Domestic Furnishings - Overview
Washboards, armchairs, lamps, and pots and pans may not seem to be museum pieces. But they are invaluable evidence of how most people lived day to day, last week or three centuries ago. The Museum's collections of domestic furnishings comprise more than 40,000 artifacts from American households. Large and small, they include four houses, roughly 800 pieces of furniture, fireplace equipment, spinning wheels, ceramics and glass, family portraits, and much more.
The Arthur and Edna Greenwood Collection contains more than 2,000 objects from New England households from colonial times to mid-1800s. From kitchens of the past, the collections hold some 3,300 artifacts, ranging from refrigerators to spatulas. The lighting devices alone number roughly 3,000 lamps, candleholders, and lanterns.
"Domestic Furnishings - Overview" showing 7 items.
Stoneware jar
- Description
- David Morgan worked for New York City potter John Crolius Jr., beginning in 1795. In 1798 he temporarily took over Thomas H. Commeraw’s kiln on Cherry Street near Corlear’s Hook in Manhattan. The mark “CORLEARS HOOK” can be found on many of the well-formed jars, jugs and pitchers attributed to Morgan.
- Location
- Currently not on view
- date made
- 1795-1803
- maker
- Morgan, David
- ID Number
- 1977.0803.108
- accession number
- 1977.0803
- catalog number
- 1977.0803.108
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Stoneware jar
- Description
- While this jar is unmarked, it may be one of several in the Museum's collection made by Thomas Commeraw, a free black potter. Thomas Commeraw established his pottery in the Corlears Hook neighborhood of lower Manhattan in 1797, successfully competing with well known stoneware makers from the Crolious and Remmey families.
- Location
- Currently not on view
- date made
- 1797-1819
- maker
- Commeraw, Thomas
- ID Number
- 1977.0803.115
- accession number
- 1977.0803
- catalog number
- 1977.0803.115
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Stoneware butter jar
- Description
- This salt-glazed stoneware butter jar is decorated with hand applied cobalt, and is one of the earliest pieces made at the Athens, New York pottery established in 1805 by Nathan Clark and his brother-in-law, Thomas Howe. Howe died in 1813 leaving Clark to run and expand the company. He established subsidiaries in Kingston, Lyons, Rochester and Mt. Morris, New York between 1813 and 1838. The firm prospered until the end of the 1800s.
- Location
- Currently not on view
- date made
- 1805-1813
- maker
- Clark, Nathan
- Howe, Thomas
- ID Number
- 1977.0803.53
- accession number
- 1977.0803
- catalog number
- 1977.0803.53
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Stoneware jar
- Description
- John William Crolius immigrated to Manhattan from Germany in 1728 and established a successful pottery dynasty. This piece was probably made by Clarkson Crolius Jr., John William’s grandson. The last potter to work in the family business, Clarkson closed the pottery in 1849. This jar is glazed with Albany slip clay which was discovered in the Hudson Valley region about 1830 and soon became a preferred glaze for stoneware vessels.
- Location
- Currently not on view
- date made
- 1835-1849
- maker
- Crolius, Jr., Clarkson
- ID Number
- 1977.0855.1
- accession number
- 1977.0855
- catalog number
- 1977.0855.1
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Stoneware jar
- Description
- The Remmey and Crolius families dominated the New York stoneware industry from the early 1700s through the early 1800s. Both families emigrated from Germany, bringing with them the stoneware traditions of their homeland. Sometimes business associates, the two families also inter-married. Remmey family members went on to establish stoneware factories in Philadelphia and Baltimore, as well.
- Location
- Currently not on view
- date made
- 1795-1830
- maker
- Remmey III, John
- ID Number
- 1980.0614.363
- accession number
- 1980.0614
- catalog number
- 1980.0614.363
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Stoneware jar
- Description
- Floral, bird, and animal motifs were commonly used to decorate 19th century stoneware in the United States. This jar, made by John Remmey III, features an incised and cobalt decorated fish.
- Remmey pottery is often marked “Manhattan-Wells” referring to the firm’s location near the municipal water supply.
- Location
- Currently not on view
- date made
- 1791-ca 1831
- maker
- Remmey III, John
- ID Number
- CE*300894.007
- accession number
- 300894
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Jar Made by "Dave"
- Description
- This large alkaline-glazed stoneware jar was made in 1862 by David Drake, an enslaved black potter working on Lewis Miles’ plantation pottery in the Edgefield District of South Carolina. In a state that outlawed literacy among slaves, Dave defiantly proclaimed his ability to read and write by signing his name and sometimes inscribing poetry on the stoneware vessels he made.
- One of the most distinctive aspects of ante-bellum Edgefield was the presence of a large number of skilled black slaves working as potters. Edgefield was one of only two areas in the United States known to have relied heavily on enslaved labor to manufacture utilitarian stoneware in large-scale potteries. Edgefield potteries furnished the large local plantations with the vessels needed for the preparation and storage of food for the planters and for the thousands of slaves working as agricultural and skilled laborers.
- While some slaves performed unskilled jobs in the potteries—such as digging and preparing clay and loading kilns—most were “turners,” performing the highly skilled work of forming ware on a potter’s wheel. At least 40 enslaved potters and pottery laborers are known to have worked in potteries in Edgefield between about 1815 and 1880. Some scholars believe over a hundred more may some day be identified.
- David Drake is the only enslaved potter known to have signed and dated his work. He was educated by his first owner, stoneware maker and newspaper editor Abner Landrum, and may have worked at Landrum’s newspaper, the Edgefield Hive, as a typesetter. When Landrum left the Edgefield area in 1831, Dave was sold to Lewis Miles, another large-scale pottery owner.
- Dave was a master potter, regularly producing massive storage jars and jugs that required enormous skill and strength. About twenty surviving Dave pieces are inscribed with Dave’s original two line poems—wonderful and sometimes cryptic ruminations on topics as diverse as pots, love, money, spirituality, life as a slave, and the afterlife. The poems reflect Dave’s intelligence, creativity, and wit.
- The poem on this jar, “I made this jar all of cross, If you don[’]t repent you will be lost,” may be a reference to the Bible, Acts 2: 14-42, Peter’s speech at Pentecost in the temple of Herod at Jerusalem. This jar, the last known poem piece, emphasizes the importance of religion and the afterlife in the daily life of many slaves. John Michael Vlach highlights this jar in The Afro-American Tradition in Decorative Arts, conjecturing that its “highly poignant verse” reflects "Dave’s combined feelings about slavery and religion.” On the obverse side, the jar is inscribed “May 3, 1862/ LM Dave.”
- date made
- 1862-05-03
- maker
- Dave
- ID Number
- 1996.0344.01
- catalog number
- 1996.0344.01
- accession number
- 1996.0344
- Data Source
- National Museum of American History, Kenneth E. Behring Center