Cultures & Communities

Furniture, cooking wares, clothing, works of art, and many other kinds of artifacts are part of what knit people into communities and cultures. The Museum’s collections feature artifacts from European Americans, Latinos, Arab Americans, Asian Pacific Americans, African Americans, Gypsies, Jews, and Christians, both Catholics and Protestants. The objects range from ceramic face jugs made by enslaved African Americans in South Carolina to graduation robes and wedding gowns. The holdings also include artifacts associated with education, such as teaching equipment, textbooks, and two complete schoolrooms. Uniforms, insignia, and other objects represent a wide variety of civic and voluntary organizations, including youth and fraternal groups, scouting, police forces, and firefighters.

Jean Shepard (b.1933) joined the Grand Ole Opry in 1956. Beginning with her first solo top ten single, "A Satisfied Mind" in 1955, Shepard's pure country voice led to hit after hit.Currently not on view
Description
Jean Shepard (b.1933) joined the Grand Ole Opry in 1956. Beginning with her first solo top ten single, "A Satisfied Mind" in 1955, Shepard's pure country voice led to hit after hit.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.051
accession number
2003.0169
catalog number
2003.0169.051
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass speaking trumpet was used in active duty around the early 19th century. The trumpet has a small inscription that reads “Assistant Foreman, SH&L Co., No.1” The trumpet was used by an assistant foreman of a hook and ladder company. There is a ring attached to the lower section of the trumpet to attach a strap.
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.0832
accession number
2005.0233
catalog number
2005.0233.0832
This postcard view of Santa Barbara Mission was printed by the Van Ornum Colorprint Company (1908-1921) and the M. Kashower Company (1914-1934) in Los Angeles, Calif. using photomechanical processes.
Description (Brief)
This postcard view of Santa Barbara Mission was printed by the Van Ornum Colorprint Company (1908-1921) and the M. Kashower Company (1914-1934) in Los Angeles, Calif. using photomechanical processes. The companies are examples of the many picture postcard publishing firms producing scenic views of California landmarks during this period.
Mission Santa Barbara was founded on December 4th, 1786. The tenth of twenty-one Spanish Franciscan missions founded in California between 1769 and 1823, it was built to convert American Indians of the Chumash tribe to Catholicism.
Today the mission serves as a parish church and includes a museum, a Franciscan friary, or monastery, and a retreat center.
Location
Currently not on view
date made
1908-1921
graphic artist
Van Ornum Colorprint Co.
M. Kashower Co.
ID Number
1986.0639.0498
accession number
1986.0639
catalog number
1986.639.0498
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass presentation speaking trumpet dates to the 19th century. While made to be a presentation trumpet, it bears no engravings and was never used as such. The shaft of the trumpet has a scaled pattern with a floral band at the top and bottom of the shaft. The bell has two engravings of a work helmet surrounded by a garland on opposite sides of the bell, and circular cartouches that are surrounded by crossed hooks, ladders, and fire lamps on opposite sides of the bell. One of the cartouches has an engraving of a steam engine while the other is blank, presumably for a personalized inscription. A braided blue cord is strung through two rings attached to the trumpet’s shaft.
Location
Currently not on view
date made
unknown
ID Number
2005.0233.0899
accession number
2005.0233
catalog number
2005.0233.0899
This postcard view of La Soledad Mission was printed by the Van Ornum Colorprint Company in Los Angeles, Calif.
Description (Brief)
This postcard view of La Soledad Mission was printed by the Van Ornum Colorprint Company in Los Angeles, Calif. using photomechanical processes.
The Van Ornum firm (1908-1921) was one of many picture postcard publishing companies producing California landmark scenes.
Mission Nuestra Señora de la Soledad was founded in 1791. It was the thirteenth of twenty-one Spanish Franciscan missions established in California between 1769 and 1823, and was founded to convert American Indians of the Costanoan, Esselin, and Yokuts tribes to Catholicism.
The mission now serves as a parish church and a museum.
Location
Currently not on view
date made
1908-1921
graphic artist
Van Ornum Colorprint Co.
ID Number
1986.0639.0497
accession number
1986.0639
catalog number
1986.639.0497
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass trumpet was presented to Henry K. Woodruff by the Independence Hose Company of New York in 1862. The trumpet is divided into three sections with two rings that allow for a cord to be attached. The trumpet bears an inscription that reads “Presented by Independence Hose Company, No. 3, New York, to Foreman Henry K. Woodruff 1862.” The Independence Hose Company No. 3 was organized on November 19, 1832. Woodruff was the foreman of the Independence Hose Company from 1862 until the company disbanded in 1865.
Location
Currently not on view
date made
ca 1862
maker
unknown
ID Number
2005.0233.0829
accession number
2005.0233
catalog number
2005.0233.0829
This notebook has a purple plastic cover, nylon spiral binding and is comprised of perforated index cards. The remaining cards are blank. It is easy to make a list or write down a task and tear it out.
Description
This notebook has a purple plastic cover, nylon spiral binding and is comprised of perforated index cards. The remaining cards are blank. It is easy to make a list or write down a task and tear it out. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world. It
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution. The notebook was kept in the pocket of a tool belt.
Location
Currently not on view
ID Number
2005.0276.26
catalog number
2005.0276.26
accession number
2005.0276
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass and tin work trumpet was used by Peter Bugel of the Jackson Engine Company of New York, New York during the 19th century. The trumpet has two raised bands and two rings along the trumpet’s shaft. There is an engraving in the side that reads “Peter Bugel” and the rim of the bell is engraved “Jackson Co. 24.” The Jackson Engine Company was originally organized in 1798 and was reorganized twice before going out of service in 1865.
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.0862
accession number
2005.0233
catalog number
2005.0233.0862
This postcard view of the Old Mission Chapel at Monterey was printed using a copyrighted photolithographic process called "Photostint" by the Detroit Photographic Company in about 1899.The Detroit Photographic Company was first listed in Detroit city directories in 1888 and was m
Description (Brief)
This postcard view of the Old Mission Chapel at Monterey was printed using a copyrighted photolithographic process called "Photostint" by the Detroit Photographic Company in about 1899.
The Detroit Photographic Company was first listed in Detroit city directories in 1888 and was managed by William A. Livingstone. Livingstone invited the famous landscape photographer William Henry Jackson to join the company as a partner in 1897. Jackson brought with him his own photographic images, which would be used by the company.
Mission San Carlos Borroméo de Carmelo, or the Old Mission Chapel, was founded in 1770 by Fr. Junípero Serra, the Spanish Franciscan missionary associated with twenty-one missions in California. Mission San Carlos was the second of the missions founded between 1769 and 1823 for the conversion of American Indians of the Esselen and Ohlone, or Costanoan, tribes to Catholicism.
Today the mission serves as a parish church.
Location
Currently not on view
date made
1899
graphic artist
Detroit Photographic Co.
ID Number
1986.0639.1998
catalog number
1986.639.1998
accession number
1986.0639
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass trumpet dates to the 19th century. The shiny and polished horned is plain and unadorned, but shows scratches and dents from use.
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.0896
accession number
2005.0233
catalog number
2005.0233.0896
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This nickel-plated brass trumpet was used in the United States during the 19th century. The trumpet has three rounded bands around its shaft. A braided red cord with tassels is strung through the two rings protruding from the upper and lower bands of the trumpet.
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.0893
accession number
2005.0233
catalog number
2005.0233.0893
date made
1804
ID Number
CL.65.0978
accession number
256396
catalog number
65.0978
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver plated trumpet was presented to John J. Rowe by the Ossining Hose Company of New York in 1886. The trumpet’s bell has engraved images of a hook and ladder truck, a steam engine, a pair of crossed ladders with fire helmet, and a hose reel vehicle all framed inside an oval cartouche. The trumpet’s center section is decorated with a floral motif overall, with an inscription inside a floral garland frame that reads “Presented to/ John J. Rowe/ by/ Ossining Hose Co/ 1886.” The upper section of the trumpet has an engraving of a crossed ladder and bucket. There are two small fire helmets with rings on the trumpet’s shaft, allowing for a cord to be attached to the trumpet.
Location
Currently not on view
date made
ca 1886
maker
unknown
ID Number
2005.0233.0845
accession number
2005.0233
catalog number
2005.0233.0845
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This nickel plated speaking trumpet was used by the Director of the Excelsior Hose Company during the 19th century. The trumpet has two raised bands around the lower and upper parts of the shaft. There are two decorative eagle heads protruding from the shaft with rings in their beaks that could be strung with a cord to create a strap or handle. There is a shield shaped emblem in the center of the shaft that bears the inscription “Excelsior Hose Co./ Directors/ Horn.”
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.0902
accession number
2005.0233
catalog number
2005.0233.0902
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.Currently not on view
Description
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.075
accession number
2003.0169
catalog number
2003.0169.075
This pencil was grouped with a number of pencils found in the pocket of a tool belt used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
Description
This pencil was grouped with a number of pencils found in the pocket of a tool belt used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world. Carpenter pencils have an two wide flat sides to keep them from rolling. The graphite core is generally wide and flat, making it easy to mark course materials when using the flat side while using the thinner side for precision marks.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
Location
Currently not on view
ID Number
2005.0276.28
catalog number
2005.0276.28
accession number
2005.0276
Law enforcement personnel joined with many other groups to save lives in the wake of Katrina's passage through the Gulf Coast in August 2005.
Description
Law enforcement personnel joined with many other groups to save lives in the wake of Katrina's passage through the Gulf Coast in August 2005. Skills used to apprehend criminals were supplemented by heroic attempts to rescue victims caught up in the swirling waters of the hurricane.
On the night of the hurricane Officer David Waite of the New Orleans Police Department was wearing this bullet-proof vest when he jumped into deep water in a city housing project to save a five-day-old girl. That girl and her family were escaping their housing in an overloaded boat that had just capsized. A nearby police boat witnessed the scene. The girl's mother attempted to lift the baby out of the water, but the infant seat in which she was strapped was too heavy and sank. Waite swam down to it and pulled the seat and baby into his craft. Another officer, Lejon Roberts, administered CPR to the infant as their boat sped to a nearby hospital. The child and her family survived.
Location
Currently not on view
Associated Date
August - September 2005
user
Waite, David J.
referenced
Roberts, LeJon
New Orleans Police Department
ID Number
2006.0066.01
catalog number
2006.0066.01
accession number
2006.0066
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was in use around 1850. The trumpet is not engraved and has a simple shaft divided into three sections. A cord would have been strung through the two rings attached to the trumpet.
Location
Currently not on view
date made
ca 1850
maker
unknown
ID Number
2005.0233.0835
accession number
2005.0233
catalog number
2005.0233.0835
Max Goberman, conductor. side 1: Z'Chartihah [track 1] Debka [track 2]; side 2: Ura Amchah [track 1] Sov V'Vuni [track 2] (Vox 16037), from the album, Palestine Dances (Vox 191).78 rpm.Currently not on view
Description
Max Goberman, conductor. side 1: Z'Chartihah [track 1] Debka [track 2]; side 2: Ura Amchah [track 1] Sov V'Vuni [track 2] (Vox 16037), from the album, Palestine Dances (Vox 191).
78 rpm.
Location
Currently not on view
release date
1947
manufacturer
Vox
ID Number
1988.0384.50
accession number
1988.0384
catalog number
1988.0384.50
maker number
16037
191
191
catalog number
1988.0384.50
The youngest of the three Carter Sisters, Anita began performing with Mother Maybelle and the Carter Family at age four. She performed with her mother and sisters throughout her career, though she found success of her own during the 1950s.
Description
The youngest of the three Carter Sisters, Anita began performing with Mother Maybelle and the Carter Family at age four. She performed with her mother and sisters throughout her career, though she found success of her own during the 1950s. Anita (1933-1999) was the first to record the song "Ring of Fire," written by her sister June (1929-2003). It later became a hit for her brother-in-law Johnny Cash.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.078
accession number
2003.0169
catalog number
2003.0169.078
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This speaking trumpet was presented by the Philadelphia Engine Company No. 18 of Boston to Philadelphia’s Washington Engine Company in 1832. The trumpet is made of brass, with a tin mouthpiece and an upper half sheathed in leather. A purple cord with tassels is attached near the mouthpiece, though it is of a later date than the trumpet itself. The brass trumpet is missing its bell, but the shaft is engraved with the inscription “Presented by the Philadelphia Engine Co. No. 18 of Boston to the Washington Engine Co. of Philadelphia, 1832." The Philadelphia Engine Company was founded in 1825 on Beacon Street, near Boston Common. Soon after this trumpet was made, the company changed its name to Lafayette and eventually disbanded in 1851. The Washington Engine Company was founded in Philadelphia in 1796 and would remain active until the city changed over to a municipal fire department in 1872.
Location
Currently not on view
date made
1832
maker
unknown
ID Number
2005.0233.0821
accession number
2005.0233
catalog number
2005.0233.0821
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was used during the early 19th century. The trumpet’s shaft has three rounded bands around its shaft and two rings that allow a cord to be attached to the trumpet.
Location
Currently not on view
date made
unknown
maker
unknown
ID Number
2005.0233.0865
accession number
2005.0233
catalog number
2005.0233.0865
Scrimshaw was one form of sailors’ art, and cane making was another. This example is made from a series of carefully graduated shark vertebrae threaded over a heavy metal rod, with the biggest vertebrae at the top.
Description
Scrimshaw was one form of sailors’ art, and cane making was another. This example is made from a series of carefully graduated shark vertebrae threaded over a heavy metal rod, with the biggest vertebrae at the top. The ferrule is silver and the handle is made of carved bone in the shape of an inverted letter “L”, with hash marks cut into the surface to prevent slipping. A thin iron or steel ring separates the handle from the highest vertebra. This would have been an extraordinary conversation piece in the hands of an old or handicapped 19th century sailing ship crewman.
Location
Currently not on view
date made
19th century
ID Number
1994.0217.06
catalog number
1994.0217.06
accession number
1994.0217
Between the late 1600s and the Civil War, the rapid growth of the southern plantation economy and a sparse white population led to increasing reliance on the labor of enslaved blacks. Most were agricultural laborers, but a significant number were craftspeople.
Description
Between the late 1600s and the Civil War, the rapid growth of the southern plantation economy and a sparse white population led to increasing reliance on the labor of enslaved blacks. Most were agricultural laborers, but a significant number were craftspeople. Among these skilled slaves were a small number of potters working in the Edgefield District of South Carolina. Anecdotal and archeological evidence has been used to establish that enslaved potters were making face vessels in the Edgefield area before the Civil War.
The origins of the southern face vessel tradition are largely un-documented. Some enslaved black potters in South Carolina certainly began making face vessels in the mid 1800s, possibly inspired by African burial rituals or as charms used in religious ceremonies. The contrasting eyes and teeth on most of the slave-made face vessels are kaolin clay, a key ingredient in the manufacture of porcelain. The Edgefield area of South Carolina was known in the 1700s and 1800s for its rich supply of kaolin.
A number of face vessels have been linked stylistically to enslaved potters at Thomas Davies’ Palmetto Firebrick Works, which operated in the mid-1860s, and Lewis Miles’s Stoney Bluff and Miles Mill potteries operating from about 1837-1894. As late as 1900, ceramics historian Edwin A. Barber felt it was necessary to state that face vessels similar to these were not made in Africa, as was supposed by some collectors, but by African American potters who were enslaved at Edgefield potteries.
This piece, on the left, may have been at Lewis Miles’s pottery and came to the museum in the 1920s after the death of Mary Elizabeth Sinnott, a Washington, DC collector.
date made
mid 1800s
maker
unknown
ID Number
CE.324314
catalog number
324314
accession number
68233

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