson: Society for Historical Archaeology, 1999. 107–114.

Highlights of the 1998 shipwreck excavation season.

The Maritime Administration Collection of Ship Plans (1939–1970). with Paula J. Johnson (eds.) Washington, D.C.: Smithsonian Institution, 1995.

A catalog of Smithsonian ship plans available to the public.

"Downbound: Exploring the Wreck of the Indiana," Michigan History Magazine 77.5 (September/October 1993) 24–30.

General-interest account of one of the earliest propeller-driven steamboats in the Great Lakes.

"Escape by Water: The Smithsonian Institution’s Ship Plans Catalogs," Seaways IV.3 (May/June 1993) 32–35. Reprinted in Messing About in Boats 11.18 (1 Feb. 1994) 6–8.

Description of the Smithsonian’s three ship plans catalogs.

“SMITHSONIAN World Ocean Report: Underwater Archaeology,” Dive Training 9.6 (June 1999) 92–93.
“The Smithsonian Institution, Washington, D.C.,” in Peter Neill (ed.), Great Maritime Museums of the World. New York: Harry Abrams and Balsam Press, 1991. pp. 278–89

An overview of the 19th century origins of the Smithsonian’s maritime collections and a discussion of its highlights.

"Treasure Salvage, Archaeological Ethics and Maritime Museums," International Journal of Nautical Archaeology 22.1 (1993) 53–60. Reprinted in Prott et al., Background Materials on the Protection of the Underwater Cultural Heritage (Paris: UNESCO, 2000) 393–401.

A discussion of the ethics of collecting artifacts from shipwrecks.

“Gibbs, William Francis,” in Garraty, John A. et al.(eds.), American National Biography. New York & Oxford: Oxford University Press, 1999. Vol. 8, pp. 923–925.
"The End of the Age of Sail: Merchant Shipping in the Nineteenth Century," in George F. Bass (ed.), Ships and Shipwrecks of the Americas. London: Thames and Hudson, 1988. Chapter 12: pp. 231–50.
Tinkering: Consumers Reinvent the Early Automobile . Philadelphia: University of Pennsylvania Press, 2005. Paper edition 2011.
Major Problems in American Popular Culture. New York: Cengage, 2012.
"Looking at Artifacts, Thinking about History." with Steven Lubar. Artifact & Analysis: A Teacher’s Guide to Interpreting Objects and Writing History. Smithsonian Center for Education and Museum Studies and the National Museum of American History, 2001.

Discusses the value of artifacts in studying the past, and presents five ways to think about artifacts in history. Part of a teacher's guide developed for Advanced Placement Program U.S. History courses.

Legacies: Collecting America's History at the Smithsonian with Steven Lubar. Washington, D.C.: Smithsonian Institution Press, 2001.

Explores changing ideas about what is worth saving from the American past through an illustrated history of the National Museum of American History's collections, featuring over 250 objects.

Smithsonian Treasures of American History. New York: Collins, 2006.

Companion book to the Treasures of American History exhibition, featuring more than 150 objects from the NMAH collections.

“Stalking the Elusive Computer Bug,” Annals of the History of Computing, 1998. 20: 5–9.
“'Yours for Improvement'—The Adding Machines of Chicago, 1884–1930,” Annals of the History of Computing, 2001, 23: 3–21.
“The Material Culture of Scientific and Technical Information Systems in the United States—Patent Models to Computers,” Proceedings of the 2002 Conference on the History and Heritage of Scientific and Technical Information Systems, eds. Mary Ellen Bowden and W. Boyd Rayward, Chemical Heritage Foundation, 2004.
Tools of American Mathematics Teaching, 1800-2000 with Amy Ackerberg-Hastings and David Lindsay Roberts, Baltimore:  The Johns Hopkins University Press, 2008.

Surveys changes in the material culture of American mathematics teaching.  Tells stories about objects from the blackboard and the textbook to the protractor and the slide rule to the graphing calculator and computer software.

Essential Jazz Editions, Set #3: Music of the 30's, Part I (cellist). The Castle Trio. Smithsonian Collection of Recordings ND 034, 1988.

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #3 includes: From A_Flat to C, John Kirby Sextet; For Dancers Only, Jimmie Lunceford & His Orchestra; Big Jim Blues, Andy Kirk & His 12 Clouds of Joyl; Lonesome Road, Tommy Dorsey & His Orchestra; and Symphony in Riffs, Benny Carter & His Orchestra.

Essential Jazz Editions, Set #2: Louis Armstrong, 1926–1929

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #2 includes: Cornet Chop Suey, Louis Armstrong and His Hot Five; Hotter Than That, Louis Armstrong and His Hot Five; West End Blues, Louis Armstrong and His Hot Five; Tight Like This, Louis Armstrong and His Savoy Ballroom Five; and Mahogany Hall Stomp, Louis Armstrong and His Savoy Ballroom Five.

Essential Jazz Editions: Set #4: Music of the 1930s, Part II

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #4 includes: Avalon, Jimmie Lunceford & His Orchestra; Sweet Sue, Just You, Don Redman & His Orchestra; Swingtime in the Rockies, Benny Goodman & His Orchestra; King Porter Stomp, Benny Goodman & His Orchestra; and South Rampart Street Parade, Bob Crosby & His Orchestra.

Essential Jazz Editions: Set #1, New Orleans Jazz, 1918–1927

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #1 includes: Black Bottom Stomp, Jelly Roll Morton's Red Hot Peppers; The Chant, Jelly Roll Morton's Red Hot Peppers; Grandpa's Spells, Jelly Roll Morton's Red Hot Peppers; Tiger Rag (Hold That Tiger), the Original Dixieland Jazz Band; and Potato Head Blues, Louis Armstrong and His Hot Seven.

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