CD recording of three of the thirty-four string quintets of Georges Onslow (called by no less discriminating a critic than Hector Berlioz “our French Beethoven”), played on five Stradivarius instruments from the Smithsonian collection: the Ole Bull and Greffuhle violins, the Axelrod viola, and the Servais and Marylebone cellos. Slowik’s cello colleague is the legendary Dutch cellist, Anner Bylsma, who is joined by his L’Archibudelli colleague, violinist Vera Beths. Slowik’s accompanying essay discusses the three works, paying particular attention to Onslow’s autobiographical Op. 38 quintet, subtitled “The Bullet.”
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The first CD recording made on period instruments of the complete trio sonatas of Corelli’s Op. 3. Slowik’s Smithsonian Chamber Players colleagues are violinists Jaap Schroeder and Marilyn McDonald, theorbo player Konrad Junghänel, and organist James Weaver. In the accompanying essay, Slowik discusses Corelli’s widespread influence at the end of the seventeenth century and the history of the Op. 3 sonatas.
CD recording of one half of Schubert’s output for piano trio, performed on period instruments by the Castle Trio. The Trio’s Grammy Award-winning pianist Lambert Orkis uses a copy of an 1824 Graf fortepiano made by Rod Regier, who has subsequently done extensive restoration work on the Smithsonian’s own Graf instrument. Slowik’s accompanying essay discusses the works and the last years of Schubert’s life.
Entries in specialized science and technology encyclopedia about the invention and development of irons, stoves, and washing machines in America, with links to other inventions featured in the publication.
Provides a brief history of the invention and early development of the electric guitar in America. Reprinted from the American Heritage of Invention and Technology 20, no. 1 (summer 2004).
This virtual exhibition features instruments that illustrate how innovative makers and players combined the guitar with a pickup and amplifier to create a new instrument and a new sound that profoundly changed popular music—blues, country, rhythm and blues, jazz, and rock and roll—in the 20th-century. From an exhibition produced by the Lemelson Center for the Study of Invention and Innovation at the Smithsonian's National Museum of American History, November 1996 through October 1997.
Places of Invention tells the stories of people who lived, worked, played, collaborated, adapted, took risks, solved problems, and sometimes failed--all in the pursuit of something new. It dispels the myth of the lone inventor and shows that invention and innovation abound--not just in the Silicon Valleys of America but in hometowns across the country.