"The Only Good Indian: Images of the American Indian in American Vernacular Culture,"
PhD Dissertation, Indiana University, 1973.
A dissertation on images and representations of American Indians in American culture, with an emphasis on visual and material representations and on oral tradition taken from collections at the Smithsonian Institution.
"Repatriating Images: Indians and Photography."
Rendezvous 28. Nos. 1 and 2 (Spring/Fall, 1993). (Appeared, July, 1994): 151–158.
An article that explores the movement among contemporary Native photographers to comment on and redeem Native identities from the misrepresentations in photography of the past.
"Rosebuds of the Plateau: Frank Matsura and the Fainting Couch Aesthetic,"
in Lucy Lippard, ed. Partial Recall: Photographs of Native North Americans. New York: New Press, 1992; reprinted in Dark Night, 2000.
A piece of creative nonfiction that comments on historical photography of Indians and reimagines the history of the two Northwest Coast women in a turn-of-the-century photograph by Frank Matsura, a Japanese photographer in Washington State.
"The Mickey Mouse Kachina."
American Art 1, no. 1 (1992).
An examination of an object from the collections of the National Museum of American Art, which suggests the possibilities for culture change and for humor and resistance in cntemporary Native/Hopi material culture.
"Kill the Indian and Save The Man: Indian Education in the United States."
Introduction to To Lead and To Serve: Indian Education at Hampton Institute, 1978–1923. an exhibition catalog. Charlottesville: Virginia Foundation on Humanities and Public Policy, 1989.
An introduction to an exhibition on Indian education at Hampton Institute with a brief history and analysis of US policy and practice in the education of Indians in the 19th and twentieth centuries.
“Labyrinthine Walk: A Guide for Politically Incorrect Tourists,”
in Culture as the Tourist Product, ed. by Mike Robinson, Nigel Evans, and Paul Callaghan. Newcastle-upon-Tyne, England, 1996, pp. 141–157.
The text of a paper delivered at a conference on tourism analyzes the goals of tourists when visiting museums as part of a sight-seeing ritual.
“Barbara Beirne’s Women of Southern Appalachia,”
Now and Then (The Center for Appalachian Studies and Services, East Tennessee State University), Summer 1997, pp. 3–7.
A description of Barbara Beirne's aims in interviewing and photographing a number of energetic, courageous Appalachian women and how these documents highlight important aspects of Appalachian cultural, social, and economic history.
“American Photographs in Europe and Illusions of Travel,”
American Photographs in Europe, ed. by David Nye and Mick Gidley. Netherlands Institute for Advanced Study, Amsterdam: VU University Press, 1994, pp. 57–75.
A discussion of the interrelationship of stereograph publisher Underwood & Underwood's European sales activities and its stereoscopic documentation of Europe for both the American and European markets.
“Wayward Wife as Muse: Anais Nin and Ian Hugo,”
in Anais Nin: A Book of Mirrors, ed. by Paul Herron. Huntington Woods, Mich.: Sky Blue Press, 1996, pp. 44–57.
A critical appraisal of the influence of diarist and surrealist Anais Nin on the films of her husband Ian Hugo. Nin served as muse, model, actress, and collaborator in inspiring Hugo to become a creative artist.
“The Archives Center and Photography: National Museum of American History,”
History of Photography, Spring 2000 (Vol. 24, No. 1), p. 49.
A description of the Archives Center's photographic collections, policies, and programs, with emphasis on major recent acquisitions, such as the Scurlock Studio Records.
“Betty Hahn: The Early Years,”
essay in Betty Hahn: Photography or Maybe Not, Albuquerque: University of New Mexico Press, 1995.
This essay describes the influence of Hahn's graduate school photography professor, Henry Holmes Smith, on her early work, including her revival of "obsolete" photographic processes such as gum-bichromate. Her technical and aesthetic experiments are described.
“Automatic Photobooths in Context(s),”
foreword in Nakki Goranin, American Photobooth. New York: W.W. Norton & Co., Feb. 2008, pp. 9-13.
A psychological and cultural meditation about the unique experience of photobooth photographs, with notes about the NMAH Hall of Photography’s photobooth.
African American Photographers in Segregated America
Illustrated blog in Smithsonian Collections Blog. A reflection about photographs of Eddie "Rochester" Anderson and Bill "Bojangles" Robinson in Clyde Stauffer's snapshot album, compiled during travels to V.F.W. posts.
“Souvenirs of Roads Not Taken: Virtual Travel with the Underwood & Underwood Travel System and the World Wide Web,”
in Culture as the Tourist Product, ed. by Mike Robinson, Nigel Evans, and Paul Callaghan. Newcastle-upon-Tyne, England, 1996, pp. 131–139.
The text of a paper delivered at a conference on tourism details the ways in which commercially published stereographs were used to simulate travel experiences, 1895-1921.
“The Scurlock Ninety-Year Project: Black Washington in Black America,”
Exposure, vol. 32:1 (1999), pp. 64–73.
A summary of the history of the Scurlock Studio and a description of the the Museum's Scurlock collection, with remarks about conservation challenges, especially regarding deteriorating acetate negatives.
"The Scurlock Studio: A Biography,"
(with Donna M. Wells), Picturing the Promise: The Scurlock Studio and Black Washington. Washington, D.C.: National Museum of African American History and Culture in collaboration with the National Museum of American history, 2009, pp. 196-212.
A history of the Scurlock family studio and its significance for the African American community of Washington.
"Objects in an Exhibition: Reflections on 'Fast Attacks and Boomers."
In Materializing the Military. Artefacts VI: Military Technology, ed. Bernard Finn and Barton C. Hacker. London: Science Museum Press, in press
On several key objects in an exhibition on submarines in the Cold War and how they contributed to the exhibition theme
“Military Patronage and the Geophysical Sciences in the United States: An Introduction.”
Historical Studies in the Physical and Biological Sciences 30:2 (2000): 1–5.
Military funding has shaped the development of American meteorology, oceanography, geology, geodesy, and other earth sciences.
“A Note on Sources: Remarks upon Receiving the Leonardo da Vinci Medal, 18 October 2003.”
Technology and Culture 45 (2004): 137–41.
On the author’s intellectual history.
"Women and Military Institutions in Early Modern Europe: A Reconnaissance."
Signs: Journal of Women in Culture and Society 6 (1981): 643–71.
Women played important and indispensable military support roles in European and American armies from the 15th through the early 19th centuries.
"Military Technology and World History: A Reconnaissance."
The History Teacher 30 (August 1997): 461–487.
Military technological innovation has profoundly influenced the course of world history since earliest times.
World Military History Annotated Bibliography: Premodern and Nonwestern Military Institutions and Warfare (Works published before 1967).
History of Warfare, vol. 27. Leiden: Brill, 2005.
Annotated bibliography of works published before 1967.
"Uniforms Make the Woman."
with Margaret Vining. In Materializing the Military. Artefacts VI: Military Technology, ed. Bernard Finn and Barton C. Hacker. London: Science Museum Press, in press
In the 1920s, a Smithsonian exhibition of women's uniforms validated women's World War I contributions and expanded political roles.
“The 400–Years War: Conquest and Acculturation in the Military Struggle for North America.”
In Coming to the Americas: The Eurasian Military Impact on the Development of North America, ed. John Lynn, 107–35. Wheaton, IL: Cantigny First Division Foundation, 2003.
Until the 19th century, North American Indians successfully confined European settlement to the area east of the Appalachians and south of the Great Plains by adapting European technology and exploiting European enmities.
“Gunpowder and the Changing Military Order: The Islamic Gunpowder Empires, ca. 1450–ca. 1650.”
In The Heirs of Archimedes: Technology, Science and Warfare, 1350–1800, ed. Brett D. Steele and Tamera L. Dorland. Cambridge, MA: MIT Press, in press.
The adoption of gunpowder weapons tended to strengthen central governments against regional powers.