Cultures & Communities - Overview
Furniture, cooking wares, clothing, works of art, and many other kinds of artifacts are part of what knit people into communities and cultures. The Museum’s collections feature artifacts from European Americans, Latinos, Arab Americans, Asian Pacific Americans, African Americans, Gypsies, Jews, and Christians, both Catholics and Protestants. The objects range from ceramic face jugs made by enslaved African Americans in South Carolina to graduation robes and wedding gowns. The holdings also include artifacts associated with education, such as teaching equipment, textbooks, and two complete schoolrooms. Uniforms, insignia, and other objects represent a wide variety of civic and voluntary organizations, including youth and fraternal groups, scouting, police forces, and firefighters.
"Cultures & Communities - Overview" showing 35 items.
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1853 Yale Engine Company's Quilt
- Description
- The inscription found on this quilt identifies its origins. Within a wreath cut from a printed cotton chintz on one block is inked: “Ladies’ Donation / to the Fireman’s Fair / Yale Engine Co. No. 1 / South Reading / July 1853.” Quite likely a group of women devised the quilt making project to raise funds for the Yale Engine Company. A new engine house was erected in South Reading, Massachusetts, in 1853.
- Two blocks in particular indicate the pride the community had in its ability to be prepared for fires. One has an appliquéd and embroidered fire engine marked “Yale 1.” The other block, all embroidered, has a ladder, hook, hose, the date "1853," and inscription: "Yale Engine Company No. 1 / South Reading." As reported in the Official Program of the Celebration of the 250th Anniversary of the Settlement and Incorporation of Ancient Redding” May 1894: “In 1852, by vote of the town, came a handsome new, double-decker fire-engine, resplendent in finish of rosewood and trimmings of polished brass . . . . The new machine was from Jeffers’ works at Pawtucket, R.I., and was named ‘Yale Engine, No. 1,’ in grateful recognition of a large gift . . . from Burrage Yale, Esq., whose tin pedler’s carts were for many years known all over New England." It was further reported that, "'The Yale’ distinguished herself in many fields, and saved much property from destruction. She is still [1894] retained by the town . . . and regarded with respect and appreciation."
- All but five of the thirty 15½-inch blocks that comprise this quilt have geometric motifs made by cutting folded cloth. These were made from the same roller printed cotton fabric and appliquéd to a white ground. One block is pieced in a popular pattern, “Star of Bethlehem.” The inclusion of an American flag block contributes an element of patriotism. The blocks are joined in a quilt-as-you-go method. Each one is appliquéd, pieced or embroidered; then lined and quilted; bound with a narrow red-ground print; and finally, joined to make the quilt.
- Burrage Yale, whose contributions to the community of South Reading, Massachusetts, were many, was born in Meriden, Connecticut, on March 27, 1781. At an early age he set out to help his family as a peddler of tinware. In 1800 he came to Reading, Massachusetts, and within a few years had settled there and founded a soon-thriving business manufacturing and dealing in tinware.
- A man of strong convictions, he was profiled by Lilley Eaton in his 1874 Genealogical History of the Town of Reading. Burrage Yale was known as “polite, dignified, and hospitable, a friend and patron of education and liberal toward public improvement.” He was also “. . . a shrewd and accomplished business man . . . . accused of being proud, haughty and ambitious . . . unmerciful to his debtors.”
- According to Eaton, “he once rendered himself so odious to a portion of the people . . . that on a certain night he was hung in effigy . . . and then consumed in a great funeral pyre, amid the shouts of the crowd; and . . . upon a board nailed high upon the oak, these words in epitaph: ‘This great and mighty lord, he is no more!’”
- While Burrage Yale may not always have been gracious or generous, he apparently contributed a significant-enough sum to the fire fighting cause in his community that a fire engine, fire house and later an avenue bore his name. His wife, Sarah Boardman (1786-1844), was one of the early female teachers in South Reading. She was described by Lilley Eaton as “. . . a faithful teacher, and our memory of her in that capacity is most pleasant. In after-life she was ever a most worthy and valuable woman.” When Burrage Yale died September 5, 1860, the fully uniformed firefighters of the Yale Engine Company marched in his funeral procession.
- This quilt, so carefully worked, is an example of efforts by women of South Reading, then a small rural New England town, to work together to provide for their community.
- Location
- Currently not on view
- date made
- 1853
- maker
- unknown
- ID Number
- 1995.0011.04
- accession number
- 1995.0011
- catalog number
- 1995.0011.04
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Presentation Trumpet, "Washington Engine Co."
- Description (Brief)
- As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
- This speaking trumpet was presented by the Philadelphia Engine Company No. 18 of Boston to Philadelphia’s Washington Engine Company in 1832. The trumpet is made of brass, with a tin mouthpiece and an upper half sheathed in leather. A purple cord with tassels is attached near the mouthpiece, though it is of a later date than the trumpet itself. The brass trumpet is missing its bell, but the shaft is engraved with the inscription “Presented by the Philadelphia Engine Co. No. 18 of Boston to the Washington Engine Co. of Philadelphia, 1832." The Philadelphia Engine Company was founded in 1825 on Beacon Street, near Boston Common. Soon after this trumpet was made, the company changed its name to Lafayette and eventually disbanded in 1851. The Washington Engine Company was founded in Philadelphia in 1796 and would remain active until the city changed over to a municipal fire department in 1872.
- Location
- Currently not on view
- date made
- 1832
- maker
- unknown
- ID Number
- 2005.0233.0821
- accession number
- 2005.0233
- catalog number
- 2005.0233.0821
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1906 Sarah Butler's "Log Cabin" Pieced Quilt
- Description
- The central inscription on this “Log Cabin” quilt states that it was “Presented by Mrs. Sarah Butler, February the fourteenth One Thousand nine hundred and six,” followed by the names of four ministers. No occasion, church, or place was indicated in the inscription, but the “Log Cabin” quilt included nearly 400 names written on the “logs”.
- Research indicates that three of the ministers, Rev. L.D. Bragg, Rev. F.D. Tyler, and Rev. R. J. Honeywell were at various times pastors of the Methodist Episcopal Church in Hudson, N. H. The fourth, Rev. Van Buskirk, was the pastor of a nearby Methodist church in Antrim, N. H. In 1931 the Methodist Episcopal Church (Hudson) merged with the Congregational Church and is now called the Hudson Community Church.
- The Methodist Episcopal Church in Hudson organized in 1840. On August 3, 1879, a fire destroyed the church, parsonage, and a connecting stable. A new meeting house was built in 1880. In December 1905 ceremonies were held to commemorate the 25th anniversary of this church building. In January 1906, the auditorium and vestry were furnished with electric lights. It is assumed that the quilt was a fund raiser and the names on the quilt were donors. The February 1906 date might indicate either the beginning or ending of the fund raising effort, as some of the signatures are names of individuals born after 1906. One of the pastors, Rev. Roy John Honeywell, did not come to the church until 1916; although he did not marry until 1922, his wife’s name is on the quilt. The majority of the names are of people who resided in either Hudson or nearby Nashua, which was connected by trolley to Hudson.
- The quilt consists of 18-inch blocks pieced in the “Log Cabin” (also known as “Pineapple,” “Chestnut Burr,” or “Church Steps”) pattern. Printed and plain cottons were used with a red triangle at each corner of the block and a red square in the center. Three hundred eighty-three names are inscribed in ink on the plain tan “logs” as well the inscriptions, “Church built in 1888” and “Alta Theresa House.” The inscriptions and names appear to have been done by the same person. Mainly plain-and twill-weave, roller-printed cottons are used for the pieced blocks, each print repeated on each block. It is lined with a roller-printed cotton.
- Names on a quilt are always of interest to a researcher. This particular quilt has many. Often the names are of couples or in some instances whole families. I.e., “Lyman Bragg, Sarah Bragg, Laura Bragg, Earnest Bragg, and Barbara Bragg” are inscribed on adjacent “logs.” Reverend L. D. Bragg was one of the people mentioned in the central inscription. He and Sarah were married in 1880, and their three children were born in 1881, 1885, and 1886 (the last in Medford, Mass.). One daughter, Laura, went to South Carolina, and was the first woman to be named the director of a major American museum (Charleston Museum) in 1920. She was instrumental in advocating education in the museum setting, and also helped to establish other museums in the South. Laura’s career was long and illustrious. She died in 1978, and she is known for her innovative educational ideas and strength of character.
- Though of a later date, this “Log Cabin” quilt was part of a larger collection, more than 2,000 objects, donated by Edna Greenwood in the 1950s. The late 18th- and early 19th-century textiles, furniture, ceramics, glass, tools, and implements in the collection are mainly from rural New England farms and villages and provide insight into the lives and environment of ordinary Americans. This quilt, with its many names, had no information about when or where it was collected. Through research, the many inscriptions penned on it were clues to the origins of this quilt, perhaps a community project to provide moneys to either upgrade an existing church or purchase an organ.
- Location
- Currently not on view
- date made
- 1906
- maker
- unknown
- ID Number
- TE*E388877
- accession number
- 182022
- catalog number
- E388877
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1878 Caroline Granger's Prize Quilt Medal
- Description
- The New England Agricultural Society medal was awarded to Mrs. Joseph (Caroline) Granger at the 1878 New England and Worcester Agricultural Fairs. One side of the bronze medal has animals with "New England Agricultural Society" around the edge. The other side has; "AWARDED TO [inscribed] Mrs. Joseph Granger for the best Crib Quilt" also "WORCESTER MASS 1878". A certificate with the medal from the office of New England Agricultural Society, dated "Boston, November 1st, 1878" states: "This is to Certify, That Mrs. Joseph Granger Worcester Mass received a Bronze medal awarded at the New England and Worcester Agricultural Fairs, held in the City of Worcester, Mass. September, 1878, for the best Crib Quilt." Signed Daniel Needham, Secretary.
- Location
- Currently not on view
- date made
- 1878
- maker
- unknown
- ID Number
- TE*T16317.00B
- catalog number
- T16317.00B
- accession number
- 302043
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Waylon Jennings
- Description
- Waylon Jennings's first single, the Cajun song "Jole Blon," was produced by Buddy Holly in 1958. Jennings (1937-2002) moved to a more hardcore country sound by the 1970s. Rejecting slick commercial conventions of the time and demanding more control of his music, Jennings's professional and personal lifestyle personified what became known as the Outlaw Country movement.
- Location
- Currently not on view
- negative
- 1975
- 2003
- maker
- Horenstein, Henry
- ID Number
- 2003.0169.029
- accession number
- 2003.0169
- catalog number
- 2003.0169.029
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Johnson Mountain Boys
- Description
- The Johnson Mountain Boys was a traditional bluegrass band formed in the Washington, D.C. suburbs in the 1970s. Its members were vocalist, banjoist, and guitarist Dudley Connell, David McLauglin, fiddler Eddie Stubbs, and bassist Larry Robbins. Connell worked for Smithsonian Folkways for a time and Stubbs went on to host the Grand Ole Opry.
- Location
- Currently not on view
- negative
- 1981
- 2003
- maker
- Horenstein, Henry
- ID Number
- 2003.0169.030
- accession number
- 2003.0169
- catalog number
- 2003.0169.030
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Holy Modal Rounders
- Description
- The Holy Modal Rounders, a folk/country band, was formed in 1961 by guitarist Steve Weber (right) and banjoist and fiddler Peter Stampfel in New York City's Greenwich Villiage. The popular music label, Rounder Records, owes its name to this innovative and controversial band.
- Location
- Currently not on view
- negative
- 1972
- 2003
- maker
- Horenstein, Henry
- ID Number
- 2003.0169.032
- accession number
- 2003.0169
- catalog number
- 2003.0169.032
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Jeannie C. Riley
- Description
- Best known for her crossover hit, "Harper Valley PTA," Jeannie C. Riley (b. 1945) is pictured her on her tour bus.
- Location
- Currently not on view
- negative
- 1973
- 2003
- maker
- Horenstein, Henry
- ID Number
- 2003.0169.033
- accession number
- 2003.0169
- catalog number
- 2003.0169.033
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Tex Ritter and Fans
- Description
- Henry Horenstein's photograph of this multigenerational crowd shows that fans of country music are not defined by age, but rather by choice of performers and styles of country music. Although Tex Ritter (Woodward Maurice Ritter, 1905-1975) attained most of his fame as a Hollywood singing cowboy in the 1930s and 1940s, he still performed into the 1970s. Ritter won an Academy Award in 1953 for the best theme song, "High Noon," for the movie of the same name.
- Location
- Currently not on view
- negative
- 1978
- 2003
- maker
- Horenstein, Henry
- ID Number
- 2003.0169.063
- accession number
- 2003.0169
- catalog number
- 2003.0169.063
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Tex Ritter and Fans
- Description
- A Tex Ritter fan holds a 45 RPM record as Ritter signs a photograph.
- Location
- Currently not on view
- negative
- 1973
- 2003
- maker
- Horenstein, Henry
- ID Number
- 2003.0169.064
- accession number
- 2003.0169
- catalog number
- 2003.0169.064
- Data Source
- National Museum of American History, Kenneth E. Behring Center