Cultures & Communities

Cleveland Many Peoples One Language Poster

Furniture, cooking wares, clothing, works of art, and many other kinds of artifacts are part of what knit people into communities and cultures. The Museum’s collections feature artifacts from European Americans, Latinos, Arab Americans, Asian Pacific Americans, African Americans, Gypsies, Jews, and Christians, both Catholics and Protestants. The objects range from ceramic face jugs made by enslaved African Americans in South Carolina to graduation robes and wedding gowns. The holdings also include artifacts associated with education, such as teaching equipment, textbooks, and two complete schoolrooms. Uniforms, insignia, and other objects represent a wide variety of civic and voluntary organizations, including youth and fraternal groups, scouting, police forces, and firefighters.

Place: United States

Picture postcard, "San Buena Ventura Mission, Founded 1782, Ventura, California"

This postcard view of San Buenaventura Mission was printed by the Van Ornum Colorprint Company in Los Angeles, Calif.
Description (Brief)
This postcard view of San Buenaventura Mission was printed by the Van Ornum Colorprint Company in Los Angeles, Calif. using photomechanical processes.
The Van Ornum Colorprint Company (1908-1921) was one of many picture postcard publishing companies producing California landmark scenes.
Mission San Buenaventura, founded in 1782, is located in the coastal town of Ventura. It was the ninth of twenty-one Spanish Franciscan missions established in California between 1769 and 1823 to convert American Indians of the Chumash tribe to Catholicism.
Today the mission serves as a parish church and a museum.
Location
Currently not on view
date made
1908-1921
graphic artist
Van Ornum Colorprint Co.
ID Number
1986.0639.0487
accession number
1986.0639
catalog number
1986.639.0487

Firefighter's Helmet

The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description (Brief)
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This leather fire helmet was made by Cairns & Brother of New York, New York around 1883 until 1885. The helmet is composed of 16 combs, painted yellow, with an eagle frontpiece holder on the crown and a rear brim embossed with hose and hydrants. The leather frontpiece is painted gold with the text “ASSISTANT/ENGINEER” above an image of a spider-type hose carriage, with the initials “P.Z.” underneath. The initials stand for Peter Zeluff, an assistant engineer in Paterson, New Jersey during the late 19th century who owned the hat.
Description
Worn by Peter Zeluff, assistant chief engineer
Location
Currently not on view
date made
1883-1885
user
Zeluff, Peter
maker
Cairns & Brother
ID Number
2005.0233.0015
accession number
2005.0233
catalog number
2005.0233.0015

The Rohwer Outpost

The "Rohwer Outpost" was a newspaper created by the camp internees. The paper circulated camp-specific information and activities. However, the newspaper had to watch what they printed since both the imprisoned people and the people in charge of the camp read it.
Description
The "Rohwer Outpost" was a newspaper created by the camp internees. The paper circulated camp-specific information and activities. However, the newspaper had to watch what they printed since both the imprisoned people and the people in charge of the camp read it. The paper was printed in both English and Japanese languages.
Location
Currently not on view
date made
1943-09-15
ID Number
1986.3144.33
nonaccession number
1986.3144
catalog number
1986.3144.33

Work Trumpet

As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This nickel-plated brass speaking trumpet is unadorned and was in use during the second half of the 19th century. Two rings are attached to the trumpet’s shaft, and a leather strap is buckled through the rings to form a handle. The trumpet has no inscriptions and shows wear in a variety of places.
Location
Currently not on view
date made
ca 1890-1915
maker
unknown
ID Number
2005.0233.0852
accession number
2005.0233
catalog number
2005.0233.0852

Philadelphia Contributionship Fire Mark

Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number.
Description (Brief)
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Philadelphia Contributionship for the Insurance of Houses from Loss by Fire issued this fire mark for policies 334 and 335 to Jacob Cooper for four properties, at numbers 118, 120, 122 and 124 on Cuthbert Street in Philadelphia, Pennsylvania in 1755. The fire mark consists of the company’s symbol cast in lead showing four hands clasped at the wrist painted red, attached to a varnished shield-shaped wooden backing. The Philadelphia Contributionship was established in 1752, becoming the first successful fire insurance company in America. Benjamin Franklin was one of its founding members. The Contributionship began as a mutual insurance company and this concept is represented by its “Hand in Hand” fire mark. The Philadelphia Contributionship is still in operation.
Location
Currently not on view
date made
1755
maker
unknown
ID Number
2005.0233.0344
accession number
2005.0233
catalog number
2005.0233.0344

Engraved woodblock of "Bringing down the batten"

This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr.
Description
This engraved woodblock of “Bringing down the batten” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXVIII (p.390) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
Powell, John Wesley
block maker
A. P. J. & Co.
ID Number
1980.0219.1365
catalog number
1980.0219.1365
accession number
1980.0219

Picture postcard, "Mission San Miguel, California"

This postcard view of Mission San Miguel was printed by the Detroit Publishing Company in about 1910, using a copyrighted photolithographic process called "Photostint."The Detroit Publishing Company (previously known as the Detroit Photographic Company) was first listed in Detroi
Description (Brief)
This postcard view of Mission San Miguel was printed by the Detroit Publishing Company in about 1910, using a copyrighted photolithographic process called "Photostint."
The Detroit Publishing Company (previously known as the Detroit Photographic Company) was first listed in Detroit city directories in 1888. Its manager, William A. Livingstone, invited famous landscape photographer William Henry Jackson to join the company as a partner in 1897. Jackson brought with him his own photographic images, which would be used by the company.
Mission San Miguel Arcángel, located in San Miguel, was the sixteenth of twenty-one Spanish Franciscan missions founded in California between 1769 and 1823. The mission was established to convert American Indians of the Salinan tribe.
Today the mission serves as a parish church.
Location
Currently not on view
date made
ca 1910
graphic artist
Detroit Publishing Co.
ID Number
1986.0639.2041
accession number
1986.0639
catalog number
1986.639.2041

Engraved woodblock of "Weaving diamond-shaped diagonals"

This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr.
Description
This engraved woodblock of “Weaving diamond-shaped diagonals” was prepared, after a photograph, by the Government Printing Office in Washington, D.C.; the image was published as Plate XXXV (p.380) in an article by Dr. Washington Matthews (1843-1905) entitled “Navajo Weavers” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Matthews, Washington
block maker
W. T. & B.
ID Number
1980.0219.1359
catalog number
1980.0219.1359
accession number
1980.0219

Picture postcard, "Monterey. Old Mission Chapel"

This postcard view of the Old Mission Chapel at Monterey was printed using a copyrighted photolithographic process called "Photostint" by the Detroit Photographic Company in about 1899.The Detroit Photographic Company was first listed in Detroit city directories in 1888 and was m
Description (Brief)
This postcard view of the Old Mission Chapel at Monterey was printed using a copyrighted photolithographic process called "Photostint" by the Detroit Photographic Company in about 1899.
The Detroit Photographic Company was first listed in Detroit city directories in 1888 and was managed by William A. Livingstone. Livingstone invited the famous landscape photographer William Henry Jackson to join the company as a partner in 1897. Jackson brought with him his own photographic images, which would be used by the company.
Mission San Carlos Borroméo de Carmelo, or the Old Mission Chapel, was founded in 1770 by Fr. Junípero Serra, the Spanish Franciscan missionary associated with twenty-one missions in California. Mission San Carlos was the second of the missions founded between 1769 and 1823 for the conversion of American Indians of the Esselen and Ohlone, or Costanoan, tribes to Catholicism.
Today the mission serves as a parish church.
Location
Currently not on view
date made
1899
graphic artist
Detroit Photographic Co.
ID Number
1986.0639.1998
catalog number
1986.639.1998
accession number
1986.0639

1835 - 1845 Quaker Trousseau Pieced Quilt

An intriguing note came with this framed medallion quilt when it was donated: “The Quaker Quilt. Phil.
Description
An intriguing note came with this framed medallion quilt when it was donated: “The Quaker Quilt. Phil. ca 1840 made for wedding of bride of early Philadelphia Quaker Abolitionist of pieces from the gowns of her trousseau.” Unfortunately there is no indication of the quilt maker or ownership.
The focus of the 41-inch central square, “Star of Bethlehem,” is set off by a 5-inch octagonal border. Additional pieced and plain borders frame this variation of a medallion-style quilt. The beige, tan, brown, rust, and light grey silks and satins utilized for the pattern would be typical of the Quaker esthetic and period. The quilt is lined with roller printed cottons and filled with wool. It is quilted with a variety of geometric patterns (grid, diagonal, chevron, and parallel lines), feathered and flowering vines in the borders, and a spray of flowers in the corner squares. This quilt is a precisely designed example of Quaker quilts in the mid-19th century.
Location
Currently not on view
date made
1835-1845
maker
unknown
ID Number
TE.E388880
accession number
182022
catalog number
E388880

On the Lookout for Game

Koba, aka Wild Horse,drawn between 1875 and 1878 at Fort Marion, Florida"On the Lookout for Game"Collected by Richard Henry Pratt about 1878Colored pencil, ink, and watercolorThis illustration by Koba shows a band of Kiowa traveling to the right.
Description
Koba, aka Wild Horse,
drawn between 1875 and 1878 at Fort Marion, Florida
"On the Lookout for Game"
Collected by Richard Henry Pratt about 1878
Colored pencil, ink, and watercolor
This illustration by Koba shows a band of Kiowa traveling to the right. Both men and women carry various supplies, bow and quiver cases, rifles, and umbrellas (a popular trade item). The route of the band is imaged using dashes on the ground. A scout keeps a lookout on the highest hill. The Kiowa hunt on foot, in the old way, though they use both old and new weapons.
date made
ca 1875-1878
original artist
Koba
ID Number
2008.0175.58
accession number
2008.0175
catalog number
2008.0175.058

"Benjamin Franklin with a Loaf of Bread" Engine Panel Painting

In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events.
Description (Brief)
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This fire engine panel came from the Franklin Engine Company No. 12 of Philadelphia, Pennsylvania that was active as a hand engine company from 1792 until 1863 when it acquired a steam fire engine. It operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. The painting “Franklin with Loaf of Bread” is attributed to David Rent Etter and dates to around 1830. The painting depicts the young Benjamin Franklin’s arrival in Philadelphia in 1723. As recounted in his autobiography, he mistakenly bought more bread than he could eat and gave the extra loaves to a poor woman and child. Benjamin Franklin was well known for organizing the first volunteer fire company in Philadelphia, and his image and his name were popular among the city’s fire companies. By invoking Franklin, volunteer firemen linked themselves to the progenitor of their trade, as well as someone who played a key role in the Revolution and securing America’s freedom. This painting and its companion piece (object 2005.0233.0307) would have adorned either side of the company’s engine.
Location
Currently not on view (screws)
Currently not on view
Date made
ca 1830
depicted
Franklin, Benjamin
artist attribution
Etter, David Rent
ID Number
2005.0233.0018
accession number
2005.0233
catalog number
2005.0233.0018

T. Johnson Tavern Sign

date made
1804
ID Number
CL.65.0978
accession number
256396
catalog number
65.0978

Whaler's Mincing Knife

Whaling crews used mincing knives to cut the blubber strips into thin slices down to, but not through, the thick whale skin. This process increased the surface area of the blubber and helped it melt faster in the try-pots.
Description
Whaling crews used mincing knives to cut the blubber strips into thin slices down to, but not through, the thick whale skin. This process increased the surface area of the blubber and helped it melt faster in the try-pots. Cut in this fashion, the sections of whale blubber and skin were known as “bible leaves” because they resembled the pages of a book.
date made
1876
collected
1876
ID Number
AG.025912
accession number
005019
catalog number
025912

Police SWAT Vest

Law enforcement personnel joined with many other groups to save lives in the wake of Katrina's passage through the Gulf Coast in August 2005.
Description
Law enforcement personnel joined with many other groups to save lives in the wake of Katrina's passage through the Gulf Coast in August 2005. Skills used to apprehend criminals were supplemented by heroic attempts to rescue victims caught up in the swirling waters of the hurricane.
On the night of the hurricane Officer David Waite of the New Orleans Police Department was wearing this bullet-proof vest when he jumped into deep water in a city housing project to save a five-day-old girl. That girl and her family were escaping their housing in an overloaded boat that had just capsized. A nearby police boat witnessed the scene. The girl's mother attempted to lift the baby out of the water, but the infant seat in which she was strapped was too heavy and sank. Waite swam down to it and pulled the seat and baby into his craft. Another officer, Lejon Roberts, administered CPR to the infant as their boat sped to a nearby hospital. The child and her family survived.
Location
Currently not on view
Associated Date
August - September 2005
user
Waite, David J.
referenced
Roberts, LeJon
New Orleans Police Department
ID Number
2006.0066.01
catalog number
2006.0066.01
accession number
2006.0066

Mutual Assurance Company Fire Mark

Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number.
Description (Brief)
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Mutual Assurance Company for Insuring Houses from Loss by Fire of Philadelphia, Pennsylvania issued this fire mark in 1786. This Mutual fire mark consists of a leaden image of a tree nailed to a shield-shaped pine board. The Mutual was founded in 1784 by former policyholders of the Philadelphia Contributionship for the Insurance of Houses from Loss by Fire. The Philadelphia Contributionship decided that buildings with trees in front of them posed a fire hazard and would no longer be insured. Since trees were abundant in early Philadelphia, this decision created a rift in the Contributionship. The Mutual was founded to provide insurance to those members whose buildings had trees. The adoption of the “Green Tree” as the company’s fire mark was a nod to the dispute that led to Mutual’s founding.
Location
Currently not on view
date made
1786
maker
unknown
ID Number
2005.0233.0416
accession number
2005.0233
catalog number
2005.0233.0416

Engraved woodblock of a "Bottle with geometric figures"

This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colo
Description
This engraved woodblock of a “Bottle with geometric figures” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 166 (p.116) in an article by William Henry Holmes (1846-1933) entitled “Ancient Art of the Province of Chiriqui, Colombia” in the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian,1884-85.
Location
Currently not on view
date made
1888
publisher
Bureau of American Ethnology
graphic artist
Government Printing Office
author
Holmes, William Henry
ID Number
1980.0219.1061
catalog number
1980.0219.1061
accession number
1980.0219

1915 - 1925 Chinese American Girl's Trousers

One of the Lee daughters wore this casual Chinese-style outfit on special occasions, for none of the children wore Chinese dress for every day wear.
Description (Brief)
One of the Lee daughters wore this casual Chinese-style outfit on special occasions, for none of the children wore Chinese dress for every day wear. The trouser band or fu tau , translated as the “head of the trousers,” was folded over and secured with a belt or cord and covered by the vest.
Lee B. Lok, his wife Ng Shee, and their seven children lived above the Quong Yuen Shing & Co. store in New York City's Chinatown. Though the children wore Western clothes and participated in the local Scout troop and other clubs, their parents required them to attend Chinese school each day, from 4-7 PM.
Location
Currently not on view
date made
ca 1920
maker
unknown
ID Number
1992.0620.10
catalog number
1992.0620.10
accession number
1992.0620

Fire Department’s Insurance Company

Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number.
Description (Brief)
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Fire Department’s Insurance Company of Cincinnati, Ohio produced this fire mark in 1841. The rectangular cast iron fire mark features a raised central image of a double-decker hand pumped fire engine. The Fire Department’s Insurance Company was established in 1837 when the volunteer fire engine companies in Cincinnati started an insurance company for the benefit of the department. Each fireman could hold only 50 shares personally, and each fire company could hold no more that 1,500 shares though its individual members or by itself. Ten percent of the dividend was given to the Fire Association of Cincinnati to create a fund for the relief of sick or disabled firemen. The company remained in business until around 1848.
Location
Currently not on view
date made
1841
maker
unknown
ID Number
2005.0233.0459
accession number
2005.0233
catalog number
2005.0233.0459

Male Indian Bust

Currently not on view
Location
Currently not on view
ID Number
CL.65.1120
accession number
256396
catalog number
65.1120

Folk-Dance Music

This music book Folk-Dance Music was published by G. Schirmer in New York, New York in 1908.
Description

This music book Folk-Dance Music was published by G. Schirmer in New York, New York in 1908. Printed on the front of the music book:

FOLK-DANCE MUSIC
A COLLECTION OF
SEVENTY-SIX CHARACTERISTIC
DANCES OF THE PEOPLE OF
VARIOUS NATIONS
ADAPTED FOR USE IN SCHOOLS AND
PLAYGROUNDS FOR PHYSICAL
EDUCATION AND PLAY.

Location
Currently not on view
publishing date
1908
publisher
G. Schirmer, Inc.
ID Number
1986.0961.01
accession number
1986.0961
catalog number
1986.0961.01

Lowe Press No. 2 press

Samuel W. Lowe of Philadelphia invented the Lowe printing press, an unusual conical cylinder press patented in 1856. Like Adams's Cottage printing press, it did not include a frisket and included an automatic tympan.
Description
Samuel W. Lowe of Philadelphia invented the Lowe printing press, an unusual conical cylinder press patented in 1856. Like Adams's Cottage printing press, it did not include a frisket and included an automatic tympan. The rights for the press were sold in 1858 to Joseph Watson, who marketed both presses in Boston and Philadelphia.
The Lowe printing press does not appear to have been as heavily advertised as the Adams, although the company notes that we have sold many presses … to druggists … in this country and in other lands. Every boy and business man seems to be having one.
As for portability, the Lowe was more than a third lighter than the Adams, ranging from between 12 and 120 pounds as compared to Adams's press at between 100 and 400 pounds. The Lowe used a simpler frame and relatively thin castings.
date made
ca 1860
patent date
1856
maker
Lowe, Samuel W.
ID Number
1988.0650.03
accession number
1988.0650
catalog number
1988.0650.03

Notes for Modern Dance

This booklet Notes for Modern Dance was published by A.S. Barnes & Co. in New York, New York in 1937.Currently not on view
Description
This booklet Notes for Modern Dance was published by A.S. Barnes & Co. in New York, New York in 1937.
Location
Currently not on view
publishing date
1937
publisher
A. S. Barnes & Co.
ID Number
1986.0961.02
accession number
1986.0961
catalog number
1986.0961.02

Rooster Weathervane

Depicting a rooster. Body of cast iron with sheet metal tail. Legs are free standing. There is a metal vertical support between legs.
Description (Brief)
Depicting a rooster. Body of cast iron with sheet metal tail. Legs are free standing. There is a metal vertical support between legs.
ID Number
CL.65.0955
accession number
261195
catalog number
65.0955
collector/donor number
T-9

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