| National Museum of American History

The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black, with a painted image on the front of the hat depicting a spread-winged eagle in front of a sunburst gripping a red banner in its talon that reads “EAGLE HOSE COMPANY” painted in gold. The company’s initials “EHC” (Eagle Hose Company) are painted in gold calligraphic script on the back of the hat. The owner’s initials “JW” are encircled by a golden wreath on the crown of the hat. Founded in 1851 and incorporated in 1852, the Eagle Fire Hose Company (Penn District) of Philadelphia, Pennsylvania operated until around 1855. The imagery on this hat is very similar to other fire hats in the collection—2005.0233.0029 and 2005.0233.0030—pointing to a common artist or local artistic style. The bald eagle was adopted by the Continental Congress as the national symbol of the United States in 1782. As a patriotic symbol of liberty and freedom, the eagle was a frequently used icon among early American volunteer fire departments.
Location: Currently not on view

date made: 1850-1860

associated: Eagle Hose Company
maker: unknown

ID Number: 2005.0233.0034
catalog number: 2005.0233.0034
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This fire hat was used in the eastern United States, possibly in Philadelphia, during the first half of the 19th century. The hat is painted black overall, with the text “FRIENDSHIP/1830” painted in white with red shadowing on the front of the hat. The back of the hat has the letters “F.A” framed in white. The Fire Association of Philadelphia was an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817.
Location: Currently not on view

date made: 1830-1860

maker: unknown

ID Number: 2005.0233.0045
catalog number: 2005.0233.0045
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This fire hat was likely used in Pennsylvania during the first half of the 19th century. The hat is painted brown overall with the number “1” painted in gold with a crossed hook and ladder behind the number. The word “Keystone” is painted in gold on a gold-lined banner above the number “1.” The owner’s initials “H.S.G.” can be faintly seen on the back of the hat. “Keystone” was a popular name for fire companies throughout Pennsylvania, including the Keystone Hook and Ladder Company No. 1 of Reading, where this hat may have been used.
Location: Currently not on view

date made: 1810-1860

maker: unknown

ID Number: 2005.0233.0067
catalog number: 2005.0233.0067
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted dark green overall, and the front bears a painted image of a spread-winged eagle, grasping an olive branch in one talon and three arrows in the other, with a golden harp hanging from a chain in its beak. There is a red banner on top of the image with the text “HIBERNIA” in gold. The image is reminiscent of the bald eagle on the seal of the United States, but the harp as a symbol of Ireland replaces the U.S. shield. The imagery points to the Hibernia Fire Company blending its Irish heritage with American patriotic ideals. The back of the hat has the date “1752” painted in gold. The Hibernia Fire Engine Company No. 1 was founded in 1752 in Philadelphia, Pennsylvania as a hand engine company. It acquired a steam fire engine in 1858 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location: Currently not on view

date made: 1810-1860

associated: Hibernia Hose Company
maker: unknown

ID Number: 2005.0233.0062
catalog number: 2005.0233.0062
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; The artistry on this Northern Liberty Hose Company hat combines a number of patriotic emblems. The female figure, an allegorical image of Liberty, is a personification of the United States. In her left hand, she holds a pole with a red liberty cap on top. The liberty cap was originally a Roman symbol given to freed slaves. It became an internationally known symbol of the American Revolution when colonists carried them atop poles in parades and rallies. This fire hat was used by a member of the Northern Liberty Hose Company No. 16 of Philadelphia, Pennsylvania, organized in 1828. Also known as Northern Liberty Hose Company No. 4, it operated as a hose company in the Northern Liberty section of Philadelphia. It acquired a steam fire engine in 1859 and changed its name to the Northern Liberty Hose and Steam Fire Engine Company No. 4. It operated until 1871 when Philadelphia’s paid firefighting department was established.
Location: Currently not on view

date made: 1835-1860

associated: Northern Liberty Hose Company No. 4
maker: unknown

ID Number: 2005.0233.0073
catalog number: 2005.0233.0073
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This fire hat was used in Philadelphia, Pennsylvania in the first half of the 19th century. The hat is painted black overall, with a painting at its center featuring a female figure clothed in a white robe with an anchor at her side and stormy sea behind her. The painting is flanked by red banners with gold trim that read “HOPE / HOSE COMPY” in gold lettering. The back of the hat features the word “HOPE” in large golden letters, with two golden lines above and below. The female figure with anchor is a classical allegorical representation of Hope. Hope Hose Company No. 7 was founded in 1805 in Philadelphia. It was the second Philadelphia fire company to acquire a steam fire engine in 1858, and it changed its name to the Hope Steam Fire Engine Company No. 2.
Location: Currently not on view

date made: 1810-1860

associated: Hope Hose Company
maker: unknown

ID Number: 2005.0233.0057
catalog number: 2005.0233.0057
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This fire hat dates to the first half of the 19th century. The hat is painted black with gold bands around the top and base. "Kensington" is painted in gold above the date "1791." The number "1" is painted in gold on the opposite side, and the owner’s initials “W.H.C." are painted in gold on the top of the hat. The Kensington Fire Company was founded in 1791 in the Kensington neighborhood of Philadelphia, Pennsylvania. At the time, Kensington was a separate municipality, and this company was the first of its kind for the area. The company operated until 1855, when it refused to join the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city.
Location: Currently not on view

date made: 1810-1860
associated date: 1791

maker: unknown

ID Number: 2005.0233.0103
catalog number: 2005.0233.0103
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat has been painted black, with the text “FRIENDSHIP/1796” painted in gold across the front. The initials “F.A.” are painted in gold on the back of the hat which stood for the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817, of which Friendship was a member. The Friendship Fire Engine Company No. 15 was founded on August 18th, 1796, in the Northern Liberties area of Philadelphia, which at the time was a separate municipality and operated as a hand fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location: Currently not on view

date made: 1810-1860

maker: unknown

ID Number: 2005.0233.0046
catalog number: 2005.0233.0046
accession number: 2005.0233

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.

Description: Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.; This hat was used in the eastern United States during the first half of the 19th century. The hat is painted dark brown overall, with an image of a spread-winged eagle grasping an anchor in its claws. A banner arches over the eagle’s head that reads “Columbia.” The company’s initials “CEC” (Columbia Engine Company) are painted in gold calligraphic script on the back of the hat. The crown of the hat features the owner’s initials “S.H.R.” painted in gold inside a gold shield. The bald eagle was adopted by the Continental Congress as the national symbol of the United States in 1782. As a patriotic symbol of liberty and freedom, the eagle was a frequently used icon among early American volunteer fire departments. The anchor in the eagle’s claw represents hope and safety.
Location: Currently not on view

date made: 1810-1860

maker: unknown

ID Number: 2005.0233.0029
catalog number: 2005.0233.0029
accession number: 2005.0233

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