Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

Red Hot and Blue: A Smithsonian Salute to the American Musical with Amy Henderson. Smithsonian Institution Press, 1996.

Based on the 1996 Smithsonian exhibition with the same title, the text offers a collective biography of the artists and craftspeople who created the American musical on stage and screen.

American Songbooks, Vols. 1-24. (annotator and producer) Washington, D.C.: Smithsonian, 1993-5. 24 compact discs with booklets.

The legacy of American songwriters is traced through this recording series with individual volumes devoted to Harold Arlen, Irving Berlin, Hoagy Carmichael, Cy Coleman, Duke Ellington, Dorothy Fields, George Gershwin, Oscar Hammerstein II, E. Y. Harburg, Jerome Kern, Alan Jay Lerner, Frank Loesser, Johnny Mercer, Cole Porter, Andy Razaf, Arthur Schwartz, Jule Styne, James Van Heusen, Fats Waller, Harry Warren, Kurt Weill, Richard Whiting, Alec Wilder, Vincent Youmans.

From This Moment On: Songs of Cole Porter, Vols. 1-4 (annotator and producer) Washington, D.C. and New York, NY: Smithsonian/SONY, 1992. 4 compact discs with 60-page booklet; bibliog..; discog.

Cole Porter’s work for the international musical stage and screen is chronicled in 84 archival recordings and textual annotation.

“The National Puppet Collection,” in American Puppetry: Collections, History and Performance. Eds. Phyllis Dircks, Steve Abrams. New York: American Theater Library Association, 2004.
American Quilts (Smithsonian Treasury). Washington, D. C.: Smithsonian Institution Press, 1991.
Albright, Madeleine. Madam Secretary: A Memoir, Miramax; (September 16, 2003) 2003.
Alexander, Jane. Command Performance: An Actress in the Theater of Politics, Public Affairs Press (DC); 1st edition (May 30, 2000).
Ferraro, Geraldine, Linda Bird Francke. Ferraro: My Story, 1985
The Year in Pictures, Life magazine, Jan. 1985.
Editors' photo. Ebersole, Lucinda and Richard Peabody, eds. St. Martin's Press; 1st edition (February 1, 1993).
"From Stethoscopes to Artificial Hearts: 150 Years of Collecting Medical History at the Smithsonian Institution" in Caduceus, Southern Illinois University Press, 1997.

Collecting artifacts with special emphasis on the urgical, cardiology, anesthesiology, endoscopy, and bionics collection.

"The Classificiation of Artifacts in the Dittrick Museum" with Patsy Gerstner in Caduceus, Southern Illinois University, 1988.

Report on the adoption of the National Library of Medicine's Medical Subject Headings (MeSH), to medical artifacts.

Web site: Artificial Anatomy: Papier-Mâché Anatomical Models with Richard Barden.
“Julia Child’s Kitchen as a Conservation Classroom” In The Public Face of Conservation, Emily Williams, ed. (London: Archetype Publications in association with the Colonial Williamsburg Foundation, 121-130).

Report on the condition of objects on long-term display in Julia Child's Kitchen at the National Museum of American History. Curatorial and conservation issues are discussed.  

"Rhythm of the Land," Agricultural History 68 (Fall 1994), pp. 1–22.

Using interviews and archival sources, this essay examines the rural South's impact on the origins of rock 'n' roll music. It was the presidential address for the Agricultural History Society, 1994.

"The Legal Basis of Agrarian Capitalism: The South since 1933," in Melvyn Stokes and Rick Halpern, eds. Race and Class in the American South since 1890 (Oxford: Berg Publishers, 1994), pp. 79–102.

Based on legal and archival sources, this lecture analyzed the importance of federal programs in reshaping rural life and perpetuating racism in commodity programs. This essay was the Commonwealth Fund Lecture for 1992, University College London.

Breaking the Land: The Transformation of Cotton, Tobacco, and Rice Cultures since 1880. Urbana: University of Illinois Press, 1985.

Focusing on three commodities, the book traces the impact of government programs and mechanization in transforming rural life over a century. The book won the Charles S. Sydnor Prize from the Southern Historical Association and the Herbert Feis Award from the American Historical Association.

Lost Revolutions: The South in the 1950s. Chapel Hill: University of North Carolina Press, 2000.

This is an overview of the U.S. South that focuses on missed opportunities to reform rural life and face the problem of racism. It also discusses rock 'n' roll music and stock car racing. It won the Elliott Rudwick Prize from the Organization of American Historians.

Toxic Drift: Pesticides and Health in the South, 1945-1970. Baton Rouge: Louisiana State University Press, forthcoming, 2005.

This book analyzes the impact of snythetic chemicals (pesticides) on human health and on birds, fish, wildlife, and domestic animals. This book was the basis of the 2004 Walter Lynwood Fleming Lectures at Louisiana State University.

On the Move: Transportation and the American Story with Michael S. Sweeney. (National Geographic, 2003).

A richly illustrated companion book to the America on the Move exhibition that explores transportation and American history from 1800 to 2000.

"Book review: Architects to the Nation by Antoinette J. Lee (New York: Oxford University Press, Inc., 2000)," The Public Historian, Spring 2002.
“Early 19th Century American Composition Ornament by George Andrews,” in Country Houses and Collections: An Anthology.  London, England: The Attingham Trust, 2002.
"Baltimore Quilts in Bath, England," America in Britain, Fall 2002.

Explicates the design of several quilts in the American Museum in Bath, England.

The Baltimore Album Quilt Tradition, Tokyo: Kokusai Art Publication, 1999, second printing 2001.

An examination of the role of women and aspects of gentility in the making of Baltimore Album quilts in the Maryland Historical Society collection.

"Maryland History in Film," with Leith Johnson in Filming Maryland. Baltimore: Maryland Historical Society Press, 2000.

Discusses the role of feature films as historical documents.

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