Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

Steam and the Sea. Salem: Peabody Museum, 1983.

An exhibition catalog and historical treatment of the origins and development of steamships from the 18th to the 20th centuries.

"Knowledge: The Real Treasure," Sea History 51 (Autumn 1989) 6–7.

An article on the subject of treasure hunting vs. archaeology.

“1997 Excavations of the Royal Hawaiian Yacht Ha‘aheo o Hawaii in Hanalei Bay, Kauai: Preliminary Report,” in Lawrence E. Babits et al. (eds.), Underwater Archaeology 1998. Tucson: Society for Historical Archaeology, 1998. 96–103.

Highlights of the 1997 shipwreck excavation season.

Shipwrecked in Paradise: Cleopatra's Barge
"Between the Devil and The Deep Blue Sea: Archaeology and the Council of American Maritime Museums," in J. Barto Arnold III (ed.), Underwater Archaeology Proceedings from the Society for Historical Archaeology Conference. Pleasant Hill, Calif.: Society for Historical Archaeology, 1989. pp. 149–150.

Museum ethics and policies regarding submerged cultural heritage.

"Preliminary Report on the 1996 Excavations of the Wreck of Ha’aheo o Hawaii (ex-Cleopatra’s Barge) in Hanalei Bay, Kauai," in Denise C. Lakey (ed.), Underwater Archaeology 1997. Tucson: Society for Historical Archaeology, 1997. 113–120.

Highlights of the 1996 shipwreck excavation season.

“The Origins of Marine Art,” Schatkamer: Veertien opstellen over maritiem-historische onderwerpen aangeboden aan Leo M. Akveld bij zijn afscheid van het Maritiem Museum Rotterdam (Franeker: Uitgeverij Wijnen, 2002) 114—127.
Tinkering: Consumers Reinvent the Early Automobile . Philadelphia: University of Pennsylvania Press, 2005. Paper edition 2011.
Major Problems in American Popular Culture. New York: Cengage, 2012.
Legacies: Collecting America's History at the Smithsonian with Steven Lubar. Washington, D.C.: Smithsonian Institution Press, 2001.

Explores changing ideas about what is worth saving from the American past through an illustrated history of the National Museum of American History's collections, featuring over 250 objects.

"Looking at Artifacts, Thinking about History." with Steven Lubar. Artifact & Analysis: A Teacher’s Guide to Interpreting Objects and Writing History. Smithsonian Center for Education and Museum Studies and the National Museum of American History, 2001.

Discusses the value of artifacts in studying the past, and presents five ways to think about artifacts in history. Part of a teacher's guide developed for Advanced Placement Program U.S. History courses.

Smithsonian Treasures of American History. New York: Collins, 2006.

Companion book to the Treasures of American History exhibition, featuring more than 150 objects from the NMAH collections.

Tools of American Mathematics Teaching, 1800-2000 with Amy Ackerberg-Hastings and David Lindsay Roberts, Baltimore:  The Johns Hopkins University Press, 2008.

Surveys changes in the material culture of American mathematics teaching.  Tells stories about objects from the blackboard and the textbook to the protractor and the slide rule to the graphing calculator and computer software.

“Stalking the Elusive Computer Bug,” Annals of the History of Computing, 1998. 20: 5–9.
“'Yours for Improvement'—The Adding Machines of Chicago, 1884–1930,” Annals of the History of Computing, 2001, 23: 3–21.
“The Material Culture of Scientific and Technical Information Systems in the United States—Patent Models to Computers,” Proceedings of the 2002 Conference on the History and Heritage of Scientific and Technical Information Systems, eds. Mary Ellen Bowden and W. Boyd Rayward, Chemical Heritage Foundation, 2004.
Essential Jazz Editions, Set #3: Music of the 30's, Part I (cellist). The Castle Trio. Smithsonian Collection of Recordings ND 034, 1988.

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #3 includes: From A_Flat to C, John Kirby Sextet; For Dancers Only, Jimmie Lunceford & His Orchestra; Big Jim Blues, Andy Kirk & His 12 Clouds of Joyl; Lonesome Road, Tommy Dorsey & His Orchestra; and Symphony in Riffs, Benny Carter & His Orchestra.

Essential Jazz Editions, Set #2: Louis Armstrong, 1926–1929

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #2 includes: Cornet Chop Suey, Louis Armstrong and His Hot Five; Hotter Than That, Louis Armstrong and His Hot Five; West End Blues, Louis Armstrong and His Hot Five; Tight Like This, Louis Armstrong and His Savoy Ballroom Five; and Mahogany Hall Stomp, Louis Armstrong and His Savoy Ballroom Five.

Essential Jazz Editions: Set #4: Music of the 1930s, Part II

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #4 includes: Avalon, Jimmie Lunceford & His Orchestra; Sweet Sue, Just You, Don Redman & His Orchestra; Swingtime in the Rockies, Benny Goodman & His Orchestra; King Porter Stomp, Benny Goodman & His Orchestra; and South Rampart Street Parade, Bob Crosby & His Orchestra.

Essential Jazz Editions: Set #1, New Orleans Jazz, 1918–1927

Essential Jazz Editions (EJE) is a series of scores for jazz ensembles transcribed from classic jazz recordings. Each original transcription includes historical and performance notes. This project was conceived jointly by Jazz at Lincoln Center, the Smithsonian Institution's National Museum of American History, and the Music Division, Library of Congress.

Set #1 includes: Black Bottom Stomp, Jelly Roll Morton's Red Hot Peppers; The Chant, Jelly Roll Morton's Red Hot Peppers; Grandpa's Spells, Jelly Roll Morton's Red Hot Peppers; Tiger Rag (Hold That Tiger), the Original Dixieland Jazz Band; and Potato Head Blues, Louis Armstrong and His Hot Seven.

"Public Health Service." in Government Agencies, edited by Donald R. Whitnah , 450–458. Westport, Conn.: Greenwood Press, 1983.

A short history of the U.S. Public Health Service.

“Biologics Control Act of 1902.” in The Early Years of Federal Food and Drug Control, edited by Glenn Sonnedecker, 8–27. Madison, Wisc.: American Institute of the History of Pharmacy, 1982.

A history of the first federal law regulating the interstate and foreign sale of a specific class of drugs in the United States. Illustrations of objects and trade literature in the NMAH collections.

The History of Pharmacy: A Selected Annotated Bibliography, associate editor. New York: Garland Publishing Inc., 1995. Section on “Equipment and Museology,” 254–285.

114 annotated bibliographic entries on pharmaceutical equipment and historical pharmaceutical displays, mainly Europe
and the United States.

"Death Helped Write the Biologics Law." FDA Consumer, 16 (1982): 23–25.

A more popular version of the “Biologics Control Act of 1902” paper.

Caduceus: A Humanities Journal for Medicine, 13, no. 3 (Winter, 1997), guest editor. “150 Years of Collecting Medical History at the Smithsonian Institution.” Wrote “Introduction” (2-12), “Medical Imaging” (23-26), and “Scientific Medicines” (43-46).

The whole issue, devoted to the history of the Medical Sciences Division and its collections, is written by the current
staff working with those collections and includes many photographs of objects and exhibitions.

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