American Samplers

The earliest known American sampler was made by Loara Standish of the Plymouth Colony about 1645. By the 1700s, samplers depicting alphabets and numerals were worked by young women to learn the basic needlework skills needed to operate the family household. By the late 1700s and early 1800s, schools or academies for well-to-do young women flourished, and more elaborate pieces with decorative motifs such as verses, flowers, houses, religious, pastoral, and/or mourning scenes were being stitched. The parents of these young women proudly displayed their embroideries as showpieces of their work, talent, and status.

In recent years, samplers have become important in museum collections as representations of early American female education. Many are signed, and some are inscribed with locations and the names of teachers and schools. The emergence of large numbers of these samplers has resulted in much research in diaries, account books, letters, newspaper ads, local histories, and published commentary that is helping to illuminate the lives of women in early America.

Many early samplers do not have the letters “J” and “U” in their alphabets because they were not part of the early Latin alphabet and so the letter “I” was used for “J” and the “V” for “U.” The letter “s” is often replaced with the printers “s” which looks like the modern f.

There are 137 American samplers in the Textile Collection. The first was donated in 1886, the Margaret Dinsmoor sampler. In the 1890s the Copp Collection was received and it contained two samplers—one by Esther Copp and the other by her great niece Phebe Esther Copp. (The Copp Collection is an extensive collection of 18th-and 19th- century household textiles, costume items, furniture, and other pieces belonging to the Copps, a prosperous but frugal Connecticut family.) The earliest dated sampler in the collection was made in 1735 by Lydia Dickman of Boston, Massachusetts.

One script alphabet no "J." Two block alphabets with 26 letters and numbers to 0. One partial and three complete geometric crossbands. Two small flower baskets and border on all four sides.
Description
One script alphabet no "J." Two block alphabets with 26 letters and numbers to 0. One partial and three complete geometric crossbands. Two small flower baskets and border on all four sides. Framing center is simple zig-zag, geometric strawberry vine in middle, Greek-key band at outside edge. Silk embroidery thread on linen ground. STITCHES: cross, crosslet, queen. THREAD COUNT: warp 29, weft 32/in.
Inscriptions:
"Remember now thy Creator in the days
of thy youth while the evil days come not
nor the years draw nigh when thou shalt
say i have no pleasure in them.
Susan H Salter aged 10 years Elizabethtown
7th May 1826"
Background:
Susan Henrietta was born on April 7, 1816, to Thomas and Susan Henrietta Williamson Salter in Elizabethtown, New Jersey. She married George W. Wallace in 1843 and they had three children—William, Thomas, and Elizabeth. The sampler descended in the family of her sister, Harietta Matilda Spencer Salter, who married Elisha Codwise.
Location
Currently not on view
Date made
1826
associated dates
1967 06 09
maker
Salter, Susan H.
ID Number
TE.H11981
accession number
51998
catalog number
H11981
Four block alphabets of 26 letters. Numbers to 14; two rows of initials "MG," "JG," "CG," "LAG,"; "RG," "AG," "WCG," and "JG." Two alphabets, numbers, and initials colored in pairs.
Description
Four block alphabets of 26 letters. Numbers to 14; two rows of initials "MG," "JG," "CG," "LAG,"; "RG," "AG," "WCG," and "JG." Two alphabets, numbers, and initials colored in pairs. All these rows separated by simple crossbands, and included in them, apple worked in pulled thread and patch of shaded florentine stitch; these rows separated from inscription by geometric strawberry crossband. Flanking inscription, two baskets of flowers. Border of geometric carnation vine on all four sides. Silk thread on cotton ground. STITCHES: cross, crosslet, queen, stem, satin, herringbone, eyelet, rice, tent, four-sided, outline, padded satin, Irish, pulled thread. THREAD COUNT: warp 26, weft 34/in.
Inscriptions:
"O blest Religion heavenly fair
Thy kind thy healing power.
Can sweeten Pain alleviate care
And gild each gloomy hour.
Lydia Ann Garton was Born
April 4th AD 1811 Did this Work
in the 10th Year of her age AD 1820"
Background:
Lydia Ann was born on April 4, 1811, to Mark and Jane Cowgill Garton in Cumberland, New Jersey. The initials on her sampler are for her parents Mark and Jane, and for her and her siblings Charles, Lydia Ann, Rebecca, Ann, William Cowgill, and Jane. Lydia married William Murphy on June 20, 1833, in Cumberland, and they had five children—Sarah, Ann, John, Charles, and Mary. William was a glass blower, and they resided in Philadelphia, Pennsylvania.
Location
Currently not on view
Date made
1820
maker
Garton, Lydia Ann
ID Number
TE.T13433
catalog number
T13433
accession number
254791
This sampler features a two story house with windows and two chimneys on a stepped hill with grazing sheep. The stepped hill can be found on samplers from Philadelphia, western Maryland and New Jersey.
Description
This sampler features a two story house with windows and two chimneys on a stepped hill with grazing sheep. The stepped hill can be found on samplers from Philadelphia, western Maryland and New Jersey. There is a center angel and two apple baskets are on either side above the inscription. The motif of an angel means a messenger of God and the apple baskets often represent fertility and wealth. There is a three-sided geometric border, with queen stitch strawberries and leaves. (a more difficult stitch) The sampler is stitched with silk embroidery thread on a linen ground with a thread count of warp 28, weft 28/in. The stitches used are cross, queen, satin, and straight.
Elizabeth Throckmorton was born on October 18, 1795, in Monmouth County, New Jersey to Holmes (c.1759 –1821) and Susannah Forman (1762-1820) Throckmorton. Her father served in the American Revolution for three years. She married John Britton on November 18, 1813, and they had three children - John, Mary, and Catharine. Her husband John died c.1822-1823. She married Tobias Worrel on October 26, 1824, and they had a daughter Jane. According to the 1840 census they were then living in Des Moines, Iowa.
Location
Currently not on view
date made
1804-1806
maker
Throckmorton, Elizabeth
ID Number
1990.0477.01
catalog number
1990.0477.01
accession number
1990.0477
This sampler features a picture of two children, a dog, a parrot, and a butterfly in a garden with a floral border. A dog symbolizes fidelity and watchfulness, a parrot suggests talkativeness, and a butterfly symbolizes immortality.
Description
This sampler features a picture of two children, a dog, a parrot, and a butterfly in a garden with a floral border. A dog symbolizes fidelity and watchfulness, a parrot suggests talkativeness, and a butterfly symbolizes immortality. These are appropriate motifs to go with young children. Mary worked her sampler in Patterson, New Jersey. Patterson was home to many textiles mills in 1840 and that may have been the reason her family came to live there. Her pattern was probably a Berlin wool work pattern. In 1820 with the introduction of Berlin wools comes the name Berlin wool work patterns. These patterns were hand painted on graph paper. The sampler is stitched with wool and silk embroidery thread on a cotton canvas ground with a thread count of warp 24, weft 24/in. The stitches used are cross, crosslet.
Mary Louisa McCully was a cousin of Frank H. McCully, in whose memory the sampler was donated to the Smithsonian.
Location
Currently not on view
date made
1840
maker
McCully, Mary Louisa
ID Number
TE.T08229
catalog number
T8229
accession number
147229

Our collection database is a work in progress. We may update this record based on further research and review. Learn more about our approach to sharing our collection online.

If you would like to know how you can use content on this page, see the Smithsonian's Terms of Use. If you need to request an image for publication or other use, please visit Rights and Reproductions.