This article discusses Americans’ growing interest in prints in the last quarter of the 19th century, including exhibitions, sales, and the formation of collections.
The list of selected staff publications may be searched by keyword or author and can be sorted by year.
This article presents some of the magazine covers produced in 1942 to celebrate the first Fourth of July after Pearl Harbor and the related exhibition at the National Museum of American History.
This essay discusses the Smithsonian’s participation in a national exhibition, and describes the 1000 prints on view in the graphic arts section. It provides an appendix listing all artists and publishers included in the exhibition.
In a volume that presents a number of conference papers, this essay discusses the importance of prints to artists and collectors in Philadelphia in relation to the Sartain family of artists and art educators.
Catalog of an exhibition celebrating 150 years of print collecting by the Smithsonian Institution. Essay examines the history of public attitudes and cultural changes that affected artists, collectors, curators, and audiences.
A special issue of the journal History of Photography featured the Photographic History Collection at the National Museum of American History. Essays on several aspects of collection including daguerreotypes, W. H. F. Talbot, J. W. Draper, Pictorialism, color photography, and photomechanical processes.
Two essays in Volume 4 of the Artefacts series, studies in the history of science and technology, a collaboration of the Deutsches Museum (Munich), the Science Museum (London), and the Smithsonian. One discusses the role of photomechanical processes in reproducing and distributing pictures in the 19th century. The other describes selected museums that collect and exhibit visual collections and their apparatus.
This essay describes the Smithsonian’s ambitious program of loan exhibitions that included many works by living artists. These exhibits introduced many new prints and printmakers to a broad national public between 1923 and 1948. Two appendices identify traveling group shows and the printmakers featured in solo exhibitions during this period.
A discussion of some of the issues faced in exhibiting an icon of the American civil rights movement.
Learn how a portion of the Woolworth lunch counter from Greensboro, North Carolina, became part of the American civil rights movement collection at the National Museum of American History.
The article uses the acquisition and exhibition of the Greensboro Woolworth lunch counter as a lens for examining, collecting, and interpreting the recent past. Explores the role of memory; meaning and representation; curatorial roles and obligations; politics; and race in doing public history at the Smithsonian Institution.
An essay on the history and importance of the Smithsonian Jazz Oral History Program and other components of the collections and work of the Smithsonian and the National Museum of American History to preserve and promote America's jazz legacy.