Cultures & Communities

Furniture, cooking wares, clothing, works of art, and many other kinds of artifacts are part of what knit people into communities and cultures. The Museum’s collections feature artifacts from European Americans, Latinos, Arab Americans, Asian Pacific Americans, African Americans, Gypsies, Jews, and Christians, both Catholics and Protestants. The objects range from ceramic face jugs made by enslaved African Americans in South Carolina to graduation robes and wedding gowns. The holdings also include artifacts associated with education, such as teaching equipment, textbooks, and two complete schoolrooms. Uniforms, insignia, and other objects represent a wide variety of civic and voluntary organizations, including youth and fraternal groups, scouting, police forces, and firefighters.

Pearl Butler accepts a song request from a young fan. Pearl (1927-1998) and Carl Butler (1927-1992) were part of the honky-tonk and bluegrass music movements before World War II.
Description
Pearl Butler accepts a song request from a young fan. Pearl (1927-1998) and Carl Butler (1927-1992) were part of the honky-tonk and bluegrass music movements before World War II. After their 1962 hit, "Don't Let Me Cross Over," the Butlers became one of the most popular male-female vocal teams in country music.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.076
accession number
2003.0169
catalog number
2003.0169.076
Henry Horenstein photographed Hank Williams Jr., the son of legendary singer Hank Williams, leaving his tour bus. Williams Jr. (b. 1949) spent his early career singing his father's songs in his own style.
Description
Henry Horenstein photographed Hank Williams Jr., the son of legendary singer Hank Williams, leaving his tour bus. Williams Jr. (b. 1949) spent his early career singing his father's songs in his own style. After a 1974 suicide attempt and a mountain climbing accident in 1975, he revamped his own image, modeling it after rowdy southern rockers. Later he was considered part of the Outlaw Country Movement.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.074
accession number
2003.0169
catalog number
2003.0169.074
At Tootsie's Orchid Lounge, musicians could hang out, perform and hope for a chance to be discovered.Currently not on view
Description
At Tootsie's Orchid Lounge, musicians could hang out, perform and hope for a chance to be discovered.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.111
catalog number
2003.0169.111
accession number
2003.0169
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians.
Description
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians. It was a time when the casual atmosphere of outdoor venues was popular, and the music fans could often meet their favorite musicians in the parking lots or other areas of the grounds. In this image, taken in 1972 at Indian Ranch in Webster, Massachusetts, bluegrass musician and singer Joe Val (1926-1985) plays a Gibson mandolin in a picnic area. He is accompanied by other guitarists and is being watched by fans. Val (born Joseph Valiante) was an accomplished mandolinist and guitarist who played both traditional and progressive bluegrass in his band, the New England Bluegrass Boys.
Location
Currently not on view
negative
1972
1972
maker
Horenstein, Henry
ID Number
2003.0169.072
accession number
2003.0169
catalog number
2003.0169.072
Concession stands provided refreshments for park vistors.Currently not on view
Description
Concession stands provided refreshments for park vistors.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.088
accession number
2003.0169
catalog number
2003.0169.088
This handmade object—a carved likeness of a miniature cod fish lying in a wooden coffin—was made by fisherman Dan Murphy of Dunville, Newfoundland. Made in response to Canada’s moratorium on cod fishing, Murphy sold these items at local flea markets and from his home.
Description
This handmade object—a carved likeness of a miniature cod fish lying in a wooden coffin—was made by fisherman Dan Murphy of Dunville, Newfoundland. Made in response to Canada’s moratorium on cod fishing, Murphy sold these items at local flea markets and from his home. This folk art cod-in-a-coffin, carved from wood and lined with fabric, represents the death of many Newfoundlanders’ livelihood. The fishing ban was declared on July 2, 1992, in an attempt to replenish the distressed levels of North Atlantic cod. Since then, over 40,000 fishers and workers at processing plants in Canada have lost their jobs.
The Canadian province of Newfoundland, like coastal New England in the United States, has a long history of cod fishing. When John Cabot first explored the region in 1497, he reported that cod off the rocky coast of Newfoundland were so plentiful that his crew could scoop up loads of the fish in buckets. Exploration and settlement of the area followed, and, over the course of the next four centuries, the North Atlantic fisheries became major industries that supported a significant number of families and communities in Atlantic Canada and along the New England coast.
In the 20th century, as new technology increased the efficiency of harvesting, the population of cod and other species in the North Atlantic began to decline. Before the 1960s, around 150,000 to 300,000 tons of cod were caught each year. But with the rise of diesel-powered factory trawlers, millions more fish could be hauled in and trawlers from all over the world converged in the productive waters of the North Atlantic. In 1977 foreign trawlers were banned, opening the door for the expansion of Canadian and American fishing fleets. But within a generation, the stocks of cod were depleted to the brink of collapse. The Canadian government reacted by banning cod fishing. The moratorium was extended indefinitely in 1993, giving jobless fishers little hope for a return to their way of life. According to a 2007 study, the North Atlantic cod population was estimated to be at one percent of its 1977 numbers.
date made
1994
date of fishing ban
1992-07-02
foreign trawlers banned
1977
maker
Murphy, Dan
ID Number
1999.0078.01
accession number
1999.0078
catalog number
1999.0078.01
Fans gather around the stage to hear the husband and wife team of Carl and Pearl Butler at the Lone Star Ranch Music Park.Currently not on view
Description
Fans gather around the stage to hear the husband and wife team of Carl and Pearl Butler at the Lone Star Ranch Music Park.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.077
accession number
2003.0169
catalog number
2003.0169.077
Carl and Pearl Butler pose for photographs with fans.Currently not on view
Description
Carl and Pearl Butler pose for photographs with fans.
Location
Currently not on view
negative
1973
print
2003
Associated Name
Butler, Pearl
Butler, Carl
maker
Horenstein, Henry
ID Number
2003.0169.090
accession number
2003.0169
catalog number
2003.0169.090
This pen-and-ink drawing prepared for the Garfield comic strip shows the title character explaining the best things about cats.James Robert "Jim" Davis (1945- ) first worked at an advertising agency before transitioning into comics.
Description (Brief)
This pen-and-ink drawing prepared for the Garfield comic strip shows the title character explaining the best things about cats.
James Robert "Jim" Davis (1945- ) first worked at an advertising agency before transitioning into comics. Beginning in 1969, he assisted Tumbleweeds artist Tom K. Ryan. Davis later created a short-lived strip called Gnorm Gnat, which was only syndicated in one Indiana newspaper. In 1978 he launched Garfield for United Features and created one of the most popular animals in the comic world. Garfield has been represented in books, films, television specials, video games, amusement park attractions, and merchandise. Davis continues to write Garfield today.
Garfield (1978- ) is a comic strip which looks at the life of the title character, a tabby cat, as well as a beagle named Odie, and their owner, Jon Arbuckle. Appearing in newspapers around the world, the strip’s international popularity is the result of non-topical and apolitical humor, and a simple story. The character Garfield is lazy and fat, and usually presents a disdainful attitude towards everything. He is often seen harassing Odie, his happily naïve housemate. Garfield also looks down on his owner, Jon, because of Jon's inability to get a date or benefit from social situations. Dr. Liz Wilson, Garfield’s veterinarian, was introduced in the second year of the strip’s run. She became Jon's romanic interest. In 2006, Jon and Liz began dating and then became engaged.
Location
Currently not on view
date made
1978-06-25
original artist
Davis, Jim
publisher
United Feature Syndicate, Inc.
ID Number
1983.480.01
accession number
1983.0480
catalog number
1983.0480.01
Tootsie's Orchid Lounge offered a place where hopeful musicians could put their demo 45s in the jukebox.Currently not on view
Description
Tootsie's Orchid Lounge offered a place where hopeful musicians could put their demo 45s in the jukebox.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
Horenstein, Henry
ID Number
2003.0169.109
catalog number
2003.0169.109
accession number
2003.0169
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.Currently not on view
Description
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.075
accession number
2003.0169
catalog number
2003.0169.075
The youngest of the three Carter Sisters, Anita began performing with Mother Maybelle and the Carter Family at age four. She performed with her mother and sisters throughout her career, though she found success of her own during the 1950s.
Description
The youngest of the three Carter Sisters, Anita began performing with Mother Maybelle and the Carter Family at age four. She performed with her mother and sisters throughout her career, though she found success of her own during the 1950s. Anita (1933-1999) was the first to record the song "Ring of Fire," written by her sister June (1929-2003). It later became a hit for her brother-in-law Johnny Cash.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.078
accession number
2003.0169
catalog number
2003.0169.078
Maybelle Carter (1909-1978) was an original member of the performing Carter Family. After the breakup of that group in 1943, she formed a new act, known as Mother Maybelle and the Carter Sisters, with daughters Helen (1927-1998) shown here on accordian, June and Anita.
Description
Maybelle Carter (1909-1978) was an original member of the performing Carter Family. After the breakup of that group in 1943, she formed a new act, known as Mother Maybelle and the Carter Sisters, with daughters Helen (1927-1998) shown here on accordian, June and Anita. Maybelle was an influential presence, particularly as the originator of a style of guitar playing emulated by Leadbelly, Woodie Guthrie, and many other musicians.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.079
accession number
2003.0169
catalog number
2003.0169.079
For much of his career, Ernest Tubb, the "Texas Troubadour" was considered the ultimate honky tonk vocalist and stylist. Inspired by Jimmie Rodgers in the 1920s, Tubb sustained a musical career that at times also branched into film and television.
Description
For much of his career, Ernest Tubb, the "Texas Troubadour" was considered the ultimate honky tonk vocalist and stylist. Inspired by Jimmie Rodgers in the 1920s, Tubb sustained a musical career that at times also branched into film and television. No artist toured as much, or for as long as Ernest Tubb, who worked 150 to 200 shows each year between the early 1960s and 1982. No artist was kinder to his fans, and no fans were more loyal to their star. Ernest Tubb had one national fan club with a single president for its entire existence between 1944 and its deactivation in the early 1990s.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.084
accession number
2003.0169
catalog number
2003.0169.084
Many acts in country music were built around brother duos and family members.Currently not on view
Description
Many acts in country music were built around brother duos and family members.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.007
accession number
2003.0169
catalog number
2003.0169.007
Best known for her crossover hit, "Harper Valley PTA," Jeannie C. Riley (b. 1945) is pictured her on her tour bus.Currently not on view
Description
Best known for her crossover hit, "Harper Valley PTA," Jeannie C. Riley (b. 1945) is pictured her on her tour bus.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.033
accession number
2003.0169
catalog number
2003.0169.033
Nationally known by the 1950s, "Stringbean" David Akeman (1915-1973) was a country comedian and exceptional banjo player. He is credited with reviving interest in the banjo in bluegrass and country music.
Description
Nationally known by the 1950s, "Stringbean" David Akeman (1915-1973) was a country comedian and exceptional banjo player. He is credited with reviving interest in the banjo in bluegrass and country music. He made his first banjo from a shoebox and string, and later went on to play with Bill Monroe's Band. Uncle Dave Macon mentioned Stringbean in classic jokes and traditional tunes, and was among the first Opry members to join the cast of Hee Haw. Publicity photographs in the background of this picture include Jean Shepherd, Wilma Lee and Stoney Cooper, Stringbean himself, Bobby Lord, Bill Anderson, Flatt and Scruggs, the Browns, and the Four Guys.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.031
accession number
2003.0169
catalog number
2003.0169.031
Bartender Wanda Lohman, known as "Miss Wanda," worked at Tootsie's Orchid Lounge from 1960 to 1984. The walls of Tootsie's became a kind of community scrapbook. Tootsie, like her patrons, was a fan of country music.
Description
Bartender Wanda Lohman, known as "Miss Wanda," worked at Tootsie's Orchid Lounge from 1960 to 1984. The walls of Tootsie's became a kind of community scrapbook. Tootsie, like her patrons, was a fan of country music. She collected autographs, posters, record albums, and photographs. Patrons, family, and friends contributed their comments and added photos.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.107
catalog number
2003.0169.107
accession number
2003.0169
Often called the "King of Country Music." Roy Acuff had a career that spanned many facets of the music business, as a performer and as the first publisher of country sheet music. His first break came with his recording of "The Great Speckled Bird," in 1936.
Description
Often called the "King of Country Music." Roy Acuff had a career that spanned many facets of the music business, as a performer and as the first publisher of country sheet music. His first break came with his recording of "The Great Speckled Bird," in 1936. In 1937, he became a regular member of the Grand Ole Opry, and his relationship with the Opry and its fans would last the rest of his life.
Location
Currently not on view
negative
1972
print
2003
recording artist
Acuff, Roy
maker
Horenstein, Henry
ID Number
2003.0169.110
catalog number
2003.0169.110
accession number
2003.0169
The program seller, "Black Cat" was a familiar face to many in Nashville.Currently not on view
Description
The program seller, "Black Cat" was a familiar face to many in Nashville.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.059
accession number
2003.0169
catalog number
2003.0169.059
Fred's Lounge was a well-known honky-tonk in the heart of Cajun country. The bar opened at 7 a.m. on Saturday mornings to host the droves of visitors who came to hear the local bands that played from 9 a.m. to 2 p.m.Currently not on view
Description
Fred's Lounge was a well-known honky-tonk in the heart of Cajun country. The bar opened at 7 a.m. on Saturday mornings to host the droves of visitors who came to hear the local bands that played from 9 a.m. to 2 p.m.
Location
Currently not on view
negative
1977
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.039
accession number
2003.0169
catalog number
2003.0169.039
Photographer Henry Horenstein stands with Mother Maybelle Carter for photograph.Currently not on view
Description
Photographer Henry Horenstein stands with Mother Maybelle Carter for photograph.
Location
Currently not on view
negative
1973
print
2003
Associated Name
Horenstein, Henry
Carter, Mother Maybelle
maker
Horenstein, Henry
Rosenburg, Lewis
ID Number
2003.0169.093
accession number
2003.0169
catalog number
2003.0169.093
In the 70's, the margarita surpassed the martini as the most popular American cocktail and salsa surpassed ketchup as the most-used American condiment.
Description
In the 70's, the margarita surpassed the martini as the most popular American cocktail and salsa surpassed ketchup as the most-used American condiment. Today, Mexican cuisine, in all its modified, regionalized, commercialized, and even highly processed varieties, has become as American as apple pie. Mariano Martinez, a young Texas entrepreneur, and his frozen margarita machine were at the crossroads of that revolution. The margarita was first made on the California-Mexican border, and became associated with the service of Mexican food, particularly, with one of its variants, Tex-Mex, a regional cuisine that became popular all across the United States. In 1971, Martinez adapted a soft serve ice cream machine to create the world's first frozen margarita machine for his new Dallas restaurant, Mariano's Mexican Cuisine. With their blenders hard-pressed to produce a consistent mix for the newly popular drink they made from Mariano's father's recipe, his bartenders were in rebellion. Then came inspiration in the form of a Slurpee machine at a 7-Eleven, a machine invented in Dallas in 1960 to make carbonated beverages slushy enough to drink through a straw. The soft-serve ice cream machine that Martinez adapted to serve his special drink was such a success that, according to Martinez, "it brought bars in Tex-Mex restaurants front and center. People came to Mariano's for that frozen margarita out of the machine." Never patented, many versions of the frozen margarita machine subsequently came into the market. After 34 years of blending lime juice, tequila, ice, and sugar for enthusiastic customers, the world's first frozen margarita machine was retired to the Smithsonian.
Description (Spanish)
En la década de 1970 la margarita superó al martini como el cóctel más popular de América, y la salsa aventajó al ketchup como el condimento más usado por los americanos. En la actualidad, la cocina mexicana, en toda su diversidad, regionalismos, comercialización y hasta variedades altamente procesadas, se ha vuelto tan americana como el pastel de manzanas. Mariano Martínez, un joven empresario tejano, y su máquina de margaritas heladas se hallaron en la encrucijada de tal revolución. La margarita tuvo su origen en la frontera entre México y California, y empezó a asociarse en particular con el consumo de la comida mexicana y una de sus variantes, la tex-mex, una cocina regional que se popularizó en todo Estados Unidos. En 1971, Martínez adaptó una máquina de helados para crear la primer máquina de margaritas heladas en el mundo en su nuevo restaurante de Dallas, Mariano's Mexican Cuisine. Bajo la presión de tener que producir una mezcla de calidad uniforme de esta popular bebida sustentada en la receta del padre de Mariano, los barman se hallaban sublevados. Así fue como surgió la inspiración a partir de una máquina que usaba el 7-Eleven para hacer Slurpees, inventada en Dallas en 1960 para elaborar bebidas carbonadas congeladas lo suficientemente derretidas como para beber con pajita. La máquina de helados que adaptó Martínez para servir este cóctel especial tuvo tanto éxito que, según Martínez, "trajo los bares de los restaurantes Tex-Mex a la primera plana. La gente venía a lo de Mariano para beber la margarita helada de la máquina". La máquina nunca fue patentada y surgieron en el mercado numerosas versiones de la máquina de margaritas heladas. Luego de 34 años de mezclar jugo de lima, tequila, hielo y azúcar para sus entusiastas consumidores, la primera máquina en el mundo de hacer margaritas heladas se jubiló en el Smithsonian.
Date made
ca 1970
maker
Sani-Serv
ID Number
2005.0226.01
catalog number
2005.0226.01
accession number
2005.0226
Tootsie [Hattie Louise Tatum Bess, d. 1978] took out her whistle at closing time. If that didn't work to get customers out the door, she used a jeweled hair pin--given to her by singer Charlie Pride--to give them a prod.
Description
Tootsie [Hattie Louise Tatum Bess, d. 1978] took out her whistle at closing time. If that didn't work to get customers out the door, she used a jeweled hair pin--given to her by singer Charlie Pride--to give them a prod. Her contribution to country music has been immortalized in song. "She's Known the greats and nearly greats and some that never made it./If there's a thing of paying dues, well Tootsie's surely paid it. She's got all of their pictures hanging all around./But, what's Tootsie gonna do when they tear the Ryman down?" "What's Tootsie Gonna Do (When They Tear the Ryman Down)" By Bill Sterling and John E. Denny
Location
Currently not on view
negative
1974
print
2003
Associated Name
Bess, "Tootsie" Hattie Louise Tatum
maker
Horenstein, Henry
ID Number
2003.0169.106
catalog number
2003.0169.106
accession number
2003.0169

Our collection database is a work in progress. We may update this record based on further research and review. Learn more about our approach to sharing our collection online.

If you would like to know how you can use content on this page, see the Smithsonian's Terms of Use. If you need to request an image for publication or other use, please visit Rights and Reproductions.