Cultures & Communities

Furniture, cooking wares, clothing, works of art, and many other kinds of artifacts are part of what knit people into communities and cultures. The Museum’s collections feature artifacts from European Americans, Latinos, Arab Americans, Asian Pacific Americans, African Americans, Gypsies, Jews, and Christians, both Catholics and Protestants. The objects range from ceramic face jugs made by enslaved African Americans in South Carolina to graduation robes and wedding gowns. The holdings also include artifacts associated with education, such as teaching equipment, textbooks, and two complete schoolrooms. Uniforms, insignia, and other objects represent a wide variety of civic and voluntary organizations, including youth and fraternal groups, scouting, police forces, and firefighters.

This long, sharp walrus tusk tip has two whales engraved on its sides. On one side is a sperm whale, with its mouth wide open displaying its characteristic teeth in the lower jaw.
Description
This long, sharp walrus tusk tip has two whales engraved on its sides. On one side is a sperm whale, with its mouth wide open displaying its characteristic teeth in the lower jaw. Beneath it is the inscription: “LONG IS.” The other side has a large baleen or right whale, with the inscription “THo 1854 WILLETS” carved below. Baleen whales lack teeth and filter their food through hundreds of long, thin, flexible baleen plates. Thomas Willets was probably a crewman on an 1854 sealing or whaling voyage out of Long Island, a region in New York known for its whaling industry. In the 19th century, the Willets family was widespread and well known in the New York area.
Scrimshaw began in the late 18th or early 19th century as the art of carving whale bone and ivory aboard whale ships. The crew on whalers had plenty of leisure time between sighting and chasing whales, and the hard parts of whales were readily available on voyages that could last up to four years.
In its simplest form, a tooth was removed from the lower jaw of a sperm whale and the surface was prepared by scraping and sanding until it was smooth. The easiest way to begin an etching was to smooth a print over the tooth, prick the outline of the image with a needle and then “connect-the-dots” once the paper was removed. This allowed even unskilled craftsmen to create fine carvings. Some sailors were skilled enough to etch their drawings freehand. After the lines were finished, they were filled in with lamp black or sometimes colored pigments.
Scrimshaw could be decorative, like simple sperm whale teeth, or they could be useful, as in ivory napkin rings, corset busks (stiffeners), swifts for winding yarn or pie crimpers. The sailor’s hand-carved scrimshaw was then given to loved ones back on shore as souvenirs of the hard and lonely life aboard long and dangerous voyages.
Location
Currently not on view
date made
1854
ID Number
1978.0052.11
accession number
1978.0052
catalog number
1978.52.11
The Copp Collection contains about 150 books of early American imprint and shows a wide range of reading matter typical of a New England Puritan family living in a port town. Literacy was expected of many New Englanders, as Puritan doctrine required everyone to read the Bible.
Description
The Copp Collection contains about 150 books of early American imprint and shows a wide range of reading matter typical of a New England Puritan family living in a port town. Literacy was expected of many New Englanders, as Puritan doctrine required everyone to read the Bible. The abundance of multiple Bibles, psalms, hymnodies, sermons, and morality tales reflects the Copp’s religious beliefs. Other highlights of the library include the works of Shakespeare, almanacs, historical and political texts, and travel narratives.
The Copp Collection contains a variety of household objects that the Copp family of Connecticut used from around 1700 until the mid-1800s. Part of the Puritan Great Migration from England to Boston, the family eventually made their home in New London County, Connecticut, where their textiles, clothes, utensils, ceramics, books, bibles, and letters provide a vivid picture of daily life. More of the collection from the Division of Home and Community Life can be viewed by searching accession number 28810.
Location
Currently not on view
date made
1734-1855
ID Number
DL.006861.04
catalog number
6861.04
accession number
28810
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was in use around 1850. The trumpet is not engraved and has a simple shaft divided into three sections. A cord would have been strung through the two rings attached to the trumpet.
Location
Currently not on view
date made
ca 1850
maker
unknown
ID Number
2005.0233.0835
accession number
2005.0233
catalog number
2005.0233.0835
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was used around 1848-1850. The trumpet has two rounded bands with protruding rings that allowed a cord to be attached to the trumpet.
Location
Currently not on view
date made
1848-1850
maker
unknown
ID Number
2005.0233.0866
accession number
2005.0233
catalog number
2005.0233.0866
The obverse of this large, highly polished sperm whale tooth has a large whaleship carved into its surface, sailing away from the viewer with all sails set. Two empty whaleboat davits on the starboard or right side indicate that the boats are actively hunting.
Description
The obverse of this large, highly polished sperm whale tooth has a large whaleship carved into its surface, sailing away from the viewer with all sails set. Two empty whaleboat davits on the starboard or right side indicate that the boats are actively hunting. An etched sawtooth frame encircles the ship. The other side is carved with an eagle with outstretched wings; in one talon it grips three arrows and in the other is a leafy vine. In its beak is a long banner containing the words (from top to bottom) "ABRAHAM CARR/1853/SAG HARBOUR L.I." Like the front, the eagle and banner are framed by a sawtooth pattern, and the entire tooth has a swag top and bottom encircling both sides of the tooth. In the 19th century, Sag Harbor, NY was a major Atlantic whaling port. The fine detail of this freehand-drawn tooth indicates a highly skilled and experienced scrimshaw artist.
Scrimshaw began in the late 18th or early 19th century as the art of carving whale bone and ivory aboard whale ships. The crew on whalers had plenty of leisure time between sighting and chasing whales, and the hard parts of whales were readily available on voyages that could last up to four years.
In its simplest form, a tooth was removed from the lower jaw of a sperm whale and the surface was prepared by scraping and sanding until it was smooth. The easiest way to begin an etching was to smooth a print over the tooth, prick the outline of the image with a needle and then “connect-the-dots” once the paper was removed. This allowed even unskilled craftsmen to create fine carvings. Some sailors were skilled enough to etch their drawings freehand. After the lines were finished, they were filled in with lamp black or sometimes colored pigments.
Scrimshaw could be decorative, like simple sperm whale teeth, or it could be useful, as in ivory napkin rings, corset busks (stiffeners), swifts for winding yarn or pie crimpers. The sailor’s hand-carved scrimshaw was then given to loved ones back on shore as souvenirs of the hard and lonely life aboard long and dangerous voyages.
Location
Currently not on view
date made
1853
ID Number
1978.0052.22
accession number
1978.0052
catalog number
1978.52.22
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was used during the middle of the 19th century. The trumpet’s mouthpiece is made of leather and the brass section has several dents.
Location
Currently not on view
date made
1840-1850
maker
unknown
ID Number
2005.0233.0869
accession number
2005.0233
catalog number
2005.0233.0869
This small porcelain cup was recovered by a sport diver from the wreck of the steamer Indiana. Its findspot was not recorded, so it is not known whether it belonged to a crewman or was aboard for use by passengers at mealtimes.
Description
This small porcelain cup was recovered by a sport diver from the wreck of the steamer Indiana. Its findspot was not recorded, so it is not known whether it belonged to a crewman or was aboard for use by passengers at mealtimes.
Date made
ca 1858
ID Number
1993.0441.01
catalog number
1993.0441.01
accession number
1993.0441
The Copp Collection contains a variety of household objects that the Copp family of Connecticut used from around 1700 until the mid-1800s.
Description
The Copp Collection contains a variety of household objects that the Copp family of Connecticut used from around 1700 until the mid-1800s. Part of the Puritan Great Migration from England to Boston, the family eventually made their home in New London County, Connecticut, where their textiles, clothes, utensils, ceramics, books, bibles, and letters provide a vivid picture of daily life. More of the collection from the Division of Home and Community Life can be viewed by searching accession number 28810.
Location
Currently not on view
date made
1853-11-25
associated person
Copp, Jr., Samuel
maker
Copp, Jr., Samuel
ID Number
DL.006873.094
accession number
28810
catalog number
6873.094
This object contains almanacs published from 1834-1855, hand-bound together in tan linen. The almanac (archaically spelled almanack) spread valuable information during a time when newspapers were scarce.
Description
This object contains almanacs published from 1834-1855, hand-bound together in tan linen. The almanac (archaically spelled almanack) spread valuable information during a time when newspapers were scarce. Their popularity with the public and low overhead made them attractive for publishers as well. While almanacs may be known for their farmer’s calendar or weather forecasts, they also served as calendars that marked holidays and feast days, and notable historic dates. The calendar also tracked the transit of celestial bodies and included related astrological guidance. Additional materials included literary extracts, poetry, a list of roads and their mileage to major cities, medical advice, cooking recipes, patent notices, rates of interest, short histories, political discussions, schedules of courts, and practical advice. The diversity of topics made the almanac useful for every strata of society, creating an early form of mainstream culture. Almanacs were usually just bound by sewing, but the Copp’s compiled these into one bound volume, speaking to its usefulness as a resource even after the year they were published had passed.
The Copp Collection contains about 150 books of early American imprint and shows a wide range of reading matter typical of a New England Puritan family living in a port town. Literacy was expected of many New Englanders, as Puritan doctrine required everyone to read the Bible. The abundance of multiple Bibles, psalms, hymnodies, sermons, and morality tales reflects the Copp’s religious beliefs. Other highlights of the library include the works of Shakespeare, almanacs, historical and political texts, and travel narratives.
The Copp Collection contains a variety of household objects that the Copp family of Connecticut used from around 1700 until the mid-1800s. Part of the Puritan Great Migration from England to Boston, the family eventually made their home in New London County, Connecticut, where their textiles, clothes, utensils, ceramics, books, bibles, and letters provide a vivid picture of daily life. More of the collection from the Division of Home and Community Life can be viewed by searching accession number 28810.
Location
Currently not on view
date made
1734-1855
ID Number
DL.006861.03
catalog number
6861.03
accession number
28810
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass trumpet dates from the 19th century. The trumpet has small bands around the mouthpiece and bell, but lacks any engraving or adornment.
Location
Currently not on view
date made
1854
maker
unknown
ID Number
2005.0233.0886
accession number
2005.0233
catalog number
2005.0233.0886
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This trumpet was likely presented to the Weccacoe Hose Company of Philadelphia, Pennsylvania by the Ramblers Club No. 1. The silver trumpet is divided into three sections, with an inscription on the center section that reads “Presented to / Weccacoe Hose Co. / by the / Ramblers Club No. 1 / May 2nd 1852.” A leather strap is attached to the trumpet by two rings. The fire company was organized on January 8, 1842 and operated until 1854 when it was shut down by city council for fighting. Rambling clubs began in the 19th century as a way for people to escape the industrializing city and walk around nature.
Location
Currently not on view
date made
ca 1852
maker
unknown
ID Number
2005.0233.0830
accession number
2005.0233
catalog number
2005.0233.0830
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass and silver plated speaking trumpet dates to 1852. The lower and upper section of the trumpet is plated in silver. There is a braided red cord with tassels that is strung through two rings along the trumpets’ shaft. There is a silver shield-shaped plaque attached to the trumpet that bears the inscription “Presented Sept. 20, 1852/ To the New Jersey Co. No. 4/ By a friend A.N.B.S./ For the use of the carriage.”
Location
Currently not on view
date made
1852
maker
unknown
ID Number
2005.0233.0882
accession number
2005.0233
catalog number
2005.0233.0882
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events.
Description
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This engine panel painting is attributed to the Washington Fire Company No.14 of Philadelphia, Pennsylvania that was founded in 1796. Originally organized as a hand engine company, it acquired a steam fire engine in 1858 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. John A. Woodside completed this oil painting in 1853, copying it from “George Washington Before the Battle of Trenton,” painted by John Trumbull in 1792. The painting depicts Washington surveying the battleground, with Continental troops in the background. The volunteer fire company named itself after Washington and commissioned the painting to link itself with Washington’s prestige America’s foremost Founding Father.
Location
Currently not on view
date made
1853
referenced
Trumbull, John
Washington, George
maker
Woodside, John Archibald
ID Number
2005.0233.0309
accession number
2005.0233
catalog number
2005.0233.0309
Very little is known of Lewis Temple's early life. Born around 1800 to slave parents in Richmond, Virginia , by 1829 he had moved to New Bedford, Massachusetts, where he married.
Description
Very little is known of Lewis Temple's early life. Born around 1800 to slave parents in Richmond, Virginia , by 1829 he had moved to New Bedford, Massachusetts, where he married. By 1836, he had a blacksmith shop on a local wharf, where he made shipsmithing items like spikes, harpoons, rigging elements, cargo hooks, barrel hoop and other iron ship fittings.
Temple developed a simple but significant refinement to the harppon: the so-called Temple toggle iron or gig. This feature at the tip of a harpoon offered a more secure way to hook into a whale. Unfortunately, Temple never patented his idea, which swiftly achieved widespread application throughout the world's whale fisheries. He died in May 1854, unrecognized and in debt.
While Lewis Temple did not invent the toggle, his invention made it better. The first barb at the tip of the dart was designed to penetrate the whale's flesh, and the second barb also went straight in. A small wooden peg holding the lower barb in place would then break when the whale pulled away, allowing the barbed head to swivel away from the shaft. The new T-shape of the barb prevented the dart from pulling out of its wound.
date made
ca 1859
inventor
Temple, Lewis
ID Number
TR.330535A
catalog number
330535a
accession number
294088
Samuel W. Lowe of Philadelphia invented the Lowe printing press, an unusual conical cylinder press patented in 1856. Like Adams's Cottage printing press, it did not include a frisket and included an automatic tympan.
Description
Samuel W. Lowe of Philadelphia invented the Lowe printing press, an unusual conical cylinder press patented in 1856. Like Adams's Cottage printing press, it did not include a frisket and included an automatic tympan. The rights for the press were sold in 1858 to Joseph Watson, who marketed both presses in Boston and Philadelphia.
The Lowe printing press does not appear to have been as heavily advertised as the Adams, although the company notes that we have sold many presses … to druggists … in this country and in other lands. Every boy and business man seems to be having one.
As for portability, the Lowe was more than a third lighter than the Adams, ranging from between 12 and 120 pounds as compared to Adams's press at between 100 and 400 pounds. The Lowe used a simpler frame and relatively thin castings.
date made
ca 1860
patent date
1856
maker
Lowe, Samuel W.
ID Number
1988.0650.03
accession number
1988.0650
catalog number
1988.0650.03
This tiara has a historic and illustrious background.
Description
This tiara has a historic and illustrious background. Documents show that it was owned by Her Imperial and Royal Highness, the Archduchess Anna of Austria (nee Anna Monika Pia of Saxony) and was the property of the Saxon royal family from the time it was created until it was sold in January of 1930. A Budapest jeweler, Emery Breitner, purchased it from the royal family. Its whereabouts were unknown for many years until the tiara resurfaced in the 1960s as part of the vast jewelry holdings of Marjorie Merriweather Post and her family. Post was known for her trained eye and impeccable taste in art, clothing, and jewelry.
The piece features a wonderfully naturalistic rose design created in diamonds, yellow gold and platinum or white gold. The flowers are designed to be en tremblant or ‘to tremble’ with the wearer’s movements. The diamond settings are on thin wires that allow the clusters to gently sway causing the gems to better catch the light. This movement not only makes the piece more visually interesting, but also permits the diamonds to demonstrate their brilliance. Portions of the tiara are removable so that the owner can reconfigure the piece and wear in several different ways
This tiara was donated to the National Museum of American History by Eleanor Close Barzin, the daughter of Marjorie Merriweather Post.
Location
Currently not on view
Date made
1800 - 1850
maker
unknown
ID Number
CS.254327.2
catalog number
254327.2
accession number
254327
From a simple hanging lantern suitable for use in a barn to an elegant blown glass table lamp, whale oil illuminated the homes and businesses of America from the 18th century well past the time of the discovery of petroleum in Pennsylvania in 1859.Kerosene and other petroleum pro
Description
From a simple hanging lantern suitable for use in a barn to an elegant blown glass table lamp, whale oil illuminated the homes and businesses of America from the 18th century well past the time of the discovery of petroleum in Pennsylvania in 1859.
Kerosene and other petroleum products largely replaced whale oil for illumination by the end of the century. However, the use of other whale products for various purposes lasted well into the 20th century.
date made
mid 1800s
whale oil lamps used
18th cenutry
discovery of petroleum
1859
ID Number
DL.316030
catalog number
316030
accession number
66046
Currently not on view
Location
Currently not on view
date made
1800-1850
ID Number
CL.65.0947
catalog number
65.0947
accession number
256396
Charles Perley from Philadelphia, Pennsylvania, received a U.S. patent for an improved school seat. Patent no. 24151 was issued on May 24, 1859.The patent is a combination of wood and metal, with a very wide bench. It is mechanically able to fold up from the bottom seat.
Description
Charles Perley from Philadelphia, Pennsylvania, received a U.S. patent for an improved school seat. Patent no. 24151 was issued on May 24, 1859.
The patent is a combination of wood and metal, with a very wide bench. It is mechanically able to fold up from the bottom seat. There are no curves or slopes that mold to the body and no armrests. They were designed to be used on the perimeter of the room when the rest of the school room, church, or other building is full. The folding seat was important for moving, as well as making the rooms easier to clean. There are two marks: "C. Perely and Sons/ 114 Columbia St, NY/ 1858," inscribed with a stamp on top of the base and on the seat back. The base is incorrrectly stamped with the name mispelled. The patent paper signature clearly spells "Perley."
We are not aware of any additional information about the inventor/patentee.
Location
Currently not on view
date made
1859
patent date
1859-05-24
patentee
Perley, Charles
transfer
U.S. Patent and Trademark Office
inventor
Perley, Charles
ID Number
CL.65.0504
accession number
249602
catalog number
65.0504
patent number
24151
The inscription found on this quilt identifies its origins. Within a wreath cut from a printed cotton chintz on one block is inked: “Ladies’ Donation / to the Fireman’s Fair / Yale Engine Co. No.
Description
The inscription found on this quilt identifies its origins. Within a wreath cut from a printed cotton chintz on one block is inked: “Ladies’ Donation / to the Fireman’s Fair / Yale Engine Co. No. 1 / South Reading / July 1853.” Quite likely a group of women devised the quilt making project to raise funds for the Yale Engine Company. A new engine house was erected in South Reading, Massachusetts, in 1853.
Two blocks in particular indicate the pride the community had in its ability to be prepared for fires. One has an appliquéd and embroidered fire engine marked “Yale 1.” The other block, all embroidered, has a ladder, hook, hose, the date "1853," and inscription: "Yale Engine Company No. 1 / South Reading." As reported in the Official Program of the Celebration of the 250th Anniversary of the Settlement and Incorporation of Ancient Redding” May 1894: “In 1852, by vote of the town, came a handsome new, double-decker fire-engine, resplendent in finish of rosewood and trimmings of polished brass . . . . The new machine was from Jeffers’ works at Pawtucket, R.I., and was named ‘Yale Engine, No. 1,’ in grateful recognition of a large gift . . . from Burrage Yale, Esq., whose tin pedler’s carts were for many years known all over New England." It was further reported that, "'The Yale’ distinguished herself in many fields, and saved much property from destruction. She is still [1894] retained by the town . . . and regarded with respect and appreciation."
All but five of the thirty 15½-inch blocks that comprise this quilt have geometric motifs made by cutting folded cloth. These were made from the same roller printed cotton fabric and appliquéd to a white ground. One block is pieced in a popular pattern, “Star of Bethlehem.” The inclusion of an American flag block contributes an element of patriotism. The blocks are joined in a quilt-as-you-go method. Each one is appliquéd, pieced or embroidered; then lined and quilted; bound with a narrow red-ground print; and finally, joined to make the quilt.
Burrage Yale, whose contributions to the community of South Reading, Massachusetts, were many, was born in Meriden, Connecticut, on March 27, 1781. At an early age he set out to help his family as a peddler of tinware. In 1800 he came to Reading, Massachusetts, and within a few years had settled there and founded a soon-thriving business manufacturing and dealing in tinware.
A man of strong convictions, he was profiled by Lilley Eaton in his 1874 Genealogical History of the Town of Reading. Burrage Yale was known as “polite, dignified, and hospitable, a friend and patron of education and liberal toward public improvement.” He was also “. . . a shrewd and accomplished business man . . . . accused of being proud, haughty and ambitious . . . unmerciful to his debtors.”
According to Eaton, “he once rendered himself so odious to a portion of the people . . . that on a certain night he was hung in effigy . . . and then consumed in a great funeral pyre, amid the shouts of the crowd; and . . . upon a board nailed high upon the oak, these words in epitaph: ‘This great and mighty lord, he is no more!’”
While Burrage Yale may not always have been gracious or generous, he apparently contributed a significant-enough sum to the fire fighting cause in his community that a fire engine, fire house and later an avenue bore his name. His wife, Sarah Boardman (1786-1844), was one of the early female teachers in South Reading. She was described by Lilley Eaton as “. . . a faithful teacher, and our memory of her in that capacity is most pleasant. In after-life she was ever a most worthy and valuable woman.” When Burrage Yale died September 5, 1860, the fully uniformed firefighters of the Yale Engine Company marched in his funeral procession.
This quilt, so carefully worked, is an example of efforts by women of South Reading, then a small rural New England town, to work together to provide for their community.
Location
Currently not on view
date made
1853
maker
unknown
ID Number
1995.0011.04
accession number
1995.0011
catalog number
1995.0011.04
Half hull ship models were carved by shipwrights to a shape negotiated with the future owners of the ship.
Description
Half hull ship models were carved by shipwrights to a shape negotiated with the future owners of the ship. Once finished, the builder lifted the curved shape of the outer hull off the model and scaled it up to the dimensions of the full-sized ship on the floor of the molding loft. Then the ship’s timbers were cut to fit the lines drawn on the floor and lifted into position in the ship’s framework.
African American shipwright and former slave John Mashow built the whaler Jireh Swift in 1853 at Dartmouth, Mass. near New Bedford. The vessel measured 122 feet in length and 454 tons. Its first voyage was to the northern Pacific and lasted nearly four years. The ship collected 45 barrels of sperm oil, 2,719 barrels of whale oil and 14,900 lbs of whalebone. Swift’s second voyage, to the same grounds, lasted more than four years and netted much more oil and bone for her owners. Nearly three years into her third voyage, on 22 June 1865 she was captured in the Arctic by the Confederate raider Shenandoah and burned, for a loss of more than $40,000.
Date made
1853
maker
Mashow, John
ID Number
TR.076323
catalog number
076323
accession number
015358
A date of “August 1853” inscribed on seventeen blocks provided a clue to the possible origins of this “Album Patch” quilt. Names and places inscribed on other blocks gave further information.
Description
A date of “August 1853” inscribed on seventeen blocks provided a clue to the possible origins of this “Album Patch” quilt. Names and places inscribed on other blocks gave further information. Probably Rachel Young Roseberry started this quilt when the family moved to Brentsville, Va., from Phillipsburg, N.J., in 1853. At the time she and her husband, Michael, had four young children: Emma (1838-1897), Annie (about 1840-?), John (1843-1915, and, Alice (about 1844-?). The names of friends and relatives appear to have been written by the same hand, maybe at different times, and many are further embellished by different floral drawings.
Thirty-six nine-inch “Album Patch” or “Friendship Chain” pieced blocks are composed of plain red and white or printed green and white cottons. The “Album” blocks are framed by a 1 ½-inch border of printed green and plain white triangles. All blocks are signed in ink denoting name, and sometimes a date and/or place. Ink drawings are added to several of the inscriptions. The same red and green cottons and thread were used throughout the quilt and nearly half are inscribed “1853.” The addition of dates of “1858,” “1859,” and “1871,” suggest signatures may have been added after the quilt was completed. Places included Washington, D.C., Youngsville ?, Newark, N. J., and Brentsville, Va.
Rachel Roseberry’s quilt represents a personalized textile document containing names of friends and family and associated dates that may represent visits, marriages, deaths or other significant events related to that name. Album quilts such as this were popular in the mid-19th century, as was the use of the red and green color combination.
Location
Currently not on view
date made
1853
maker
unknown
ID Number
TE.T11232
accession number
209501
catalog number
T11232
On 6 June 1858, the propeller Indiana sank in Lake Superior transporting its owner, three passengers and 280 tons of iron ore from Marquette, MI to Sault Ste. Marie, MI. The ship was insured for $9,000; the ore was insured separately for an undisclosed amount.
Description
On 6 June 1858, the propeller Indiana sank in Lake Superior transporting its owner, three passengers and 280 tons of iron ore from Marquette, MI to Sault Ste. Marie, MI. The ship was insured for $9,000; the ore was insured separately for an undisclosed amount. One contemporary newspaper stated that it was the “first cargo of Lake Superior iron ore ever lost on the lakes.”
The ship landed upright and slightly bow down on the lakebed in 120 feet of water; the bow split open and ore spilled out onto the sandy bottom. The deck of the shipwreck remains covered with iron ore today, and the cargo hold is filled about three feet deep with ore as well.
Samples of the ore were recovered in 1979; upon analysis, they revealed that a high percentage of pure iron.
Location
Currently not on view
date propeller Indiana sank
1858-06-06
samples of the ore were collected
1979
ID Number
1979.1030.12.01
catalog number
1979.1030.12
accession number
1979.1030
About 1855 in Northfield, Mass., Charles Torrence Ripley was preparing to move his family and daguerreotyping business to Fond du Lac, Wis.
Description
About 1855 in Northfield, Mass., Charles Torrence Ripley was preparing to move his family and daguerreotyping business to Fond du Lac, Wis. This “Friendship” quilt was made by friends and family for his wife, Lucy Arabella (Holton) Ripley.
Friendship quilts are composed of signed blocks of the same pattern often accompanied by an inscription. These quilts were popular in the mid-19th century when many families were relocating further west and a tangible reminder of those they left behind was in order. It is through the many signatures on this quilt that some of its history can be traced.
Blue and white printed cottons are pieced in the “Friendship Chain” (“Album” or Chimney Sweep”) pattern, and the blocks are set diagonally with a 3 ½ -inch blue-and-white polka-dot sashing. The blocks are partly outline-quilted and many have four “Xs” quilted in the white center area.
The majority of the ink-inscribed blocks (28) are from Massachusetts (mainly Northfield) and New Hampshire. Three name towns in Wisconsin, one dated 1854, and the other two, 1920s. Five other blocks are dated 1901 and 1926 and are inscribed in indelible pencil. It would appear that these were written long after the quilt was made and may indicate a significant date or person to be remembered.
In addition to names, places, and dates, many of the blocks contain verses pertinent to friendship. Adaline Swan from Northfield, Mass., penned this on her block in 1851:
“The storm-cloud comes o’er the autumn sky
And the flow’rets in their beauty die,
But friendship true, is an ever green.
That decayeth not ‘neath a sky serene”
(”True Friendship” by James Aylward 1813-1872)
The verses were taken from many sources and may have appeared in magazines or newspapers of the period.
The name of the Museum's donor, “Ione Ripley, Aug 18, 1926, Kenosha, Wisconsin” is written on one of the blocks in purple indelible pencil. The quilt had been kept in the family of her father, Floyd Stratton Ripley, until Ione donated it in 1956. Floyd Stratton Ripley was the son of Charles Stratton Ripley (1851-1914), who immigrated with his parents (Charles Torrance Ripley and Lucy Arabella Ripley) in 1855 to Fond du Lac, Wis., from Northfield, Mass. The initial recipient of this quilt, Lucy Arabella Holton, was born in 1821 in Northfield, Mass. She married Charles Torrance Ripley (b.1815) in 1847, and moved with her 3-year-old son to Fond du Lac in 1855 and had two more children. Her husband established a studio in Fond du Lac, but died in 1861. Lucy died in 1887. Her daughter-in-law, Florence Fellows Ripley (1863-1926), owned the quilt before Ione. Her name, also in indelible pencil, is noted on a block with the date 1901 and Kenosha, Wisconsin. Most likely the donor, Ione, received this quilt after her great-aunt’s death in July 1926.
The quilt was kept in the family for more than 100 years, and now serves as an example of one way a community created a memento for those who left to settle in the West.
Location
Currently not on view
date made
1851-1855
maker
unknown
ID Number
TE.T11452
accession number
210281
catalog number
T11452

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