Art - Overview

The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.
"Art - Overview" showing 2 items.
View in the Alhambra, Spain
- Description
- Stephen Ferris sketched and painted this pencil and watercolor view of buildings in the Alhambra complex of Granada, Spain, in 1881. This is not a finished view but a work in progress. The people rendered in pencil outline have not been colored, and there are many second thoughts like the tree at left, which has been enlarged. While in Granada, Ferris wrote a friend that he and his son were busy making sketches “much in memorandum for future use in pictures.” So captivated were they by the city that they spent more than half their Spanish visit there.
- Location
- Currently not on view
- Date made
- 1881
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14545
- catalog number
- 14545
- accession number
- 94830
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Moorish Gate, Granada
- Description
- Stephen Ferris’s watercolor view Justicia, Granada shows the Alhambra’s Gate of Justice (Puerta de la Justicia) painted during the artist’s 1881 visit to Spain. In a letter to Sylvester R. Koehler, later Curator of Graphic Arts at the Smithsonian, Ferris, deeply moved by his experiences, observed: “‘See the Alhambra and die’ seems a very appropriate expression. I feel it and have more reverence for the Arabs [sic] art than any other school.”
- Today the Gate of Justice is the main entrance to the Alhambra complex, which was completed by the Moors in the fourteenth century. The Spanish, who defeated the Moors in 1492, made later additions.
- Location
- Currently not on view
- date made
- 1881
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14548
- catalog number
- 14548
- accession number
- 94830
- Data Source
- National Museum of American History, Kenneth E. Behring Center

