Clothing & Accessories

Women's Gown (cheong sam) ca. 1930

Work, play, fashion, economic class, religious faith, even politics—all these aspects of American life and more are woven into clothing. The Museum cares for one of the nation's foremost collections of men's, women's, and children's garments and accessories—from wedding gowns and military uniforms to Halloween costumes and bathing suits.

The collections include work uniforms, academic gowns, clothing of presidents and first ladies, T-shirts bearing protest slogans, and a clean-room "bunny suit" from a manufacturer of computer microchips. Beyond garments, the collections encompass jewelry, handbags, hair dryers, dress forms, hatboxes, suitcases, salesmen's samples, and thousands of fashion prints, photographs, and original illustrations. The more than 30,000 artifacts here represent the changing appearance of Americans from the 1700s to the present day.

Place: Pennsylvania

Pennsylvania Fire Company Fire Hat

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a central painting of the coat of arms of Pennsylvania. Within the central shield are images of a ship, plow, and three sheaves of wheat, representing commerce, labor, and the importance of agriculture respectively. The shield is flanked by two rearing white horses. A spread-wing eagle stands on top of the shield and beneath the shield is a red banner with gold trim bearing the text “VIRTUE LIBERTY INDEPENDENCE” in gold. The back of the hat has the text “PENNSYLVANIA” arching over the owner’s initials “J.B.” in gold paint. The Pennsylvania Fire Company was established in Philadelphia in 1806 and in 1839 withdrew from active service in protest of the rioting amongst the fire companies.
Location
Currently not on view
date made
1810-1860
associated
Pennsylvania Volunteer Fire Company
maker
unknown
ID Number
2005.0233.0078
catalog number
2005.0233.0078
accession number
2005.0233

Environmental Button

Several types of renewable energy sources are available as alternatives to non-renewable, carbon-based fuels. This button advocates the use of solar energy to generate electricity.
Description (Brief)
Several types of renewable energy sources are available as alternatives to non-renewable, carbon-based fuels. This button advocates the use of solar energy to generate electricity. It was distributed in 1978 by Solar Action, the Washington, D.C.-based organization that helped to organize Sun Day (3 May 1978.) For many people, the 1970s energy crisis was a call to action to change how electricity was generated and used. Making the choice to “go solar”—and encouraging others to do the same—reflected growing optimism about the potential of clean, accessible solar energy.
Location
Currently not on view
Date made
1978
maker
Edward Horn Co.
ID Number
2003.0014.0400
accession number
2003.0014
catalog number
2003.0014.0400

Allegheny Parade Hat

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat dates to the first half of the 19th century from Allegheny, Pennsylvania. The hat has been painted red, and bears the text “ALLEGHENY” in gold above a United States shield. The date “1802” is painted in gold on the back of the hat, and the crown of the hat has a star shaped designed with the letter “A” in the center. The Allegheny Fire Company of Allegheny, Pennsylvania was founded in 1802 and operated until 1870, when it was absorbed by the municipal fire department.
Location
Currently not on view
in use
1802-1870
company which the hat's owner belonged to
Allegheny Engine Co.
owner
Neel, Harry
maker
unknown
ID Number
2005.0233.0026
catalog number
2005.0233.0026
accession number
2005.0233

Hope Hose Company Fire Hat

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania in the first half of the 19th century. The hat is painted black overall, with a painting at its center featuring a female figure clothed in a white robe with an anchor at her side and stormy sea behind her. The painting is flanked by red banners with gold trim that read “HOPE / HOSE COMPY” in gold lettering. The back of the hat features the word “HOPE” in large golden letters, with two golden lines above and below. The female figure with anchor is a classical allegorical representation of Hope. Hope Hose Company No. 7 was founded in 1805 in Philadelphia. It was the second Philadelphia fire company to acquire a steam fire engine in 1858, and it changed its name to the Hope Steam Fire Engine Company No. 2.
Location
Currently not on view
date made
1810-1860
associated
Hope Hose Company
maker
unknown
ID Number
2005.0233.0057
catalog number
2005.0233.0057
accession number
2005.0233

Kensington Fire Hat

Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted black with gold bands around the top and base. "Kensington" is painted in gold above the date "1791." The number "1" is painted in gold on the opposite side, and the owner’s initials “W.H.C." are painted in gold on the top of the hat. The Kensington Fire Company was founded in 1791 in the Kensington neighborhood of Philadelphia, Pennsylvania. At the time, Kensington was a separate municipality, and this company was the first of its kind for the area. The company operated until 1855, when it refused to join the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city.
Location
Currently not on view
date made
1810-1860
associated date
1791
maker
unknown
ID Number
2005.0233.0103
catalog number
2005.0233.0103
accession number
2005.0233

Red Lion Camp Meeting by Alfred Thompson Scott (artist) and P.S. Duval and Company (lithographers)

This colored print depicts a large camp meeting in a clearing in the forest. Camp meetings were a popular form of Protestant worship throughout the 19th century. Lasting several days, these open-air events often involved ecstatic communal prayer.
Description
This colored print depicts a large camp meeting in a clearing in the forest. Camp meetings were a popular form of Protestant worship throughout the 19th century. Lasting several days, these open-air events often involved ecstatic communal prayer. Hundreds and even thousands came from miles around for preaching and worship, and to enjoy the festival-like atmosphere. A circle of many tents surrounds a vast congregation with a pulpit in the center next to the preacher's tent. On the outskirts are many carriages and people.
The Red Lion camp meeting was held August 6-14, 1853, near Red Lion, New Castle County, Delaware. This religious revival was organized by the Methodist Episcopal Church and was presided over by several of their circuit preachers from the Philadelphia Conference. These included Reverend A. Atwood, P.F. Rev. Thomas Sumption, and Reverend R. Owen and Bishop Levy Scott. Given that the artist was the son of one of the sponsors of the event, this image can serve as a documented eyewitness account. The list of ministers is listed in the caption below the image.
Alfred Thompson Scott (1831-1914), son of Levi Scott, Methodist Episcopal Bishop of Delaware, was the original artist. This appears to be his earliest work. Scott partnered with daguerreotypist Nelson Carlisle, became a drawing and painting instructor for Wilmington’s Wesleyan Female College, and became a minister.
This print was produced by P.S. Duval and Company, A.T. Scott and Cyrus Stern. Peter S. Duval (ca. 1804/05-1886) was a French lithographer who immigrated to Philadelphia in 1831 to work for the lithographic firm of Childs & Inman. In 1837, he established his own lithographic firm in Philadelphia. During the 1840s, the firm's products included advertisements, book and periodical illustrations, sheet music covers, maps and portraits. By the end of that decade, Duval was winning awards for his work in chromolithography. He was also among the first to introduce steam power to the process of lithography. His son Stephen Orr Duval joined the company in 1858. The company headquarters suffered a disastrous fire in 1856 and Duval declared financial insolvency in 1859. However, he was able to reestablish his business, and he continued working till his retirement in 1869.
Cyrus Stern (1818-1891) was this print’s publisher/copyriter as well as an author and composer of other works. He was headquartered on Market Street in Wilmington, Delaware.
Location
Currently not on view
Date made
1853
lithographer
P. S. Duval and Company
artist
Scott, Alfred T.
publisher
Stern, Cyrus
ID Number
DL.60.2966
catalog number
60.2966
accession number
228146

Carlisle Indian Industrial School Ladies Shoe

date made
1885
distributor
Carlisle Indian Industrial School
maker
Carlisle Indian Industrial School
ID Number
CS.076241
catalog number
076241
accession number
15995

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