Clothing & Accessories

Work, play, fashion, economic class, religious faith, even politics—all these aspects of American life and more are woven into clothing. The Museum cares for one of the nation's foremost collections of men's, women's, and children's garments and accessories—from wedding gowns and military uniforms to Halloween costumes and bathing suits.

The collections include work uniforms, academic gowns, clothing of presidents and first ladies, T-shirts bearing protest slogans, and a clean-room "bunny suit" from a manufacturer of computer microchips. Beyond garments, the collections encompass jewelry, handbags, hair dryers, dress forms, hatboxes, suitcases, salesmen's samples, and thousands of fashion prints, photographs, and original illustrations. The more than 30,000 artifacts here represent the changing appearance of Americans from the 1700s to the present day.

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat is painted orange/red overall, with a central portrait of Thomas Jefferson set inside a golden circular frame. The portrait is flanked by two dark blue banners that read “INDEPENDENCE/FIRE COMPANY” in gold paint. The date “1847” is painted in gold on the back of the hat between two gold lines. The owner’s initials “W.A.Mc.A.” are painted in gold on the crown of the hat. This hat was likely used by a member of the Independence Fire Engine Company, located in the Callowhill area of Philadelphia, Pennsylvania. The Independence Fire Engine Company No. 39 was founded in 1847 as a hand engine company. It acquired a steam fire engine in 1863 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1810-1860
associated
Independence Fire Company
depicted
Jefferson, Thomas
maker
unknown
ID Number
2005.0233.0110
catalog number
2005.0233.0110
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat dates to the first half of the 19th century from Allegheny, Pennsylvania. The hat has been painted red, and bears the text “ALLEGHENY” in gold above a United States shield. The date “1802” is painted in gold on the back of the hat, and the crown of the hat has a star shaped designed with the letter “A” in the center. The Allegheny Fire Company of Allegheny, Pennsylvania was founded in 1802 and operated until 1870, when it was absorbed by the municipal fire department.
Location
Currently not on view
in use
1802-1870
company which the hat's owner belonged to
Allegheny Engine Co.
owner
Neel, Harry
maker
unknown
ID Number
2005.0233.0026
catalog number
2005.0233.0026
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was likely used in Pennsylvania during the first half of the 19th century. The hat is painted brown overall with the number “1” painted in gold with a crossed hook and ladder behind the number. The word “Keystone” is painted in gold on a gold-lined banner above the number “1.” The owner’s initials “H.S.G.” can be faintly seen on the back of the hat. “Keystone” was a popular name for fire companies throughout Pennsylvania, including the Keystone Hook and Ladder Company No. 1 of Reading, where this hat may have been used.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0067
catalog number
2005.0233.0067
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania in the first half of the 19th century. The hat is painted black overall, with a painting at its center featuring a female figure clothed in a white robe with an anchor at her side and stormy sea behind her. The painting is flanked by red banners with gold trim that read “HOPE / HOSE COMPY” in gold lettering. The back of the hat features the word “HOPE” in large golden letters, with two golden lines above and below. The female figure with anchor is a classical allegorical representation of Hope. Hope Hose Company No. 7 was founded in 1805 in Philadelphia. It was the second Philadelphia fire company to acquire a steam fire engine in 1858, and it changed its name to the Hope Steam Fire Engine Company No. 2.
Location
Currently not on view
date made
1810-1860
associated
Hope Hose Company
maker
unknown
ID Number
2005.0233.0057
catalog number
2005.0233.0057
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
The artistry on this Northern Liberty Hose Company hat combines a number of patriotic emblems. The female figure, an allegorical image of Liberty, is a personification of the United States. In her left hand, she holds a pole with a red liberty cap on top. The liberty cap was originally a Roman symbol given to freed slaves. It became an internationally known symbol of the American Revolution when colonists carried them atop poles in parades and rallies. This fire hat was used by a member of the Northern Liberty Hose Company No. 16 of Philadelphia, Pennsylvania, organized in 1828. Also known as Northern Liberty Hose Company No. 4, it operated as a hose company in the Northern Liberty section of Philadelphia. It acquired a steam fire engine in 1859 and changed its name to the Northern Liberty Hose and Steam Fire Engine Company No. 4. It operated until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1835-1860
associated
Northern Liberty Hose Company No. 4
maker
unknown
ID Number
2005.0233.0073
catalog number
2005.0233.0073
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The front of the hat has the text “Union Fire Co.” in gold on an arching banner over a painted gold shield with the painted number “1” at the center. The back of the hat has the date “1747” flanking fasces, though lacking the fasces’ commonly depicted axe. The fasces, a bundle of wooden sticks, were a classical Roman symbol for the power of the state, as well as denoting strength through unity. This symbol would have been used by early American volunteer firefighters to link the young country to the republican ideals of the past, as well as a symbol of their unity.
Location
Currently not on view
date made
1810-1860
associated
Union Fire Company
maker
unknown
ID Number
2005.0233.0104
catalog number
2005.0233.0104
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the second half of the 19th century. The hat is painted black overall, with a central painting of Pennsylvania’s coat of arms. Within the central shield are images of a ship, a plow, and three sheaves of wheat, representing commerce, labor and the importance of agriculture respectively. The shield is flanked by two horses, with a red banner outlined in gold with the text "Virtue, Liberty & Independence" written in gold. The back of the hat has the number “12” painted in gold, with a gold outline of a keystone. Something has been peeled off of the crown of the hat, leaving a distressed mark. The hat is similar in style to object number 2005.0233.0077, but it belonged to a member of the Pennsylvania Engine Company No. 12 of San Francisco, California. The company was founded in the burgeoning Western city in 1852 by veteran firefighters from Philadelphia who chose to wear the traditional uniforms of their home city.
Location
Currently not on view
date made
ca 1852
maker
unknown
ID Number
2005.0233.0100
catalog number
2005.0233.0100
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall with the text “GLOBE/1820” painted in gold on the front of the hat. The letter “G” is painted in gold on the back of the hat. The crown of the hat has an illustration of an eagle perched on a globe, with a banner in its beak that reads “W.R.” (likely the owner’s initials). The Globe Fire Engine Company No. 30, located in the Kensington neighborhood of Philadelphia, Pennsylvania, was founded on May 22, 1820 and incorporated March 9, 1847. The company took its name from the nearby Globe Mills, a factory where some of its members were employed. Founded as a hand engine company, it acquired a steam fire engine in 1863 and operated as steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1820-1860
maker
unknown
ID Number
2005.0233.0047
catalog number
2005.0233.0047
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used by a member of the Germantown Hose Company No. 37 of Philadelphia, Pennsylvania, organized in 1848 and operated until 1871 when Philadelphia’s paid firefighting department was established. The fire hat has been painted red overall, and the front of the hat has the text “GERMANTOWN/HOSE” painted in gold around a golden number “1” on a black background surrounded by a golden sunburst. This represents the fact that it was the first hose company organized in the Germantown section of Philadelphia, a separate municipality before it was consolidated into the city in 1955. The date “1848” is painted in gold with black shadowing on the back of the hat.
Location
Currently not on view
date made
1810-1860
associated
Germantown Hose Company
maker
unknown
ID Number
2005.0233.0050
catalog number
2005.0233.0050
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted black overall with a painted portrait of Samuel Ringgold in the center framed in gold. Red banners with gold trim flow around the portrait that read “RINGGOLD/HOSE Co.” in gold paint. The company’s initials “RHC” are painted in gold script on the back of the hat. The owner’s initials “H.M.” are inside an outline of a shield on the crown of the hat. This hat was likely used by a member of the Ringgold Hose Company No. 33 of Philadelphia, Pennsylvania, founded in 1847 and operated until 1871 when Philadelphia’s paid firefighting department was established. While many firefighting companies chose past heroes of the Revolution and Early Republic as their namesakes, others selected contemporary military and political figures. Samuel Ringgold was a hero of the Mexican-American War best known for his innovations in artillery deployment. He was mortally wounded at the Battle of Palo Alto in 1846.
Location
Currently not on view
date made
ca 1846
associated
Ringgold Hose Company
depicted (sitter)
Ringgold, Samuel
maker
unknown
ID Number
2005.0233.0115
catalog number
2005.0233.0115
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted brown overall with the text “WASHINGTON / 1796” painted in gold on the front of the hat. The back of the hat has the number “14” painted in gold with stylized lines above and below the number. The owner’s initials “S.J.” are painted on the crown of the hat in gold. A note inside the hat indicates these initials may stand for a volunteer named S.C. Johnson. The Washington Fire Company No. 14 was founded on January 3, 1796 in Philadelphia, Pennsylvania on the west side of Eleventh Street. It operated as a hand engine fire company and acquired a steam fire engine in 1865. It served as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1810-1860
associated date
1796
maker
unknown
ID Number
2005.0233.0093
catalog number
2005.0233.0093
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania in the first half of the 19th century. The hat is painted black overall, with a painting at its center featuring a female figure clothed in a white robe with an anchor at her side and stormy sea behind her. The female figure with anchor is a classical allegorical representation of Hope. The painting is flanked by red banners with gold trim that read “HOPE / HOSE COMPY” in gold lettering. The back of the hat features the word “HOPE” in large golden letters, with two golden lines above and below. The crown of the hat has the owner’s initials “F.G.” painted in gold. Hope Hose Company No. 7 was founded in 1805 in Philadelphia. It was the second Philadelphia fire company to acquire a steam fire engine in 1858, and it changed its name to the Hope Steam Fire Engine Company No. 2.
Location
Currently not on view
date made
1810-1860
associated
Hope Hose Company
maker
unknown
ID Number
2005.0233.0059
catalog number
2005.0233.0059
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the early 19th century. The hat is painted brown overall, with arched white block lettering on the front that reads “UNION HOSE.” The back of the hat has the date “1760” painted in white. Hose companies did not exist prior to the 19th century, but many hose companies did link themselves to previously existing fire companies and took that founding date, which is likely what happened in this case.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0088
catalog number
2005.0233.0088
accession number
2005.0233
Some early American firefighters wore capes for protection, ornamentation, and identification.
Description
Some early American firefighters wore capes for protection, ornamentation, and identification. The stiff oil cloth protected their shoulders and upper body against fiery embers and water, and the decorative painting served to identify company members at chaotic fire scenes or on parade. The capes were often painted by local sign painters, some skilled artists like John A. Woodside, who also painted the company’s hats and banners and decorated their fire engines. Many of the capes in the firefighting collection display patriotic names and symbolism, reflecting themes important to 19th century volunteers, as well as the pride they felt in the early founding date of their fire company.
This oil cloth cape has been painted red overall with the name “Good Will” written in gold, with the date “1804” below. The number “3” is painted in gold on each shoulder. This cape likely belonged to a member of the Good Will Steam Fire Engine Company No. 3 of Trenton, New Jersey. The Good Will Fire Company was originally organized in January of 1848, but after it became an auxiliary company to the Resolution Fire Company in December of that same year, it took the Resolution Company’s founding date of 1804 for its own.
Location
Currently not on view
date made
ca 1804
maker
unknown
ID Number
2005.0233.0126
catalog number
2005.0233.0126
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, and the front of the hat has a black circle with the date “1773” painted in gold in a black cartouche on a golden cloud, framed by a scrolling banner that reads “RAINBOW FIRE COMPANY”. The back of the hat has a golden number “1” framed in a gold octagon with black shadowing. The Rainbow Fire Company was founded March 17, 1773 in Reading, Pennsylvania and is one of the oldest volunteer companies still in existence.
Location
Currently not on view
date made
1810-1860
associated
Rainbow Fire Company
ID Number
2005.0233.0082
catalog number
2005.0233.0082
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the early 19th century. The hat is painted yellow overall, and features a painted image of a Philadelphia-style hand-pumped fire engine with a sunburst in the background. Diligent’s pumper was built by Patrick Lyon in 1822 and was known as one of the most powerful pumpers in the United States. Over the pumper is a red banner where the text “DILIGENT” has been painted over by the word “VETERAN.” From the mid-19th century, former volunteer firefighters formed veterans associations and often redecorated uniforms, equipment and even fire engines to reflect their new status. The back of the hat has the letter “D” in gold, with the owner’s initials “A.J.B.” in gold on the crown of the hat. The Diligent Fire Engine Company No. 10 of Philadelphia, Pennsylvania was founded on July 4th, 1791 located on the south side of Market Street near Eighth. It acquired a steam fire engine in 1861 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1820s
maker
unknown
ID Number
2005.0233.0090
catalog number
2005.0233.0090
accession number
2005.0233
Black and white print of a large room filled with young men engaged in a variety of initiation pranks. Hazing devices include: blindfolds, dunce caps, tub of water, women's clothing, white sheets, an animal head, Greek helmet, musical instruments, etc.Currently not on view
Description (Brief)
Black and white print of a large room filled with young men engaged in a variety of initiation pranks. Hazing devices include: blindfolds, dunce caps, tub of water, women's clothing, white sheets, an animal head, Greek helmet, musical instruments, etc.
Location
Currently not on view
date made
ca 1862
publisher
Chatfield, Charles C.
maker
Punderson & Crisand
Giles, John Lawrence
artist
Sargent, C. A.
ID Number
DL.60.2436
catalog number
60.2436
accession number
228146
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, with a painted image of two clasped hands with a sunburst in the background. The text “HAND IN HAND” is painted in gold above. The date “1741” is painted in gold on the back of the hat in between two golden lines. The owner’s initials “A.B.” are painted in gold on the crown of the hat. The Hand-in-Hand Fire Company was founded on March 1, 1741 in Philadelphia, Pennsylvania, and adopted the clasped hand symbol as a representation of the mutual nature of volunteer firefighting in early America. Due to lack of interest the company was no longer in service by about 1816. It was reformed in 1823 and operated as a hand engine company until 1863, when it acquired a steam fire engine. The Hand In Hand operated as a steam fire engine until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0113
catalog number
2005.0233.0113
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a central painting of the coat of arms of Pennsylvania. Within the central shield are images of a ship, plow, and three sheaves of wheat, representing commerce, labor, and the importance of agriculture respectively. The shield is flanked by two rearing white horses. A spread-wing eagle stands on top of the shield and beneath the shield is a red banner with gold trim bearing the text “VIRTUE LIBERTY INDEPENDENCE” in gold. The back of the hat has the text “PENNSYLVANIA” arching over the owner’s initials “J.B.” in gold paint. The Pennsylvania Fire Company was established in Philadelphia in 1806 and in 1839 withdrew from active service in protest of the rioting amongst the fire companies.
Location
Currently not on view
date made
1810-1860
associated
Pennsylvania Volunteer Fire Company
maker
unknown
ID Number
2005.0233.0078
catalog number
2005.0233.0078
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, and the two black banners have the gold text “WESTERN / COMPANY” surrounded by a fancy script that reads “HOSE.” The back of the hat has the date “1836” in gold script with a golden sunburst above and below the date. The owner’s initials “M.W.” are painted in a gold script on the crown of the hat. The Western Hose Company was established on February 11th, 1836 in Philadelphia, Pennsylvania, located on the south side of Filbert Street west of 10th street. It operated as a hose company until 1863, when it acquired a steam fire engine. In 1867, the City Council dispensed with their services and they sold their house and steam fire engine to the Fame Hose Company No. 12.
Location
Currently not on view
date made
ca 1836
associated
Western Hose Company
maker
unknown
ID Number
2005.0233.0097
catalog number
2005.0233.0097
accession number
2005.0233
Folding pocket mirror made of ivory-grained celluloid. Printing in black reads "Ladies Night Reading Consistory" and has the image of a double-headed eagle with a triangle on its chest and the number 32.
Description (Brief)
Folding pocket mirror made of ivory-grained celluloid. Printing in black reads "Ladies Night Reading Consistory" and has the image of a double-headed eagle with a triangle on its chest and the number 32. Below it is a banner reading "spes mea in deo est," which means "My hope is in God."
This is likely a favor from a consistory of the Thirty-Second Degree, or Sublime Princes of the Royal Secret in the Ancient and Accepted Rite Scottish Rite of Reading, Pa. A branch of freemasonry, the group uses the word "consistory" in place of the word "meeting."
Location
Currently not on view
date made
1922
ID Number
2006.0098.1162
accession number
2006.0098
catalog number
2006.0098.1162
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the middle of the 19th century. The hat is painted black overall, with the front displaying an oval-framed portrait of a American Indian woman crossing a raging stream underneath a red banner that reads "TORRENT." The back of the hat has the number “2” in white framed by the outline of a white shield. The name of the company refers to a violent rush of water such as firefighters might direct onto a blaze. The Indian maiden pictured on the rocks may be a patriotic symbol. Feminine figures as symbolic icons were a common European trope, and before Lady Liberty became an American symbol the continent was often portrayed as a native princess. While water-related monikers like Torrent were common among volunteer companies, this hat likely belongs to Torrent No. 2 of Rochester, New York.
Location
Currently not on view
date made
1810-1860
associated
Torrent Hose Company, No. 2
maker
unknown
ID Number
2005.0233.0086
catalog number
2005.0233.0086
accession number
2005.0233
Some early American firefighters wore capes for protection, ornamentation, and identification.
Description
Some early American firefighters wore capes for protection, ornamentation, and identification. The stiff oil cloth protected their shoulders and upper body against fiery embers and water, and the decorative painting served to identify company members at chaotic fire scenes or on parade. The capes were often painted by local sign painters, some skilled artists like John A. Woodside, who also painted the company’s hats and banners and decorated their fire engines. Many of the capes in the firefighting collection display patriotic names and symbolism, reflecting themes important to 19th century volunteers, as well as the pride they felt in the early founding date of their fire company.
This oil cloth cape is painted maroon with gold trim. The center of the cape has gold letters that read “America Hose” with a golden “A” (for America) on each shoulder. America was a common name among fire companies, making it difficult to determine which company this cape, painted burgundy with yellow lettering, belonged. Companies often chose monikers such as America, Eagle, Columbia, Washington, and United States to link their company with patriotic values of a still young republic. Hose companies began to form the first decades of the 19th century, with the creation of municipal water systems and developments in hose design that made the equipment more functional and essential in fighting fires in larger cities. Hose companies were responsible for maintaining the leather hoses, transporting and working them at fires. The hose allowed firemen to quickly bring water to a blaze from a distance, as well as the ability to put more water directly on the conflagration.
Location
Currently not on view
date made
ca 1840-1850
maker
unknown
ID Number
2005.0233.0120
catalog number
2005.0233.0120
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in the eastern United States during the first half of the 19th century. The hat is painted dark brown overall, with an image of a spread-winged eagle grasping an anchor in its claws. A banner arches over the eagle’s head that reads “Columbia.” The company’s initials “CEC” (Columbia Engine Company) are painted in gold calligraphic script on the back of the hat. The crown of the hat features the owner’s initials “S.H.R.” painted in gold inside a gold shield. The bald eagle was adopted by the Continental Congress as the national symbol of the United States in 1782. As a patriotic symbol of liberty and freedom, the eagle was a frequently used icon among early American volunteer fire departments. The anchor in the eagle’s claw represents hope and safety.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0029
catalog number
2005.0233.0029
accession number
2005.0233

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