Art

The National Museum of American History is not an art museum. But works of art fill its collections and testify to the vital place of art in everyday American life. The ceramics collections hold hundreds of examples of American and European art glass and pottery. Fashion sketches, illustrations, and prints are part of the costume collections. Donations from ethnic and cultural communities include many homemade religious ornaments, paintings, and figures. The Harry T Peters "America on Stone" collection alone comprises some 1,700 color prints of scenes from the 1800s. The National Quilt Collection is art on fabric. And the tools of artists and artisans are part of the Museum's collections, too, in the form of printing plates, woodblock tools, photographic equipment, and potters' stamps, kilns, and wheels.

Currently not on view
Location
Currently not on view
date made
ca 1910
ID Number
2012.0093.16
accession number
2012.0093
catalog number
2012.0093.16
Currently not on view
Location
Currently not on view
date made
1968-1970
author
Waters, Alice
ID Number
2016.0085.02
accession number
2016.0085
catalog number
2016.0085.02
Currently not on view
Location
Currently not on view
date made
1868
maker
Bien, Julius
ID Number
GA.03771
catalog number
03771
accession number
23155
Japanese wood block print. No. 25 in a series of progressive proofs of a stylized group of leaves and berries from the shrub Nandina domestica. Designed by Tsubaki Chinzan, engraved by Kotaro Kido, and printed by Iwakichi Yamamoto.Currently not on view
Description
Japanese wood block print. No. 25 in a series of progressive proofs of a stylized group of leaves and berries from the shrub Nandina domestica. Designed by Tsubaki Chinzan, engraved by Kotaro Kido, and printed by Iwakichi Yamamoto.
Location
Currently not on view
engraver
Kido, Kotaro
ID Number
GA.03217.25
catalog number
03217.25
accession number
22582
Mr. Breger (also published as Private Breger and G.I. Joe during World War II) was created by Dave Breger (1908-1970), syndicated by King Features from 1946-1960s. Breger has been credited with creating the term "G.I.
Description
Mr. Breger (also published as Private Breger and G.I. Joe during World War II) was created by Dave Breger (1908-1970), syndicated by King Features from 1946-1960s. Breger has been credited with creating the term "G.I. Joe", replacing the term "Yank" to describe American soldiers. The comic is a gag-panel about life in the military. In this comic, The Bregers go to the attorney to discover what Mr. Breger's uncle willed to him.
Location
Currently not on view
date made
8/21/1966
publisher
King Features Syndicate
ID Number
GA.22334
catalog number
22334
Currently not on view
Location
Currently not on view
date made
1968-1970
author
Waters, Alice
ID Number
2016.0085.27
accession number
2016.0085
catalog number
2016.0085.27
David Lance Goines is known as a writer and lecturer as well as an illustrator and printer of both letterpress and offset lithography, his work much exhibited and collected throughout the country.
Description
David Lance Goines is known as a writer and lecturer as well as an illustrator and printer of both letterpress and offset lithography, his work much exhibited and collected throughout the country. But his Arts and Crafts influenced design is best known on his posters and in books. Goines was a recognized activist in Berkeley, associated with the Free Speech and Anti-War movements, and he did poster and book work for these movements.
Alice Waters, who founded the Berkeley restaurant, Chez Panisse, was a founding inspiration of the fresh, local, and organic food movement. She met David Goines in the Berkeley Free Speech movement. They began to collaborate on a column, “Alice’s Restaurant” for the local alternative paper. She wrote the recipes and he provided the artwork. He collected and printed each column as Thirty Recipes for Framing and the entire set and individual prints from the set began to appear on Berkeley walls and beyond, establishing him with enough profits to buy the Berkeley Free Press, rechristened the St. Hieronymus Press.
He issued his first Chez Panisse poster, "Red-Haired Lady," in 1972 and his most recent, "41st Anniversary," in 2012. In between is a series of anniversary posters, plus occasional others celebrating the restaurant's book releases, such as the Chez Panisse Café Cookbook, and other ventures. These works established his place as the primary artist associated with food and wine in the so-called Gourmet Ghetto. His early posters for Chez Panisse were soon followed by requests from other food and wine related sites and events, as well as from many other commercial entities.
The design for this 1987 poster by David Lance Goines was first commissioned as a bottle label by Corti Brothers Grocery in Sacramento to note the introduction of some of the first extra-virgin olive oil made in the United States. According to Corti, the labels were originally made for Antinori, the great Italian wine (and olive oil) producer, but a freeze knocked out the olive crop. Antinori returned the labels to Corti, whose grocery was to carry the Antinori oil. Corti got Goines to re-do the labels for the Pallido and Verdesco oils, “Extra Virgin Olive Oil from Spring Harvest Mission Olives,” simultaneously requesting a large number of the 4 color posters (unsigned, number130 in the Goines repertory) which he (Corti) could sell in the store. He also obtained the progressives from Goines, eventually giving the set of progressives and several of the posters to the National Museum of American History in 2012. The poster documents the arrival in the U.S. of the first wave of soon-to-be well known and much favored California-produced olive oils.
Many credit Darrell Corti for introducing chefs, food writers, and food critics to some of the high grades of olive oil, balsamic vinegar, American wines such as Zinfandel, and other foods that have become staples across America.
Location
Currently not on view
date made
1987
maker
Goines, David Lance
ID Number
2011.0252.04
accession number
2011.0252
catalog number
2011.0252.04
Sixteen-year-old Gerome Ferris etched this print in 1879 after his own painting of the dying Christopher Columbus, 1506 Last Days of C. Columbus at Vallodolid.
Description
Sixteen-year-old Gerome Ferris etched this print in 1879 after his own painting of the dying Christopher Columbus, 1506 Last Days of C. Columbus at Vallodolid. The current location of the painting is unknown, but the choice of topic anticipates Gerome’s future as a history painter, focusing on American narrative subjects.
After death, Christopher Columbus’s journeys were not over. His remains traveled from Vallodolid to Seville and in 1542 were taken to the island of Hispaniola, now Haiti and the Dominican Republic, colonized by Columbus after 1492. After a move to Havana, Cuba, they returned to Seville cathedral in 1898 where they are today.
The etching was printed on chine-collé, a very thin sheet of paper that accepts the image in passing through the press with a heavier sheet of backing paper to which is it glued during the printing.
Location
Currently not on view
Date made
1879
graphic artist
Ferris, Jean Leon Gerome
ID Number
GA.14450
accession number
94830
catalog number
14450
Currently not on view
Location
Currently not on view
ID Number
GA.20481.01
accession number
203077
This pen-and-ink drawing produced for the Ferd’nand comic strip shows the title character looking for his glasses.
Description (Brief)
This pen-and-ink drawing produced for the Ferd’nand comic strip shows the title character looking for his glasses. He cannot remember where he left them until he sits down to read the newspaper and realizes he's just broken them.
Henning Dahl Mikkelsen (1915-1982) was a Danish comic artist who worked in animation in Copenhagen and in filmmaking in London. In 1937 he created the Ferd’nand strip, which was syndicated in European and later American newspapers. Mikkelsen became an American citizen in 1954. He continued writing the strip until his death in 1982.
Ferd’nand (1937-2012) was first published in Copenhagen in 1937. It became syndicated and was first published in the United States in 1947. The characters in the strip included Ferd'nand, his wife, his son, and the family dog. The likable and extended strip also became popular with international readers because of its lack of dialogue.
Location
Currently not on view
date made
1966-08-24
graphic artist
Mikkelsen, Henning Dahl
publisher
United Feature Syndicate, Inc.
ID Number
GA.22641
catalog number
22641
accession number
277502
Wood block, Japanese. Landscape with two kimono-clad female figures in foreground; men engaged in agricultural activities in background with waterwheel. Block (recto) used to produce left-hand print in a triptych with GA 03213 and GA 03215.
Description
Wood block, Japanese. Landscape with two kimono-clad female figures in foreground; men engaged in agricultural activities in background with waterwheel. Block (recto) used to produce left-hand print in a triptych with GA 03213 and GA 03215. 24 separate impressions were required to complete the image from 14 printing surfaces on eight blocks. This block printed impressions GA 03216.03 (2 pairs of red lips--recto) and GA 03213.03 (3 pairs of red lips--verso). Both sides of block show some Japanese writing and residue of print pasted down to guide cutting. The verso has a tiny typewritten numeral 3 pasted on.
Location
Currently not on view
maker
Morikawa, Kokichiro
ID Number
GA.03216.27
accession number
22582
catalog number
03216.27
Currently not on view
Location
Currently not on view
date made
1968-1970
author
Waters, Alice
ID Number
2016.0085.16
accession number
2016.0085
catalog number
2016.0085.16
Currently not on view
Location
Currently not on view
date made
1969
1962
original artist
Palmer, Frances F.
publisher
Travelers Companies, Inc.
ID Number
2012.3050.05.13
nonaccession number
2012.3050
catalog number
2012.3050.05.13
Currently not on view
Location
Currently not on view
date made
ca 1935
printer
Kistler, Lynton R.
ID Number
1978.0650.1436
accession number
1978.0650
catalog number
1978.0650.1436
78.0650.1436
Mezzotint after original painting by Giulio Cesare Procaccini (once attributed to his brother Camillo Procaccini), formerly at Houghton Hall, Norfolk,England. Current location of the original is State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P.
Description
Mezzotint after original painting by Giulio Cesare Procaccini (once attributed to his brother Camillo Procaccini), formerly at Houghton Hall, Norfolk,England. Current location of the original is State Hermitage Museum, St Petersburg. Print tipped onto sheet bound in George P. Marsh's copy of The Houghton Gallery, vol. 1.
Location
Currently not on view
date made
1775
artist attribution
Procaccini, Camillo
delineator
Boydell, Josiah
engraver
Green, Valentine
publisher
Boydell, John
original artist
Procaccini, Giulio Cesare
ID Number
1978.0534.02.36
catalog number
1978.0534.02.36
accession number
1978.0534
Currently not on view
Location
Currently not on view
date made
1968-1970
author
Waters, Alice
ID Number
2016.0085.24
accession number
2016.0085
catalog number
2016.0085.24
One of a set of four glass bottles of powdered or crystalized pigment used in Japanese printmaking. GA 3211.16c is the blue pigment. Paper label in Japanese, stopped with cork.
Description
One of a set of four glass bottles of powdered or crystalized pigment used in Japanese printmaking. GA 3211.16c is the blue pigment. Paper label in Japanese, stopped with cork. According to Tokuno's description, these colors-- white, red, blue, and yellow--were used to print the triptych series Inaka genji (the rustic genji), GA*03212-03216.
Location
Currently not on view
ID Number
GA.03211.16c
accession number
22582
catalog number
03211.16c
Brush with wooden handle used for adding color to wood block in Japanese printmaking. Bristles attached on narrow end with three lines of stitches. Some red color residue remains in brush. Twine threaded through hole on opposite end of brush for hanging on rack of GA*03211.01.
Description
Brush with wooden handle used for adding color to wood block in Japanese printmaking. Bristles attached on narrow end with three lines of stitches. Some red color residue remains in brush. Twine threaded through hole on opposite end of brush for hanging on rack of GA*03211.01. See illustrations GA*03209.03-.04.
Location
Currently not on view
ID Number
GA.03211.05b
accession number
22582
catalog number
03211.05b
Small glass bottle of powdered pigment used for printing Japanese woodblocks. Paper label in English with color name transliterated from Japanese; separate label with catalogue number. Each bottle is stopped with small cork.Certain kind of red ochre: Ben-garaCurrently not on view
Description
Small glass bottle of powdered pigment used for printing Japanese woodblocks. Paper label in English with color name transliterated from Japanese; separate label with catalogue number. Each bottle is stopped with small cork.
Certain kind of red ochre: Ben-gara
Location
Currently not on view
ID Number
GA.03439
catalog number
03439
accession number
23218
Currently not on view
Location
Currently not on view
maker
Colescott, Warrington
ID Number
1985.0759.12
accession number
1985.0759
catalog number
85.0759.12
Currently not on view
Location
Currently not on view
Date made
1879
graphic artist
Ferris, Jean Leon Gerome
original artist
Fortuny y Carbo, Mariano
ID Number
GA.14445
accession number
94830
catalog number
14445
Currently not on view
Location
Currently not on view
Date made
1870
1879
graphic artist
Ferris, Stephen James
ID Number
GA.14399.01
accession number
94830
catalog number
14399.01
Wood block, Japanese. Landscape with two kimono-clad female figures in foreground; men engaged in agricultural activities in background with waterwheel. Block used to produce left-hand print in a triptych with GA 03213 and GA 03215.
Description
Wood block, Japanese. Landscape with two kimono-clad female figures in foreground; men engaged in agricultural activities in background with waterwheel. Block used to produce left-hand print in a triptych with GA 03213 and GA 03215. 24 separate impressions were required to complete the image from 14 printing surfaces on eight blocks. This block printed impressions GA 03216.05 and .06(yellow, gray-black--recto) and GA 03216.22 (red on clothing--verso). Both sides of block show some Japanese writing and residue of key print pasted down to guide cutting.
Location
Currently not on view
maker
Morikawa, Kokichiro
ID Number
GA.03216.28
accession number
22582
catalog number
03216.28
One of a set of four glass bottles of powdered or crystalized pigment used in Japanese printmaking. GA 3211.16a is the white pigment. Two paper labels, one in Japanese, the other marked "No. 16" presumably in reference to the drawing of these bottles in GA 3209.4.
Description
One of a set of four glass bottles of powdered or crystalized pigment used in Japanese printmaking. GA 3211.16a is the white pigment. Two paper labels, one in Japanese, the other marked "No. 16" presumably in reference to the drawing of these bottles in GA 3209.4. According to Tokuno's description, these colors-- white, red, blue, and yellow--were used to print the triptych series Inaka genji (the rustic genji), GA*03212-03216.
Location
Currently not on view
ID Number
GA.03211.16a
accession number
22582
catalog number
03211.16a

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