"The Redefinition of Historical Scholarship: Calling a Tail a Leg?"
The Public Historian 20 (Fall 1998): 43–57.
“Collecting a National Tragedy,”
The Public Historian 20 (Fall 1998): 43â€“57.
“Collections Planning: Pinning Down a Strategy,”
Museum News 81 (March/April 2002): 42â€“45,66â€“67.
First Ladies: Political Role and Public Image,
co-authored with Edith P. Mayo, Scala Publishers Ltd., 2004
"Youth Employment and Education: Possible Federal Approaches,"
with Josh Green, Budget Issue Paper, Congressional Budget Office, July 1980.
"Young People with High School Problems: Dropouts and Low Achievers,"
Staff Draft Analysis, Congressional Budget Office, March 1980.
"The Federal Effort for High Schools."
Staff Draft Analysis, Congressional Budget Office, January 1980.
"Federal Compensation of Federal Lands: The Estimated Cost of Tax Equivalency,"
Staff Draft Analysis, Congressional Budget Office, September 1979.
From Ritual to Retail: Pueblos, Tourism and the Fred Harvey Company.
Producer/Director. 17 minute documentary short video. Produced in association with the exhibition, Inventing the Southwest: The Fred Harvey Company and Native American Art, 1995, Heard Museum, Phoenix, AZ.
A film which explores the impact of the Fred Harvey Company and early 20th century tourism on Native art and culture.
"American Indian Women: Diverse Leadership for Social Change"
in Albrecht and Brewer, eds. Bridges of Power: Women's Multicultural Alliances. Santa Cruz, Calif.: New Society Publishers, 1990; re-edited from “Culture and Gender in Indian America,” Sojourner: The Women's Forum 15 (September, 1989).
An essay which sets out some of the historical and cultural perameters of Native gender roles, cultural change, and political power in Native America.
"A Modest Proposal: The Museum of the Plains White Person,"
in Senator Robert Torricelli, Andrew Carroll, and Andrew Dubill, eds. In Our Own Words: Greatest Speeches of The American Century. Kodansha America, Inc., 1999.
A satirical reversal of the usual representation of Native Americans in museums.
Pissing in the Snow And Other Ozark Folktales,
editing and "Introduction," by Vance Randolph. Champaign-Urbana: University of Illinois Press, 1976; ix–xxix; Avon Paper edition, 1977. In print, University of Illinois Press, 1999, in its 15th edition; in print and in its 20th edition, 2003.
A collection of heretofore-unpublished tales of the noted Ozark collector and folklorist, Vance Randolph, which I edited and brought to publication.
Heartbeat: Voices of First Nations Women, 1995, and Heartbeat II, 1998.
Producer, with Howard Bass. CD/audiocassette recording. 79 minutes. Smithsonian Folkways.
A landmark sound recording in 2 volumes, of the music of contemporary American Indian women.
"American Indian Art in Oklahoma"
Oklahoma Today Special Issue on American Indian Art, (December, 1990).
"Vance Randolph's 'Unprintable' Tales."
Mid-South Folklore. 3, no.3 (1976).
An article on bringing Vance Randolph’s “bawdy” Ozark folktales to print.
Corn Is Who We Are: Pueblo Indian Food.
Co-Director (scripting, casting, artistic direction, edit) for film. 20 minute documentary short film. Produced by Alturas Films and Smithsonian Telecommunications. Winner, Silver Apple, National Educational Film Festival, 1994; English Spanish language versions.
A film that explores the centrality of corn to Pueblo culture, history and health and the death and rebirth of corn agriculture in Pueblo country.
"Kill the Indian and Save The Man: Indian Education in the United States."
Introduction to To Lead and To Serve: Indian Education at Hampton Institute, 1978–1923. an exhibition catalog. Charlottesville: Virginia Foundation on Humanities and Public Policy, 1989.
An introduction to an exhibition on Indian education at Hampton Institute with a brief history and analysis of US policy and practice in the education of Indians in the 19th and twentieth centuries.
"Traits of Indian Character: The 'Indian' Anecdote in American Vernacular Culture."
Southern Folklore Quarterly. 39 (September, 1976).
An article on a particular genre of oral tradition, the anecdote, and its appearance in oral tradition relative to images and representations of Indians.
We Are Here: 500 Years of Pueblo Resistance.
Scriptwriter, artistic direction, casting for film. 14 minute documentary short film. Produced by Smithsonian Telecommunications, in association with the exhibition, American Encounters, National Museum of American History. Winner, Cine Golden Eagle, 1992.
A film which examines the Pueblo struggle to retain their land and their sovereignty in the face of invasion and domination attempts by Europeans and Americans.
"On Looking in the Mirror of An Institution,"
Virginia Foundation for the Humanities and Public Policy Newsletter; reprinted in Northeast Indian Quarterly, Summer, 1990; The Graduate Quill, SUNY/Buffalo, April, 1991.
An article, taken from a keynote address at the opening of an exhibition on Indian education at Hampton Institute, which suggests the lessons learned for the present from an examination of a particular moment in the historical past.
"The Only Good Indian: Images of the American Indian in American Vernacular Culture,"
PhD Dissertation, Indiana University, 1973.
A dissertation on images and representations of American Indians in American culture, with an emphasis on visual and material representations and on oral tradition taken from collections at the Smithsonian Institution.
"Down Home In the City: A Store-Bought Remembrance."
Wine, Food and the Arts, II: Works Gathered By the American Institute of Wine and Food. San Francisco: AIWF and Swan’s Island Books, 1997.
An essay on food and memory.
"The Beaded Adidas,"
in Charles Camp, ed. Time and Temperature: A Centennial Retrospective. Washington, DC: American Folklore Society, 1989: 66–67; reprinted in The Messenger (Wheelwright Museum Newsletter), 1989; The Runner (Smithsonian American Indian Newsletter); 1990.
A piece which examines a modern American Indian object–a pair of beaded running shoes–and comments on scholarly resistance to changing forms in American Indian expressive culture.
"Research in the Nation's Junkpile: Folklore Research in the Smithsonian Institution."
Folklore Forum 5, no. 1(January, 1972).
An article, based on dissertation research at the Smithsonian, commenting on the usefulness of collections there to folklorists and researchers in American material culture.
"We Never Saw These Things Before': Southwest Indian Laughter and Resistance to the Invasion of the Tse va ho."
In M. Weigle and Barbara Babcock. The Great Southwest of the Fred Harvey Company and the Santa Fe Railway. Phoenix: The Heard Museum, 1996.
An essay on the uses of traditional and contemporary visual art and material culture as a form of resistance among Pueblos.