Detailed analysis of the preservation of objects, folklore, music, governmental records over the 19th and 20th centuries.
The list of selected staff publications may be searched by keyword or author and can be sorted by year.
Comparison of the work in the 1980s and 1990s to found the National Museum of the American Indian, the Holocaust Museum in Washington, D.C. and the earlier unsuccessful attempt to pass legislation to put an African American Museum on the Mall.
Brief history of Black efforts to preserve African American history in collections.
Brief analysis of the struggles over control of ethnic images in 20th century U.S.A.
Analysis of the special role that Black women have played in the preservation of African American history.
Detailed analysis of the relationship between professional historians and "organic historians" of the African American experience.
Comments on emerging museums of slavery and their efforts to put that history on exhibition.
Analyzes the preservation history of four African American women: Harriet Tubman, Mary McLeod Bethune, Maggie Walker, and Madame C. J. Walker.
Brief analysis of issues involved in earlier attempts to put an African American museum on the mall.
Analysis of the images of ethnicity in American advertising,both television and print, between World War II and the Vietnam War.
Surveys the process undertaken to collect museum objects from the Gulf Coast in the wake of Hurricane Katrina, what was collected, and the rationale behind their selection.
Recounts the origins, fabrication, and varied meanings of Infinity, the sculpture created for the museum in 1967 by Jose de Rivera.
Examines the rise of early American foot-powered machinery in the woodworking and metalcutting industries, speculating
on the transferability of such innovation to the modern developing world.
State-by-state entries list and describe industrial tourism sites, industrial museums, and historic factories
throughout the fifty states.
Recounts the author's rehabilitation of the packaging collection at the Landor Museum of Packaging Antiquities in San
Uses two sets of NMAH artifacts (coffins and ritual animal-killing knives) to compare and contrast Orthodox Jewish
approaches toward cleanliness, pain, life, and death.
Encapsulates several years of work in the Republic of Guyana studying, repairing, and recording 19th-century tower clocks and bells. Addresses Guyanese perceptions of public timekeeping and time consciousness.
Chronicles the rise of the elephant ivory industry from Byzantine craft shops to 20th-century American comb, billiard
ball, and piano key factories.
Uses the only surviving piano key bleach house to describe and illustrate the stages of manufacture from elephant tusks to finished piano keys, 1800–1950.