The Olomana (1883)
The Olomana spent 62 seasons working on
a Hawaiian sugar plantation on the island of Oahu. When he saw it in California in the
early 1950s, Walt Disney called the locomotive the nearest thing to a Mickey Mouse engine
he had ever seen.
According to a Hawaiian dictionary, the name Olomana is a corruption of the
English words "old man," but according to the donor of the engine to the
Smithsonian, local Oahuans said the name referred an extinct volcano on the island and
that the term meant "big noise" or "forked hill."
Whatever the case, Olomana came to the island in August 1883, after a two-month
passage by sailing ship around Cape Horn from the Baldwin Locomotive Works of
Philadelphia, Pennsylvania. It was the third locomotive to come to Oahu, in what was then
the Kingdom of Hawaii. The Waimanalo Sugar Co. operated large plantations and a sugar
refinery on the eastern end of the island, near Waimanalo Bay.
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The Olomana at work in Hawaii.
(Click to download a 62k enlargement.)
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Olomana spent its working life pulling little four-wheeled railcars piled high
with cut cane from the fields to the refinery. The engine, its sisters, and the railcars
ran on panels of prefabricated track that could be easily moved about and reassembled in
the cane fields as different sections were harvested. Track was "narrow gauge,"
i.e., three feet in width between the rails. Olomana's relatively light weight of
nine tons facilitated operation on these temporary tracks. Leaving the cane fields, the
temporary tracks connected with a permanent rail line to the refinery.
On the panel tracks, speed was rarely over five miles per hour. Once on the permanent
track, Olomana could reach the comparatively blistering speed of 20 miles per hour.
Other than the fact of its original locale, Olomana typifies the thousands of
small steam locomotives that once toiled in mills, factories, power stations, stone
quarries, and lumber yards all over America. Similar engines, running also on temporary
tracks, labored for general contractors at large construction sites throughout the world.
Olomana was in fact a standard Baldwin design of its size and type, one which a
purchaser could order from a catalog. (Olomana is a Baldwin Class "6-8
1/3C16.") By 1883, Baldwin was the largest locomotive manufacturer in the world,
producing 557 engines that year for both U.S. and foreign buyers.
One person ran the locomotive, serving as both engineer and fireman. Olomana
first ran on coal. But due to the price of coal in Hawaii, the sugar company changed the
fuel to oil in 1928. Mechanics removed the coal grates from the firebox and installed an
oil burner. Steam pressure in the boiler was 140 pounds-per-square-inch. Occasionally,
dried cane refuse was used as fuel, but this practice coated the insides of the boiler
with deposits that were hard to remove and so was not often done.
Like the Pioneer, Olomana is a "tank engine," meaning that
there is no separate tender. (Olomana is an "0-4-2T" type, the
"T" referring to "tank.") Steam pistons are connected to the four
diminutive driving wheels; a smaller pair of idler wheels helps support the back of the
engine. Fuel was carried at the rear of the engine, and a 110-gallon water supply was
carried in the U-shaped "saddle tank" that is draped over the boiler.
Olomana witnessed the December 7, 1941 attack on Pearl Harbor. Three years later
the Waimanalo Sugar Co. began converting its cane-haulage to trucks, and Olomana
was summarily retired.
After the war ended, a railroad buff and historian named Gerald M. Best, of Beverly
Hills, California, decided to realize a boyhood dream: he would buy his own steam
locomotive -- and run it!
Jerry Best was a pioneer in perfecting sound technology and film processing for Warner
Brothers Studios. He could afford to travel widely. He discovered Olomana rusting
in the weeds near the Waimanalo mill in 1948 and asked if he might purchase it. Soon the
decrepit little engine was eastward bound in the hold of a Matson Lines freighter.

Gerald Best in the studio lot with Olomana, 1949.
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After storage on a Hollywood backlot for a few years, Best moved Olomana in 1951
to the property of artist and animator Ward Kimball in San Gabriel, Ca. Kimball, one of
the "grand old men" of Disney animation, had a private backyard narrow-gauge
railroad: an enginehouse, water tower, tiny depot, a locomotive and passenger car which
had formerly run in Nevada, and several hundred feet of track. Shaded by tall eucalyptus
trees, Kimball's property was a celebrated landmark among rail buffs. An invitation to
visit was prized -- even by Kimball's boss Walt Disney.
In 1952-53, Best and Kimball repaired and restored Olomana to jewel-like
condition. In the process, Best took out the oil-fuel tank and changed the engine's fuel
to wood -- mostly because Kimball's neighbors did not want black oil smoke wafting
overhead. Best spent nearly $10,000 acquiring and restoring the engine, a heady sum in
those days.
Disney visited San Gabriel often, delightedly donning engineer's cap and gloves and
occasionally running Olomana. It was during one of those occasions that,
according to Best and Kimball, Disney made his remark about the engine being entirely
suitable for Mickey Mouse. Animated film lovers can recall the film, "Dumbo," in
which the little steam engine "Casey Jr." struggles to start his circus train.
Any resemblance between "Casey Jr." and Olomana may not be entirely
coincidental. Although Olomana came to California almost a decade after
"Dumbo" was made, rail-buff Kimball did much of the concept art and animation
for that film.
In 1977, Best donated his labor of love to the Smithsonian, which promptly installed it
in NMAH's Railroad Hall. Smithsonian Secretary S. Dillon Ripley made Jerry Best a member
of the Smithson Society.
In 1999, in its second century, the engine has now left NMAH to reside in a building
constructed not long before Olomana was built. There, at the Smithsonian's Arts
& Industries Building, the little veteran is to become a centerpiece this spring in a
new exhibit about life in Hawaii -- "From
Bento to Mixed Plate: Americans of Japanese Ancestry in Multicultural Hawai'i."
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