Communications

WANN Microphone

Tools of communication have transformed American society time and again over the past two centuries. The Museum has preserved many instruments of these changes, from printing presses to personal digital assistants.

The collections include hundreds of artifacts from the printing trade and related fields, including papermaking equipment, wood and metal type collections, bookbinding tools, and typesetting machines. Benjamin Franklin is said to have used one of the printing presses in the collection in 1726.

More than 7,000 objects chart the evolution of electronic communications, including the original telegraph of Samuel Morse and Alexander Graham Bell's early telephones. Radios, televisions, tape recorders, and the tools of the computer age are part of the collections, along with wireless phones and a satellite tracking system.

Date: 1880s

Press pass, Headquarters, Army of the Potomac

Currently not on view
Location
Currently not on view
date made
ca 1862
maker
Army of the Potomac
ID Number
2012.0084.01
accession number
2012.0084
catalog number
2012.0084.01

Printing press and sheet-fed apparatus

This patent model demonstrates an invention for a press for printing material such as envelopes, and the pneumatic apparatus for feeding sheets to the press. The two patents, numbers 303550 and 386440, are demonstrated on a single model.
Description (Brief)
This patent model demonstrates an invention for a press for printing material such as envelopes, and the pneumatic apparatus for feeding sheets to the press. The two patents, numbers 303550 and 386440, are demonstrated on a single model. Despite the dates of the patents, both applications were made on 10 July 1880. They were granted after unusually long delays.
Location
Currently not on view
date made
ca 1884
ca 1888
patent date
1884-08-12
1888-07-17
maker
Swift, Henry D.
Swift, D. Wheeler
ID Number
GA.89797.303550
patent number
GA*303550
accession number
089797
catalog number
GA*89797.303550
386440

Engraved woodblock of "Bringing down the batten"

This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr.
Description
This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
Powell, John Wesley
block maker
A. P. J. & Co.
ID Number
1980.0219.1365
catalog number
1980.0219.1365
accession number
1980.0219

Patent model for printing on pyroxyline compounds (celluloid)

This patent model demonstrates an invention for variations on the method of printing celluloid under heat and pressure. The invention was granted patent number 348222.
Description (Brief)
This patent model demonstrates an invention for variations on the method of printing celluloid under heat and pressure. The invention was granted patent number 348222. The model consists of three photogravure specimens.
John Wesley Hyatt (born 1837) started his working life as a printer. Early in his career, he took out a patent for a composition for artificial ivory billiard balls, which led him to the invention of celluloid in 1868. In 1869 Hyatt and his brother Isaac founded the Celluloid Manufacturing Company. He held some 250 patents, mostly concerned with the use of celluloid.
Location
Currently not on view
date made
ca 1886
patent date
1886-08-31
maker
Lefferts, Marshall C.
Hyatt, John W.
ID Number
GA.89797.348222
accession number
089797
patent number
348222
catalog number
GA*89797.348222

Engraved woodblock of "Weaving diamond-shaped diagonals"

This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr.
Description
This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
block maker
W. T. & B.
ID Number
1980.0219.1359
catalog number
1980.0219.1359
accession number
1980.0219

Patent model for leather bound case

This patent model demonstrates an invention for a mail box providing a "strong, light, durable, and convenient box or trunk for the transporation of letters and other matter." The invention was granted patent number 9253.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a mail box providing a "strong, light, durable, and convenient box or trunk for the transporation of letters and other matter." The invention was granted patent number 9253.
Location
Currently not on view
date made
ca 1870
ca 1880
patent date
1880-06-15
maker
Sherriff, John
ID Number
1997.0198.18
catalog number
1997.0198.18
accession number
1997.0198

Engraved woodblock of a "Bottle with geometric figures"

This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colo
Description
This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colombia” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
graphic artist
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.1061
catalog number
1980.0219.1061
accession number
1980.0219

August Willich/ Brigadier General USA

Currently not on view
Location
Currently not on view
maker
Ehrgott, Forbriger & Co.
ID Number
2014.0250.35
accession number
2014.0250.35
catalog number
2014.0250.35

Portrait of Señorita Matilde Gadia

The signed pencil portrait of Señorita Gadia was made in Granada, Spain, during Ferris’s 1881 visit. See also GA*16669 for another member of the family.Currently not on view
Description (Brief)
The signed pencil portrait of Señorita Gadia was made in Granada, Spain, during Ferris’s 1881 visit. See also GA*16669 for another member of the family.
Location
Currently not on view
date made
1881
original artist
Ferris, Stephen James
ID Number
GA.16675
catalog number
16675
accession number
119780

Experimental Sound Recording, Disc Layers of Cardboard, Plaster and Foil

This is an experimental sound recording made in the Volta Laboratory, Washington, D.C. In a ring around the center, it is marked with the initials for Sumner Tainter, one of the Volta Laboratory Associates, and a date: “S.T. Dec.
Description
This is an experimental sound recording made in the Volta Laboratory, Washington, D.C. In a ring around the center, it is marked with the initials for Sumner Tainter, one of the Volta Laboratory Associates, and a date: “S.T. Dec. 29th 1881.” This recording was copied from an 1881 master at an unknown later date.
Sound was recovered from this recording in 2013.
Content transcript: “…[indistinct] I am a magnetical graphophone. What are you? To be, or not to be: that is the question. [trilled r sounds] How is that for high?”
References:
Patrick Feaster, “A Discography of Volta Laboratory Recordings at the National Museum of American History”
Leslie J. Newville, “Development of the Phonograph at Alexander Graham Bell's Volta Laboratory,” in Contributions from the Museum of History and Technology, United States National Museum Bulletin 218, Paper 5 (1959): 69-79.
Location
Currently not on view
date made
ca 1885
maker
Volta Laboratory Associates
ID Number
ME.287860.02
accession number
58498
catalog number
287860.02

Telegraph Sounder

Telegraph sounders convert electrical pulses into audible sounds and are used to receive Morse code messages. The message travels as a series of electrical pulses through a wire. Short pulses make a dot, slightly longer pulses make a dash.
Description (Brief)
Telegraph sounders convert electrical pulses into audible sounds and are used to receive Morse code messages. The message travels as a series of electrical pulses through a wire. Short pulses make a dot, slightly longer pulses make a dash. The sequence of dots and dashes represent letters and numbers. The pulses energize the sounder’s electromagnets which move a lever-arm. The arm makes a loud “click” when it strikes a crossbar and the operator translates the pattern of sounds into the original language. This unusual sounder includes a switch on the base. Presumably this allows the operator to switch between different telegraph lines.
Location
Currently not on view
date made
ca 1880
ID Number
EM.332354
collector/donor number
06-27
accession number
294351
catalog number
332354

Portrait of Miss Drysdale

Signed pencil drawing made in 1883Currently not on view
Description (Brief)
Signed pencil drawing made in 1883
Location
Currently not on view
date made
1883
original artist
Ferris, Stephen James
ID Number
GA.16672
catalog number
16672
accession number
119780

Patent Model of a Typesetting Machine

This patent model demonstrates an invention for improvements to typesetting machines, specifically in the control of type traveling from storage channels to assembly point. The invention was granted patent number 244723.
Description (Brief)
This patent model demonstrates an invention for improvements to typesetting machines, specifically in the control of type traveling from storage channels to assembly point. The invention was granted patent number 244723. Both Patentees Lorenz and Johnson had a financial interest in the Burr typesetting machine (see Lorenz's earlier patents).
Location
Currently not on view
date made
ca 1881
patent date
1881-07-19
maker
Lorenz, William A.
Johnson, Louis K.
ID Number
GA.89797.244723
patent number
244723
accession number
089797
catalog number
GA*89797.244723

Telegraph Key

Telegraph keys are electrical on-off switches used to send messages in Morse code. The message travels as a series of electrical pulses through a wire.
Description (Brief)
Telegraph keys are electrical on-off switches used to send messages in Morse code. The message travels as a series of electrical pulses through a wire. The operator pushes the key’s lever down briefly to make a short signal, a dot, or holds the lever down for a moment to make a slightly longer signal, a dash. The sequence of dots and dashes represent letters and numbers. This key has a switch on the side called a circuit-closer that takes the key off-line when not in use.
This key shows a special set of contact wheels that are designed to prevent sticking of the contacts due to dirt or corrosion. The technique was disclosed in two 1882 US patents: 256645 issued to George Cummings, and 256646 issued to Cummings and Clara Brinkerhoff.
Location
Currently on loan
date made
1881
maker
L. G. Tillotson & Co.
ID Number
EM.221144
catalog number
221144
accession number
41460

Maine Coast

James David Smillie etched Old Cedars, Coast of Maine, one of his best known prints, for the American Art Review, which published it in October 1880.
Description
James David Smillie etched Old Cedars, Coast of Maine, one of his best known prints, for the American Art Review, which published it in October 1880. The print reproduced his own watercolor, painted while on holiday in the summer of 1879 in Kennebunkport.
For this print, as detailed in his journal, Smillie made a drawing of the watercolor and transferred it to a prepared plate. Originality was not an issue at this time. Artists sometimes etched replicas after their own work in other media. Most highly valued, however, were the etchings conceived and then drawn directly on the plate.
The popularity of Old Cedars is indicated by the attempt of German painter-etcher Hans Friedrich Emanuel Schennis (1852–1918) to pass off his copy in reverse as the original print. However, Schennis’s fraud was exposed and the fake and the original were shown together in a New York exhibition in 1885.
Location
Currently not on view
Date made
1880
graphic artist
Smillie, James David
ID Number
GA.14869
catalog number
14869
accession number
94830

Engraved woodblock of the "Arikara sign for lie or falsehood"

This engraved woodblock of an “Arikara sign for a lie or falsehood” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1881 as Figure 233 (p.
Description
This engraved woodblock of an “Arikara sign for a lie or falsehood” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1881 as Figure 233 (p. 393) in an article by Garrick Mallery (1831-1894) entitled “Sign Language Among the North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80.
Location
Currently not on view
date made
1881
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Mallery, Garrick
block maker
V. W. & Co.
ID Number
1980.0219.0340
accession number
1980.0219
catalog number
1980.0219.0340

Engraved woodblock of a "Basket with pendants"

This engraved woodblock of “Basket with pendants” was prepared by the Government Printing Office in Washington, D.C; the print was published as Figure 313 (p.213) in an article by William H.
Description
This engraved woodblock of “Basket with pendants” was prepared by the Government Printing Office in Washington, D.C; the print was published as Figure 313 (p.213) in an article by William H. Holmes (1846-1933) entitled “A Study of the Textile Art in its Relation to the Development of Form and Ornament” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.0504
accession number
1980.0219
catalog number
1980.0219.0504

Goose Pond, East Hampton

Mary Nimmo Moran chose The Goose Pond, Easthampton as her diploma work when the recently formed Royal Society of Painter-Etchers in London elected her a Fellow in 1881, the only woman among the sixty-five original Fellows.
Description
Mary Nimmo Moran chose The Goose Pond, Easthampton as her diploma work when the recently formed Royal Society of Painter-Etchers in London elected her a Fellow in 1881, the only woman among the sixty-five original Fellows. When she exhibited four etchings in the Society’s show, the New York Herald commented on a review in a London paper, ‘“Mrs. Moran’s work is so masculine [sic] that the Daily News critic takes it for that of a man.”’ Her vigorous etching style has been frequently noted along with her preference for working outdoors directly on a prepared plate, before the subject.
The print shows a pond, now known as Town Pond, and Gardiner’s Mill, which still stands in the town of East Hampton, where the Morans spent many summers. Landscape and in particular the landscape around East Hampton was the subject of many of Mary Nimmo Moran’s etchings.
Location
Currently not on view
Date made
1881
graphic artist
Moran, Mary Nimmo
ID Number
GA.14566
catalog number
14566
accession number
94830

Engraved woodblock of a "Navajo blanket"

This engraved woodblock of a "Navajo blanket" was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 53 (p.387) in an article by Dr.
Description
This engraved woodblock of a "Navajo blanket" was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 53 (p.387) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
printer
Government Printing Office
publisher
Bureau of American Ethnology
block maker
W. T. & B.
author
Matthews, Washington
ID Number
1980.0219.1180
catalog number
1980.0219.1180
accession number
1980.0219

A. E. Burnside/ Major General USA

Currently not on view
Location
Currently not on view
depicted (sitter)
Burnside, Ambrose E.
maker
Ehrgott, Forbriger & Co.
ID Number
2014.0250.32
accession number
2014.0250
catalog number
2014.0250.32

Engraved woodblock of a "House-burial"

This engraved woodblock of a “House-burial” was prepared by Henry Hobart Nichols (1838-1887); the print was published by the Government Printing Office in Washington, D.C. in 1881 as Figure 27 (p. 175) in an article by Dr. H. C.
Description
This engraved woodblock of a “House-burial” was prepared by Henry Hobart Nichols (1838-1887); the print was published by the Government Printing Office in Washington, D.C. in 1881 as Figure 27 (p. 175) in an article by Dr. H. C. Yarrow (1840-1929) entitled “Mortuary Customs of the North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80.
Location
Currently not on view
date made
1881
printer
Government Printing Office
publisher
Bureau of American Ethnology
graphic artist
Nichols, H. H.
author
Yarrow, Harry Crecy
ID Number
1980.0219.0084
catalog number
1980.0219.0084
accession number
1980.0219

Street Musicians

Jean Léon Gérôme (1824–1904) painted this scene of Pifferari or street musicians serenading an unseen image of the Virgin Mary in 1870. Camille Piton etched it for an auction catalog of works from the collection of J. C. Runkle, which were sold on March 8, 1883.
Description
Jean Léon Gérôme (1824–1904) painted this scene of Pifferari or street musicians serenading an unseen image of the Virgin Mary in 1870. Camille Piton etched it for an auction catalog of works from the collection of J. C. Runkle, which were sold on March 8, 1883. The auction was organized by Samuel P. Avery, art dealer and print collector. Pifferari come from the mountains in Calabria, Italy, and from the Abruzzi to play bagpipes and reed instruments like the piffero, a kind of oboe, before images of the Virgin in Rome during the Christmas season. Jean Léon Gérôme was a favorite painter of Stephen Ferris, who named his son after him.
Location
Currently not on view
Date made
1879
1883
original artist
Gerôme, Jean-Léon
graphic artist
Piton, Camille
ID Number
GA.14886
catalog number
14886
accession number
94830

Engraved woodblock of hilltop pueblos

This engraved woodblock of hilltop pueblos was engraved and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.Currently not on view
Description
This engraved woodblock of hilltop pueblos was engraved and printed by the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.
Location
Currently not on view
date made
ca 1880
publisher
Bureau of American Ethnology
printer
Government Printing Office
block maker
A. P. J. & Co.
ID Number
1980.0219.1813
catalog number
1980.0219.1813
accession number
1980.0219

Patent Model of a Chromatic Web Press

This patent model demonstrates an invention for a chromatic web press for printing a narrow strip of paper, such as a strip of tickets, with several colors successively. The invention was granted patent number 225501.
Description (Brief)
This patent model demonstrates an invention for a chromatic web press for printing a narrow strip of paper, such as a strip of tickets, with several colors successively. The invention was granted patent number 225501. The long type form, suspended above the platen, was inked from a divided fountain. The paper moved intermittently down the length of the form and received each color in turn.
Location
Currently not on view
date made
ca 1880
patent date
1880-03-16
maker
Wright, George M.
ID Number
GA.89797.225501
accession number
089797
patent number
225501
catalog number
GA*89797.225501

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