Art

The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.

This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr.
Description
This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
Powell, John Wesley
block maker
A. P. J. & Co.
ID Number
1980.0219.1365
catalog number
1980.0219.1365
accession number
1980.0219
This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr.
Description
This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
block maker
W. T. & B.
ID Number
1980.0219.1359
catalog number
1980.0219.1359
accession number
1980.0219
Color print of a large gathering of soldiers and Indians. A dirt road seperates the soldiers, seated in five rows, from a large circle of Indians. More Indians are seated and standing in the foreground and soldiers guard tents on the left.Currently not on view
Description (Brief)
Color print of a large gathering of soldiers and Indians. A dirt road seperates the soldiers, seated in five rows, from a large circle of Indians. More Indians are seated and standing in the foreground and soldiers guard tents on the left.
Location
Currently not on view
Date made
n.d.
1823-09
After 1823-09
maker
Lehman & Duval
ID Number
DL.60.3515
catalog number
60.3515
This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colo
Description
This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colombia” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
graphic artist
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.1061
catalog number
1980.0219.1061
accession number
1980.0219
Currently not on view
Location
Currently not on view
printer
Currier & Ives
original artist
Catlin, George
ID Number
GA.21386
catalog number
21386
accession number
245107
This engraved woodblock of an “Arikara sign for a lie or falsehood” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1881 as Figure 233 (p.
Description
This engraved woodblock of an “Arikara sign for a lie or falsehood” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1881 as Figure 233 (p. 393) in an article by Garrick Mallery (1831-1894) entitled “Sign Language Among the North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80.
Location
Currently not on view
date made
1881
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Mallery, Garrick
block maker
V. W. & Co.
ID Number
1980.0219.0340
accession number
1980.0219
catalog number
1980.0219.0340
This engraved woodblock of “Basket with pendants” was prepared by the Government Printing Office in Washington, D.C; the print was published as Figure 313 (p.213) in an article by William H.
Description
This engraved woodblock of “Basket with pendants” was prepared by the Government Printing Office in Washington, D.C; the print was published as Figure 313 (p.213) in an article by William H. Holmes (1846-1933) entitled “A Study of the Textile Art in its Relation to the Development of Form and Ornament” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.0504
accession number
1980.0219
catalog number
1980.0219.0504
This engraved woodblock of a "Navajo blanket" was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 53 (p.387) in an article by Dr.
Description
This engraved woodblock of a "Navajo blanket" was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 53 (p.387) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
printer
Government Printing Office
publisher
Bureau of American Ethnology
block maker
W. T. & B.
author
Matthews, Washington
ID Number
1980.0219.1180
catalog number
1980.0219.1180
accession number
1980.0219
This engraved woodblock of a “House-burial” was prepared by Henry Hobart Nichols (1838-1887); the print was published by the Government Printing Office in Washington, D.C. in 1881 as Figure 27 (p. 175) in an article by Dr. H. C.
Description
This engraved woodblock of a “House-burial” was prepared by Henry Hobart Nichols (1838-1887); the print was published by the Government Printing Office in Washington, D.C. in 1881 as Figure 27 (p. 175) in an article by Dr. H. C. Yarrow (1840-1929) entitled “Mortuary Customs of the North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80.
Location
Currently not on view
date made
1881
printer
Government Printing Office
publisher
Bureau of American Ethnology
graphic artist
Nichols, H. H.
author
Yarrow, Harry Crecy
ID Number
1980.0219.0084
catalog number
1980.0219.0084
accession number
1980.0219
This engraved woodblock of hilltop pueblos was engraved and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.Currently not on view
Description
This engraved woodblock of hilltop pueblos was engraved and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.
Location
Currently not on view
date made
ca 1880
publisher
Bureau of American Ethnology
printer
Government Printing Office
block maker
A. P. J. & Co.
ID Number
1980.0219.1813
catalog number
1980.0219.1813
accession number
1980.0219
This engraved woodblock of “The Warrior and his Bride” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 15 (p.44) in Report of the Exploration of the Colorado River of the West and I
Description
This engraved woodblock of “The Warrior and his Bride” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 15 (p.44) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902).
Location
Currently not on view
date made
ca 1875
1875
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Powell, John Wesley
graphic artist
Nichols, H. H.
ID Number
1980.0219.0465
accession number
1980.0219
catalog number
1980.0219.0465
This engraved woodblock of “Captain John, a Ni’-shi-nam chief” was prepared by engraver Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1877 as Figure 27 (p.314) in an article by Stephen Powers (1840-1904) entitl
Description
This engraved woodblock of “Captain John, a Ni’-shi-nam chief” was prepared by engraver Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1877 as Figure 27 (p.314) in an article by Stephen Powers (1840-1904) entitled “Tribes of California” in Contributions to North American Ethnology v.3. Contributions was published by the U.S. Geographical and Geological Survey, a precursor to the Bureau of American Ethnology under the direction of John Wesley Powell (1834-1902). D. H. Bartle created the original image.
Location
Currently not on view
date made
1877
publisher
Bureau of American Ethnology
printer
Government Printing Office
graphic artist
Nichols, H. H.
author
Powers, Stephen
original artist
Bartle, D. H.
ID Number
1980.0219.0350
accession number
1980.0219
catalog number
1980.0219.0350
Depicting an Indian with a drawn bow. Silhouetted figure in a running stance with a five feather head-dress, a bow and arrow made from sheet metal. The arrowhead is attached by two rivets. The figure is supported through a metal covered wood sphere.
Description (Brief)
Depicting an Indian with a drawn bow. Silhouetted figure in a running stance with a five feather head-dress, a bow and arrow made from sheet metal. The arrowhead is attached by two rivets. The figure is supported through a metal covered wood sphere. There are traces of green paint.
Location
Currently not on view
Date made
1850-1899
ID Number
CL.65.0913
accession number
261195
catalog number
65.0913
collector/donor number
T-14
Color print of two Indians in a canoe coming at a river bank. The canoe contains deer killed in the hunt. A woman and child greet the canoe while another woman, two children and a dog are in the background.
Description (Brief)
Color print of two Indians in a canoe coming at a river bank. The canoe contains deer killed in the hunt. A woman and child greet the canoe while another woman, two children and a dog are in the background. The setting is an Indian camp with many decorated tepeesk on a river bank.
Location
Currently not on view
Date made
1885
artist
Darley, Felix Octavius Carr
maker
Beckwith Henry W.
ID Number
DL.60.3503
catalog number
60.3503
This engraved woodblock of three American Indians, two on horseback and one standing, was engraved by F. S. King and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.Currently not on view
Description
This engraved woodblock of three American Indians, two on horseback and one standing, was engraved by F. S. King and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.
Location
Currently not on view
date made
ca 1880
publisher
Bureau of American Ethnology
printer
Government Printing Office
block maker
V. W. & Co.
graphic artist
King, Francis Scott
ID Number
1980.0219.1242
catalog number
1980.0219.1242
accession number
1980.0219
Black and white print of a huge fallen tree on the floor of the forest. Several people are walking on the fallen tree.Currently not on view
Description (Brief)
Black and white print of a huge fallen tree on the floor of the forest. Several people are walking on the fallen tree.
Location
Currently not on view
Date made
1862
maker
Vischer, Edward
ID Number
DL.60.3841
catalog number
60.3841
Colored print; depiction of Columbus landing on San Salvadore Island. He stands on the beach with a flag of Spain in one hand and a raised sword in the other. Beside him is a large crucifix set into the ground. He is surrounded by a group of kneeling and praying men.
Description (Brief)
Colored print; depiction of Columbus landing on San Salvadore Island. He stands on the beach with a flag of Spain in one hand and a raised sword in the other. Beside him is a large crucifix set into the ground. He is surrounded by a group of kneeling and praying men. Two sailing ships are in the right background and a group of Indians approaches in the left background.
Location
Currently not on view
date made
1846
depicted
Columbus, Christopher
maker
Baillie, James S.
ID Number
DL.60.2545
catalog number
60.2545
accession number
228146
This engraved woodblock of an "Iroquois Mask" was prepared by the Government Printing Office in Washington, D.C.; the print was published as Plate XXII.49 (p.
Description
This engraved woodblock of an "Iroquois Mask" was prepared by the Government Printing Office in Washington, D.C.; the print was published as Plate XXII.49 (p. 189) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Certain Aboriginal Customs with an Inquiry into the Bearing of Their Geographical Distribution” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82. According to the annual report, the mask was “used by the order of ‘Falsefaces’.” Lewis Henry Morgan (1818-1881) was the original artist.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Dall, William H.
original artist
Morgan, L. H.
block maker
A. P. J. & Co.
ID Number
1980.0219.0437
accession number
1980.0219
catalog number
1980.0219.0437
Black and white print; four scenes depicting Indians killing the Baker and Jones families in the town of Acton, Minnesota, August 18, 1862.
Description (Brief)
Black and white print; four scenes depicting Indians killing the Baker and Jones families in the town of Acton, Minnesota, August 18, 1862. The scenes are labeled: "No.1, The Approach.";" No.2, Cabin as now Stands.";"No.3, The Massacre.";"No.4, The Trial of Guns."
Location
Currently not on view
date made
ca 1863
maker
Charles Shober and Company
Chicago Lithographing Company
ID Number
DL.60.2562
catalog number
60.2562
accession number
228146
Currently not on view
Location
Currently not on view
Date made
1815-1835
ID Number
CL.219167
accession number
40071
catalog number
219167
This engraved woodblock of a “Basket with pendant buckskin” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 312 (p.213) in an article by William H.
Description
This engraved woodblock of a “Basket with pendant buckskin” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 312 (p.213) in an article by William H. Holmes (1846-1933) entitled “A Study of the Textile Art in its Relation to the Development of Form and Ornament” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.0850
catalog number
1980.0219.0850
accession number
1980.0219
This engraved woodblock of “Eskimo child’s clothing” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 512 (p.557) in an article by Franz Boas (1858-1942) entitled “The Central Eskimo” in the Sixth Annual Report of the Bureau of
Description
This engraved woodblock of “Eskimo child’s clothing” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 512 (p.557) in an article by Franz Boas (1858-1942) entitled “The Central Eskimo” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Boas, Franz
ID Number
1980.0219.0477
accession number
1980.0219
catalog number
1980.0219.0477
A signed pencil drawing of American Indians attacking a wagon train, which Darley made in 1880.On the verso, Felix Darley sketched another version in pencil, not as developed as the signed version on the recto.Currently not on view
Description (Brief)
A signed pencil drawing of American Indians attacking a wagon train, which Darley made in 1880.
On the verso, Felix Darley sketched another version in pencil, not as developed as the signed version on the recto.
Location
Currently not on view
date made
1880
original artist
Darley, Felix Octavius Carr
ID Number
GA.16636
catalog number
16636
accession number
119780
Albert Bierstadt's (1830–1902) large painting, The Rocky Mountains, Lander's Peak, completed in 1863, presented the drama of the American West to audiences in the Eastern United States.
Description
Albert Bierstadt's (1830–1902) large painting, The Rocky Mountains, Lander's Peak, completed in 1863, presented the drama of the American West to audiences in the Eastern United States. The Rocky Mountains was Bierstadt's first big success, and he quickly developed a marketing strategy to promote his work. He contracted with engraver James Smillie (1807–1885) to produce a large black-and-white reproductive print. Then he sent the painting on tour, to be exhibited in art galleries in several eastern cities, accompanied by a subscription book and promotional flyers describing the engraving. It was available in four versions, from a limited number of artists' proofs priced at $50 each to an unlimited edition of plain proofs at $10 each.
Public exhibitions in commercial galleries, together with the growth of the print trade, expanded opportunities for people to see paintings and purchase reproductions. Publishing prints enhanced an artist's reputation and added significantly to his income, but engraving on steel was a slow and painstaking process. It took Smillie more than three years to complete his work, in part because the painting was unavailable for him to copy. First Smillie drew the details of the image with a needle on a large steel plate, measuring 43 by 70.5 centimeters. This background image was etched in acid, and the Museum's copy is an early stage proof made "off the acid" to check Smillie's progress with the design. Several areas of the print remain to be completed. They were finished by hand with the engraver's cutting tool called the burin.
In 1888 Smillie's son George donated this proof, which had been signed and dated by his father in 1865. Bierstadt also donated a signed impression of the final state of the print. Both states were exhibited together to demonstrate the process of engraving.
Location
Currently not on view
Date made
1865
engraver
Smillie, James
original artist
Bierstadt, Albert
ID Number
GA.00730
catalog number
00730
accession number
20355

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