The list of selected staff publications may be searched by keyword or author and can be sorted by year.

"American Indian Women: Diverse Leadership for Social Change" in Albrecht and Brewer, eds. Bridges of Power: Women's Multicultural Alliances. Santa Cruz, Calif.: New Society Publishers, 1990; re-edited from “Culture and Gender in Indian America,” Sojourner: The Women's Forum 15 (September, 1989).

An essay which sets out some of the historical and cultural perameters of Native gender roles, cultural change, and political power in Native America.

"Vance Randolph's 'Unprintable' Tales." Mid-South Folklore. 3, no.3 (1976).

An article on bringing Vance Randolph’s “bawdy” Ozark folktales to print.

Heartbeat: Voices of First Nations Women, 1995, and Heartbeat II, 1998. Producer, with Howard Bass. CD/audiocassette recording. 79 minutes. Smithsonian Folkways.

A landmark sound recording in 2 volumes, of the music of contemporary American Indian women.

"American Indian Art in Oklahoma" Oklahoma Today Special Issue on American Indian Art, (December, 1990).
"Traits of Indian Character: The 'Indian' Anecdote in American Vernacular Culture." Southern Folklore Quarterly. 39 (September, 1976).

An article on a particular genre of oral tradition, the anecdote, and its appearance in oral tradition relative to images and representations of Indians.

Corn Is Who We Are: Pueblo Indian Food. Co-Director (scripting, casting, artistic direction, edit) for film. 20 minute documentary short film. Produced by Alturas Films and Smithsonian Telecommunications. Winner, Silver Apple, National Educational Film Festival, 1994; English Spanish language versions.

A film that explores the centrality of corn to Pueblo culture, history and health and the death and rebirth of corn agriculture in Pueblo country.

"Kill the Indian and Save The Man: Indian Education in the United States." Introduction to To Lead and To Serve: Indian Education at Hampton Institute, 1978–1923. an exhibition catalog. Charlottesville: Virginia Foundation on Humanities and Public Policy, 1989.

An introduction to an exhibition on Indian education at Hampton Institute with a brief history and analysis of US policy and practice in the education of Indians in the 19th and twentieth centuries.

"The Only Good Indian: Images of the American Indian in American Vernacular Culture," PhD Dissertation, Indiana University, 1973.

A dissertation on images and representations of American Indians in American culture, with an emphasis on visual and material representations and on oral tradition taken from collections at the Smithsonian Institution.

We Are Here: 500 Years of Pueblo Resistance. Scriptwriter, artistic direction, casting for film. 14 minute documentary short film. Produced by Smithsonian Telecommunications, in association with the exhibition, American Encounters, National Museum of American History. Winner, Cine Golden Eagle, 1992.

A film which examines the Pueblo struggle to retain their land and their sovereignty in the face of invasion and domination attempts by Europeans and Americans.

"On Looking in the Mirror of An Institution," Virginia Foundation for the Humanities and Public Policy Newsletter; reprinted in Northeast Indian Quarterly, Summer, 1990; The Graduate Quill, SUNY/Buffalo, April, 1991.

An article, taken from a keynote address at the opening of an exhibition on Indian education at Hampton Institute, which suggests the lessons learned for the present from an examination of a particular moment in the historical past.

"The Beaded Adidas," in Charles Camp, ed. Time and Temperature: A Centennial Retrospective. Washington, DC: American Folklore Society, 1989: 66–67; reprinted in The Messenger (Wheelwright Museum Newsletter), 1989; The Runner (Smithsonian American Indian Newsletter); 1990.

A piece which examines a modern American Indian object–a pair of beaded running shoes–and comments on scholarly resistance to changing forms in American Indian expressive culture.

"Research in the Nation's Junkpile: Folklore Research in the Smithsonian Institution." Folklore Forum 5, no. 1(January, 1972).

An article, based on dissertation research at the Smithsonian, commenting on the usefulness of collections there to folklorists and researchers in American material culture.

"Down Home In the City: A Store-Bought Remembrance." Wine, Food and the Arts, II: Works Gathered By the American Institute of Wine and Food. San Francisco: AIWF and Swan’s Island Books, 1997.

An essay on food and memory.

"The Image of the Indian in American Popular Culture" in Wilcomb Washburn, ed. The Handbook of North American Indians IV. Washington, DC: Smithsonian Institution Press: 587–606, 1989.
"An Addendum on American Indian Cultural Policies" to the Report of the American Indian Policy Review Commission. with Arnold T. Anderson et al. Washington, D.C.: GPO, 1977.

An analysis of U.S. policies relative to Native American cultures (language, education, art production and preservation, music) for a federally commisioned report.

"We Never Saw These Things Before': Southwest Indian Laughter and Resistance to the Invasion of the Tse va ho." In M. Weigle and Barbara Babcock. The Great Southwest of the Fred Harvey Company and the Santa Fe Railway. Phoenix: The Heard Museum, 1996.

An essay on the uses of traditional and contemporary visual art and material culture as a form of resistance among Pueblos.

"Poor Lo and Dusky Ramona: Scenes From a Nineteenth Century Album on Indian America," in Jane Becker, ed. Folk Roots, New Roots: The Formation of American Folk Culture. Boston, MA: Museum of Our National Heritage: Lexington, MA, 1989.

An examination of the visual and material manifestations.

"Snail Darters, Indians and Social Impact Assessment: Resisting the Politics of Doom." Anthropology Resource Center Newsletter. 4, no. 1 (March): 1, 1980.
"The Texture of Memory: Historical Process and Contemporary Art." In S. Cahan and Zoya Kocur. Contemporary Art and Multicultural Education. New York: Routledge and the New Museum for Contemporary Art, 1996.

An essay on contemporary Native visual art as commentary on history.

"The Tribe Called Wannabee: Playing Indian in Europe and America." Folklore (England) 99 (1988): 30–35; reprinted in in W. Fleming and J, Watts, eds. Visions of A People: Introduction to Native American Studies, and in Bruchac, ed. Contemporary Cherokee Prose Writing, 1995.

A much-cited and reprinted essay which details the culturally-expressive manifestations of “playing Indian” in American popular culture.

"Wasting Away Again in Margaritaville: The Cult of Nachismo and the New American Cuisine." The Digest: A Newsletter for the Interdisciplinary Study of Food 6, no.1 (Fall): 1, 25–28, 1986.

A critique of contemporary adaptations of traditional foodways in modern “fusion” food.

“Culture and Gender in Indian America." In Patricia Hill Collins and Margaret Anderson, eds. Race, Culture and Gender: An Anthology. Belmont, Ca., Wadsworth Publishing Co., 1994.

Article on Native women’s persistent and changing roles in Native cultures.

"Folk Is A Four-Letter Word: Dealing With Traditional **** in Fieldwork, Analysis and Presentation" in Richard M. Dorson, ed. The Handbook of American Folklore. Bloomington, In.: Indiana University Press, 1981.

An article which attempts to set some guidelines for scholarly fieldwork, analysis and presentation of bawdy or obscene materials.

"Rosebuds of the Plateau: Frank Matsura and the Fainting Couch Aesthetic," in Lucy Lippard, ed. Partial Recall: Photographs of Native North Americans. New York: New Press, 1992; reprinted in Dark Night, 2000.

A piece of creative nonfiction that comments on historical photography of Indians and reimagines the history of the two Northwest Coast women in a turn-of-the-century photograph by Frank Matsura, a Japanese photographer in Washington State.

"Repatriating Images: Indians and Photography." Rendezvous 28. Nos. 1 and 2 (Spring/Fall, 1993). (Appeared, July, 1994): 151–158.

An article that explores the movement among contemporary Native photographers to comment on and redeem Native identities from the misrepresentations in photography of the past.