Clothing & Accessories

Work, play, fashion, economic class, religious faith, even politics—all these aspects of American life and more are woven into clothing. The Museum cares for one of the nation's foremost collections of men's, women's, and children's garments and accessories—from wedding gowns and military uniforms to Halloween costumes and bathing suits.

The collections include work uniforms, academic gowns, clothing of presidents and first ladies, T-shirts bearing protest slogans, and a clean-room "bunny suit" from a manufacturer of computer microchips. Beyond garments, the collections encompass jewelry, handbags, hair dryers, dress forms, hatboxes, suitcases, salesmen's samples, and thousands of fashion prints, photographs, and original illustrations. The more than 30,000 artifacts here represent the changing appearance of Americans from the 1700s to the present day.

The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This metal frontpiece dates to the late 19th century. The frontpiece design features a variety of firefighting paraphernalia including two hydrants with protruding hoses whose nozzles cross at the top of the frontpiece, a lamp and axe behind the nozzles. A crossed hook and ladder is at the bottom of the piece. A large number “1” is in the center of the frontpiece, with a crossed hook and ladder behind it.
Location
Currently not on view
date made
ca 1866-1867
maker
unknown
ID Number
2005.0233.1451
accession number
2005.0233
catalog number
2005.0233.1451
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was manufactured by Cairns & Brother of New York, New York around 1860. The helmet has eight combs and is painted black overall. An ivy-vine scrollwork pattern is stamped around the brim of the hat. A metal eagle’s head is attached to the crown of the helmet to serve as a frontpiece holder. The leather frontpiece reads “WESTERN / HOSE / 26 / SFE Co.” Founded in 1836 as the Western Hose Company No. 26 of Philadelphia, Pennsylvania, it acquired a steam fire engine in 1863 and operated as the Western Hose and Steam Fire Engine Company No.26 until their services were dispensed with by Common Council in September 14, 1867.
Location
Currently not on view
date made
ca 1860
maker
Cairns & Brother
ID Number
2005.0233.0223
accession number
2005.0233
catalog number
2005.0233.0223
Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater w
Description
Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater world. Romantic scenes picture devoted husbands with their contented, dutiful wives. In these prints, young women educated in reading, music, needlework, the arts, the language of flowers, basic math and science are subjugated to their family’s needs.
These prints became popular as lithography was introduced to 19th Century Americans. As a new art form, it was affordable for the masses and provided a means to share visual information by crossing the barriers of race, class and language. Sentimental prints encouraged the artistic endeavors of schoolgirls and promoted the ambitions of amateur artists, while serving as both moral instruction and home or business decoration. They are a pictorial record of our romanticized past.
This half length hand colored portrait print depicts a young woman with a rose adorning her dark upswept hair. She wears a red dress with huge puffy sleeves, a gold striped shawl and gold drop earrings on her right ear.
This print was produced by the lithographic firm of D.W. Kellogg & Co. Daniel Wright Kellogg (1807-1874) founded the company in 1830 Hartford, Connecticut. Before the opening of its first retail store in 1834, D.W. Kellogg & Co. lithography firm was well established and popular in United States, particularly in the South and the Southwest. As the founding member of the family company, Daniel Wright Kellogg established the initial growth and popularity of the firm. After he left the company it continued to flourish for decades under his younger brothers and other family members.
Location
Currently not on view
date made
1833-1842
maker
D.W. Kellogg and Company
ID Number
DL.60.2509
catalog number
60.2509
accession number
228146
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This leather frontpiece was made during the late 19th century. The frontpiece has tan leather lettering on black banners that reads “PRESIDENT/CHARLESTOWN/VETERAN” with a red star under the word “PRESIDENT.” The word “VETERAN” indicates that the owner was likely the president of the Volunteer Veteran Fireman's Association of Charlestown, Massachusetts, founded in 1884.
Location
Currently not on view
date made
19th century
maker
unknown
ID Number
2005.0233.1457
accession number
2005.0233
catalog number
2005.0233.1457
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This black leather frontpiece was made in the 20th century. The frontpiece reads “BERGEN/6/TKH” in white. There is a crossed hook and ladder behind this, indicating it was a hook and ladder company. The letters "TKH" at the bottom of the frontpiece are likely the owner's initials.
Location
Currently not on view
date made
20th century
maker
unknown
ID Number
2005.0233.1423
accession number
2005.0233
catalog number
2005.0233.1423
Currently not on view
Location
Currently not on view
Date made
1770 - 1830
ID Number
CS.006687A
catalog number
006687A
accession number
28810
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This leather frontpiece was made around 1880-1885. The brown frontpiece has a red banner at the top with raised white leather letters that originally read “FRIENDSHIP” but several of the letters are missing. Below the banner is a recessed white star and the recessed white Roman numerals “XII.” An empty cartouche with green background may have originally contained initials.
Location
Currently not on view
date made
1880-1885
maker
unknown
ID Number
2005.0233.1461
accession number
2005.0233
catalog number
2005.0233.1461
This pencil was grouped with a number of pencils found in the pocket of a tool belt used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
Description
This pencil was grouped with a number of pencils found in the pocket of a tool belt used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world. Carpenter pencils have an two wide flat sides to keep them from rolling. The graphite core is generally wide and flat, making it easy to mark course materials when using the flat side while using the thinner side for precision marks.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
Location
Currently not on view
ID Number
2005.0276.32
catalog number
2005.0276.32
accession number
2005.0276
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by Cairns & Brother of New York, New York during the 19th century. The helmet is painted white with four combs and ivy-vine scrollwork stamped around the brim. The date “1780” is painted in red on the rear brim. The hat has a metal eagle frontpiece holder mounted on the crown, with a silver metal frontpiece that reads “UNION/1/1780” in stamped brass plate, with an image of a steam engine in stamped brass above the “1”. The ornate nature of the frontpiece may mean that this hat was primarily worn during parades and ceremonial functions.
Location
Currently not on view
date made
19th century
maker
Cairns & Brother
ID Number
2005.0233.0194
accession number
2005.0233
catalog number
2005.0233.0194
Recoil tape measures are easily portable and can be used for a variety of purposes. The yellow casing is meant to be easily seen according to its product description. The measure is a thin flexible steel blade marked in inches.
Description
Recoil tape measures are easily portable and can be used for a variety of purposes. The yellow casing is meant to be easily seen according to its product description. The measure is a thin flexible steel blade marked in inches. It retracts into the casing by spring action when it is unlocked from an extended position. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
Location
Currently not on view
maker
Stanley Works
ID Number
2005.0276.09
catalog number
2005.0276.09
accession number
2005.0276
model number
30-380
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet has eight combs and is painted black, with a metal eagle’s head frontpiece holder mounted onto the helmet’s crown. The black leather frontpiece reads “Gen. Grant/1/HFD.” The frontpiece could possibly refer to General Ulysses S. Grant, who would have been a national hero at this time.
Location
Currently not on view
date made
1860-1870
maker
unknown
ID Number
2005.0233.0201
accession number
2005.0233
catalog number
2005.0233.0201
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This black leather frontpiece reads “BUNKER HILL/2/_ _ D” in golden leather lettering. The bottom of the frontpiece is missing several letters before the “D.”
Location
Currently not on view
date made
19th century
maker
unknown
ID Number
2005.0233.1456
accession number
2005.0233
catalog number
2005.0233.1456
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This white leather frontpiece dates to the late 19th century. Two brown banners are at the top and bottom of the piece. The banner has white leather lettering that reads “VETERAN/PHILADELPHIA.” A transfer painted image of a Philadelphia-style end stroke hand pumped fire engine is at the center of the frontpiece. This piece was likely used by a member of the Veteran Firemen’s Association of Philadelphia, an association created in 1887 to maintain the camaraderie of the volunteer fire department after members had retired, or after the introduction of paid companies put an end to the volunteer system.
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.1493
accession number
2005.0233
catalog number
2005.0233.1493
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather helmet was worn by a member of the Empire Hook and Ladder Company No. 1 of Philadelphia, Pennsylvania. Organized in 1851, the company was active until 1871 when Philadelphia’s paid firefighting department was established. It was manufactured by John H. Migeod of Philadelphia, Pennsylvania in the late 19th century. The helmet has eight combs and is painted white, which has yellowed and is flaking in several areas. A metal sea horse figure serves as a frontpiece holder. The leather frontpiece is painted tan, with a red “1” and crossed hook and ladder in the center and the words “EMPIRE” on a banner at the top of the frontpiece. A paper name tag inside of the helmet reads “J. Byrned.”
Location
Currently not on view
date made
late 19th century
maker
Migeod Company
ID Number
2005.0233.0210
accession number
2005.0233
catalog number
2005.0233.0210
This pair of iron gates from the 1870s hung in the Dobson textile mill in Philadelphia, Penn., until 1991.In the late 18th century most workers were farmers or artisans, accustomed to overseeing their own work and schedules, and setting the pace of their work by the seasons and c
Description
This pair of iron gates from the 1870s hung in the Dobson textile mill in Philadelphia, Penn., until 1991.
In the late 18th century most workers were farmers or artisans, accustomed to overseeing their own work and schedules, and setting the pace of their work by the seasons and centuries-old traditions. With the rise of the factory system of production in the 19th century, managers sought to mold workers into disciplined and coordinated armies of employees. They tried to regulate each laborer's schedule, pace, and work habits. They prohibited amusements, reading, games, and consumption of alcohol—diversions that had been permitted in the flexible work schedule of artisans' shops.
Fences around factories protected property and symbolically established who was in control. A fence forced workers to file through a gate past a timekeeper's office. Americans who worked in textile mills were among the first to experience the new relationship between managers and workers. Not everyone adapted to the new rules. Some workers found ways to continue to control their own work, formed unions to enforce their own work rules, or quit.
user
Dobson Mill
owner of the mill
Dobson, John
ID Number
1991.0731.01
accession number
1991.0731
catalog number
1991.0731.01
The popularity of feathered hats led to the slaughter of millions of birds and endangered many species. In the late 1800s women activists launched a successful boycott and contributed to the founding of the National Audubon Society.Currently not on view
Description (Brief)
The popularity of feathered hats led to the slaughter of millions of birds and endangered many species. In the late 1800s women activists launched a successful boycott and contributed to the founding of the National Audubon Society.
Location
Currently not on view
Date made
1888-1890
ID Number
CS.16437
accession number
59759
catalog number
16437
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This leather frontpiece was made by Cairns & Brother of New York, New York during the 19th century. The frontpiece is made of brown leather, with stitched red leather lettering on a white background that reads “NEPTUNE/HOSE/2.”
Location
Currently not on view
date made
19th century
maker
Cairns & Brother
ID Number
2005.0233.1464
accession number
2005.0233
catalog number
2005.0233.1464
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This leather frontpiece was manufactured by Anderson & Jones of New York, New York around 1871. It was worn by a member of the Hope Steam Fire Engine Company No. 17, Philadelphia, Pennsylvania. Organized in 1796 as the Hope Fire Engine Company, a hand engine company, it acquired a steam engine in 1860 and changed its name to the Hope Steam Fire Engine Company No. 17. The company was active until 1871 when Philadelphia’s paid firefighting department was established. The tan frontpiece originally read “HOPE/17/STEAMFIRE CO/JWA” but several of the letters are now missing. The letters are white leather on a red background.
Location
Currently not on view
date made
ca 1871
maker
Anderson & Jones
ID Number
2005.0233.1434
accession number
2005.0233
catalog number
2005.0233.1434
Colored print; landscape scene showing small town on a harbor with two steam ships on the water. Large mountain looms in right background. Several people stroll on a dirt road in right and left foreground. Palm trees at left and in foreground indicate a tropical climate.
Description (Brief)
Colored print; landscape scene showing small town on a harbor with two steam ships on the water. Large mountain looms in right background. Several people stroll on a dirt road in right and left foreground. Palm trees at left and in foreground indicate a tropical climate. Proof before letters.
Location
Currently not on view
date made
ca 1870
maker
Schile, Henry
ID Number
DL.60.2468
catalog number
60.2468
accession number
228146
Black and white print, bust length self-portrait of a man (Napoleon Sarony) wearing a coonskin hat.Currently not on view
Description (Brief)
Black and white print, bust length self-portrait of a man (Napoleon Sarony) wearing a coonskin hat.
Location
Currently not on view
Date made
n.d.
depicted
Sarony, Napoleon
maker
Sarony, Napoleon
ID Number
DL.60.3204
catalog number
60.3204
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This black leather frontpiece was made during the 19th century. The frontpiece has a red banner at the top with raised white leather lettering that reads “HERCULES.” A small red leather star is above a large white number “3” in the center of the frontpiece. A cartouche with a green background is at the bottom of the frontpiece.
Location
Currently not on view
date made
19th century
maker
unknown
ID Number
2005.0233.1449
accession number
2005.0233
catalog number
2005.0233.1449
The first mechanized watch developed in the 17th century from earlier types of spring-powered clocks.
Description
The first mechanized watch developed in the 17th century from earlier types of spring-powered clocks. Prior to the 1920s, pocket watches were not only a utilitarian accessory but they also conveyed an owner’s social status, wealth, and education.
Anton Louis Delkin, the jeweler who made this watch, was born in Atlanta in 1861 to a Dutch father and a German mother. By the time he was just seventeen years old, Delkin was the foreman of one of the largest watch factories in the southern United States. In 1900 he decided to try his luck, and hopefully find his fortune, as part of the Nome Gold Rush (around 1899—1909). Delkin accompanied his wife’s uncle, J. H. Ladd, from the Southeast to Alaska in search of gold.
Six years after arriving in Alaska, Delkin created this impressive man’s pocket watch out of eighteen-karat yellow and rose gold. Encrusted on the watch are gold nuggets. This rugged design recalls the finds that were made in Nome during this, Alaska’s largest Gold Rush period. This substantial timepiece was donated by members of Delkin’s family. It recounts the adventure and fortune sought by so many in Alaska at the turn of the 20th century.
date made
1906
user
Delkin, Anton
watch works maker
Reliance
maker
Delkin, Anton
ID Number
1994.0160.001
catalog number
1994.0160.001
accession number
1994.0160
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This white leather frontpiece was made during the 19th century. The frontpiece is made of white leather, with a red banner at the top with raised white leather letters that reads “STAFF.” The center of the frontpiece has an overlapped monogram that reads “VFA.” Below are two black banners with raised white leather lettering that reads “BOSTON/1833.” The “VFA” likely refers to the Veteran Firemen’s Association of Boston that was formed in 1833. While many Veteran Firemen’s Associations were formed to foster camaraderie and social connections, Boston’s Veteran Firemen’s Association was formed “to repair forthwith to all fires with their badge, and there exert themselves with all skill and power in aiding or assisting any part of the Department.”
Location
Currently not on view
date made
19th century
maker
unknown
ID Number
2005.0233.1478
accession number
2005.0233
catalog number
2005.0233.1478
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information.
Description (Brief)
The frontpiece (also known as shield or badge) of firefighting helmets has been a distinctive part of the American firefighter’s helmet since it was developed by Henry Gratacap in the early 19th century. These frontpieces displayed a variety of information. The fire company's name and number appeared, often alongside the city or town where it was based. The frontpiece could also include the owner's initials and rank. Most fire helmets had leather frontpieces, but frontpieces could also be made of metal, especially on presentation helmets or those worn in parades.
This leather frontpiece was worn by a member of the Lafayette Hose Company No. 22, Philadelphia, Pennsylvania. Organized in 1831, the company was active until 1871 when Philadelphia’s paid firefighting department was established. The frontpiece is made of white leather, with two red banners at the top that read “LAFAYETTE / HOSE.” A large black recessed number “22” is in the center of the frontpiece, with the raised white leather initials “SR” on a red cartouche at the bottom of the frontpiece.
Location
Currently not on view
date made
19th century
maker
unknown
ID Number
2005.0233.1474
accession number
2005.0233
catalog number
2005.0233.1474

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