Art - Overview
The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.
"Art - Overview" showing 192 items.
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Portrait of Abraham Lincoln
- Description
- William Pate & Co. of New York published this portrait of Lincoln in 1869. The engraver, Henry Gugler, is best known for his bank-note work. Although the copyright notice below the print indicates the source as an original painting by J. H. Littlefield, who was once a clerk in Lincoln's law office, the image was based on a photograph made in the Mathew Brady studio in 1864. Perhaps Littlefield made a painting after the photograph that Gugler then engraved. The Brady studio photograph of Lincoln also served as the model for the engraving that appeared on the five-dollar bill and for other portrait prints.
- Location
- Currently not on view
- Date made
- 1869
- engraver
- Gugler, Henry
- original artist
- Littlefield, J. H.
- artist attribution
- Brady, Mathew B.
- publisher
- William Pate & Co.
- ID Number
- GA*03352
- catalog number
- 03352
- accession number
- 23155
- Data Source
- National Museum of American History, Kenneth E. Behring Center
North African Pirate
- Description
- Deeply impressed by the art of Mariano Fortuny, Stephen Ferris etched reproductions of Fortuny’s paintings and a few of his prints. Ferris made this etching, Riff Pirate, after a painting dated 1871. These pirates preyed on shipping off the North African coast. The Philadelphia Museum of Art owns a related painting, which may be seen on its website.
- Location
- Currently not on view
- Date made
- 1871
- original artist
- Fortuny y Carbo, Mariano
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14379.01
- accession number
- 94830
- catalog number
- 14379.01
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Ferris's Daughter May
- Description
- Stephen James Ferris etched an undated portrait of his daughter, May, in the costume of a bull fighter, and dedicated this impression to her. May Electa Ferris was born in 1871, eight years after her brother, Jean Leon Gerome Ferris. Like her father and brother, she was an artist. She learned to etch from her father and became known as an etcher and landscape painter, exhibiting in the 1880s and 1890s. Her paintings were reproduced as calendar artwork into the 1920s under her married name, May Ferris Smith.
- Location
- Currently not on view
- date made
- c. 1890
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14405.01
- accession number
- 94830
- catalog number
- 14405.01
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Christopher Columbus Dying
- Description
- Sixteen-year-old Gerome Ferris etched this print in 1879 after his own painting of the dying Christopher Columbus, 1506 Last Days of C. Columbus at Vallodolid. The current location of the painting is unknown, but the choice of topic anticipates Gerome’s future as a history painter, focusing on American narrative subjects.
- After death, Christopher Columbus’s journeys were not over. His remains traveled from Vallodolid to Seville and in 1542 were taken to the island of Hispaniola, now Haiti and the Dominican Republic, colonized by Columbus after 1492. After a move to Havana, Cuba, they returned to Seville cathedral in 1898 where they are today.
- The etching was printed on chine-collé, a very thin sheet of paper that accepts the image in passing through the press with a heavier sheet of backing paper to which is it glued during the printing.
- Location
- Currently not on view
- Date made
- 1879
- graphic artist
- Ferris, Jean Leon Gerome
- ID Number
- GA*14450
- accession number
- 94830
- catalog number
- 14450
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Barbizon School Artists
- Description
- Stephen James Ferris etched this group portrait The Barbizon School: Seven French Artists as a frontispiece for the auction catalog of works from the J. C. Runkle collection, sold in New York in March 1883. Artists of the Barbizon School, named after a rural village in France near which many of them worked outdoors, specialized in realistic landscapes and animal paintings. Samuel P. Avery had arranged the sale and the catalog, which was illustrated with fifteen etchings by four American etchers. This print marks the first time that an auction catalog contained an original etching, as opposed to the usual reproductive etchings. The New York Times gave a favorable review of Ferris’s print.
- Location
- Currently not on view
- Date made
- 1883
- publisher
- Avery, Samuel Putnam
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14508
- accession number
- 94830
- catalog number
- 14508
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait of Abraham Lincoln
- Description
- Stephen J. Ferris, a Philadelphia painter and etcher, specialized in portraiture. He etched this portrait of Abraham Lincoln in 1881, noting in pencil at the lower right that this print was the earliest proof he took from the plate. Ferris etched many subjects for a variety of publications, including art periodicals and special editions of etchings. He made both original prints and reproductive etchings after works by other artists in other media.
- This image, like several other portrait prints of Lincoln, is based on the popular photograph made by the Mathew Brady studio in 1864. Ferris collected prints and photographs to aid him in his work, and his print collection came to the Smithsonian as a gift from the Ferris family.
- Location
- Currently not on view
- Date made
- 1881
- depicted
- Lincoln, Abraham
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14531
- catalog number
- 14531
- accession number
- 94830
- Data Source
- National Museum of American History, Kenneth E. Behring Center
View in the Alhambra, Spain
- Description
- Stephen Ferris sketched and painted this pencil and watercolor view of buildings in the Alhambra complex of Granada, Spain, in 1881. This is not a finished view but a work in progress. The people rendered in pencil outline have not been colored, and there are many second thoughts like the tree at left, which has been enlarged. While in Granada, Ferris wrote a friend that he and his son were busy making sketches “much in memorandum for future use in pictures.” So captivated were they by the city that they spent more than half their Spanish visit there.
- Location
- Currently not on view
- Date made
- 1881
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14545
- catalog number
- 14545
- accession number
- 94830
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Moorish Gate, Granada
- Description
- Stephen Ferris’s watercolor view Justicia, Granada shows the Alhambra’s Gate of Justice (Puerta de la Justicia) painted during the artist’s 1881 visit to Spain. In a letter to Sylvester R. Koehler, later Curator of Graphic Arts at the Smithsonian, Ferris, deeply moved by his experiences, observed: “‘See the Alhambra and die’ seems a very appropriate expression. I feel it and have more reverence for the Arabs [sic] art than any other school.”
- Today the Gate of Justice is the main entrance to the Alhambra complex, which was completed by the Moors in the fourteenth century. The Spanish, who defeated the Moors in 1492, made later additions.
- Location
- Currently not on view
- date made
- 1881
- graphic artist
- Ferris, Stephen James
- ID Number
- GA*14548
- catalog number
- 14548
- accession number
- 94830
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait of Samuel P. Avery
- Description
- Samuel Putnam Avery (1818–1904), a New York-based art dealer and print collector, made annual buying excursions to Europe from 1867 to 1882 to look for decorative arts and paintings, some of which he commissioned directly from the artists. He also searched for prints to add to his own collection, seeking not just the original etchings valued today but also reproductive works by artists like Flameng, Jacquemart, and Rajon. French prints made up the core of his collection, almost 18,000 of which are now in the New York Public Library. Léopold Flameng etched this portrait of Avery in 1876 after a painting by Raimundo de Madrazo y Garreta. The Avery family gave the painting to the Metropolitan Museum in 1904. Madrazo (1841–1920) was a fashionable portrait and genre painter, resident in New York and Paris, who was promoted by Avery.
- Location
- Currently not on view
- Date made
- 1876
- original artist
- Madrazo y Garreta, Raimundo de
- graphic artist
- Flameng, Léopold
- ID Number
- GA*14576
- catalog number
- 14576
- accession number
- 94830
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait of Lawrence Alma-Tadema
- Description
- Paul Rajon etched the portrait of Lawrence Alma-Tadema (1836–1912) during one of his annual six-month visits to England. Rajon first visited England in 1873 to execute a commission. He etched some original portraits, but most of his prints reproduced paintings by contemporary artists and old masters for publications. Alma-Tadema, a Dutch-born painter of neoclassical pictures, enjoyed a considerable success on the Continent and decided to move to London where his work was enthusiastically appreciated from the 1860s to 1890s. This print was intended not only for the European market but also for the United States, and it carries a U.S. copyright line. Rajon etched Alma-Tadema’s paintings as well as his portrait.
- Location
- Currently not on view
- Date made
- 1883
- graphic artist
- Rajon, Paul-Adolphe
- publisher
- Knoedler & Co.
- British and Foreign Artists' Association
- ID Number
- GA*14592
- catalog number
- 14592
- accession number
- 94830
- Data Source
- National Museum of American History, Kenneth E. Behring Center