Clothing & Accessories

Work, play, fashion, economic class, religious faith, even politics—all these aspects of American life and more are woven into clothing. The Museum cares for one of the nation's foremost collections of men's, women's, and children's garments and accessories—from wedding gowns and military uniforms to Halloween costumes and bathing suits.

The collections include work uniforms, academic gowns, clothing of presidents and first ladies, T-shirts bearing protest slogans, and a clean-room "bunny suit" from a manufacturer of computer microchips. Beyond garments, the collections encompass jewelry, handbags, hair dryers, dress forms, hatboxes, suitcases, salesmen's samples, and thousands of fashion prints, photographs, and original illustrations. The more than 30,000 artifacts here represent the changing appearance of Americans from the 1700s to the present day.

The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by Cairns & Brother in New York, New York around 1845. The helmet has eight combs and is painted black with a pressed ivy-vine design around the rim. The frontpiece is painted black, with the white number “1” with a hook and ladder crossed behind it in the center. On red banners above and below the center is the text “CONTINENTAL/VVB” in raised white letters. The name Baufuskirk appears on a piece of paper inside the hat, possibly the owner’s last name.
Location
Currently not on view
date made
1845
producer
Cairns & Brother
maker
Cairns & Brother
ID Number
2005.0233.0148
accession number
2005.0233
catalog number
2005.0233.0148
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet likely dates to the middle of the 19th century. The helmet has eight combs and is painted brown with a shiny lacquer-like finish. An ivy-vine pattern is embossed around the brim of the helmet, and a metal eagle frontpiece holder is mounted onto the crown of the helmet. A ring is attached to the crown of the hat where the combs intersect. The helmet has a detached brown frontpiece with a large gold number “1” in the center with a crossed hook and ladder behind it. The banner above reads “FRANKLIN.” The exact company that this helmet belonged to is hard to identify since many volunteer companies adopted Benjamin Franklin as their namesake.
Location
Currently not on view
referenced
Franklin, Benjamin
maker
unknown
ID Number
2005.0233.0158
accession number
2005.0233
catalog number
2005.0233.0158
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, with a portrait of William Penn in a wooded setting, a body of water behind him, set inside a golden oval. The portrait is flanked by blue banners with gold text that reads “WILm PENN / HOSE COMP.” The back of the hat has an image of a wooden fire hydrant with protruding hose painted in gold, flanked by the letters “FA.” This was the logo of the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. The William Penn Hose Company No. 18 was founded on February 3rd, 1830 in Philadelphia, Pennsylvania, adopting the name of the state’s proprietor. It operated as a hose company until 1864, when it acquired a steam fire engine. William Penn served as a hose and steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1830s
associated
William Penn Hose Company
depicted
Penn, William
maker
unknown
ID Number
2005.0233.0098
catalog number
2005.0233.0098
accession number
2005.0233
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by John M. Migeod and Son of Philadelphia, Pennsylvania in the 19th century. The black helmet has eight combs with a stamped ivy-vine design around the helmet’s brim. The rear brim of the helmet has the initials “FA” painted in gold flanking an image of a fire hydrant with protruding hose. This was the logo of the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. A metal frontpiece holder in the shape of a fox is mounted onto the crown of the helmet. The frontpiece is painted white, with a large black “6” in the center and the words “HARMONY / FIRE Co” on red banners arching around the top and bottom of the frontpiece. The Harmony Fire Company No.6 was founded in Philadelphia in 1784 by a group of Quakers. It operated as a hand engine company until 1855, when it refused to join the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city. In 1867, the Franklin Hose Company No. 28 purchased its charter and operated as the Harmony Steam Fire Engine Company No. 6 until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
around 1850
maker
Migeod Company
John M. Migoed & Son
Migeod Company
ID Number
2005.0233.0161
accession number
2005.0233
catalog number
2005.0233.0161
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Norristown, Pennsylvania during the first half of the 19th century. The hat is painted brown overall, with golden triangles coming down from the top. The front of the hat reads “NORRISTOWN HOSE” in gold paint. The back of the hat has the date “1847” painted in gold, and the owner’s initials “J.B.T.” in gold script on the crown of the hat. The Norristown Hose Company was organized in 1847 in Norristown, Pennsylvania and operated until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1810-1860
associated
Norristown Hose Company
maker
unknown
ID Number
2005.0233.0072
catalog number
2005.0233.0072
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted brown overall, with the image of a rising sun and the word “HOWARD” painted in gold arching over the sunburst on the front of the hat. The back of the hat has the number “15” in large gold numbers with the motto “WE CONQUER TO SAVE” in gold arching above the number. A Howard Fire Company No. 15 operated in Baltimore, Maryland from 1830 until 1858 when the municipal department took over and the Number 1 Engine Company occupied the company’s fire house located on North Paca Street.
Location
Currently not on view
date made
1810-1860
associated
Howard Fire Company
maker
unknown
ID Number
2005.0233.0064
catalog number
2005.0233.0064
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Harrisburg, Pennsylvania during the first half of the 19th century. The front of the hat bears an image of a spread-winged eagle grasping an anchor in its talons below a red banner that reads “HOPE FIRE COMP” in yellow. The back of the hat bears a large number “2.” The crown of the hat has an image of a beehive surrounded by the text “HIVERS/E.S.” The nickname “Hivers” likely reflected a common theme among volunteer fire companies – hard communal labor in support of the public good. The front of the hat displays the patriotic imagery of the bald eagle, as well as the anchor representing hope. The Hope Fire Company No. 2 operated in Harrisburg, Pennsylvania from 1814 until 1868.
Location
Currently not on view
date made
1814-1868
associated
Hope Volunteer Fire Company
maker
unknown
ID Number
2005.0233.0060
catalog number
2005.0233.0060
accession number
2005.0233
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by Cairns & Brother of New York, New York in the second half of the 19th century. The helmet is painted black overall, its eight combs are painted gold, and a metal eagle frontpiece holder is mounted on the crown. There is a pressed ivy-vine design around the rim, and the date “1812” is painted in gold on the rear brim. The gold frontpiece reads “GLOBE / FIRE / 30 / COMPANY / RFR” in raised letters. “Presented to Wm. M. Kidd” is written on the hat’s inner band. It is likely that the helmet and frontpiece were not originally produced together. The Globe Fire Engine Company No. 30 of the Kensington District of Philadelphia was founded in 1820 as a hand engine company. It acquired a steam fire engine in 1863 and operated as steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
19th century
maker
Cairns & Brother
ID Number
2005.0233.0144
accession number
2005.0233
catalog number
2005.0233.0144
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat dates to the first half of the 19th century from Allegheny, Pennsylvania. The hat has been painted red, and bears the text “ALLEGHENY” in gold above a United States shield. The date “1802” is painted in gold on the back of the hat, and the crown of the hat has a star shaped designed with the letter “A” in the center. The Allegheny Fire Company of Allegheny, Pennsylvania was founded in 1802 and operated until 1870, when it was absorbed by the municipal fire department.
Location
Currently not on view
in use
1802-1870
company which the hat's owner belonged to
Allegheny Engine Co.
owner
Neel, Harry
maker
unknown
ID Number
2005.0233.0026
catalog number
2005.0233.0026
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat is painted orange/red overall, with a central portrait of Thomas Jefferson set inside a golden circular frame. The portrait is flanked by two dark blue banners that read “INDEPENDENCE/FIRE COMPANY” in gold paint. The date “1847” is painted in gold on the back of the hat between two gold lines. The owner’s initials “W.A.Mc.A.” are painted in gold on the crown of the hat. This hat was likely used by a member of the Independence Fire Engine Company, located in the Callowhill area of Philadelphia, Pennsylvania. The Independence Fire Engine Company No. 39 was founded in 1847 as a hand engine company. It acquired a steam fire engine in 1863 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1810-1860
associated
Independence Fire Company
depicted
Jefferson, Thomas
maker
unknown
ID Number
2005.0233.0110
catalog number
2005.0233.0110
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the early-to-mid 19th century. The hat is painted black overall, with the image of a single eye framed by a cloud with rays of light behind it. This is the Eye of Providence, or the All-Seeing Eye, which represents an omnipresent gaze, a suitable icon for a company that called itself Vigilant. The word “VIGILANT” is painted in gold above the eye. The back of the hat has a large “V” painted in gold. The owner’s initials “J.W.H." are painted in a fancy script on the hat’s crown. The Vigilant Fire Company was founded in Philadelphia in 1760.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0091
catalog number
2005.0233.0091
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a portrait of Benjamin Franklin painted inside a golden oval frame on the front. The portrait is flanked by red banners with gold trim that reads “FRANKLIN/HOSE COMPY” in gold. The back of the hat has the date “1838” painted in large gold numbers. The crown of the hat has the owner’s initials “J.S.” Franklin Hose Company No.28 was founded in Philadelphia in 1838, with its firehouse on Broad Street near Fitzwater. Benjamin Franklin was well known for organizing the first volunteer fire company in Philadelphia, and his image and his name were popular among the city’s fire companies. They acquired a steam fire engine in 1863. In 1867 they purchased the charter for the Harmony Engine Company No. 6 and changed their name. The newly christened Harmony Engine Company No. 6 operated as a hose and steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
c.1840-1860
associated
Franklin Hose Company
depicted, commemorated
Franklin, Benjamin
maker
unknown
ID Number
2005.0233.0039
catalog number
2005.0233.0039
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black, with a painted image on the front of the hat depicting a spread-winged eagle in front of a sunburst gripping a red banner in its talon that reads “EAGLE HOSE COMPANY” painted in gold. The company’s initials “EHC” (Eagle Hose Company) are painted in gold calligraphic script on the back of the hat. The owner’s initials “JW” are encircled by a golden wreath on the crown of the hat. Founded in 1851 and incorporated in 1852, the Eagle Fire Hose Company (Penn District) of Philadelphia, Pennsylvania operated until around 1855. The imagery on this hat is very similar to other fire hats in the collection—2005.0233.0029 and 2005.0233.0030—pointing to a common artist or local artistic style. The bald eagle was adopted by the Continental Congress as the national symbol of the United States in 1782. As a patriotic symbol of liberty and freedom, the eagle was a frequently used icon among early American volunteer fire departments.
Location
Currently not on view
date made
1850-1860
associated
Eagle Hose Company
maker
unknown
ID Number
2005.0233.0034
catalog number
2005.0233.0034
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States, possibly in Philadelphia, during the first half of the 19th century. The hat is painted black overall, with the text “FRIENDSHIP/1830” painted in white with red shadowing on the front of the hat. The back of the hat has the letters “F.A” framed in white. The Fire Association of Philadelphia was an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817.
Location
Currently not on view
date made
1830-1860
maker
unknown
ID Number
2005.0233.0045
catalog number
2005.0233.0045
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was likely used in Pennsylvania during the first half of the 19th century. The hat is painted brown overall with the number “1” painted in gold with a crossed hook and ladder behind the number. The word “Keystone” is painted in gold on a gold-lined banner above the number “1.” The owner’s initials “H.S.G.” can be faintly seen on the back of the hat. “Keystone” was a popular name for fire companies throughout Pennsylvania, including the Keystone Hook and Ladder Company No. 1 of Reading, where this hat may have been used.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0067
catalog number
2005.0233.0067
accession number
2005.0233
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet has sixty four combs, and is painted white with a metal eagle frontpiece holder mounted on the crown of the hat. The white leather frontpiece has a black monogram of “VFA” in the center of the frontpiece which stands for the Veteran Fire Association. A red banner above the monogram reads “EAGLE” and a red banner below reads “Lynn.” There was an Eagle Veteran Fire Association in Lynn, Massachusetts that operated during the late 19th century.
Location
Currently not on view
date made
ca 1840
referenced
Veteran Firemen's Association
maker
unknown
ID Number
2005.0233.0151
accession number
2005.0233
catalog number
2005.0233.0151
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted dark green overall, and the front bears a painted image of a spread-winged eagle, grasping an olive branch in one talon and three arrows in the other, with a golden harp hanging from a chain in its beak. There is a red banner on top of the image with the text “HIBERNIA” in gold. The image is reminiscent of the bald eagle on the seal of the United States, but the harp as a symbol of Ireland replaces the U.S. shield. The imagery points to the Hibernia Fire Company blending its Irish heritage with American patriotic ideals. The back of the hat has the date “1752” painted in gold. The Hibernia Fire Engine Company No. 1 was founded in 1752 in Philadelphia, Pennsylvania as a hand engine company. It acquired a steam fire engine in 1858 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1810-1860
associated
Hibernia Hose Company
maker
unknown
ID Number
2005.0233.0062
catalog number
2005.0233.0062
accession number
2005.0233
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was used during the 19th century, likely in Philadelphia, Pennsylvania. The helmet has eight combs, with a metal eagle frontpiece holder mounted on the crown. The hat is missing its front frontpiece, but the rear brim features a gold painted image of a fire hydrant with attached gushing hose, flanked by the initials “FA.” This was the logo of the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. The hat likely belonged to a fire company that was part of the Fire Association of Philadelphia. There is a paper label inside the hat that reads “Presented to Insurance Company of North American by William K. Gorhan, Ridley Park, Pa., husband of Martha Stille McIntyre Gorham, whose father, John McIntyre owned same.”
Location
Currently not on view
date made
19th century
referenced
Fire Association
maker
unknown
ID Number
2005.0233.0154
accession number
2005.0233
catalog number
2005.0233.0154
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
The artistry on this Northern Liberty Hose Company hat combines a number of patriotic emblems. The female figure, an allegorical image of Liberty, is a personification of the United States. In her left hand, she holds a pole with a red liberty cap on top. The liberty cap was originally a Roman symbol given to freed slaves. It became an internationally known symbol of the American Revolution when colonists carried them atop poles in parades and rallies. This fire hat was used by a member of the Northern Liberty Hose Company No. 16 of Philadelphia, Pennsylvania, organized in 1828. Also known as Northern Liberty Hose Company No. 4, it operated as a hose company in the Northern Liberty section of Philadelphia. It acquired a steam fire engine in 1859 and changed its name to the Northern Liberty Hose and Steam Fire Engine Company No. 4. It operated until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1835-1860
associated
Northern Liberty Hose Company No. 4
maker
unknown
ID Number
2005.0233.0073
catalog number
2005.0233.0073
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania in the first half of the 19th century. The hat is painted black overall, with a painting at its center featuring a female figure clothed in a white robe with an anchor at her side and stormy sea behind her. The painting is flanked by red banners with gold trim that read “HOPE / HOSE COMPY” in gold lettering. The back of the hat features the word “HOPE” in large golden letters, with two golden lines above and below. The female figure with anchor is a classical allegorical representation of Hope. Hope Hose Company No. 7 was founded in 1805 in Philadelphia. It was the second Philadelphia fire company to acquire a steam fire engine in 1858, and it changed its name to the Hope Steam Fire Engine Company No. 2.
Location
Currently not on view
date made
1810-1860
associated
Hope Hose Company
maker
unknown
ID Number
2005.0233.0057
catalog number
2005.0233.0057
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted black with gold bands around the top and base. "Kensington" is painted in gold above the date "1791." The number "1" is painted in gold on the opposite side, and the owner’s initials “W.H.C." are painted in gold on the top of the hat. The Kensington Fire Company was founded in 1791 in the Kensington neighborhood of Philadelphia, Pennsylvania. At the time, Kensington was a separate municipality, and this company was the first of its kind for the area. The company operated until 1855, when it refused to join the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city.
Location
Currently not on view
date made
1810-1860
associated date
1791
maker
unknown
ID Number
2005.0233.0103
catalog number
2005.0233.0103
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat has been painted black, with the text “FRIENDSHIP/1796” painted in gold across the front. The initials “F.A.” are painted in gold on the back of the hat which stood for the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817, of which Friendship was a member. The Friendship Fire Engine Company No. 15 was founded on August 18th, 1796, in the Northern Liberties area of Philadelphia, which at the time was a separate municipality and operated as a hand fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0046
catalog number
2005.0233.0046
accession number
2005.0233
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes.
Description
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in the eastern United States during the first half of the 19th century. The hat is painted dark brown overall, with an image of a spread-winged eagle grasping an anchor in its claws. A banner arches over the eagle’s head that reads “Columbia.” The company’s initials “CEC” (Columbia Engine Company) are painted in gold calligraphic script on the back of the hat. The crown of the hat features the owner’s initials “S.H.R.” painted in gold inside a gold shield. The bald eagle was adopted by the Continental Congress as the national symbol of the United States in 1782. As a patriotic symbol of liberty and freedom, the eagle was a frequently used icon among early American volunteer fire departments. The anchor in the eagle’s claw represents hope and safety.
Location
Currently not on view
date made
1810-1860
maker
unknown
ID Number
2005.0233.0029
catalog number
2005.0233.0029
accession number
2005.0233
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description (Brief)
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by Cairns & Brother of New York, New York around 1883 until 1885. The helmet is composed of 16 combs, painted yellow, with an eagle frontpiece holder on the crown and a rear brim embossed with hose and hydrants. The leather frontpiece is painted gold with the text “ASSISTANT/ENGINEER” above an image of a spider-type hose carriage, with the initials “P.Z.” underneath. The initials stand for Peter Zeluff, an assistant engineer in Paterson, New Jersey during the late 19th century who owned the hat.
Description
Worn by Peter Zeluff, assistant chief engineer
Location
Currently not on view
date made
1883-1885
user
Zeluff, Peter
maker
Cairns & Brother
ID Number
2005.0233.0015
accession number
2005.0233
catalog number
2005.0233.0015

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