Art

The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.

Charcoal and ink wash sketch on paper. The sketch depicts the edge of a wooded area, with timber fortifications in the center of the scene. Hills and small houses in the background.
Description
Charcoal and ink wash sketch on paper. The sketch depicts the edge of a wooded area, with timber fortifications in the center of the scene. Hills and small houses in the background. Belleau Wood was the scene of intense fighting between Allied soldiers and the German Army towards the end of the First World War.
Location
Currently not on view
date made
1918-08
associated date
1917-1918
associated person
War Department
artist
Smith, J. Andre
ID Number
AF.26028
catalog number
26028
accession number
64592
A charcoal, pastel, and watercolor drawing on paper of a road between Jaulgonne and Mount St. Pierre, France, during the Second Battle of the Marne on July 22, 1918. Depicted are two ammunition trucks driving along the war torn road.
Description
A charcoal, pastel, and watercolor drawing on paper of a road between Jaulgonne and Mount St. Pierre, France, during the Second Battle of the Marne on July 22, 1918. Depicted are two ammunition trucks driving along the war torn road. The truck at the back is partially obscured by fog or smoke in the background. On the right, a dead American soldier is lying on the side of the road next to a tree stump. His helmet is lying in the middle of the road. On the left, an American soldier is kneeling on the side of the road by a wooden cross. An explosion of yellow, red, and black smoke rises into the air behind him. Written at the bottom by the artist in pencil is: "Sketch. The road between / Jacqluer [sic] & Mont St. Pierre / on the Marne. July 22, / 1918. / One of Col. [illegibile]s Racehorses / These ammunitions trucks went / where ambulances could not and / served the double purpose of ammunitions / carriers and ambulances."
Location
Currently not on view
date made
ca 1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.67523M
catalog number
67523M
accession number
229290
Minna Citron (1896-1991) was an American printmaker, whose style dramatically transformed from representational to abstract art in the 1940s.
Description (Brief)
Minna Citron (1896-1991) was an American printmaker, whose style dramatically transformed from representational to abstract art in the 1940s. She became a member of Atelier 17, a renowned avant-garde print studio in New York, and was known for her experimental printmaking techniques.
"Slip Stream" is an etching and aquatint printed in 1956. The creation of "Slip Stream" and similar prints, collectively known as the series "The Uncharted Course," grew out of Citron's interest in the relationship between spontaneity and control. She embraced the inherent mishaps of printmaking and found inspiration in the accidental forms they produced. This is an example of the second state of the etching in green.
Location
Currently not on view
Date made
1956
original artist
Citron, Minna
ID Number
GA.21150
catalog number
21150
accession number
240678
Pencil and watercolor sketch on paper. The sketch shows an American soldier standing in the foreground on the left. He is next to an elaborate cross on a hill, looking out over a village, which is in the background on the right.
Description
Pencil and watercolor sketch on paper. The sketch shows an American soldier standing in the foreground on the left. He is next to an elaborate cross on a hill, looking out over a village, which is in the background on the right. The Argonne forest was the site of a major battle during World War I.
Location
Currently not on view
date made
1918-11
artist
Smith, J. Andre
ID Number
AF.26063
catalog number
26063
accession number
64592
A charcoal sketch on paper. This landscape shows Grandpre, France. In the foreground is a battleground with dugouts, barbed wire entanglements, and a bare tree on the left.
Description
A charcoal sketch on paper. This landscape shows Grandpre, France. In the foreground is a battleground with dugouts, barbed wire entanglements, and a bare tree on the left. Beyond the battleground are shell torn buildings, including a large church in the center that has some roof damage. The church is most likely the Église Saint-Médard.
Location
Currently not on view
date made
ca 1918
associated date
1917-1918
associated person
War Department
artist
Smith, J. Andre
ID Number
AF.25989
catalog number
25989
accession number
64592
Charcoal sketch on white paper. Sketch shows groups of American soldiers marching off into the distance between army motor trucks on a dirt road. The road is surrounded by large dead trees and barbed wire entanglements on either side. Rolling hills and fields in the distance.
Description
Charcoal sketch on white paper. Sketch shows groups of American soldiers marching off into the distance between army motor trucks on a dirt road. The road is surrounded by large dead trees and barbed wire entanglements on either side. Rolling hills and fields in the distance. The sky is very cloudy and dark with observation balloons floating in the distance.
Location
Currently not on view
date made
1918
artist
Smith, J. Andre
ID Number
AF.26080
catalog number
26080
accession number
64592
A charcoal and watercolor sketch on brown paper mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of a railhead dump at Menil-la-Tour.
Description
A charcoal and watercolor sketch on brown paper mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of a railhead dump at Menil-la-Tour. Approximately nine men wearing blue, possibly French, are seen in the sketch all over the picture. Seven men are working around a tall pile of baled hay seen in the center of the sketch. Another two men are working on the right side, dragging a sheet. Several tall covered piles are seen besides the hay pile. Two flat cars are seen on the rails. Trash is seen in on the right side behind a lone tree. Behind the trash is a building.
The sketch is mostly colored, but it is not entirely sketched. The sky is colored blue. The tree and the grass are painted green. Other colors include light blue, red, and brown/pink for the ground.
Location
Currently not on view
date made
1918-06
maker
Smith, J. Andre
ID Number
AF.26058
catalog number
26058
accession number
64592
A pencil and watercolor sketch on yellow paper that is mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of an airplane shop with workers assembling airplanes at Romorantin.
Description
A pencil and watercolor sketch on yellow paper that is mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of an airplane shop with workers assembling airplanes at Romorantin. Approximately ten people are seen in the sketch working on three different planes. The two main planes in the sketch do not have wings attached, but the propeller and the cockpit has been built. Clerestory windows are seen in the shop along with several ceiling lamps hanging above the planes. Only a select few parts of the painting are colored in brown.
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
War Department
Smith, J. Andre
maker
Smith, J. Andre
ID Number
AF.25929
catalog number
25929
accession number
64592
Oil painting on canvas of an American machine gun emplacement at Seicheprey, France. Two American soldiers in olive drab uniforms are sitting in the middle of a cemetery next to their Hotchkiss M1914 machine gun.
Description
Oil painting on canvas of an American machine gun emplacement at Seicheprey, France. Two American soldiers in olive drab uniforms are sitting in the middle of a cemetery next to their Hotchkiss M1914 machine gun. There are tombstones all around the soldiers, some of which have toppled over. A section of the rock wall surrounding the cemetery has been partially destroyed at right, giving the machine gunners a better sight line. The soldiers have positioned the gun on the rubble from the ruined wall, with the barrel of the gun pointing out of the cemetery. Signed by the artist at bottom left, "Harvey Dunn, Saishprey [sic], AEF"
Location
Currently not on view
date made
ca 1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.25709
catalog number
25709
accession number
64592
Currently not on view
Location
Currently not on view
date made
1918-07
artist
Smith, J. Andre
ID Number
AF.26059
catalog number
26059
accession number
64592
Oil painting on canvas of two American soldiers carrying another soldier on a stretcher along a line of barbed wire. The stretcher bearers are in uniform and are wearing helmets with their gas mask bags hanging from their necks.
Description
Oil painting on canvas of two American soldiers carrying another soldier on a stretcher along a line of barbed wire. The stretcher bearers are in uniform and are wearing helmets with their gas mask bags hanging from their necks. The soldier in front is looking up into the distance as he walks, while the soldier in back is walking with his head bowed. The soldier on the stretcher is wrapped in a blanket and his face is white; he is either severely injured or dead. The sky is gray with faint light coming from the left. A line of fog is rolling in from the left, slightly obscuring the soldiers and the barbed wire. At the bottom of the painting among the grass are tiny red and blue flowers. Signed by the artist at bottom left, "Harvey Dunn, 1918"
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.25719
catalog number
25719
accession number
64592
Pastel and watercolor drawing on paper of American soldiers advancing during the Second Battle of the Marne. Soldiers in uniform with guns and bayonets drawn advance up a hill that is covered in long grass with blue and red flowers.
Description
Pastel and watercolor drawing on paper of American soldiers advancing during the Second Battle of the Marne. Soldiers in uniform with guns and bayonets drawn advance up a hill that is covered in long grass with blue and red flowers. In the background at left is a cluster of trees, one of which has almost been cut in half and leans in the direction of the soldiers. In the background at right is a war torn village. The sky overhead is full of dark blue and gray clouds.
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.67520M
catalog number
67520M
accession number
229290
Currently not on view
Location
Currently not on view
date made
ca. 1820
ID Number
CE.P-576Fab
catalog number
P-576Fab
accession number
225282
Mixed media sketch on paper. French troops march over a bridge into Sedan, which was occupied by the Germans for most of World War I. The river is in the foreground, and the buildings of Sedan are in the background.
Description
Mixed media sketch on paper. French troops march over a bridge into Sedan, which was occupied by the Germans for most of World War I. The river is in the foreground, and the buildings of Sedan are in the background. The flag of France flies from several of the buildings and the bridge.
Location
Currently not on view
date made
1918-11-17
1918-11-17
artist
Smith, J. Andre
ID Number
AF.26055
catalog number
26055
accession number
64592
Currently not on view
Location
Currently not on view
date made
early nineteenth century
ID Number
CE.P-97ab
catalog number
P-97ab
accession number
225282
Charcoal and ink wash on white board. The ruined village of Varennes, France is visible on the far side of a canal bordered by a wall. The buildings are shell-torn and debris spills out in to the road running beside the river.Currently not on view
Description
Charcoal and ink wash on white board. The ruined village of Varennes, France is visible on the far side of a canal bordered by a wall. The buildings are shell-torn and debris spills out in to the road running beside the river.
Location
Currently not on view
date made
1918
artist
Peixotto, Ernest Clifford
ID Number
AF.25860
catalog number
25860
accession number
64592
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
This Clichy paperweight features concentric rings of millefiori and a “C” signature cane. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.66.74
catalog number
66.74
collector/donor number
174
accession number
268356
Charcoal and ink wash sketch on paper. Troops and army trucks pass over a small bridge. A sign posted on the bridge reads "Langsam Fahren" or "Drive Slowly". A large building sits atop a hill in the background of the scene.
Description
Charcoal and ink wash sketch on paper. Troops and army trucks pass over a small bridge. A sign posted on the bridge reads "Langsam Fahren" or "Drive Slowly". A large building sits atop a hill in the background of the scene. Buildings line the road on the right side of the sketch.
Location
Currently not on view
date made
ca 1918
associated date
1917-1918
associated person
War Department
maker
Peixotto, Ernest Clifford
ID Number
AF.25823
catalog number
25823
accession number
64592
A pencil and watercolor sketch on paper. The sketch is of a room in the bishop's palace at Verdun, France during World War I. The focal point is a broken window in the center of the sketch. The rest of the room is also in disrepair.
Description
A pencil and watercolor sketch on paper. The sketch is of a room in the bishop's palace at Verdun, France during World War I. The focal point is a broken window in the center of the sketch. The rest of the room is also in disrepair. Through the window is a view of the village of Verdun.
Location
Currently not on view
date made
1918
associated date
1917-1918
associated person
War Department
artist
Smith, J. Andre
ID Number
AF.25999
catalog number
25999
accession number
64592
Pencil and ink wash sketch on paper. In the foreground, a damaged bridge extends halfway across a river. Soldiers in the river are repairing the bridge. In the background, buildings line the far bank of the river.Currently not on view
Description
Pencil and ink wash sketch on paper. In the foreground, a damaged bridge extends halfway across a river. Soldiers in the river are repairing the bridge. In the background, buildings line the far bank of the river.
Location
Currently not on view
date made
1918-07
associated date
1917-1918
associated person
War Department
artist
Peixotto, Ernest Clifford
ID Number
AF.25876
catalog number
25876
accession number
64592
Charcoal, ink wash, and gouache drawing on beige textured paper. The work depicts refugees returning to a shell torn village in Hatton Chattel, France. Older men, women, children, sheep and a mule laden with clothing gather in front of a severely damaged building.
Description
Charcoal, ink wash, and gouache drawing on beige textured paper. The work depicts refugees returning to a shell torn village in Hatton Chattel, France. Older men, women, children, sheep and a mule laden with clothing gather in front of a severely damaged building. An American soldier is standing in the center of the drawing. In the foreground on the left, a man in dark clothes stands looking at the crowd.
Location
Currently not on view
date made
1918
associated person
War Department
artist
Aylward, William James
ID Number
AF.25664
catalog number
25664
accession number
64592
Oil on illustration board. Portrait of one star General E. A. Kreger. Kreger wears two officer and two Judge Advocate General's Department pins on his collar. He also wears glasses and a Sam Browne belt. Kreger's hair is grey.Currently not on view
Description
Oil on illustration board. Portrait of one star General E. A. Kreger. Kreger wears two officer and two Judge Advocate General's Department pins on his collar. He also wears glasses and a Sam Browne belt. Kreger's hair is grey.
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
Chase, Joseph Cummings
Chase, Joseph Cummings
artist
Chase, Joseph Cummings
ID Number
AF.58107M
catalog number
58107M
accession number
203612
Pencil and watercolor sketch on white paper, mounted on thick paper. The sketch shows a telephone station trench-like structure in the foreground. There is an American soldier standing right outside of the station.
Description
Pencil and watercolor sketch on white paper, mounted on thick paper. The sketch shows a telephone station trench-like structure in the foreground. There is an American soldier standing right outside of the station. Behind them, there are barbed wire fences, and more American soldiers (one of which is one a horse). In the distant background, destroyed structures and fields are visible. Two barrage balloons and two clouds of smoke are floating in the sky above the scene.
Location
Currently not on view
date made
1918-09-13
1918-09
associated date
1917 - 1918
associated person
War Department
Smith, J. Andre
artist
Smith, J. Andre
ID Number
AF.26004
catalog number
26004
accession number
64592
Currently not on view
Location
Currently not on view
date made
ca 1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
maker
Dunn, Harvey Thomas
ID Number
AF.25722
catalog number
25722
accession number
64592

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