Art

The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.

This engraved woodblock of “Bird’s-eye view of the Grand Canyon" was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as as Figure 72 (p.187) in Report of the Exploration of the Colorado River of
Description
This engraved woodblock of “Bird’s-eye view of the Grand Canyon" was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as as Figure 72 (p.187) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902).
Location
Currently not on view
date made
1875
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Powell, John Wesley
graphic artist
Nichols, H. H.
ID Number
1980.0219.0467
accession number
1980.0219
catalog number
1980.0219.0467
This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr.
Description
This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
Powell, John Wesley
block maker
A. P. J. & Co.
ID Number
1980.0219.1365
catalog number
1980.0219.1365
accession number
1980.0219
This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr.
Description
This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
block maker
W. T. & B.
ID Number
1980.0219.1359
catalog number
1980.0219.1359
accession number
1980.0219
This engraved woodblock of “Climbing the Grand Canyon” was prepared by F. S.
Description
This engraved woodblock of “Climbing the Grand Canyon” was prepared by F. S. King and the Government Printing Office in Washington, D.C.; the print was published in 1875 on page 98 of John Wesley Powell's Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution. Thomas Moran (1837-1926) was the original artist.
Location
Currently not on view
date made
ca 1875
1875
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Powell, John Wesley
original artist
Moran, Thomas
graphic artist
King, Francis Scott
maker
V. W. & Co.
ID Number
1980.0219.0474
accession number
1980.0219
catalog number
1980.0219.0474
This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colo
Description
This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colombia” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
graphic artist
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.1061
catalog number
1980.0219.1061
accession number
1980.0219
This engraved woodblock of an “Arikara sign for a lie or falsehood” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1881 as Figure 233 (p.
Description
This engraved woodblock of an “Arikara sign for a lie or falsehood” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1881 as Figure 233 (p. 393) in an article by Garrick Mallery (1831-1894) entitled “Sign Language Among the North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80.
Location
Currently not on view
date made
1881
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Mallery, Garrick
block maker
V. W. & Co.
ID Number
1980.0219.0340
accession number
1980.0219
catalog number
1980.0219.0340
A 1979 poster, "Women Artists Speak to Government"Currently not on view
Description
A 1979 poster, "Women Artists Speak to Government"
Location
Currently not on view
date made
1979
associated date
January 28, 1979
ID Number
1982.3014.06
This engraved woodblock of “Basket with pendants” was prepared by the Government Printing Office in Washington, D.C; the print was published as Figure 313 (p.213) in an article by William H.
Description
This engraved woodblock of “Basket with pendants” was prepared by the Government Printing Office in Washington, D.C; the print was published as Figure 313 (p.213) in an article by William H. Holmes (1846-1933) entitled “A Study of the Textile Art in its Relation to the Development of Form and Ornament” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.0504
accession number
1980.0219
catalog number
1980.0219.0504
After Lincoln’s assassination, Northern families often displayed in their homes lithographic prints of the man they believed to be the savior of their nation.
Description
After Lincoln’s assassination, Northern families often displayed in their homes lithographic prints of the man they believed to be the savior of their nation. This colored print from shortly after Lincoln’s death depicts an interior scene of his assassination at Ford’s Theater on April 14, 1865. John Wilkes Booth wields a blood stained knife and jumps from the box where Lincoln sits slumped in his chair. Mary Todd Lincoln attends to her husband while the surrounding spectators exhibit hysteria and alarm. The Lincolns’ box, depicted as extremely small and overcrowded, contains their guests, Major Henry R. Rathbone and his fiancée, Clara Harris, although another unidentified female onlooker also occupies the box. Lincoln's guard had earlier left his post, so he is not depicted. On the top of the box railing rest a pair of opera glasses and a program, inscribed, “Ford's Theat../ American Cousin,” which is the name of the play being performed that night. Oddly, the audience on the first floor of Ford's Theater appears to be viewing the events from the same level as the box, which makes Booth's leap one story down to the stage seem like a short hop over the box parapet to the floor. Prints of the assassination were in such demand immediately after the event that printmakers paid little attention to the accuracy of the depictions.
The artist of this work, James E Baker (1837-1914), began as an apprentice at J. H. Bufford & Co. in 1857. He eventually became John Bufford’s principal draftsman and illustrator of sheet music. He worked in NYC in 1860-1867 and specialized in portrait prints. During the Civil War he produced, for Bufford, political cartoons and lithographs relating the national drama. He later worked for Armstrong & Company, remaining active until 1888.
Location
Currently not on view
Date made
ca. 1865
ca 1865
depicted
Lincoln, Abraham
Booth, John Wilkes
Lincoln, Mary Todd
Harris, Clara
Rathbone, Henry Reed
maker
Baker, Joseph E.
ID Number
DL.60.2547
catalog number
60.2547
accession number
228146
This engraved woodblock of a "Navajo blanket" was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 53 (p.387) in an article by Dr.
Description
This engraved woodblock of a "Navajo blanket" was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 53 (p.387) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
printer
Government Printing Office
publisher
Bureau of American Ethnology
block maker
W. T. & B.
author
Matthews, Washington
ID Number
1980.0219.1180
catalog number
1980.0219.1180
accession number
1980.0219
This engraved woodblock of a “House-burial” was prepared by Henry Hobart Nichols (1838-1887); the print was published by the Government Printing Office in Washington, D.C. in 1881 as Figure 27 (p. 175) in an article by Dr. H. C.
Description
This engraved woodblock of a “House-burial” was prepared by Henry Hobart Nichols (1838-1887); the print was published by the Government Printing Office in Washington, D.C. in 1881 as Figure 27 (p. 175) in an article by Dr. H. C. Yarrow (1840-1929) entitled “Mortuary Customs of the North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80.
Location
Currently not on view
date made
1881
printer
Government Printing Office
publisher
Bureau of American Ethnology
graphic artist
Nichols, H. H.
author
Yarrow, Harry Crecy
ID Number
1980.0219.0084
catalog number
1980.0219.0084
accession number
1980.0219
This engraved woodblock of hilltop pueblos was engraved and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.Currently not on view
Description
This engraved woodblock of hilltop pueblos was engraved and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.
Location
Currently not on view
date made
ca 1880
publisher
Bureau of American Ethnology
printer
Government Printing Office
block maker
A. P. J. & Co.
ID Number
1980.0219.1813
catalog number
1980.0219.1813
accession number
1980.0219
This engraved woodblock of “The Warrior and his Bride” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 15 (p.44) in Report of the Exploration of the Colorado River of the West and I
Description
This engraved woodblock of “The Warrior and his Bride” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 15 (p.44) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902).
Location
Currently not on view
date made
ca 1875
1875
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Powell, John Wesley
graphic artist
Nichols, H. H.
ID Number
1980.0219.0465
accession number
1980.0219
catalog number
1980.0219.0465
This engraved woodblock of “Captain John, a Ni’-shi-nam chief” was prepared by engraver Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1877 as Figure 27 (p.314) in an article by Stephen Powers (1840-1904) entitl
Description
This engraved woodblock of “Captain John, a Ni’-shi-nam chief” was prepared by engraver Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1877 as Figure 27 (p.314) in an article by Stephen Powers (1840-1904) entitled “Tribes of California” in Contributions to North American Ethnology v.3. Contributions was published by the U.S. Geographical and Geological Survey, a precursor to the Bureau of American Ethnology under the direction of John Wesley Powell (1834-1902). D. H. Bartle created the original image.
Location
Currently not on view
date made
1877
publisher
Bureau of American Ethnology
printer
Government Printing Office
graphic artist
Nichols, H. H.
author
Powers, Stephen
original artist
Bartle, D. H.
ID Number
1980.0219.0350
accession number
1980.0219
catalog number
1980.0219.0350
Thomas Sinclair (ca 1805-1881) of Philadelphia produced this chromolithographic print of "Chrysomitris marginalis [Bonaparte] male and female" (common name: Black-chinned Siskin) after an original illustration by William Dreser (b. 1820, fl. 1849-1860).
Description (Brief)
Thomas Sinclair (ca 1805-1881) of Philadelphia produced this chromolithographic print of "Chrysomitris marginalis [Bonaparte] male and female" (common name: Black-chinned Siskin) after an original illustration by William Dreser (b. 1820, fl. 1849-1860). The image was published as Plate XVII in Volume 2, following page 180 of Appendix F (Zoology-Birds) by John Cassin (1813-1869) in the report describing "The U.S. Naval Astronomical Expedition to the Southern Hemisphere during the Years 1849, 1850, 1851, and 1852" by James M. Gillis (1811-1865). The volume was printed in 1855 by A. O. P. Nicholson (1808-1876) of Washington, D.C.
Description
Thomas Sinclair (c.1805–1881) of Philadelphia printed this lithograph of “Chrysomitris Marginalis [Bonaparte] male and female," now "Carduelis barbata" or Black-chinned siskin, from an original sketch by William Dreser (c.1820–after 1860) of Philadelphia (1847–1860) and New York (1860). The illustration was published in 1855 by A.O.P. Nicholson in Washington, D.C. as Plate XVII in the “Birds” section of volume II of The United States Naval Astronomical Survey to the Southern Hemisphere, written by John Cassin (1813–1869).
Location
Currently not on view
date made
1855
graphic artist
Sinclair, Thomas
Dreser, William
printer
Nicholson, A. O. P.
publisher
United States Navy
author
Cassin, John
Gilliss, James Melville
ID Number
2008.0175.03
accession number
2008.0175
catalog number
2008.0175.03
The Douglas and Stanton hospitals, two of about 25 hospitals opened in the Capital and Alexandria to care for wounded Union soldiers, were located at I and 2nd Streets and opened in early 1862.
Description
The Douglas and Stanton hospitals, two of about 25 hospitals opened in the Capital and Alexandria to care for wounded Union soldiers, were located at I and 2nd Streets and opened in early 1862. “Douglas Row,” composed of the three large brick houses near the center of the print, was constructed in 1856-1857 through an investment by Senator Stephen Douglas, the Northern Democratic candidate who ran against Lincoln in the 1860 Election. Upon its completion, Douglas and his wife moved into one of the homes, and Senator Henry Rice of Minnesota and Vice President John C. Breckinridge purchased the others. Douglas died shortly after the outbreak of war, and his widow, Adele, and Senator Rice offered their homes to the government for use as a military hospital. The government accepted and also seized the home of Breckinridge, who had become a major general in the Confederate Army. Stanton Hospital was erected in the vacant square outside of Douglas Row and was named after Secretary of War Edwin Stanton.
Washington D.C. hospitals were supported by the United States Sanitary Commission, a relief agency approved by the War Department on June 18, 1861 to provide assistance to sick, wounded, and travelling Union soldiers. Nurses and inspectors belonging to commission provided suggestions that helped to reform the U.S. Army Medical Bureau. Although the leaders of the Commission were men, the agency depended on thousands of women, who collected donations, volunteered as nurses in hospitals, and offered assistance at rest stations and refreshment saloons. They also sponsored Sanitary Fairs in Northern cities, raising millions of dollars used to send food, clothing, and medicine to Union soldiers.
Charles Magnus (1826-1900) was born Julian Carl Magnus in Germany and immigrated with his family to New York City sometime between 1848 and 1850. During the 1850s, he learned the printing business while working with his brother on a German language weekly newspaper, the Deutsche Schnellpost. He later began his own lithographer firm, producing city views and commercial letterhead designs. During the Civil War, he designed pro-Union envelopes and illustrated song sheets. The firm’s Washington, D.C. branch also produced small, hand-colored scenes of Union camps and hospitals. Soldiers purchased these picturesque scenes of camp life to send home to calm the worries of anxious family members.
Location
Currently not on view
Date made
1864
maker
Magnus, Charles
ID Number
DL.60.3740
catalog number
60.3740
This engraved woodblock of three American Indians, two on horseback and one standing, was engraved by F. S. King and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.Currently not on view
Description
This engraved woodblock of three American Indians, two on horseback and one standing, was engraved by F. S. King and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.
Location
Currently not on view
date made
ca 1880
publisher
Bureau of American Ethnology
printer
Government Printing Office
block maker
V. W. & Co.
graphic artist
King, Francis Scott
ID Number
1980.0219.1242
catalog number
1980.0219.1242
accession number
1980.0219
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Crotalus molassus [B & G],” or Black–tailed rattlesnake, from an original sketch likely drawn by John H. Richard (c.1807–1881) of Philadelphia.
Description (Brief)
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Crotalus molassus [B & G],” or Black–tailed rattlesnake, from an original sketch likely drawn by John H. Richard (c.1807–1881) of Philadelphia. The illustration was printed as Plate II in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, which was written by Spencer F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
Description
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Crotalus molassus [B & G],” or Black–tailed rattlesnake, from an original sketch likely drawn by John H. Richard (c.1807–1881) of Philadelphia. The illustration was printed as Plate 2 in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, which was written by Spencer F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
Location
Currently not on view
graphic artist
Dougal, William H.
printer
Nicholson, A.O.P.
author
Emory, William H.
printer
Wendell, Cornelius
publisher
U.S. Department of the Interior
original artist
Richard, John H.
author
Baird, Spencer Fullerton
publisher
U.S. Army
ID Number
GA.1367
accession number
1888.20627
catalog number
1367
This engraved woodblock of an "Iroquois Mask" was prepared by the Government Printing Office in Washington, D.C.; the print was published as Plate XXII.49 (p.
Description
This engraved woodblock of an "Iroquois Mask" was prepared by the Government Printing Office in Washington, D.C.; the print was published as Plate XXII.49 (p. 189) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Certain Aboriginal Customs with an Inquiry into the Bearing of Their Geographical Distribution” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82. According to the annual report, the mask was “used by the order of ‘Falsefaces’.” Lewis Henry Morgan (1818-1881) was the original artist.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Dall, William H.
original artist
Morgan, L. H.
block maker
A. P. J. & Co.
ID Number
1980.0219.0437
accession number
1980.0219
catalog number
1980.0219.0437
In this 1838 caricature, President Martin Van Buren welcomes friends who are members of the Loco Foco party to the White House.
Description (Brief)
In this 1838 caricature, President Martin Van Buren welcomes friends who are members of the Loco Foco party to the White House. The Loco Foco party was an offshoot of the Democratic Party focused on abolishing any antidemocratic and elitist financial policies and disbanding the National Bank. They were originally called the Equal Rights Party, but they became known as the Loco Foco party after Tammany Hall Democrats turned out the gas lights at their nominating convention, forcing them to light their meeting using loco foco matches. The Loco Foco Party never became a national party, and they were often mocked within the Democratic Party and by their opponents. Martin Van Buren calls his Loco Foco visitors dear “old friends,” an illusion to his long standing opposition to the National Bank that he shared with Loco Foco Democrats. On the wall behind Van Buren and the unidentified Loco Foco party member, is a portrait of esteemed journalist, presidential advisor, and Washington Globe editor, Francis Preston Blair. Blair was instrumental in creating Democratic propaganda for Andrew Jackson, so his presence on the wall foreshadows Van Buren’s future decision to satisfy the Loco Foco desire for a treasury completely separate from the federal government via the Independent Treasury Act of July 4th, 1840.
The lithographer of this print is Henry R. Robinson (1827-1877). Robinson worked in New York, and had a store to sell his prints. In 1842, he was arrested for selling obscene pictures and books leading to the September 28, 1842 court case, People vs H. R. Robinson found in the District Attorney Indictment Papers, Municipal Archives. He was politically affiliated with the anti-Jackson Whig party which was made obvious by the wig silhouette used in 1838 as an advertising logo for his shop.
Location
Currently not on view
Date made
1838
depicted
Van Buren, Martin
Marcy, William L.
Cambreleng, Churchill C.
maker
Robinson, Henry R.
ID Number
DL.60.3332
catalog number
60.3332
This engraved woodblock of a “Basket with pendant buckskin” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 312 (p.213) in an article by William H.
Description
This engraved woodblock of a “Basket with pendant buckskin” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 312 (p.213) in an article by William H. Holmes (1846-1933) entitled “A Study of the Textile Art in its Relation to the Development of Form and Ornament” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.0850
catalog number
1980.0219.0850
accession number
1980.0219
This engraved woodblock of “Eskimo child’s clothing” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 512 (p.557) in an article by Franz Boas (1858-1942) entitled “The Central Eskimo” in the Sixth Annual Report of the Bureau of
Description
This engraved woodblock of “Eskimo child’s clothing” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 512 (p.557) in an article by Franz Boas (1858-1942) entitled “The Central Eskimo” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Boas, Franz
ID Number
1980.0219.0477
accession number
1980.0219
catalog number
1980.0219.0477
Currently not on view
Location
Currently not on view
date made
ca 1850
ID Number
DL.67.0442
catalog number
67.0442
accession number
270017
Currently not on view
Location
Currently not on view
Date made
1991
1992
artist
Huff, Laura Weaver
ID Number
1991.0783.14
catalog number
1991.0783.14
accession number
1991.0783
catalog number
1991.783.14

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