Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

"The Incandescent Electric Light." in Margaret Latimer and Brooke Hindle (eds.), Bridge to the Future, Annals of the New York Academy of Sciences, Vol. 424 (1984), pp. 247–263.

This is an anlaysis of the symbolic use of the incandescent lamp in religious writings, cartoons, art (including Picasso's Guernica).

The History of Electrical Technology: An Annotated Bibliography. New York: Garland Press, 1991.

There are over 1500 entries in this international survey, with author and subject indexes.

"Working at Menlo Park." in William S. Pretzer (ed.), Working at Inventing: Thomas A. Edison and the Menlo Park Experience. Dearborn, MI: Henry Ford Museum & Greenfield Village, 1989 (reprint 2002), pp. 32–47.

Edison was supported in his work at Menlo Park by a number of assistants. This is an analysis of their backgrounds and their reasons for coming and leaving.

"The Search for a Vacuum," "Carbon and the Incandescent Lamp," "Who Invented the Incandescent Lamp?," "The Menlo Park Mystique." in Robert Friedel, Paul Israel, Bernard Finn, Edison's Electric Light: Biography of an Invention. New Brunswick: Rutgers University Press, 1985.

These are short, pointed essays in a book that provides a definitive account of Edison's invention.

"The Museum of Science and Technology." in Michael S. Shapiro (ed.), The Museum: A Reference Guide. Westport, CT: Greenwood Press, 1989, pp. 59–83.

A discussion of the history of these museums, followed by a bibliography (partially annotated).

“Collectors and Museums,” in Artefacts, Vol 2, Exposing Electronics. Amsterdam: Harwood Academic Publishers, 2000, pp. 175–191.

Comments on ways that private collections have affected the development of public institutions.

“Context and Controversy.” in Svante Lindqvist (ed.), Museums of Modern Science; Nobel Symposium 112. Canton, MA: Science History Publications, 2000, pp. 151–158.

A discussion of how and why exhibitions at technical museums have increasingly had the potential to be controversial.

"Alexander Graham Bell's Experiments with the Variable-Resistance Transmitter." Smithsonian Journal of History 1, no. 4 (1966), pp. 1–16.

Experiments with Bell's instruments (and reproductions of them), combined with remarks made in his notebooks, provide fresh insights into the origins of his invention.

"An Appraisal of the Origins of Franklin's Electrical Theory." Isis 60 (1969), pp. 362–369.

Word analysis is used to speculate on where Franklin got some of his ideas.

Artefacts, Vol. 4, Presenting Pictures. Principal editor. London: Science Museum, 2004.

There are essays on the history of technologies for reproducing and transmitting images and also one on museums of printing and photography.

"Edison and the Style of Invention." Rassagna: Problemi di architettura dell'ambiente, 13, 46/2 (1991), 44-53.

This is an attempt to analyze Edison's work as a matter of "style."

"Franklin as Electrician." IEEE Proceedings 64 (1976), 1270–1273.

In many ways Franklin benefitted from his isolation in America and was free to develop new concepts.

"Growing Pains at the Crossroads of the World: A Submarine Cable Station in the 1870s." IEEE Proceedings 64 (1976), pp. 1287–1292.

How the introducton of new technologies and hardships in a remote Newfoundland station interacted.

Artefacts, Vol 2, Exposing Electronics Principal editor. Amsterdam: Harwood Academic Publishers, 2000.

There are several essays on the history of electronics, with an emphasis on the importance of loking at objects. There is also a section on museums with electrical collections.

"Reaching the Mass Audience: Business History as Popular History," in James O'Toole, ed., The Records of American Business (Chicago: Society of American Archivists, 1997)

Discusses the role of archival records, especially audio-visual materials, in such popular business history forms as exhibitions, licensed product reproductions, and print publications.

"The Last Revolution and the Next," Journal of Archival Organization, 2 (number 1/2), 2004.

Information and communications technologies have transformed the archival enterprise, changing the way we work and our relationship with the wider society. Access to archives has increased immeasurably and spurred demand for use of archives. At the same time, in a painful irony, public support for archival work is under attack. Archivists must continue to assert the case for archives in our larger civic life.

"Summary Remarks." Choices and Challenges: Collecting by Museums and Archives. Henry Ford Museum and Greenfield Village, 2002.

Comments on eight papers that examine issues in the acquisition of artifacts and archival materials by museums and archives. Urges attention to the social and civic role of our institutions and their holdings.

"Greeting Cards and American Consumer Culture," in The Gift as Material Culture (Yale-Smithsonian Reports on Material Culture, No. 4, 1995)

Greeting cards are associated with gift exchange and sentimentality while simultaneously belonging to a vast consumer industry.

"The Archives Center at the National Museum of American History: Connecting Archival Materials and Artifacts," Collections, 3 (number 2, Spring, 2007)
"How I Learned to Stop Worrying and Love the Artifact," Museum Archives Section Newsletter, Summer, 2005 
"What the Past Tells Us about the Future of Science" in La ciencia y la tecnologia ante el tercer milenio. José Manuel Sánchez Ron, ed. Madrid: Sociedad Estatal España Nuevo Milenio, 2002. pp. 27–37.

The future of science cannot be predicted by extrapolating current scientific concepts but can, to some extent, by considering the general social and cultural conditions under which scientific knowledge is being produced at present and is likely to be produced in the future.

"Molecular beam measurements of nuclear moments before magnetic resonance: I. I. Rabi and deflecting magnets to 1938. Part I." Annals of Science, v.55: 111–160 (1998).

A close examination of the earliest phases of I. I. Rabi’s scientific life and work, through his postdoctoral research at Hamburg University with Otto Stern, 1927-29, and of the techniques for magnetic deflection of molecular beams employed by Stern and Rabi in that laboratory.

“(Re)cognizing postmodernity: helps for historians -- of science especially,” Berichte zur Wissenschaftsgeschichte, 33 (2010), 157-175.

This paper resumes the argument of “The Primacy…” that faith in procedurism and a low valuation of technology (relative to science) were distinctive for modernity and demarcated it from postmodernity. It extends that argument by drawing attention to the demise of disinterestedness as cultural value in postmodernity. Further, it underscores the distinction between the reality that is postmodernity and the ideology and practice that is postmodernism by drawing attention to the fact that the postmodernists’ contention that contemporary personhood is essentially and characteristically fragmented is contradicted by our exaltation of the single-minded, rule-breaking entrepreneur above all other ideals of personhood, in particular above the open-minded but rule-following scientist.

"P. R. Gross, N. Levitt, and M. W. Lewis, eds., The flight from science and reason" Science, 276: 750–53 (1997).

Essay review of the proceedings of a conference called to refute postmodern intellectual positions, pointing out how ineffective the contributions are in doing so, and how largely the contributions themselves give evidence of the postmodernization of contemporary thought, including that of scientists.

Einstein: a Centenary Exhibition with Paul A. Hanle. (Smithsonian Institution Press for National Museum of History and Technology, 1979), 48 pp.

Catalog of an special exhibition, 1979–80, in the Dibner Exhibition Gallery of the Museum featuring artists portraits of Einstein, manuscripts by him, and apparatus connected with tests of his special and general theories of relativity – notably a large torsion balance to test equivalence of gravitational and inertial mass constructed for Lorand Eötvös (lent by Museum for History and Science and Technology, Budapest), and a 1300 Kg aluminum cylinder deployed by Joseph Weber as gravitational wave antenna.

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