Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

"Rosebuds of the Plateau: Frank Matsura and the Fainting Couch Aesthetic," in Lucy Lippard, ed. Partial Recall: Photographs of Native North Americans. New York: New Press, 1992; reprinted in Dark Night, 2000.

A piece of creative nonfiction that comments on historical photography of Indians and reimagines the history of the two Northwest Coast women in a turn-of-the-century photograph by Frank Matsura, a Japanese photographer in Washington State.

"The Tribe Called Wannabee: Playing Indian in Europe and America" (1988); reprinted in W. Fleming and J, Watts, eds. Visions of A People: Introduction to Native American Studies, 1994.

A much-cited and reprinted essay, used in Native studies curricula on the centrality of representations of Native Americans in American popular culture to American identity, particularly the phenomenon of "playing Indian."

"Towards A Code of Ethics in the Conduct of Culturally-Based Scientific Research" in JV Martinez and Diana Marinez, eds. Aspects of Indian and Hispanic Involvement in Biomedical Research: Proceedings of the Society for the Advancement of Chicano and Native American Scientists, 1981. Bethesda, Md: National Institutes of Health, 1980.

An article that lays the groundwork for the development of a code of ethics in culturally-based scientific research.

Women in American Indian Society, Chelsea House Publishers, New York, 1991.

Used as a textbook in many colleges; an introduction to the histories and cultures of Native women in North America. Illustrated with art, photography and material culture.

"Grass Don't Grow On a Racetrack and Other Paradigms for Folklore and Feminism." Introduction to Jane Young et al, eds. Folklife and Feminist Theory, University of Illinois Press, 1993 (appeared, January, 1994).

An attempt to characterize the central themes and issues of feminist theory produced by folklore scholars.

Indian SIA: The Social Impact Assessment of Rapid Resource Development on Native Peoples, with Charles Geisler, Patrick West, eds. Ann Arbor: University of Michigan School of Natural Resources Report Series, 1980.
That's What She Said: Contemporary Fiction and Poetry By Native American Women, ed. Bloomington, Indiana, 1984.

A brief literary history of the creative work of American Indian women with sections from 12 representative
contemporary writers.

"Mythologizing Pocahontas." In Carol E. Robertson. Musical Repercussions of 1492: Encounters in Text and Performance. Washington, DC: Smithsonian Institution Press, 1992.

An examination of the representations and images—in American music—of Native American women.

"Culturally-Based Science: The Value to Traditional People, Science and Folklore," in Venetia Newall, ed. Folklore in the Twentieth Century, London: Rowman and Littlefield: 204–212, 1981.

An essay which suggests the value, to scholars and traditional cultures, of folklorists’ and social scientists’ attentions to the scientific traditions of the cultures they study—particularly in areas such as medicine, botany, pharmaceutics, agriculture.

Native American Women: A Contextual Bibliography. Bloomington, Indiana: Indiana University Press, 1984.

Comprehensive bibliography on Native North American women, with historical commentary.

"Red Earth People and Southeastern Basketry," in Linda Mowat, ed. Basketmakers: Meaning and Form in Native American Baskets. Oxford, England: Pitt Rivers Museum, 1992.

A look at the history and contemporary manifestations of basketry from Native Southeastern people.

"Indian Stereotypes." Smithsonian Festival of American Folklife Handbook (October): 18–21, 1980.
"The Mickey Mouse Kachina." American Art 1, no. 1 (1992).

An examination of an object from the collections of the National Museum of American Art, which suggests the possibilities for culture change and for humor and resistance in cntemporary Native/Hopi material culture.

"Traditional Cultures in a Technology-Based World." Darshana: Sinhalese Journal of Culture. (Spring): 19–23. (in Sinhalese).

A proposal for constructing technological change using a culture-based approach.

"Magnolias Grown in Dirt," Southern Exposure, 1977; reprinted in J. Zandy. Calling Home: Working-Class Women's Writings. New Brunswick: Rutgers University Press, 1990.

A much-cited essay on bawdy oral traditions among Southern women, with special reference to particular traditions in my own family.

"More Than Meets the Eye: Gertrude Kasebier’s ‘Indian’ Photographs," with Helena Wright, guest editor. The History of Photography Journal (Winter 2000).

Examines the “Indian” photographs by Gertrude Kasebier, in NMAH collections, and compares her work to the clichés of 19th century Native photography.

"Native American Food," in Kirlin, eds. Smithsonian Folklife Cookbook, Smithsonian Institution Press, 1991.

On Native foodways from all major cultural regions (Plains, Northwest Coast, Southeast, Northeast, Southwest) and on the death and rebirth of Native agriculture, subsistence, and food production. With recipes.

"The Pocahontas Perplex: Images of American Indian Women in American Culture," The Massachussetts Review. 16 (Autumn): 698–714; reprinted in E. DuBois and Ruiz. Unequal Sisters: A Multicultural Reader in U.S. Women's History. London: Routledge, Kegan and Paul, 1990; reprinted in S. Lobo and S. Talbot. Native American Voices: A Reader. New York: Longman, 1998.

A much-reprinted article used widely in collegiate curricula (Native Studies and Women’s Studies); deals with images and representations—visual, material, philosophical—of Native American women in American culture; the centrality of some of the representations (the Princess and the Squaw) to American popular culture and American identity.

"By The Waters of the Minnehaha: Music, Pageants and Princesses in the Indian Boarding Schools." with John Troutman. In M. Archuleta, T. Lomawaima and B. Child. Away From Home: American Indian Boarding Schools. Phoenix, AZ: The Heard Museum, 1999.

Explores government and missionary attempts to assimilate Indians in boarding schools, and many of the student’s adaptive strategies for cultural preservation and resistance.

"American Indian Women: Diverse Leadership for Social Change" in Albrecht and Brewer, eds. Bridges of Power: Women's Multicultural Alliances. Santa Cruz, Calif.: New Society Publishers, 1990; re-edited from “Culture and Gender in Indian America,” Sojourner: The Women's Forum 15 (September, 1989).

An essay which sets out some of the historical and cultural perameters of Native gender roles, cultural change, and political power in Native America.

Pissing in the Snow And Other Ozark Folktales, editing and "Introduction," by Vance Randolph. Champaign-Urbana: University of Illinois Press, 1976; ix–xxix; Avon Paper edition, 1977. In print, University of Illinois Press, 1999, in its 15th edition; in print and in its 20th edition, 2003.

A collection of heretofore-unpublished tales of the noted Ozark collector and folklorist, Vance Randolph, which I edited and brought to publication.

From Ritual to Retail: Pueblos, Tourism and the Fred Harvey Company. Producer/Director. 17 minute documentary short video. Produced in association with the exhibition, Inventing the Southwest: The Fred Harvey Company and Native American Art, 1995, Heard Museum, Phoenix, AZ.

A film which explores the impact of the Fred Harvey Company and early 20th century tourism on Native art and culture.

"American Indian Art in Oklahoma" Oklahoma Today Special Issue on American Indian Art, (December, 1990).
"Vance Randolph's 'Unprintable' Tales." Mid-South Folklore. 3, no.3 (1976).

An article on bringing Vance Randolph’s “bawdy” Ozark folktales to print.

Heartbeat: Voices of First Nations Women, 1995, and Heartbeat II, 1998. Producer, with Howard Bass. CD/audiocassette recording. 79 minutes. Smithsonian Folkways.

A landmark sound recording in 2 volumes, of the music of contemporary American Indian women.

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