Art

Panorama of the Army of the Cumberland

The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.

Date: 1850s

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This crown paperweight (consisting of glass rods that are filigreed and twisted) made by St. Louis features a central large green, white, and red cane.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.65.492
catalog number
65.492
accession number
264964
collector/donor number
171

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This faceted St. Louis glass paperweight features a posy floating on an amber ground.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.65.481
catalog number
65.481
accession number
264964
collector/donor number
48

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
This Clichy paperweight features concentric millefiori and a large pink and green Rose with a turquoise and white double overlay. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.67.234
catalog number
67.234
accession number
213138

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This St. Louis paperweight features a six-pointed star pattern millefiori on a red ground. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.66.19
catalog number
66.19
collector/donor number
168
accession number
268356

Baccarat Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Baccarat, was originally founded as the Verrerie Renaut in 1764, by request of the Bishop of Metz to the King of France, Louis XV. After the French Revolution, the company was re-named Verrerie de Baccarat. Peak production of Baccarat paperweights was between 1846 and1855.
Bright red Gentians highlight this star-cut base Baccarat paperweight.
Location
Currently not on view
date made
1845-1850
maker
Baccarat
ID Number
CE.66.16
catalog number
66.16
accession number
268356
collector/donor number
166

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
This faceted Clichy glass paperweight features closely packed canes, including two each of pink and white Clichy roses, and a twelve-rayed star-cut base.
date made
1845-1850
maker
Clichy
ID Number
CE.60.22
catalog number
60.22
accession number
211475

St. Louis Paperweight Wafer Dish

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This St. Louis glass wafer dish features a paperweight base consisting of scrambled millefiori and a blue and white torsade (twisted ribbon) around the upper rim. Wafer dishes such as this would have been used to hold wax letter seals, and often had paperweight bases. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.67.220
catalog number
67.220
accession number
213138

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
Interlacing garlands surround a central pink and green Rose cane in this Clichy paperweight.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.66.29
catalog number
66.29
collector/donor number
141
accession number
268356

Engraved printing plate "Scolopax meridionalis, Zaporina umbrina"

This engraved printing plate was prepared to print an image of "Scolopax meridionalis, Zapornia umbrina" (now Galinago shicklandii - Cordilleran snipe and Porzana porzana - Spotted Crake) for the publication "United States Exploring Expedition, During the Years 1838, 1839, 1840,
Description (Brief)
This engraved printing plate was prepared to print an image of "Scolopax meridionalis, Zapornia umbrina" (now Galinago shicklandii - Cordilleran snipe and Porzana porzana - Spotted Crake) for the publication "United States Exploring Expedition, During the Years 1838, 1839, 1840, 1841, 1842," Volume 8, Mammalogy and Ornithology, plate 35, in the edition Philadelphia : J. B. Lippincott & Co., 1858. The engraving was produced by W. H. Dougal after W. E. Hitchcock.
Description
William H. Dougal (1822–1895) of New York and Washington, D.C. (after 1844) engraved this copper printing plate after drawings by William E. Hitchcock. The image depicts the Scolopax meridionalis (now Galinago shicklandii, or Cordilleran snipe) and Zapornia umbrina (now Porzana porzana, or Spotted Crake). The engraved illustration was published as Plate 35 in Volume VIII, Mammalogy and Ornithology, by John Cassin, 1858.
Location
Currently not on view
Date made
1858
publisher
Wilkes, Charles
original artist
Hitchcock, W. E.
graphic artist
Dougal, William H.
printer
Sherman, Conger
author
Cassin, John
maker
Peale, Titian Ramsay
ID Number
1999.0145.415
catalog number
1999.0145.415
accession number
1999.0145

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This paperweight made at St. Louis features a central posy surrounded by cane garland, an amber flash ground, and honeycomb faceting.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.66.45
catalog number
66.45
collector/donor number
175
accession number
268356

Chinese porcelain footed bowl

Currently not on view
Location
Currently not on view
date made
1821-1850
ID Number
CE.P-478
catalog number
P-478
accession number
225282

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
This rare, unrecorded Clichy glass paperweight has a five-petal white flower with a yellow center suspended in a clear ball.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.65.463
catalog number
65.463
accession number
264964
collector/donor number
80

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
Red and white swirls emanate from a central pink Rose cane in this Clichy glass paperweight.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.65.487
catalog number
65.487
accession number
264964
collector/donor number
45

Baccarat Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Baccarat, was originally founded as the Verrerie Renaut in 1764, by request of the Bishop of Metz to the King of France, Louis XV. After the French Revolution, the company was re-named Verrerie de Baccarat. Peak production of Baccarat paperweights was between 1846 and1855.
Closely packed millefiori, “Gridel” silhouettes (said to be named after a young boy whose cut paper silhouettes inspired Baccarat’s glass workers), and blue and white torsade decorate this Baccarat paperweight. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1847-1850
maker
Baccarat
ID Number
CE.67.240
catalog number
67.240
accession number
213138

Baccarat Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Baccarat, was originally founded as the Verrerie Renaut in 1764, by request of the Bishop of Metz to the King of France, Louis XV. After the French Revolution, the company was re-named Verrerie de Baccarat. Peak production of Baccarat paperweights was between 1846 and1855.
This faceted Baccarat glass paperweight features a yellow, white, and red Buttercup or Columbine and has a deep star-cut base.
Location
Currently not on view
date made
1845-1850
maker
Baccarat
ID Number
CE.66.12
catalog number
66.12
accession number
268356
collector/donor number
184

Sèvres porcelain covered pitcher

Currently not on view
Location
Currently not on view
date made
1856
ID Number
CE.P-376ab
catalog number
P-376ab
accession number
225282

Zayda Playing an Instrument

Gerome Ferris titled the initialed pencil drawing of a seated young woman playing an instrument, Zayda/Three Princesses." Zayda is a character from "Legend of the Three Beautiful Princesses" in Washington Irving’s book, Tales of the Alhambra, first published in 1832.Currently not
Description (Brief)
Gerome Ferris titled the initialed pencil drawing of a seated young woman playing an instrument, Zayda/Three Princesses." Zayda is a character from "Legend of the Three Beautiful Princesses" in Washington Irving’s book, Tales of the Alhambra, first published in 1832.
Location
Currently not on view
date made
after 1851
original artist
Ferris, Jean Leon Gerome
ID Number
GA.16629
catalog number
16629
accession number
119780

Portrait of Von Steuben

Currently not on view
Location
Currently not on view
date made
1857
depicted (sitter)
Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin
engraver
Huber, Kaspar Ulrich
ID Number
2014.0250.43
accession number
2014.0250
catalog number
2014.0250.43

Baccarat Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Baccarat, was originally founded as the Verrerie Renaut in 1764, by request of the Bishop of Metz to the King of France, Louis XV. After the French Revolution, the company was re-named Verrerie de Baccarat. Peak production of Baccarat paperweights was between 1846 and1855.
This Baccarat glass paperweight features patterned millefiori (colored glass canes) and an arrow head cane, and has a star-cut base.
Location
Currently not on view
date made
1845-1850
maker
Baccarat
ID Number
CE.60.17
catalog number
60.17
accession number
211475

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
Pink and green, green and white, and yellow rose canes, and a “C” signature cane over a latticinio (latticework) ground decorate this Clichy glass paperweight.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.66.11
catalog number
66.11
collector/donor number
176
accession number
268356

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
A central bouquet consisting of a Pansy and Clematis is surrounded by a garland of unusual canes on this St. Louis glass paperweight.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.66.26
catalog number
66.26
accession number
268356
collector/donor number
47

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
Concentric millefiori are surrounded by a blue and white torsade (twisted ribbon) in this St. Louis paperweight. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.67.221
catalog number
67.221
accession number
213138

La Mort de Cesar

Currently not on view
Location
Currently not on view
date made
1859
original artist
Gerome, Jean Leon
publisher
Goupil & Company
maker
Goupil & Company
ID Number
GA.16566.01
catalog number
16566.01

Baccarat Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Baccarat, was originally founded as the Verrerie Renaut in 1764, by request of the Bishop of Metz to the King of France, Louis XV. After the French Revolution, the company was re-named Verrerie de Baccarat. Peak production of Baccarat paperweights was between 1846 and1855.
A bright green snake is coiled on a white “muslin” ground in this Baccarat paperweight.
Location
Currently not on view
date made
1845-1850
maker
Baccarat
ID Number
CE.67.243
catalog number
67.243
accession number
213138

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