Domestic Furnishings

Washboards, armchairs, lamps, and pots and pans may not seem to be museum pieces. But they are invaluable evidence of how most people lived day to day, last week or three centuries ago. The Museum's collections of domestic furnishings comprise more than 40,000 artifacts from American households. Large and small, they include four houses, roughly 800 pieces of furniture, fireplace equipment, spinning wheels, ceramics and glass, family portraits, and much more.

The Arthur and Edna Greenwood Collection contains more than 2,000 objects from New England households from colonial times to mid-1800s. From kitchens of the past, the collections hold some 3,300 artifacts, ranging from refrigerators to spatulas. The lighting devices alone number roughly 3,000 lamps, candleholders, and lanterns.

Currently not on view
Location
Currently not on view
Date made
1770 - 1800
ID Number
1984.0242.05
accession number
1984.0242
catalog number
1984.0242.05
Bulging, circular body with plain rim, flat bottom and open-ended, tapered tubular handle fitted over and double-riveted through an integrally cast extension; white enameled interior.
Description
Bulging, circular body with plain rim, flat bottom and open-ended, tapered tubular handle fitted over and double-riveted through an integrally cast extension; white enameled interior. Hollow cast with seam around middle and single gate mark at center of bottom underside; cast-in marks "MARIETTA PA / M [H & E C\o]" and "8 QTS" in incuse sans serif letters at perimeter on underside and "EJ(?)" in raised letters to left of handle. Low-domed cover has an arched strap handle and two beads or fillets; soft-soldered construction.
Location
Currently not on view
date made
ca 1900
ID Number
DL.64.0938
catalog number
64.0938
accession number
253789
Scissor-type snuffers on three ball feet.
Description
Scissor-type snuffers on three ball feet. Opposed, broken C-scroll handles with equal-size oval finger loops are joined by a bullseye pivot; spear-point lower blade has an attached clipped-corner rectangular box engraved "DH" in flecked script on top, while upper blade has a conforming vertical tab that fits inside box. Struck once inside box "CARREL" in raised roman letters in a rectangle. Part of snuffers and tray, DL*383487-DL*383488.
date made
ca 1795
ID Number
DL.383487
catalog number
383487
accession number
162866
Currently not on view
Location
Currently not on view
date made
1770 - 1800
ID Number
1986.0027.24
catalog number
62.0133
1986.0027.24
accession number
1986.0027
Currently not on view
Location
Currently not on view
date made
1760 - 1820
ID Number
DL.388273F
catalog number
388273F
accession number
182022
date made
1760 - 1780
ID Number
1990.0455.03
catalog number
1990.0455.03
accession number
1990.0455
catalog number
1990.455.3
Mary Dickson Watson, quilted and corded the pink silk crepe pillow cover to match a baby carriage cover (1989.0268.02) that she made for her granddaughter, Mary Dickson Wilson, born in 1900. The quilting in the center quatrefoil depicts two rabbits with a butterfly and flowers.
Description
Mary Dickson Watson, quilted and corded the pink silk crepe pillow cover to match a baby carriage cover (1989.0268.02) that she made for her granddaughter, Mary Dickson Wilson, born in 1900. The quilting in the center quatrefoil depicts two rabbits with a butterfly and flowers. Each corner has a square outlined by corded quilting containing a flower.
Mary Way Dickson was born about 1840. She married Alexander Watson in 1859. Their daughter, Mary Dickson Watson, was born about 1865 in Pittsburgh, Pennsylvania. She married Adam Wilson in 1897 and it was for their daughter, Mary Dickson Wilson, that the pillow and carriage cover were made. In the 1900 census, Mary Dickson Watson, was living with them in Pittsburgh, Pennsylvania. The recipient of the silk carriage and pillow cover later married Joseph Phipps. The items remained in the family until they were donated to the Collection in 1989.
Location
Currently not on view
date made
1900
maker
Watson, Mary Way Dickson
ID Number
1989.0268.03
catalog number
1989.0268.03
accession number
1989.0268
An intriguing note came with this framed medallion quilt when it was donated: “The Quaker Quilt. Phil.
Description
An intriguing note came with this framed medallion quilt when it was donated: “The Quaker Quilt. Phil. ca 1840 made for wedding of bride of early Philadelphia Quaker Abolitionist of pieces from the gowns of her trousseau.” Unfortunately there is no indication of the quilt maker or ownership.
The focus of the 41-inch central square, “Star of Bethlehem,” is set off by a 5-inch octagonal border. Additional pieced and plain borders frame this variation of a medallion-style quilt. The beige, tan, brown, rust, and light grey silks and satins utilized for the pattern would be typical of the Quaker esthetic and period. The quilt is lined with roller printed cottons and filled with wool. It is quilted with a variety of geometric patterns (grid, diagonal, chevron, and parallel lines), feathered and flowering vines in the borders, and a spray of flowers in the corner squares. This quilt is a precisely designed example of Quaker quilts in the mid-19th century.
Location
Currently not on view
date made
1835-1845
maker
unknown
ID Number
TE.E388880
accession number
182022
catalog number
E388880
Over 5,000 hexagonally shaped patches of plain and printed cottons were used to create the quilt. It is outline-quilted at 10 stitches per inch. It was quilted on a frame made by Emma’s grandfather in 1833.
Description
Over 5,000 hexagonally shaped patches of plain and printed cottons were used to create the quilt. It is outline-quilted at 10 stitches per inch. It was quilted on a frame made by Emma’s grandfather in 1833. The frame was used in the family until it was donated with the quilt in 1988.
Emma Mundorff’s grandfather, Philip Snyder, was born in Bavaria, Germany, in 1801. He and his wife, Maria, immigrated to the U.S. in 1832 and settled near Gettysburg, Pennsylvania. Granddaughter Emma Culp was born in 1869. Her family farm, “Culp’s Hill,” is part of Gettysburg Battlefield history. She married Jacob Mundorff (1863-1915) in 1886.
Emma made quilts for herself, her four children, and eight grandchildren. Her masterpiece, “Flower Garden,” was made in 1949 when she was 80 years old.
Location
Currently not on view
date made
1949
maker
Mundorff, Emma Culp
ID Number
1988.0123.01
catalog number
1988.0123.01
accession number
1988.0123
Currently not on view
Location
Currently not on view
date made
ca 1950
Date made
DELETE
maker
Oneida Ltd.
ID Number
1987.0492.1D
catalog number
1987.0492.1D
accession number
1987.0492
Colored lithographic print commemorating the death of Robert Emmet, for leading an 1803 uprising in Dublin. The Goddess of Liberty stands on a tomb holding the hearts of murdered patriots in her hand.
Description (Brief)
Colored lithographic print commemorating the death of Robert Emmet, for leading an 1803 uprising in Dublin. The Goddess of Liberty stands on a tomb holding the hearts of murdered patriots in her hand. To the right is the Figure of Death attacking Lord Norbury, the judge who sentenced Emmet for High Treason. The Scales of Justice lie broken by his side. To the left of the tomb is a representation of the Maid of Erin weeping over murdered Innocence (two children). Beneath the image is the text of Robert Emmet's speech delivered at trial.
Location
Currently not on view
date made
n.d.
depicted
Emmet, Robert
publisher; distributor
Smith, William
depicted
Norbury, Lord
maker
Schnabel & Finkeldey
ID Number
DL.60.2412
catalog number
60.2412
accession number
228146
Black and white print of a team of three horses and a driver pulling a barge along a canal. The rear horse is mounted.Currently not on view
Description (Brief)
Black and white print of a team of three horses and a driver pulling a barge along a canal. The rear horse is mounted.
Location
Currently not on view
Date made
n.d.
maker
Kollner, August
ID Number
DL.60.2999
catalog number
60.2999
accession number
228146
Color print of a large gathering of soldiers and Indians. A dirt road seperates the soldiers, seated in five rows, from a large circle of Indians. More Indians are seated and standing in the foreground and soldiers guard tents on the left.Currently not on view
Description (Brief)
Color print of a large gathering of soldiers and Indians. A dirt road seperates the soldiers, seated in five rows, from a large circle of Indians. More Indians are seated and standing in the foreground and soldiers guard tents on the left.
Location
Currently not on view
Date made
n.d.
1823-09
After 1823-09
maker
Lehman & Duval
ID Number
DL.60.3515
catalog number
60.3515
Colored print of two men in a boat amongst reeds and lily pads. One stands in the front of the boat firing at a bird, the other stands at the rear, poling.Currently not on view
Description (Brief)
Colored print of two men in a boat amongst reeds and lily pads. One stands in the front of the boat firing at a bird, the other stands at the rear, poling.
Location
Currently not on view
date made
1866
maker
Sinclair, Thomas
ID Number
DL.60.2797
catalog number
60.2797
accession number
228146
Small cooking pot on three, triangular feet with a flared lip, bulbous body and wire bail handle looped around triangular lugs or ears.
Description
Small cooking pot on three, triangular feet with a flared lip, bulbous body and wire bail handle looped around triangular lugs or ears. Hollow cast with four irregularly-spaced fillets, one around rim and three around body, the lowest one is a horizontal seam; two vertical seams on upper half and single gate mark on bottom exterior. No additional marks.
Location
Currently not on view
date made
1780-1850
late 18th-early 19th century
ID Number
DL.317836.0005
catalog number
317836.0005
accession number
317836
Basin-bowl porringer with beaded rim and flat bottom with foot ring; integrally cast Pennsylvania-type solid tab handle without bracket is stamped "[H?] H" in incuse serif letters on front flanking a large pierced hole at top center. No other marks.Currently not on view
Description
Basin-bowl porringer with beaded rim and flat bottom with foot ring; integrally cast Pennsylvania-type solid tab handle without bracket is stamped "[H?] H" in incuse serif letters on front flanking a large pierced hole at top center. No other marks.
Location
Currently not on view
date made
ca 1780 - 1800
ID Number
1986.0027.88
catalog number
1986.0027.88
accession number
1986.0027
Currently not on view
Location
Currently not on view
date made
ca 1850
maker
Bailey and Company
ID Number
DL.65.1437C
catalog number
65.1437C
accession number
70138
This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals.
Description (Brief)
This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
This unbound lithographic plate depicts a hand-colored image of a brown hare with mottled markings crouched among low grasses.
Location
Currently not on view
date made
1848
artist
Audubon, John Woodhouse
printer
Bowen, John T.
publisher
Audubon, John James
ID Number
DL.60.2742
catalog number
60.2742
accession number
228146
Full-size patent model (U.S. Patent No. 50,123) of a hot water- or sand-heated foot warmer or stove, made by Hermann Hock and Jacob Zilz of Philadelphia, PA, and patented on September 26, 1865.
Description
Full-size patent model (U.S. Patent No. 50,123) of a hot water- or sand-heated foot warmer or stove, made by Hermann Hock and Jacob Zilz of Philadelphia, PA, and patented on September 26, 1865. Consists of a wooden box with a red velvet-upholstered, hinged lid that contains a removable tinplate container or reservoir with brass ring-handled plug for the heat source. Off-white wool-lined interior. Rectangular silver plaque mounted below spring latch is engraved "H. Hock & J. Zilz / Phil\a." in script surrounded by flourishes.
This patent model is the protoype for foot warmer DL*311658.
Location
Currently not on view
patent date
1865-09-26
inventor
Hock, Hermann
Zilz, Jacob
ID Number
DL.251770
catalog number
251770
patent number
50,123
accession number
48890
Currently not on view
Location
Currently not on view
date made
1825 - 1850
ID Number
DL.312536.0001
catalog number
312536.0001
accession number
312536
Currently not on view
Location
Currently not on view
date made
1915
maker
Macbeth-Evans Glass Company
ID Number
CE.903
catalog number
903
accession number
58571
Black and white print of a trotting horse (Whalebone) pulling a sulky and driver.
Description (Brief)
Black and white print of a trotting horse (Whalebone) pulling a sulky and driver. Inscription beneath image gives details of the horse's breeding and record.
Description
A black and white print of a light horse with dark mane pulling a road sulky and jockey on flat stretch of ground in the open country. The jockey wears a heavily padded suit and a cap tied under his chin. The horse’s equipment includes blinders, a bit, and a harness with attachments for draft poles of sulky.
Whalebone was foaled in New York in 1821, bred by General Coles of Long Island through Bishops Hambletonian and a descendant of Coffins Messenger. He stood out from the other trotters of his day because he focused on stamina instead of speed. In 1827, Whalebone was able to trot 15 miles in 58 minutes and, in 1831, trotted 32 miles in an hour and 58 minutes. He and Top Gallant were hailed as the greatest trotters and rivals of their day. In addition, Whalebone had only one eye.
Kennedy and Lucas was a lithography firm based in Philadelphia from 1829-1835. This firm illustrated work for the “Floral Magazine and Botanical Repository” as well as other contemporary works. David Kennedy and William Lucas were the firm’s partners though the firm itself was listed as a looking glass store, where they retailed prints, mirrors, and frames. Kennedy and Lucas was possibly the first commercial lithographic establishment in the city of Philadelphia.
Location
Currently not on view
Date made
n.d.
maker
Kennedy & Lucas
artist
Hillman, Richard S.
ID Number
DL.60.3564
catalog number
60.3564
Currently not on view
Location
Currently not on view
date made
est. 1899
1915
ID Number
CE.918
catalog number
918
accession number
58571
Raised bulbous or bellied cann or mug inscribed on front "A. M. Kirkland / to / W. H. Day" in engraved script. Applied reeded molding on the flared rim, rounded bottom, and cast flared circular foot.
Description
Raised bulbous or bellied cann or mug inscribed on front "A. M. Kirkland / to / W. H. Day" in engraved script. Applied reeded molding on the flared rim, rounded bottom, and cast flared circular foot. Hollow, double C-scroll handle has a scrolled acanthus leaf on top and a split scroll lower terminal; short oval struts and attachments. Bottom underside struck at center "C.Wiltberger" in raised roman letters in a conforming surround. No centerpoint. One of two canns, DL*60.3903A-B.
Maker is Christian Wiltberger (1766-1851) of Philadelphia, PA; working by 1793 (when partnership with Samuel Alexander dissolved) until 1817.
Location
Currently not on view
date made
ca 1795
ID Number
DL.60.3903A
catalog number
60.3903A
accession number
226997

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