American Samplers

The earliest known American sampler was made by Loara Standish of the Plymouth Colony about 1645. By the 1700s, samplers depicting alphabets and numerals were worked by young women to learn the basic needlework skills needed to operate the family household. By the late 1700s and early 1800s, schools or academies for well-to-do young women flourished, and more elaborate pieces with decorative motifs such as verses, flowers, houses, religious, pastoral, and/or mourning scenes were being stitched. The parents of these young women proudly displayed their embroideries as showpieces of their work, talent, and status.

In recent years, samplers have become important in museum collections as representations of early American female education. Many are signed, and some are inscribed with locations and the names of teachers and schools. The emergence of large numbers of these samplers has resulted in much research in diaries, account books, letters, newspaper ads, local histories, and published commentary that is helping to illuminate the lives of women in early America.

Many early samplers do not have the letters “J” and “U” in their alphabets because they were not part of the early Latin alphabet and so the letter “I” was used for “J” and the “V” for “U.” The letter “s” is often replaced with the printers “s” which looks like the modern f.

There are 137 American samplers in the Textile Collection. The first was donated in 1886, the Margaret Dinsmoor sampler. In the 1890s the Copp Collection was received and it contained two samplers—one by Esther Copp and the other by her great niece Phebe Esther Copp. (The Copp Collection is an extensive collection of 18th-and 19th- century household textiles, costume items, furniture, and other pieces belonging to the Copps, a prosperous but frugal Connecticut family.) The earliest dated sampler in the collection was made in 1735 by Lydia Dickman of Boston, Massachusetts.

Three block alphabets. No "J"; numbers to 18 and to 9; alphabets and numbers colored in groups of two.
Description
Three block alphabets. No "J"; numbers to 18 and to 9; alphabets and numbers colored in groups of two. Rows of lettering and numbers separated by geometric crossbands; also two wide crossbands; one geometric strawberry vine, and one geometric vine with free-style roses, with guide-lines drawn under roses. At bottom of sampler, stag and doe on hillocks, surrounded by birds, butterflies, trees, flowers, under angular garland; stag and doe have satin-stitched collars. Name and date appear in flower-shaped medallion hanging from garland. Border of band of sawtoothed satin stitch and geometric carnation vine on all four sides. Silk embroidery thread on linen ground. STITCHES: cross, crosslet, stem, satin, Algerian eye, straight, bullion. THREAD COUNT: warp 36, weft 29/in.
Inscriptions:
"See How The Lillief[s] Flour White And Fair
See How the Ravenf[s] Fed From Heavenf[s] Air
Arif[s]e Thou King of Kingf[s] Arif[s]e And Reign
Except Thy Worf[s]hip SprinG All Worf[s]hipf[s] Vain
Elizabeth
Maf[s]On her
WOrk Ma
de
in the 11
Year Of
her ag
1783"
Background:
Elizabeth Mason was probably from the Philadelphia, Pennsylvania, area.
Location
Currently not on view
Date made
1783
maker
Mason, Elizabeth
ID Number
TE.E391808
catalog number
E391808
accession number
71679
Block alphabet no "J." Each letter worked in different color. Letters in row, initials for family members "HKAKR / PKAKMKSKBKAKBWW," "R" that should go with last "W" out of order. Each pair of letters worked in different color, six sets being worked in black.
Description
Block alphabet no "J." Each letter worked in different color. Letters in row, initials for family members "HKAKR / PKAKMKSKBKAKBWW," "R" that should go with last "W" out of order. Each pair of letters worked in different color, six sets being worked in black. These rows separated by simple crossbands. In center section, flanking one of verses, two large flowers, and initials "SK," "SK," "SK," "IK," "IW," and "RW" split with one on each side of flower. Below verse, wide crossband with flowers and strawberries. Another wide crossband at bottom of sampler, with two large flowers and urn of flowers. Border of geometric vine with strawberries and carnations on all four sides. Silk embroidery thread on linen ground. STITCHES: cross, satin, tent, eyelet, stem. THREAD COUNT: warp 28, weft 30/in.
Inscriptions:
"Love the Lord
And he will be
A tender father
Unto the
The lof[s]s of treaf[s]uref[s] much
The lof[s]s of truth is more
The lof[s]s of Chrif[s]t if[s] f[s]uch
Af[s] no one can ref[s]tore
The lot of f[s]aintf[s] have alway been
Affliction here and f[s]cornf[s]
And he that was the bef[s]t of men
Waf[s] mock and crown with thornf[s]
Rachel Kester her samPler
made in the 14th year of her age
1788 H T"
Background:
Rachel was born on June 16, 1774, to Paul and Anna Webster Kester in Kingwood, New Jersey. The family moved to Millville, Pennsylvania, in 1780. There Rachel married Chandlee Eves on January 5, 1797, and they had ten children—Anna, Elizabeth, Yeatman, John K., George Fox, Benjamin, Charles, Sarah, Rachel, and Chandlee. Rachel died in Pennsylvania on May 22, 1835, and her husband died on December 30, 1836. The initials "HT" following the date in the inscription could be those of a teacher.
The first set of initials are her grandparents Heranus and Anne Kester; her parents Paul and Anna Kester; her siblings Mary, Sarah, Benjamin, and Arnold Kester; and her grandparents Benjamin and Rachel Webster. It is not clear to whom the other initials belong.
Location
Currently not on view
Date made
1788
maker
Kester, Rachel
ID Number
TE.T16007
catalog number
T16007
accession number
307850
Betsey’s sampler includes three distinguishing features of Rhode Island samplers; trumpeting angels with embroidered faces, queen stitch flowers, and a three-story house.
Description
Betsey’s sampler includes three distinguishing features of Rhode Island samplers; trumpeting angels with embroidered faces, queen stitch flowers, and a three-story house. Below the house, flanking flowers and birds is the verse:
“While hof[s]tile foes
our coaf[s]ts Invade
in all the pomp of
war arrayd Ameri
cans be not dismayd
nor fear the f[s]word
or GUn

While Innocence is
all our pride and vir
tue is our only Guide
Women would f[s]corn
to be defyd if led by
WASHINGTON”
This verse on Betsy’s sampler offers a rare opportunity to discover the political thinking of a young girl during the Revolutionary War. She is showing a brave female defiance of Britain and an unwavering faith in George Washington, the commander of the Continental Army. Betsy undoubtedly was influenced by her father who was a privateer during the Revolutionary War. At the bottom of the sampler, flanked by queen stitch flowers, is a cartouche with the inscription:

“Betf[s]y
Bucklin Her
Work Septe
mber
1781”
It is not known who the author of the inscriptions is. The sampler is stitched with silk embroidery thread on a linen ground with a thread count of warp 25, weft 23/in. The stitches used are cross, crosslet, queen, rice, straight, fly, stem, tent, and gobelin.
Betsy [Elizabeth] Bucklin was born on September 20, 1768, in Providence, Rhode Island to Capt. Daniel and Eliza Carpenter Bucklin. On November 11, 1792, Betsy married Samuel Eddy. They had three children - Martha, Jonathan, and Elizabeth. She died of consumption on October 27, 1799, in Providence, Rhode Island.
Location
Currently not on view
date made
1781
maker
Bucklin, Betsy
ID Number
2008.0159.01
catalog number
2008.0159.01
accession number
2008.0159

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