Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

A Historical Guide to the United States, editor and contributor. (New York: W.W. Norton and Company, 1986).
Public History: Essays from the Field, e.d., with Peter S. LaPaglia. (Malabar, FL: Krieger Publishing Company, 2004).
"The Redefinition of Historical Scholarship: Calling a Tail a Leg?" The Public Historian 20 (Fall 1998): 43–57.
“Collecting a National Tragedy,” The Public Historian 20 (Fall 1998): 43–57.
“Collections Planning: Pinning Down a Strategy,” Museum News 81 (March/April 2002): 42–45,66–67.
“September 11 and the Mourning After: Reflections on Collecting and Interpreting the History of Tragedy," with Sarah M. Henry. The Public Historian 24 (Summer 2002): 37–52.
"The Redefinition of Historical Scholarship: Calling a Tail a Leg?: Response," The Public Historian 21 (Spring 1999): 95–97.
Facts About Museums: An Assessment of Data on the Museum Community (Washington, D.C.: Institute of Museum and Library Services, 1998).
"Contested Terrain: History, Museums and the Public," The Public Historian
The AAM Guide to Collections Planning with Elizabeth Merritt. (Washington, D.C.: American Association of Museums, 2004).
Ordinary People and Everyday Life: Perspectives on the New Social History e.d. (Nashville: AASLH, 1983).
"Pioneers of Public History: Serving Time in the Trenches: David F. Trask, Public Historian and Federal Historian," The Public Historian 22 (Spring 2000): 9–27.
American Holiday Postcards, 1905-1915: Imagery and Context. McFarland Press, 2013.

Examines deep divides at the height of the Progressive Era as expressed through holidays and holiday imagery.

“Were Christmas Cards America’s First Social Media?” Zócalo Public Square “What it Means to be American” series, December 2014.
“Star-Spangled Turkeys: Patriotism in Thanksgiving Postcards.” The Ephemera Journal. Vol. 17, No. 1, September 2014.
“Rural Americans, Postcards, and the Fiscal Transformation of the Post Office Department, 1909-1911.” The Winton M. Blount Postal History Symposia: Selected papers, 2010-2011. Smithsonian Institution Scholarly Press, 2012.
“Star-Spangled Turkeys: Patriotism in the Visual Culture of Thanksgiving, 1863-1913.” Mid-Atlantic Almanack. Vol. 16, 2007.
First Ladies: Political Role and Public Image, co-authored with Edith P. Mayo, Scala Publishers Ltd., 2004
"Youth Employment and Education: Possible Federal Approaches," with Josh Green, Budget Issue Paper, Congressional Budget Office, July 1980.
"Young People with High School Problems: Dropouts and Low Achievers," Staff Draft Analysis, Congressional Budget Office, March 1980.
"The Federal Effort for High Schools." Staff Draft Analysis, Congressional Budget Office, January 1980.
"Federal Compensation of Federal Lands: The Estimated Cost of Tax Equivalency," Staff Draft Analysis, Congressional Budget Office, September 1979.
We Are Here: 500 Years of Pueblo Resistance. Scriptwriter, artistic direction, casting for film. 14 minute documentary short film. Produced by Smithsonian Telecommunications, in association with the exhibition, American Encounters, National Museum of American History. Winner, Cine Golden Eagle, 1992.

A film which examines the Pueblo struggle to retain their land and their sovereignty in the face of invasion and domination attempts by Europeans and Americans.

"On Looking in the Mirror of An Institution," Virginia Foundation for the Humanities and Public Policy Newsletter; reprinted in Northeast Indian Quarterly, Summer, 1990; The Graduate Quill, SUNY/Buffalo, April, 1991.

An article, taken from a keynote address at the opening of an exhibition on Indian education at Hampton Institute, which suggests the lessons learned for the present from an examination of a particular moment in the historical past.

"The Only Good Indian: Images of the American Indian in American Vernacular Culture," PhD Dissertation, Indiana University, 1973.

A dissertation on images and representations of American Indians in American culture, with an emphasis on visual and material representations and on oral tradition taken from collections at the Smithsonian Institution.

Pages