Clothing & Accessories

Women's Gown (cheong sam) ca. 1930

Work, play, fashion, economic class, religious faith, even politics—all these aspects of American life and more are woven into clothing. The Museum cares for one of the nation's foremost collections of men's, women's, and children's garments and accessories—from wedding gowns and military uniforms to Halloween costumes and bathing suits.

The collections include work uniforms, academic gowns, clothing of presidents and first ladies, T-shirts bearing protest slogans, and a clean-room "bunny suit" from a manufacturer of computer microchips. Beyond garments, the collections encompass jewelry, handbags, hair dryers, dress forms, hatboxes, suitcases, salesmen's samples, and thousands of fashion prints, photographs, and original illustrations. The more than 30,000 artifacts here represent the changing appearance of Americans from the 1700s to the present day.

Metal Button Depicting Cupid

Currently not on view
Location
Currently not on view
ID Number
1962.239460.03261
accession number
239460
catalog number
239460.03261

Button with Shell Center, Metal Rim, and Metal Overlay Design in Center

Currently not on view
Location
Currently not on view
ID Number
1962.239460.03681
accession number
239460
catalog number
239460.03681

Promenade Dress

Date made
1809-07
ID Number
CS.228001.0107
catalog number
228001.0107

Helmet Frontpiece, "Massachusets (sic) 1"

The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This leather frontpiece was made by the William H. Wilson Manufacturing Company located at 135 Bowery Street, New York, New York around 1870. The frontpiece has a red banner at the top that reads “MASSACHUSETS (sic)” with a large white leather number “1” in front of a crossed white leather hook and ladder in the center of the frontpiece.
Location
Currently not on view
date made
ca 1870
maker
Wilson
ID Number
2005.0233.1437
accession number
2005.0233
catalog number
2005.0233.1437

Helmet Frontpiece, "Engineer 4th Division"

The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This leather frontpiece was made around 1871. The frontpiece is made of white leather with raised white leather letters on red banners at the top and bottom that reads: “FOREMAN/__ON.” Several letters from the bottom banner are now missing, rendering the original word unreadable. A black leather number “1” is in the center, with a black leather hook and ladder crossed behind it.
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.1443
accession number
2005.0233
catalog number
2005.0233.1443

Firefighter's Helmet

The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description (Brief)
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by Cairns & Brother of New York, New York around 1883 until 1885. The helmet is composed of 16 combs, painted yellow, with an eagle frontpiece holder on the crown and a rear brim embossed with hose and hydrants. The leather frontpiece is painted gold with the text “ASSISTANT/ENGINEER” above an image of a spider-type hose carriage, with the initials “P.Z.” underneath. The initials stand for Peter Zeluff, an assistant engineer in Paterson, New Jersey during the late 19th century who owned the hat.
Description
Worn by Peter Zeluff, assistant chief engineer
Location
Currently not on view
date made
1883-1885
user
Zeluff, Peter
maker
Cairns & Brother
ID Number
2005.0233.0015
accession number
2005.0233
catalog number
2005.0233.0015

(Red Cross) Is You & I With Every (Heart) And (Dollar) Pin

Pin shaped like a flag. The flag is brown with white print and red symbols.
Description (Brief)
Pin shaped like a flag. The flag is brown with white print and red symbols. Symbols and text read “(Red Cross) Is You & I With Every (Heart) And (Dollar).”
The American Red Cross was one of the major organizations that conducted relief work during World War I.
Much like the use of military insignia to identify its wearer (by association with an organization) and his/her achievements, these pins and buttons were meant to be worn by Americans on the home front during World War I to show their membership in an organization and/or their contribution to a particular war effort, such as the United War Work Campaign. The pins and buttons displayed the wearer’s patriotism and generosity and undoubtedly also served to prompt others to become similarly involved in the various war efforts.
Location
Currently not on view
date made
1918
maker
Manee Company
ID Number
2006.0098.0394
accession number
2006.0098
catalog number
2006.0098.0394

Fearnaught Stallions

A color print of two chestnut horses (Lancet and Fearnaught Boy) with light manes pulling a cutter on a country road. They are joined by a T-shaped tongue, and their harnesses are light and handsome.
Description
A color print of two chestnut horses (Lancet and Fearnaught Boy) with light manes pulling a cutter on a country road. They are joined by a T-shaped tongue, and their harnesses are light and handsome. The driver is wearing a black coat with lapels, gloves, a boat-shaped hat, and a beaver rug over his knees. He is probably their owner David Nevins, Jr. A split rail fence borders the road. Mountains are in the distance, and the landscape is covered with snow.
Lancet and Fearnaught Boy were owned by David Nevins Jr. of Framingham, Massachusetts.
Haskell and Allen’s most memorable productions were their horse prints. A Boston based publisher of lithographs, the firm seems to have issued more large folio images than small. Haskell began as a print seller with Haskell and Ripley (1868) but in 1869 he began a partnership with George Allen. In 1873 they moved to 61 Hanover St in Boston where they prospered for a few years. They went bankrupt in 1878.
Location
Currently not on view
Date made
1875
maker
Haskell & Allen
artist
Eaton, L. G.
original artist
Leighton, Scott
ID Number
DL.60.3555
catalog number
60.3555

Elizabeth Arden Velva Leg Film, Sun Copper

While leg makeup was commercially available since the 1920s, it wasn't until rationing was introduced during the Second World War that leg makeup became an essential commodity for many American women.Silk and nylon became virtually unatainable, so, unable to procure silk or nylon
Description
While leg makeup was commercially available since the 1920s, it wasn't until rationing was introduced during the Second World War that leg makeup became an essential commodity for many American women.
Silk and nylon became virtually unatainable, so, unable to procure silk or nylon stockings, many women resorted to painting their legs with products such as this Velva Leg Film. Some industrious ladies even painted black lines down the back of their legs to mimic the seams of hosiery.
Velva Leg film was manufactured in the Nineteen Forties by Elizabeth Arden, a Canadian-born American businesswoman known for her beauty salons and cosmetic products.
Location
Currently not on view
date made
ca 1943
product launch
1933
maker
Elizabeth Arden Inc.
ID Number
1985.0481.384
catalog number
1985.0481.384
accession number
1985.0481

Blue Glass Button Speckled with Gold and Decorated with a Cream Abstract Plant Pattern

Currently not on view
Location
Currently not on view
ID Number
1962.239460.01652
accession number
239460
catalog number
239460.01652

The Wedding Night

Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater w
Description
Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater world. Romantic scenes picture devoted husbands with their contented, dutiful wives. In these prints, young women educated in reading, music, needlework, the arts, the language of flowers, basic math and science are subjugated to their family’s needs.
These prints became popular as lithography was introduced to 19th Century Americans. As a new art form, it was affordable for the masses and provided a means to share visual information by crossing the barriers of race, class and language. Sentimental prints encouraged the artistic endeavors of schoolgirls and promoted the ambitions of amateur artists, while serving as both moral instruction and home or business decoration. They are a pictorial record of our romanticized past.
This colored print depicts an indoor scene of a man kneeling behind a woman untying the stays of her corset. He wears a high-collared shirt, lace bowtie and striped trousers. Both are wearing slippers and earrings. The man’s expression is somewhat cartoonish. The fireplace has a carved mantle upon which sits a candle holder and lit candle. There is a chair with clothing draped over it. Heavy drapery and a bed are in the background. The rug is patterned.
This lithograph was made by J Shutz, a lithographer who worked for Currier & Ives from 1849-1850. He was the firm’s primary letterer, and was responsible for lettering a large quantity of prints.
Location
Currently not on view
date made
ca 1850
maker
Schutz, J
ID Number
DL.60.2281
catalog number
60.2281
accession number
228146

Metal Button Depicting the Profile of a Warrior Surrounded by a Decorative Rim

Currently not on view
Location
Currently not on view
ID Number
1962.239460.03752
accession number
239460
catalog number
239460.03752

Marcasite Button with Metal Rim

Currently not on view
Location
Currently not on view
ID Number
1962.239460.04178
accession number
239460
catalog number
239460.04178

Women in a department store

Currently not on view
Location
Currently not on view
date made
1984
maker
Zalesky, Roy Joseph
ID Number
2017.0306.0032
accession number
2017.0306
catalog number
2017.0306.0032

Woman's right to vote...

A poster sponsored by the International Ladies Garment Workers Union.Currently not on view
Description
A poster sponsored by the International Ladies Garment Workers Union.
Location
Currently not on view
associated date
1920
1900
1970
maker
International Ladies' Garment Workers' Union
ID Number
1986.0710.0007
accession number
1986.0710

Metal Button Depicting a Wealthy Elizabethan Era Man

Currently not on view
Location
Currently not on view
ID Number
1962.239460.03772
accession number
239460
catalog number
239460.03772

Shell Button Painted with Orange, Green, and Brown Design

Currently not on view
Location
Currently not on view
ID Number
1962.239460.03316
accession number
239460
catalog number
239460.03316

Round Goldstone Button

Currently not on view
Location
Currently not on view
ID Number
1962.239460.03992
accession number
239460
catalog number
239460.03992

Helmet Frontpiece, "Bergen"

The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This black leather frontpiece was made in the 20th century. The frontpiece reads “BERGEN/6/TKH” in white. There is a crossed hook and ladder behind this, indicating it was a hook and ladder company. The letters "TKH" at the bottom of the frontpiece are likely the owner's initials.
Location
Currently not on view
date made
20th century
maker
unknown
ID Number
2005.0233.1423
accession number
2005.0233
catalog number
2005.0233.1423

Walking Dress

Currently not on view
Location
Currently not on view
ID Number
CS.228001.0236
catalog number
228001.0236

Compact

Currently not on view
Location
Currently not on view
ID Number
2011.0164.03
catalog number
2011.0164.03
accession number
2011.0164

Fire Helmet, "Assistant Chief"

The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by William H. Wilson of New York, New York during the mid-to-late 19th century. The white helmet has four main combs painted red, with painted gold triangles in each segment. The rear brim has the date “1772”, and the underside of the brim is painted red. A leather eagle-shaped frontpiece holder is attached to the crown of the helmet. The frontpiece has a central image of three crossed speaking trumpets, with the text “Asst./CHIEF” above the trumpets. The painted frontpiece is in poor condition.
Location
Currently not on view
date made
19th century
manufacturer
Wilson, William H.
ID Number
2005.0233.0231
accession number
2005.0233
catalog number
2005.0233.0231

"Animal Locomotion. Plate 60."; Male, Running

Currently not on view
Location
Currently not on view
date made
1887
maker
Muybridge, Eadweard
ID Number
PG.002475
catalog number
2475
accession number
65115

suit, 2-piece

Currently not on view
Location
Currently not on view
Date made
1978
wearer
Robinson, Jr., Franklin A.
maker
Saint Laurent, Yves
ID Number
1989.0688.004

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