Cultures & Communities

Furniture, cooking wares, clothing, works of art, and many other kinds of artifacts are part of what knit people into communities and cultures. The Museum’s collections feature artifacts from European Americans, Latinos, Arab Americans, Asian Pacific Americans, African Americans, Gypsies, Jews, and Christians, both Catholics and Protestants. The objects range from ceramic face jugs made by enslaved African Americans in South Carolina to graduation robes and wedding gowns. The holdings also include artifacts associated with education, such as teaching equipment, textbooks, and two complete schoolrooms. Uniforms, insignia, and other objects represent a wide variety of civic and voluntary organizations, including youth and fraternal groups, scouting, police forces, and firefighters.

Unknown artist, about 1894“Cheyenne Picture. Warrior Killing a Soldier.”Ink and watercolorThis drawing shows the victory of a Cheyenne warrior over a U.S. Army soldier.
Description
Unknown artist, about 1894
“Cheyenne Picture. Warrior Killing a Soldier.”
Ink and watercolor
This drawing shows the victory of a Cheyenne warrior over a U.S. Army soldier. The artist depicts the warrior counting coup on his enemy by touching the fallen soldier with his riding whip (quirt). Counting coup - in this instance touching an adversary in battle - was considered an act of bravery that could gain war honors. This single event took place during a larger battle against many adversaries, as indicated by the large number of rifles at the left.
Location
Currently not on view
Date made
ca 1875
date made
ca 1894
original artist
unknown
ID Number
GA.08111
accession number
1897.031963
catalog number
GA*08111
accession number
1897.31963
This engraved woodblock of "Marble Canyon” was prepared by engraver Edward Bookhout (1844-1886) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 26 (p.77) in Report of the Exploration of the Colorado River of the West and Its Tribu
Description
This engraved woodblock of "Marble Canyon” was prepared by engraver Edward Bookhout (1844-1886) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 26 (p.77) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902). Thomas Moran (1837-1926) accompanied Powell on his expedition and drew the original image.
Location
Currently not on view
date made
ca 1875
1875
original artist
Moran, Thomas
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Powell, John Wesley
graphic artist
Bookhout, Edward
block maker
V. W. & Co.
ID Number
1980.0219.0259
catalog number
1980.0219.0259
accession number
1980.0219
Koba aka Wild Horse (Kiowa),drawn between 1875 and 1878 at Fort Marion, Florida"Indian Discovery of U.S. Cavalry"Collected by Richard Henry Pratt about 1878Colored pencil, ink, and watercolorThe focus of this drawing by Koba is a Kiowa warrior coming down from his lookout hill.
Description
Koba aka Wild Horse (Kiowa),
drawn between 1875 and 1878 at Fort Marion, Florida
"Indian Discovery of U.S. Cavalry"
Collected by Richard Henry Pratt about 1878
Colored pencil, ink, and watercolor
The focus of this drawing by Koba is a Kiowa warrior coming down from his lookout hill. He carries a pair of field glasses (either a trade item or possibly taken from an enemy combatant) which assisted him in the discovery of the cavalry unit riding nearby. The Kiowa camp below is at rest; tribesmen welcome the scout's return and warning.
Location
Currently not on view
date made
ca 1875-1878
original artist
Koba
ID Number
2008.0175.52
catalog number
2008.0175.052
accession number
2008.0175
During the American Civil War, Gen. Benjamin F. Butler so appreciated the heroic actions of African American soldiers under his command at the 1864 battles of Fort Harrison and Fort Gilmer that he commissioned a special medal for them. Designed by Anthony C.
Description
During the American Civil War, Gen. Benjamin F. Butler so appreciated the heroic actions of African American soldiers under his command at the 1864 battles of Fort Harrison and Fort Gilmer that he commissioned a special medal for them. Designed by Anthony C. Paquet and realized in silver by Tiffany, the U.S. Colored Troops medal had no official status. After General Butler was relieved of his command in 1865, the 300 U.S. Colored Troops who had received the medals were forbidden to wear them on their uniforms.
Location
Currently not on view
commissioner
Butler, Benjamin Franklin
maker
Tiffany & Co.
ID Number
1985.0612.01
catalog number
1985.0612.01
accession number
1985.0612
Patented on August 20, 1878, this lamp is the invention of lamp maker Charles F. Spencer. Until 1880 the U.S. Patent Office required both documentation and a three-dimensional working model to demonstrate every invention submitted for a patent.
Description
Patented on August 20, 1878, this lamp is the invention of lamp maker Charles F. Spencer. Until 1880 the U.S. Patent Office required both documentation and a three-dimensional working model to demonstrate every invention submitted for a patent. Although it now shows signs of rust and wear, this lamp once served as Spencer’s patent model for an innovative approach to lighting.
patent date
1878-08-20
inventor
Spencer, Charles F.
ID Number
DL.331372
catalog number
331372
patent number
207,314
Albert Weber became Steinway’s principal competitor in the 1870s, just as the Chickering company began to falter. Weber made few technical innovations. He simply made extremely fine pianos like this 1876 upright and sold them at fair prices.
Description (Brief)
Albert Weber became Steinway’s principal competitor in the 1870s, just as the Chickering company began to falter. Weber made few technical innovations. He simply made extremely fine pianos like this 1876 upright and sold them at fair prices. Beautifully decorated by Herter Brothers, furniture designers of New York, this instrument helped Weber challenge Steinway at the Philadelphia Centennial Exhibition in 1876. The piano is serial number 9957, and has a compass of AAA-c5, tape-check upright action (probably not original), felt hammers, single-, double-, and triple-strings, cross-strung, 2 pedals: “soft” and dampers, a double iron frame, and an ebonized case with inlaid designs and gilded banding.
date made
1876
maker
Weber
decorator
Herter Brothers
ID Number
1980.0360.01
catalog number
1980.0360.01
accession number
1980.0360
Bear's Heart, or Nock-ko-ist (Cheyenne),drawn between 1875 and 1878 at Fort Marion, Florida"Council" (or more properly, Sun Dance or Medicine Lodge)Collected by Richard Henry Pratt about 1878Colored pencil, ink, colored ink, and watercolorThe drawing of a Sun Dance or Medicine Lo
Description
Bear's Heart, or Nock-ko-ist (Cheyenne),
drawn between 1875 and 1878 at Fort Marion, Florida
"Council" (or more properly, Sun Dance or Medicine Lodge)
Collected by Richard Henry Pratt about 1878
Colored pencil, ink, colored ink, and watercolor
The drawing of a Sun Dance or Medicine Lodge gathering offers a partial view of one moment in the most sacred of Plains Indian ceremonies. The event is represented here by the Sun Dance lodge with its cloth and tree-branch offerings flying. The people stand outside to bear witness to the sacred offerings being made, while four painted Sun Dancers stand ready to make their sacrifices inside. Four men, probably warrior society officers, stand guard over the ceremony.
Location
Currently not on view
date made
ca 1875-1878
original artist
Bear's Heart
ID Number
2008.0175.56
accession number
2008.0175
catalog number
2008.0175.056
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This trumpet was presented to the Passaic Engine Company of Paterson, New Jersey by the Neptune Guard of Newark, New Jersey on October 30th, 1876. The trumpet has an overall floral motif surrounding the various inscriptions and engravings. The bell of the trumpet features an engraving of a steam fire engine on one side and an engraving of an overlapping fireman's hat, trumpet, hook, and fire swab on the other. The center portion of the trumpet bears an inscription inside a shield-shaped frame that reads “Presented to Passaic Engine Co. No. 1 of Paterson by the Neptune Guard of Newark, Oct. 30th 1876, Frank Daly, Capt.” On the opposite side of the trumpet there is an engraving of a crossed hook and ladder. There are two rings that would have been used to attach a cord to the trumpet. The Neptune Guard was a musket corps composed of members from the Neptune Hose Company of Newark, New Jersey that was in operation around the middle of the 19th century.
Location
Currently not on view
date made
ca 1876
maker
unknown
ID Number
2005.0233.0827
accession number
2005.0233
catalog number
2005.0233.0827
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver plated trumpet was presented to John A. Gross of the Kingston Fire Department Hose Company in 1872. The trumpet was manufactured by the Meriden Britannia Company of Meriden, Connecticut. The trumpet is engraved with a floral motif and a floral and leaf garland frame the inscription “Presented to/ John A. Gross/ Chief Engineer of/ Kingston/ Fire Department/ Hose Co. No. 2/ June 1873.” The trumpet’s shaft has two protruding rings, allowing a cord to be attached to create a strap.
Location
Currently not on view
date made
ca 1873
presentation date
1873-06
maker
Meriden Britannia Company
ID Number
2005.0233.0844
accession number
2005.0233
catalog number
2005.0233.0844
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was in use around 1860-1870. The trumpet is fairly plain and lacks any inscriptions. There is one bulging band near the mouthpiece and two plain raised bands above the bell.
Location
Currently not on view
date made
1860-1870
maker
unknown
ID Number
2005.0233.0855
accession number
2005.0233
catalog number
2005.0233.0855
The Copp Collection contains a variety of household objects that the Copp family of Connecticut used from around 1700 until the mid-1800s.
Description
The Copp Collection contains a variety of household objects that the Copp family of Connecticut used from around 1700 until the mid-1800s. Part of the Puritan Great Migration from England to Boston, the family eventually made their home in New London County, Connecticut, where their textiles, clothes, utensils, ceramics, books, bibles, and letters provide a vivid picture of daily life. More of the collection from the Division of Home and Community Life can be viewed by searching accession number 28810.
Location
Currently not on view
date made
1877-04-26
ID Number
DL.006873.096
catalog number
6873.096
accession number
28810
Bear's Heart, or Nock-ko-ist,drawn between 1875 and 1878 at Fort Marion, Florida"Buffalo Chase and Encampment"Collected by Richard Henry Pratt about 1878Colored pencil, ink, colored ink, and watercolorThis drawing shows an encampment, and men and women courting outside their tipi
Description
Bear's Heart, or Nock-ko-ist,
drawn between 1875 and 1878 at Fort Marion, Florida
"Buffalo Chase and Encampment"
Collected by Richard Henry Pratt about 1878
Colored pencil, ink, colored ink, and watercolor
This drawing shows an encampment, and men and women courting outside their tipis. The men are dressed in black and the women in blue and green. Above them, in another level of the story drawing, are warriors on a buffalo hunt. Three riders prepare to kill the buffalo, with bows drawn and ready.
Location
Currently not on view
date made
ca 1875-1878
original artist
Bear's Heart
ID Number
2008.0175.54
catalog number
2008.0175.054
accession number
2008.0175
Shave Head, or O-uk-ste-uh,drawn between 1875 and 1878 at Fort Marion, Florida“Buffalo Chase”Collected by Richard Henry Pratt about 1878Pencil, colored pencil, and inkCheyenne warriors participate in the challenge of the buffalo chase.
Description
Shave Head, or O-uk-ste-uh,
drawn between 1875 and 1878 at Fort Marion, Florida
“Buffalo Chase”
Collected by Richard Henry Pratt about 1878
Pencil, colored pencil, and ink
Cheyenne warriors participate in the challenge of the buffalo chase. Four warriors, bows drawn and ready, ride close to the buffalo in order to kill the buffalo with one well directed arrow.
Location
Currently not on view
date made
ca 1875-1878
original artist
Shave Head
ID Number
2008.0175.59
accession number
2008.0175
catalog number
2008.0175.059
Wohaw, aka Beef, Wolf Robe, Gu hau de (Kiowa),drawn between 1875 and 1878 at Fort Marion, Florida"Buffalo Chase"Collected by Richard Henry Pratt about 1878Pencil, colored pencil, and watercolorWohaw's drawing shows a party of Kiowa warriors participating in a buffalo hunt.
Description
Wohaw, aka Beef, Wolf Robe, Gu hau de (Kiowa),
drawn between 1875 and 1878 at Fort Marion, Florida
"Buffalo Chase"
Collected by Richard Henry Pratt about 1878
Pencil, colored pencil, and watercolor
Wohaw's drawing shows a party of Kiowa warriors participating in a buffalo hunt. The warriors ride tightly together behind the herd. One buffalo has been successfully killed.
Location
Currently not on view
date made
ca 1875-1878
original artist
Wohaw
ID Number
2008.0175.53
catalog number
2008.0175.053
accession number
2008.0175
This elaborate, low relief forged and molded iron stirrup, or estribo de cruz, was found by members of the F. V. Hayden Survey, a U.S. Geological Survey of the West, in the Burro Mountains of New Mexico about 1874.
Description
This elaborate, low relief forged and molded iron stirrup, or estribo de cruz, was found by members of the F. V. Hayden Survey, a U.S. Geological Survey of the West, in the Burro Mountains of New Mexico about 1874. These so-called "Conquistador stirrups" were used by the Spanish cavalry in the 17th and 18th centuries, and in later periods for parade display.
Europeans first came to this area in the 1590's. The trade and interaction that occured between them and the Native Americans fundamentaly changed the cultural, economic, and physical landscape of the area.
Location
Currently not on view
Date made
ca 1700-1879
associated date
1650 - 1750
ID Number
2006.0077.01
catalog number
035395
accession number
2006.0077
catalog number
2006.0077.01
This engraved woodblock of “Light House Rock in the Canyon of Desolation” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 17 (p.49) in Report of the Exploration of the Colorado Rive
Description
This engraved woodblock of “Light House Rock in the Canyon of Desolation” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 17 (p.49) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902).
Location
Currently not on view
date made
ca 1875
1875
printer
Government Printing Office
publisher
Bureau of American Ethnology
author
Powell, John Wesley
graphic artist
Nichols, H. H.
ID Number
1980.0219.0068
accession number
1980.0219
catalog number
1980.0219.0068
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver plated presentation trumpet was used by the General Phinney Engine Company of Scranton, Pennsylvania in 1877. The trumpet is decorated with engravings and repousse patterns of leaves, flowers, palmettes, scrolls and the like. An inscription is surrounded by a floral oval cartouche that reads “General Phinney/ ENGINE CO./ No. 4/ Organized/ Feb. 29, 1877/ Scranton, Pa.” The other side of the trumpet bears an engraved image of a spider type hose reel. Two eagle heads are attached to the trumpet and hold rings in their beaks that connected by a thin ribbon. General Elisha Phinney was a prominent figure in Scranton in the second half of the 19th century. Phinney ran a wholesale flour and feed business, opened and operated a series of mines, organized and directed the Second National Bank of Scranton, was president of the Merchant’s and Mechanics Bank, president of the Stowers’ Packing and Provision Company, and Treasurer of the Lackawann and Susquehanna Coal and Iron Company. He received his title of General as a member of the antebellum militia, but organized and equipped volunteer regiments when the Civil War began. The General Phinney Engine Company Number 4 was located at 4 Dickson Avenue in Scranton, Pennsylvania.
Location
Currently not on view
date made
ca 1877
maker
unknown
ID Number
2005.0233.0847
accession number
2005.0233
catalog number
2005.0233.0847
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass speaking trumpet was presented to the Vigilant Engine Company of Paterson, New Jersey in 1879. The trumpet is adorned with a variety of repoussé patterns and engravings. The trumpet is decorated with a floral motif, with shell designs around the rounded bands of the trumpet. The bands are decorated with raised ovals that encircle the shaft. The bell has a raised image of a crossed hook and ladder behind a work helmet. A shield-shaped insert on the center of the shaft bears the inscription “Presented/ to/ Vigilant Engine Company No. 6/ of Patterson NJ/ at the/ Annual Fair/ of/ Wilis St. Baptist Church/ April 1879.” Above the shield are two axes, two swords, and a belt. A braided red cord is tied to the top and bottom of the trumpet to create a strap. The Vigilant Engine Company was founded on January 1st, 1867.
Location
Currently not on view
date made
ca 1879
maker
unknown
ID Number
2005.0233.0911
accession number
2005.0233
catalog number
2005.0233.0911
Currently not on view
Location
Currently not on view
date made
ca 1850-1878
ID Number
CL.65.1004
accession number
256396
catalog number
65.1004
School desk model, no patent tags or number are evident so this may be a salesman's sample. The seat folds up to back rest. Slatted horizontal wood. Slats alternate between light and dark colored wood. Metal legs, hinges and support frame.
Description
School desk model, no patent tags or number are evident so this may be a salesman's sample. The seat folds up to back rest. Slatted horizontal wood. Slats alternate between light and dark colored wood. Metal legs, hinges and support frame. The desk portion is behind bench back rest so these would have been lined up in rows in a classroom. A shelf is underneath desk top for storage. The legs have feet and holes to mount to a platform. Pivot piece is metal as are the legs.
Location
Currently not on view
date made
n.d.
ca 1875
bequest
Hoffman, John
maker
unknown
ID Number
1983.0508.05
accession number
1983.0508
catalog number
1983.0508.05
Currently not on view
Location
Currently not on view
Date made
1877
maker
Clay, Cosack & Co.
artist
Mulvany, John
ID Number
DL.60.2376
catalog number
60.2376
accession number
228146
Color print of a large number of horse-drawn carriages on the road in front of a two-story brick road house (Turner"s Hotel).
Description (Brief)
Color print of a large number of horse-drawn carriages on the road in front of a two-story brick road house (Turner"s Hotel). Eighteen of the horses are numbered and indentified in a key below the image.
Description
A color print of a crowded road in front of a large roadhouse (Turner Hotel, Rape Ferry Rd.) filled with carriages and spirited horses. All of the carriages are occupied by fashionably dressed men. The buggies are without tops – they have flat floors and straight footboards. The roadhouse is in the colonial style. A two story structure stands with a large ring in the rear, three dormer windows above, and a veranda across the front. Here guests stand and watch. Stable boys wait outside the barn in the background. The grounds are well-kept with trees, shrubbery, and picket fences.
Point Breeze Park in Philadelphia was founded in 1855 and raced thoroughbreds for the first time in 1860. It was eventually converted into an automobile race course in the 1900s after trotting faded as a popular sport.
Pharazyn was a Philadelphia lithographer and colorist. He was born 1822 and died in 1902. He had offices at 103 South Street in 1856 and at 1725 Lombard Street in 1870. Made prints for different magazines, as well as fine prints for patrons. Created a large colored folio “Trotting Cracks of Philadelphia Returning from the Race at Point Breeze Park” in 1870. The horses are all named as usual in the subtitle, but the artists name isn’t given; this was normal as the horses were more important than the actual artists.
Location
Currently not on view
Date made
1870
maker
Pharazyn, H.
ID Number
DL.60.3557
catalog number
60.3557
William A. Slaymaker from Louisville, Kentucky, received a U.S. patent for an improved opera chair. Patent no. 151926 was issued on June 9, 1874.The patent featured a design that would close automatically when it was not in use.
Description
William A. Slaymaker from Louisville, Kentucky, received a U.S. patent for an improved opera chair. Patent no. 151926 was issued on June 9, 1874.
The patent featured a design that would close automatically when it was not in use. This ability to fold up allowed for a more compact form. The desk was designed to be simple and inexpensive yet pleasing in appearance. The model has a wooden seat with a frayed cushion. The seat is curved and folds up to the backrest..The ironwork on the sides of the chair and armrest feature a detail of grapes. There is also a footrest bar. While this chair was initially designed for the opera, it was also used for school desk chairs.
We are not aware of any additional information about the inventor/patentee.
Location
Currently not on view
date made
1874
patent date
1874-06-09
inventor
Slaymaker, William A.
ID Number
DL.65.0300
catalog number
65.0300
patent number
151,926
accession number
249602
This patriotic lithograph poster of Centennial Exposition, Philadelphia, 1876 was supposedly commissioned by the United States Congress for the official celebration of the US Centennial.
Description
This patriotic lithograph poster of Centennial Exposition, Philadelphia, 1876 was supposedly commissioned by the United States Congress for the official celebration of the US Centennial. Depicted is a classically dressed female Liberty/Columbia figure in center, full length seated holding wreath of laurel leaves and wearing a phygian cap, surrounded by flags and stars, and at her feet is a large eagle holding a shield in its claws. The figure is surrounded by border of 18 oval bust portraits of presidents of the United States from Washington to Grant. Below the eagle in the center bottom of the image are oval bust portraits of the following six Revolutionary War heroes: Israel Putnam, Philip Schuyler, Horatio Gates, Nathaniel Greene, Benjamin Lincoln, and John Sullivan Above is birds-eye view of the exposition grounds and small oval vigettes of Independence Hall, Philadelphia (top left) , Bunker Hill Monument, Boston (top center) and Faneuil Hall, Boston (top right) . Below the center image is text and in the lower left below the date 1776, is a scene of a Revolutionary War battle labeled "The Struggle For Liberty." Below the 1876 date in the lower right is are side by side farm and city scenes labeled "Peace And Prosperity."
The Black and gray-green tint on tan-white lithograph was produced by George Stinson & Co. Publishers from Portland, Maine. The print was also issued in color.
Location
Currently not on view
date made
1876
depicted (sitter)
Adams, John
Jefferson, Thomas
Madison, James
Monroe, James
Adams, John Quincy
Jackson, Andrew
Van Buren, Martin
Harrison, William Henry
Tyler, John
Polk, James K.
Taylor, Zachary
Fillmore, Millard
Pierce, Franklin
Buchanan, James
Lincoln, Abraham
Johnson, Andrew
Grant, Ulysses S.
Washington, George
Putnam, Israel
Gates, Horatio
Greene, Nathanael
Lincoln, Benjamin
publisher
George Stinson & Co.
ID Number
DL.65.1264
catalog number
65.1264
accession number
259581

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