Clothing & Accessories

Work, play, fashion, economic class, religious faith, even politics—all these aspects of American life and more are woven into clothing. The Museum cares for one of the nation's foremost collections of men's, women's, and children's garments and accessories—from wedding gowns and military uniforms to Halloween costumes and bathing suits.

The collections include work uniforms, academic gowns, clothing of presidents and first ladies, T-shirts bearing protest slogans, and a clean-room "bunny suit" from a manufacturer of computer microchips. Beyond garments, the collections encompass jewelry, handbags, hair dryers, dress forms, hatboxes, suitcases, salesmen's samples, and thousands of fashion prints, photographs, and original illustrations. The more than 30,000 artifacts here represent the changing appearance of Americans from the 1700s to the present day.

A jewelry box made of orange celluloid with a pearlescent finish. The Art Deco style box has a hinged lid which is decorated with a tulip motif. The bottom of the box is lined with felt. It has the Amerith trademark. Amerith was a tradename of the Celluloid Corporation.
Description
A jewelry box made of orange celluloid with a pearlescent finish. The Art Deco style box has a hinged lid which is decorated with a tulip motif. The bottom of the box is lined with felt. It has the Amerith trademark. Amerith was a tradename of the Celluloid Corporation. It is also marked with the pattern name, Brinkley, which was introduced in 1929.
Location
Currently not on view
date made
ca 1929
maker
Celluloid Manufacturing Company
ID Number
2006.0098.1675
catalog number
2006.0098.1675
accession number
2006.0098
Straight pin-back United War Work Campaign pin. The pin is a flat, white square with a blue circle.
Description (Brief)
Straight pin-back United War Work Campaign pin. The pin is a flat, white square with a blue circle. Text in the circle says “United War Work Campaign.” Within the circle is a red shield that says “For The Boys Over There.”
The United War Work Campaign was a joint effort undertaken by seven voluntary organizations active during World War I: the National War Work Council of the YMCA, the War Work Council of the YWCA, the National Catholic War Council (Knights of Columbus), the Jewish Welfare Board, the War Camp Community Service, the American Library Association, and the Salvation Army. The aim of the campaign was for these seven organizations to raise at least $170,500,000 in subscriptions and pledges during the week of November 11–18, 1918, to help boost American soldiers’ morale and provide them with recreational activities.
Much like the use of military insignia to identify its wearer (by association with an organization) and his/her achievements, these pins and buttons were meant to be worn by Americans on the home front during World War I to show their membership in an organization and/or their contribution to a particular war effort, such as the United War Work Campaign. The pins and buttons displayed the wearer’s patriotism and generosity and undoubtedly also served to prompt others to become similarly involved in the various war efforts.
SOURCE:
“United War Work Campaign,” Committee on Public Information, Bulletin 42, 1918.
Location
Currently not on view
date made
1918
maker
Whitehead & Hoag Company
ID Number
2006.0098.0255
accession number
2006.0098
catalog number
2006.0098.0255
Straight pin-back United War Work Campaign pin. The pin is a flat red, white, and blue rectangle.
Description (Brief)
Straight pin-back United War Work Campaign pin. The pin is a flat red, white, and blue rectangle. White text in the red portion reads “I Gave For The Boys.” Blue text in the white portion reads “Did You?” White text in the blue portion reads “United War Work Campaign.”
The United War Work Campaign was a joint effort undertaken by seven voluntary organizations active during World War I: the National War Work Council of the YMCA, the War Work Council of the YWCA, the National Catholic War Council (Knights of Columbus), the Jewish Welfare Board, the War Camp Community Service, the American Library Association, and the Salvation Army. The aim of the campaign was for these seven organizations to raise at least $170,500,000 in subscriptions and pledges during the week of November 11–18, 1918, to help boost American soldiers’ morale and provide them with recreational activities.
Much like the use of military insignia to identify its wearer (by association with an organization) and his/her achievements, these pins and buttons were meant to be worn by Americans on the home front during World War I to show their membership in an organization and/or their contribution to a particular war effort, such as the United War Work Campaign. The pins and buttons displayed the wearer’s patriotism and generosity and undoubtedly also served to prompt others to become similarly involved in the various war efforts.
SOURCE:
“United War Work Campaign,” Committee on Public Information, Bulletin 42, 1918.
Location
Currently not on view
date made
1918
maker
Whitehead & Hoag Company
ID Number
2006.0098.0261
accession number
2006.0098
catalog number
2006.0098.0261
A stamp holder and pocket calendar of cream celluloid. The inside contains a calendar for 1900. A promotional novelty, it advertises Oak Hall Clothing Co. of Boston.
Description (Brief)
A stamp holder and pocket calendar of cream celluloid. The inside contains a calendar for 1900. A promotional novelty, it advertises Oak Hall Clothing Co. of Boston. The front resembles a stamped envelope.
Oak Hall was a well-known men’s clothing retailer in Boston started by George W. Simmons. The name derives from the new woodwork in the store following an 1842 renovation—a look that became synonymous with high-end men’s clothing stores. Thanks to Simmons's aggressive marketing campaigns, the store was familiar to most residents of New England in the mid-19th century. It is mentioned in works by Nathaniel Hawthorne (“Main Street”) and derisively by Henry David Thoreau (“Ktaadn”), as well as in correspondence by Henry Wadsworth Longfellow, who was incensed at the store’s use of advertising poems (written by “Professor Goodfellow”), and patterned on Longfellow's style.
Source: “Oak Hall in American Literature” by Steven Allaback, in American Literature Vol. 46 No.4 Jan. 1975, p. 545-549.
Location
Currently not on view
date made
1900
maker
Whitehead & Hoag Company
ID Number
2006.0098.0980
accession number
2006.0098
catalog number
2006.0098.0980
Round War Savings Service button.
Description (Brief)
Round War Savings Service button. The outer circle is brown with light brown text that reads “∙ War Savings Service ∙ W.S.S.” The inner circle is blue and white with an image of the Statue of Liberty’s torch.
The War Savings Service was related to the purchase of War Savings Stamps. The U.S. Treasury began issuing War Savings Stamps in late 1917 to help fund American participation in World War I. The War Savings Service button was a way for Americans to indicate that they were “enlisted in the great army of production and saving” on the home front.
Much like the use of military insignia to identify its wearer (by association with an organization) and his/her achievements, these pins and buttons were meant to be worn by Americans on the home front during World War I to show their membership in an organization and/or their contribution to a particular war effort, such as the United War Work Campaign. The pins and buttons displayed the wearer’s patriotism and generosity and undoubtedly also served to prompt others to become similarly involved in the various war efforts.
SOURCE:
“Drive on for War Savings Stamps: Opportunity Given to All to Help Defeat Germany by Lending to the Government,” Greater New York 7 (June 24, 1918): 12. books.google.com/books?id=tisiAQAAMAAJ.
Location
Currently not on view
date made
1917-1918
maker
Whitehead & Hoag Company
ID Number
2006.0098.0312
accession number
2006.0098
catalog number
2006.0098.0312
A powder box made of orange celluloid with a pearlescent finish. The Art Deco style box has a lift-off lid that is decorated with a tulip motif. The box has the Amerith trademark. Amerith was a tradename of the Celluloid Corporation.
Description (Brief)
A powder box made of orange celluloid with a pearlescent finish. The Art Deco style box has a lift-off lid that is decorated with a tulip motif. The box has the Amerith trademark. Amerith was a tradename of the Celluloid Corporation. It is also marked with the pattern name, Brinkley, which was introduced in 1929.
Location
Currently not on view
date made
ca 1929
maker
Celluloid Manufacturing Company
ID Number
2006.0098.1674
catalog number
2006.0098.1674
accession number
2006.0098
This pair of iron gates from the 1870s hung in the Dobson textile mill in Philadelphia, Penn., until 1991.In the late 18th century most workers were farmers or artisans, accustomed to overseeing their own work and schedules, and setting the pace of their work by the seasons and c
Description
This pair of iron gates from the 1870s hung in the Dobson textile mill in Philadelphia, Penn., until 1991.
In the late 18th century most workers were farmers or artisans, accustomed to overseeing their own work and schedules, and setting the pace of their work by the seasons and centuries-old traditions. With the rise of the factory system of production in the 19th century, managers sought to mold workers into disciplined and coordinated armies of employees. They tried to regulate each laborer's schedule, pace, and work habits. They prohibited amusements, reading, games, and consumption of alcohol—diversions that had been permitted in the flexible work schedule of artisans' shops.
Fences around factories protected property and symbolically established who was in control. A fence forced workers to file through a gate past a timekeeper's office. Americans who worked in textile mills were among the first to experience the new relationship between managers and workers. Not everyone adapted to the new rules. Some workers found ways to continue to control their own work, formed unions to enforce their own work rules, or quit.
user
Dobson Mill
owner of the mill
Dobson, John
ID Number
1991.0731.01
accession number
1991.0731
catalog number
1991.0731.01
Round United War Work Campaign button. The button is white with a red border.
Description (Brief)
Round United War Work Campaign button. The button is white with a red border. White text on the border reads “* United * War Work Campaign.” A blue star and “7” are in the center of the button.
The United War Work Campaign was a joint effort undertaken by seven voluntary organizations active during World War I: the National War Work Council of the YMCA, the War Work Council of the YWCA, the National Catholic War Council (Knights of Columbus), the Jewish Welfare Board, the War Camp Community Service, the American Library Association, and the Salvation Army. The aim of the campaign was for these seven organizations to raise at least $170,500,000 in subscriptions and pledges during the week of November 11–18, 1918, to help boost American soldiers’ morale and provide them with recreational activities.
Much like the use of military insignia to identify its wearer (by association with an organization) and his/her achievements, these pins and buttons were meant to be worn by Americans on the home front during World War I to show their membership in an organization and/or their contribution to a particular war effort, such as the United War Work Campaign. The pins and buttons displayed the wearer’s patriotism and generosity and undoubtedly also served to prompt others to become similarly involved in the various war efforts.
SOURCE:
“United War Work Campaign,” Committee on Public Information, Bulletin 42, 1918.
Location
Currently not on view
date made
1914-1918
maker
Whitehead & Hoag Company
ID Number
2006.0098.0313
accession number
2006.0098
catalog number
2006.0098.0313
Straight pin-back United War Work Campaign pin. The pin is a flat, blue rectangle with white print that reads “United War Work Campaign.” Within the rectangle is a white square with a red shield.
Description (Brief)
Straight pin-back United War Work Campaign pin. The pin is a flat, blue rectangle with white print that reads “United War Work Campaign.” Within the rectangle is a white square with a red shield. The shield has white text that reads “For The Boys Over There.”
The United War Work Campaign was a joint effort undertaken by seven voluntary organizations active during World War I: the National War Work Council of the YMCA, the War Work Council of the YWCA, the National Catholic War Council (Knights of Columbus), the Jewish Welfare Board, the War Camp Community Service, the American Library Association, and the Salvation Army. The aim of the campaign was for these seven organizations to raise at least $170,500,000 in subscriptions and pledges during the week of November 11–18, 1918, to help boost American soldiers’ morale and provide them with recreational activities.
Much like the use of military insignia to identify its wearer (by association with an organization) and his/her achievements, these pins and buttons were meant to be worn by Americans on the home front during World War I to show their membership in an organization and/or their contribution to a particular war effort, such as the United War Work Campaign. The pins and buttons displayed the wearer’s patriotism and generosity and undoubtedly also served to prompt others to become similarly involved in the various war efforts.
SOURCE:
“United War Work Campaign,” Committee on Public Information, Bulletin 42, 1918.
Location
Currently not on view
date made
1914-1918
maker
Whitehead & Hoag Company
ID Number
2006.0098.0256
accession number
2006.0098
catalog number
2006.0098.0256
Round Third Liberty Loan pin with metal pin-back. The pin is blue with a red border. White print reads “Third Liberty Loan.” An image of the Liberty Bell is in the center of the pin. A red, white, and blue plastic ribbon is attached to the pin.
Description (Brief)
Round Third Liberty Loan pin with metal pin-back. The pin is blue with a red border. White print reads “Third Liberty Loan.” An image of the Liberty Bell is in the center of the pin. A red, white, and blue plastic ribbon is attached to the pin. Blue text on the white portion reads “Volunteer.”
The Third Liberty Loan was part of the larger effort by the U.S. government to sell war bonds (also known as Liberty Bonds) during World War I to defray the expense of war. These bonds were issued by the U.S. Treasury. The Third Liberty Bond Act was passed by Congress on April 4, 1918, and the bonds began issuance shortly thereafter.
Much like the use of military insignia to identify its wearer (by association with an organization) and his/her achievements, these pins and buttons were meant to be worn by Americans on the home front during World War I to show their membership in an organization and/or their contribution to a particular war effort, such as the United War Work Campaign. The pins and buttons displayed the wearer’s patriotism and generosity and undoubtedly also served to prompt others to become similarly involved in the various war efforts.
SOURCE:
Treasury Department, Liberty Loan Acts (Washington, D.C.: Government Printing Office, 1921). books.google.com/books?id=4qFAAAAAYAAJ.
Location
Currently not on view
date made
1918
maker
Whitehead & Hoag Company
ID Number
2006.0098.0265
accession number
2006.0098
catalog number
2006.0098.0265
Advertising pin for Garrett & Company made specially for the Jamestown Exposition of 1907 in Norfolk, Virginia. The front features color images of Pocahontas, Virginia Dare and Minnehaha (described as "The Cousins") and a crest for Garrett's American Wines.
Description (Brief)
Advertising pin for Garrett & Company made specially for the Jamestown Exposition of 1907 in Norfolk, Virginia. The front features color images of Pocahontas, Virginia Dare and Minnehaha (described as "The Cousins") and a crest for Garrett's American Wines. An image of the Virginia Dare clock atop the Garrett and Co. building in Norfolk is on the back. The back also reads "Take Berkley ferry in Norfolk, Va."
Garrett & Company, established in North Carolina in 1835, was a manufacturer of American wines using the indigenous Scuppernong grape. Virginia Dare was their most popular wine, named for the first child born in America to English settlers. Dare was born on Roanoke Island, which is also home to the Mother Vine, a Scuppernong vine known to be the oldest cultivated grapevine in the world. Pocahontas and Minnehaha were names of two other Garrett & Company wines.
The company moved to Norfolk, Virginia, in 1903, after the growing temperance movement in the South made North Carolina an unfriendly environment for a wine business. By 1912, the spread of dry counties northward compelled the business to relocate for a final time to New York State. Eventually, nationwide Prohibition forced the company to abandon its wine manufacturing altogether. In the Dry years, the company diversified into Virginia Dare flavoring extracts and the sale of grapes for use in home winemaking.
Location
Currently not on view
date made
1907
depicted
Pocahontas
advertiser
Garrett & Company
maker
Whitehead & Hoag Company
ID Number
2006.0098.0141
accession number
2006.0098
catalog number
2006.0098.0141
Pin for the Fatherless Children of France Society. The group was established to unite French orphans with American "godparents" through charitable giving. On the front is an image of a woman standing behind two children, against a green background.
Description (Brief)
Pin for the Fatherless Children of France Society. The group was established to unite French orphans with American "godparents" through charitable giving. On the front is an image of a woman standing behind two children, against a green background. Green print on reverse reads, "10 cents a day // $3.00 a month // $36.50 a year saves a child for France." Mrs. Walter S. Brewster is listed as the chairman.
Location
Currently not on view
date made
1915-1920
maker
Whitehead & Hoag Company
ID Number
2006.0098.0130
accession number
2006.0098
catalog number
2006.0098.0130

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