Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

American Holiday Postcards, 1905-1915: Imagery and Context. McFarland Press, 2013.

Examines deep divides at the height of the Progressive Era as expressed through holidays and holiday imagery.

Migrant Musicians: Filipino Entertainers and the Work of Music Making. With R. Zamora Linmark, Karen Tongson, and Sarita Echavez See. Center for Art and Thought, 2013.
The Day the Dancers Stayed: Performing in the Filipino/American Diaspora. Temple University Press, 2009.
Filipinos in Hawai'i. With Roderick N. Labrador. Arcadia Publishing, 2011.
Carlos Villa and the Integrity of Spaces. Meritage Press, 2012.
Stage Presence: Conversations with Filipino American Performing Artists. Meritage Press, 2007.
First Ladies: Political Role and Public Image, co-authored with Edith P. Mayo, Scala Publishers Ltd., 2004
"Youth Employment and Education: Possible Federal Approaches," with Josh Green, Budget Issue Paper, Congressional Budget Office, July 1980.
"Young People with High School Problems: Dropouts and Low Achievers," Staff Draft Analysis, Congressional Budget Office, March 1980.
"The Federal Effort for High Schools." Staff Draft Analysis, Congressional Budget Office, January 1980.
"Federal Compensation of Federal Lands: The Estimated Cost of Tax Equivalency," Staff Draft Analysis, Congressional Budget Office, September 1979.
“Culture and Gender in Indian America." In Patricia Hill Collins and Margaret Anderson, eds. Race, Culture and Gender: An Anthology. Belmont, Ca., Wadsworth Publishing Co., 1994.

Article on Native women’s persistent and changing roles in Native cultures.

"The Tribe Called Wannabee: Playing Indian in Europe and America." Folklore (England) 99 (1988): 30–35; reprinted in in W. Fleming and J, Watts, eds. Visions of A People: Introduction to Native American Studies, and in Bruchac, ed. Contemporary Cherokee Prose Writing, 1995.

A much-cited and reprinted essay which details the culturally-expressive manifestations of “playing Indian” in American popular culture.

"Wasting Away Again in Margaritaville: The Cult of Nachismo and the New American Cuisine." The Digest: A Newsletter for the Interdisciplinary Study of Food 6, no.1 (Fall): 1, 25–28, 1986.

A critique of contemporary adaptations of traditional foodways in modern “fusion” food.

"Repatriating Images: Indians and Photography." Rendezvous 28. Nos. 1 and 2 (Spring/Fall, 1993). (Appeared, July, 1994): 151–158.

An article that explores the movement among contemporary Native photographers to comment on and redeem Native identities from the misrepresentations in photography of the past.

"Folk Is A Four-Letter Word: Dealing With Traditional **** in Fieldwork, Analysis and Presentation" in Richard M. Dorson, ed. The Handbook of American Folklore. Bloomington, In.: Indiana University Press, 1981.

An article which attempts to set some guidelines for scholarly fieldwork, analysis and presentation of bawdy or obscene materials.

"Rosebuds of the Plateau: Frank Matsura and the Fainting Couch Aesthetic," in Lucy Lippard, ed. Partial Recall: Photographs of Native North Americans. New York: New Press, 1992; reprinted in Dark Night, 2000.

A piece of creative nonfiction that comments on historical photography of Indians and reimagines the history of the two Northwest Coast women in a turn-of-the-century photograph by Frank Matsura, a Japanese photographer in Washington State.

"The Tribe Called Wannabee: Playing Indian in Europe and America" (1988); reprinted in W. Fleming and J, Watts, eds. Visions of A People: Introduction to Native American Studies, 1994.

A much-cited and reprinted essay, used in Native studies curricula on the centrality of representations of Native Americans in American popular culture to American identity, particularly the phenomenon of "playing Indian."

"Towards A Code of Ethics in the Conduct of Culturally-Based Scientific Research" in JV Martinez and Diana Marinez, eds. Aspects of Indian and Hispanic Involvement in Biomedical Research: Proceedings of the Society for the Advancement of Chicano and Native American Scientists, 1981. Bethesda, Md: National Institutes of Health, 1980.

An article that lays the groundwork for the development of a code of ethics in culturally-based scientific research.

Women in American Indian Society, Chelsea House Publishers, New York, 1991.

Used as a textbook in many colleges; an introduction to the histories and cultures of Native women in North America. Illustrated with art, photography and material culture.

"Grass Don't Grow On a Racetrack and Other Paradigms for Folklore and Feminism." Introduction to Jane Young et al, eds. Folklife and Feminist Theory, University of Illinois Press, 1993 (appeared, January, 1994).

An attempt to characterize the central themes and issues of feminist theory produced by folklore scholars.

Indian SIA: The Social Impact Assessment of Rapid Resource Development on Native Peoples, with Charles Geisler, Patrick West, eds. Ann Arbor: University of Michigan School of Natural Resources Report Series, 1980.
The British Museum Encyclopedia of Native North America, with Melanie Fernandez. London, Bloomington, IN, Toronto, Canada: British Museum Press, 1999.

Up-to-date histories and cultures of first peoples (North America) from a native perspective; highly illustrated, with stories, poems, eye-witness, first person accounts from native peoples on events, issues, art, mythologies, gender roles, economics, contact, sovereignty, self-determination, land, environment. Uses artifacts from the collections at the British Museum and Smithsonian.

That's What She Said: Contemporary Fiction and Poetry By Native American Women, ed. Bloomington, Indiana, 1984.

A brief literary history of the creative work of American Indian women with sections from 12 representative
contemporary writers.

"Mythologizing Pocahontas." In Carol E. Robertson. Musical Repercussions of 1492: Encounters in Text and Performance. Washington, DC: Smithsonian Institution Press, 1992.

An examination of the representations and images—in American music—of Native American women.

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