Comprehensive bibliography on Native North American women, with historical commentary.
The list of selected staff publications may be searched by keyword or author and can be sorted by year.
An examination of the representations and images—in American music—of Native American women.
A look at the history and contemporary manifestations of basketry from Native Southeastern people.
An examination of an object from the collections of the National Museum of American Art, which suggests the possibilities for culture change and for humor and resistance in cntemporary Native/Hopi material culture.
A proposal for constructing technological change using a culture-based approach.
Up-to-date histories and cultures of first peoples (North America) from a native perspective; highly illustrated, with stories, poems, eye-witness, first person accounts from native peoples on events, issues, art, mythologies, gender roles, economics, contact, sovereignty, self-determination, land, environment. Uses artifacts from the collections at the British Museum and Smithsonian.
A much-cited essay on bawdy oral traditions among Southern women, with special reference to particular traditions in my own family.
Examines the “Indian” photographs by Gertrude Kasebier, in NMAH collections, and compares her work to the clichés of 19th century Native photography.
On Native foodways from all major cultural regions (Plains, Northwest Coast, Southeast, Northeast, Southwest) and on the death and rebirth of Native agriculture, subsistence, and food production. With recipes.
A much-reprinted article used widely in collegiate curricula (Native Studies and Women’s Studies); deals with images and representations—visual, material, philosophical—of Native American women in American culture; the centrality of some of the representations (the Princess and the Squaw) to American popular culture and American identity.
Explores government and missionary attempts to assimilate Indians in boarding schools, and many of the student’s adaptive strategies for cultural preservation and resistance.
An essay which sets out some of the historical and cultural perameters of Native gender roles, cultural change, and political power in Native America.
A collection of heretofore-unpublished tales of the noted Ozark collector and folklorist, Vance Randolph, which I edited and brought to publication.
A film which explores the impact of the Fred Harvey Company and early 20th century tourism on Native art and culture.
A satirical reversal of the usual representation of Native Americans in museums.
An article on bringing Vance Randolph’s “bawdy” Ozark folktales to print.
A landmark sound recording in 2 volumes, of the music of contemporary American Indian women.
A discussion of the interrelationship of stereograph publisher Underwood & Underwood's European sales activities and its stereoscopic documentation of Europe for both the American and European markets.
A psychological and cultural meditation about the unique experience of photobooth photographs, with notes about the NMAH Hall of Photography’s photobooth.
A history of the Scurlock family studio and its significance for the African American community of Washington.
A description of Barbara Beirne's aims in interviewing and photographing a number of energetic, courageous Appalachian women and how these documents highlight important aspects of Appalachian cultural, social, and economic history.
A description of the Archives Center's photographic collections, policies, and programs, with emphasis on major recent acquisitions, such as the Scurlock Studio Records.
A summary of the history of the Scurlock Studio and a description of the the Museum's Scurlock collection, with remarks about conservation challenges, especially regarding deteriorating acetate negatives.