Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

“The Iron Lung in History and Cultural Memory,” in Mary Jo Arnoldi, ed., Engaging Smithsonian Objects through Science, History, and the Arts  (Smithsonian Institution Press, 2016):192-205.

Explains how understanding the history of the tank respirator, or iron lung, relates to its interpretation in a museum exhibit.

“Collective Bodies; What Museums do for Disability Studies,” in Re-Presenting Disability; Activism and Agency in the Museum, Richard Sandell, Jocelyn Dodd, Rosemarie Garland-Thomson, eds. (New York, London: Routledge, 2010): 269-279.

A discussion of the politics and implications of disability content in exhibitions.

"Making Disability Public: An Interview with Katherine Ott" Interview by David Serlin, Radical History Review 94 (Winter 2006) pp. 197-211.

Discussion of issues that underpin the collecting and exhibiting of the history of disability and people with disabilies.

Scrapbooks In American Life, with Susan Tucker, Patricia Buckler, eds. (Philadelphia: Temple University Press, 2006).

A collection of essays examining the origins and different uses of scrapbooks through analysis of a variety of albums.  Winner of the Allen G. Noble Book Award for best edited volume on material culture.

“The Sum of Its Parts: An Introduction to Modern Histories of Prosthetics,” in Katherine Ott, David Serlin, Stephen Mihm, eds., Artificial Parts, Practical Lives; Modern Histories of Prosthetics (New York: New York University Press, 2002): 1-42.

An overview of the evolution of understanding of prosthetics.

“Contagion, Public Health, and the Visual Culture of Nineteenth Century Skin,” in David Serlin, ed. Imagining Illness: Public Health and Visual Culture (Minneapolis: University of Minnesota Press, 2010): 85-107.

Analyzes the relationship of the graphic representations of the dermatological conditions of scabies and favus (ringworm) to the beginning of professional public health work.

"Hard Wear and Soft Tissue: Craft and Commerce in Artificial Eyes," in Katherine Ott, David Serlin, Stephen Mihm, eds., Artificial Parts, Practical Lives; Modern Histories of Prosthetics (New York: New York University Press, 2002): 147-170.

Examines development of the making of artificial eyes in the nineteenth and twentieth centuries, including discussion of techniques, materials, training of the makers, and the internal politics of eye-making.

The Kennedys: Portrait of a Family, with Richard Avedon. New York: CollinsDesign, 2007.

No family has captured the fascination of the American public like the Kennedys. In 1961, acclaimed photographer Richard Avedon of Harper’s Bazaar magazine photographed president-elect John F. Kennedy and his young family. This study showcases a selection of previously unpublished images from the historic photo session. Avedon donated more than 200 photographs and negatives to the Museum in 1966, complementing the Museum’s 1962 acquisition of Jackie Kennedy’s inaugural gown.

“Frith’s Fabulous Photography,” DIG November/December (2004), vol. 6, no. 9, pp. 26–27.

Illustrated article about how Englishman Francis Frith made and sold photographs of Egypt’s historic relics and sites in the 1860s. DIG is a children’s archeology magazine.

“Local Photographers in the National Collection,” with Michelle Delaney in History of Photography Journal, vol. 24, no. 1, Spring (2000), pp. 63–64.
“Things Panoramic,” Panorama, November (2003).

Illustrated article about panorama cameras and photographs in the Photographic History Collection.

“Process and 3-D Materials, National Museum of American History,” History of Photography, vol. 24, no. 1, Spring (2000), pp. 37–41.

Discusses photographs and equipment in the Photographic History Collection related to process and 3-D photography, especially as it connects to advertising and photojournalism, from 1840s-1960s.

“Coming into Focus,” Footsteps, January/February (2005) vol. 7, no.1, pp. 37–41.

Illustrated article about how daguerreotypes are made, and mentions African-American daguerreotypist Augustus Washington. Footsteps is a children’s magazine about African American history, this particular issue focuses on African American inventors.

"From Idea to Matter: 9 Sculptors," [and interview co-authored with Edward Albee] Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, October 2000.
Arshile Gorky: The Implications of Symbols University of California Press, 1991
Seymour Lipton: Aspects of Sculpture, Smithsonain Institution Press, 1979.
Hundertwasser der Maler German language edition, F. Bruckmann Verlag, Munich, Germany, 1986; reprinted Otus Verlag, St. Gallen, Switzerland, 2001.
The Genius of American Painting, Morrow & Co., New York, (co-author), 1973.
Julian Stanczak: Decades of Light, State University of New York, Buffalo, Poetry & Rare Book Collection, (co author) 1990.
Manet's Contemplation at the Gare St. Lazare, University of California Press, 1987; paperback 1991.
Friedensreich Hundertwasser, Taschen Verlag (Cologne, Germany, 1991) editions in German, French, English, Dutch, Spanish, Italian, Swedish, Danish (Japanese edition in press); abridged edition 1993; Hungarian, 1994; hardcover reprint 1997; second, compact, edition 2003.
Paul Manship, Smithsonian Institution Press, 1989.
Color: Suite In Four Parts, DOV Press, Washington, D.C. 1993.
"William Scharf: History Painter", essay in Phillips Collection, Washington D.C., November 2000 for the exhibition William Scharf: Paintings 1984–2000.
"Phil Curtis," American Dreamer (New York: Hudson Hills Press), Contributor, 1999.

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