Domestic Furnishings

Tiffany Floor Lamp

Washboards, armchairs, lamps, and pots and pans may not seem to be museum pieces. But they are invaluable evidence of how most people lived day to day, last week or three centuries ago. The Museum's collections of domestic furnishings comprise more than 40,000 artifacts from American households. Large and small, they include four houses, roughly 800 pieces of furniture, fireplace equipment, spinning wheels, ceramics and glass, family portraits, and much more.

The Arthur and Edna Greenwood Collection contains more than 2,000 objects from New England households from colonial times to mid-1800s. From kitchens of the past, the collections hold some 3,300 artifacts, ranging from refrigerators to spatulas. The lighting devices alone number roughly 3,000 lamps, candleholders, and lanterns.

Resource Type: Paperweights

New England Glass Company Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The New England Glass Company in Cambridge, Massachusetts was founded about 1818 by Deming Jarves along with three wealthy businessmen, and probably began producing paperweights by the mid 1850s. In 1888 the business moved to Ohio, under the name Libbey Glass Company.
This paperweight, featuring a large, blown apple sitting on a wafer base, was made by the New England Glass Company.
Location
Currently not on view
date made
1852-1880
maker
New England Glass Company
ID Number
CE.66.13
catalog number
66.13
collector/donor number
169
accession number
268356

paperweight

Currently not on view
Location
Currently not on view
date made
1875
maker
Union Porcelain Works
ID Number
CE.75.114
accession number
317832
catalog number
75.114

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
Pink and green, green and white, and yellow rose canes, and a “C” signature cane over a latticinio (latticework) ground decorate this Clichy glass paperweight.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.66.11
catalog number
66.11
collector/donor number
176
accession number
268356

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
A central bouquet consisting of a Pansy and Clematis is surrounded by a garland of unusual canes on this St. Louis glass paperweight.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.66.26
catalog number
66.26
accession number
268356
collector/donor number
47

Whitall, Tatum and Company Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Whitall, Tatum & Company of Millville, New Jersey was formed in 1901 and employed first rate craftsmen who created outstanding paperweights.
Michael Kane at Whitall, Tatum and Company likely made this frit work (fusing powdered glass to create an image) paperweight, bearing an image of an American eagle and a flag shield. The barely legible initials “F.O.E” may indicate that this was made as a souvenir for the Fraternal Order of Eagles, a men’s organization founded in 1898.
Location
Currently not on view
date made
ca 1900
maker
Whitall Tatum Company
ID Number
CE.60.140
catalog number
60.140
accession number
211475

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
Concentric millefiori are surrounded by a blue and white torsade (twisted ribbon) in this St. Louis paperweight. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.67.221
catalog number
67.221
accession number
213138

Glass Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
A pink, dimensional flower with large green leaves float over the base of this sixteen-rayed star- cut paperweight. The maker is unknown, though it was likely made somewhere in Europe.
Location
Currently not on view
date made
1800s
maker
unknown
ID Number
CE.65.471
catalog number
65.471
accession number
264964
collector/donor number
102

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
This faceted Clichy paperweight features concentric millefiori surrounding a central white and red Rose cane, and turquoise and white staves (flattened rods). Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1870
maker
Clichy
ID Number
CE.66.33
catalog number
66.33
accession number
268356
collector/donor number
70

Whitall, Tatum and Company Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Whitall, Tatum & Company of Millville, New Jersey was formed in 1901 and employed first rate craftsmen who created outstanding paperweights.
This Whitall, Tatum and Company clear glass paperweight features a three-masted white frit clipper ship. Frit work is the act of fusing powdered glass to create an image or scene, as in the paper-thin ship in this paperweight.
date made
ca 1900
maker
Whitall, Tatum and Company
ID Number
CE.60.104
catalog number
60.104
accession number
211475

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This St. Louis paperweight features white, red, and green turnips on a latticinio (latticework) ground.
Location
Currently not on view
date made
mid 1800s
maker
St. Louis
ID Number
CE.66.28
catalog number
66.28
accession number
268356
collector/donor number
14

Baccarat Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Baccarat, was originally founded as the Verrerie Renaut in 1764, by request of the Bishop of Metz to the King of France, Louis XV. After the French Revolution, the company was re-named Verrerie de Baccarat. Peak production of Baccarat paperweights was between 1846 and1855.
A bright green snake is coiled on a white “muslin” ground in this Baccarat paperweight.
Location
Currently not on view
date made
1845-1850
maker
Baccarat
ID Number
CE.67.243
catalog number
67.243
accession number
213138

Paperweight

Figural paperweight featuring the bust of the Goddess of Liberty atop a column emblazoned with a legible, minute copy of the Declaration of Independence, complete with facsimiles of the signatures and framed by branches of laurel and oak leaves.
Description
Figural paperweight featuring the bust of the Goddess of Liberty atop a column emblazoned with a legible, minute copy of the Declaration of Independence, complete with facsimiles of the signatures and framed by branches of laurel and oak leaves. Square pedestal base bears symbols of science, art, agriculture, and commerce at the four corners of its cap, while the Landing of the Pilgrims (right), Signing of the Declaration of Independence (back), Battle of Bunker Hill (left), and (on the front) a business advertisement for "JAMES W. TUFTS / BOSTON MASS." are on its sides. Components are held together with internal rod secured with nut on bottom.
Location
Currently not on view
date made
ca 1876
patent date
1876-02-22
ID Number
1987.0262.1
accession number
1987.0262
catalog number
1987.262.1

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
Closely packed millefiori with six red, green, and white twists, a flower silhouette, and a depiction of a dancing couple, radiate from a central cane in this rare St. Louis glass paperweight. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1870
maker
St. Louis
ID Number
CE.60.32
catalog number
60.32
accession number
211475

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
Pentagon-shaped rows of millefiori, are imbedded in an opaque white ground in this Clichy paperweight. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.60.25
catalog number
60.25
accession number
211475

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
St. Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This rare paperweight is decorated with two strawberries and a flower on a latticinio (latticework) background.
Location
Currently not on view
date made
1845-1850
maker
St. Louis
ID Number
CE.60.118
catalog number
60.118
accession number
211475

Bacchus & Sons Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
George Bacchus and Sons began making millefiori paperweights in Birmingham, England in the 1840s. Relatively few Bacchus paperweights are known today. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Like most Bacchus and Sons paperweights, this example features closely packed concentric millefiori . Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
mid 1800s
maker
Bacchus & Sons
ID Number
CE.67.239
catalog number
67.239
accession number
213138

Footed Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
This glass footed paperweight features silhouette canes and stands on a star-cut base with thirty two rays, and was likely made in Bohemia.
There may have been as many as 600 active glassworks in Bohemia, the area now known primarily as the Czech Republic, by 1835. The earliest evidence of paperweights made in the area dates to 1886. Bohemian paperweights are known for their bright colors.
Location
Currently not on view
date made
1800s
maker
unknown
ID Number
CE.65.462
catalog number
65.462
accession number
264964
collector/donor number
78

New England Glass Company Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The New England Glass Company in Cambridge, Massachusetts was founded about 1818 by Deming Jarves along with three wealthy businessmen, and probably began producing paperweights by the mid 1850s. In 1888 the business moved to Ohio, under the name Libbey Glass Company.
This New England Glass Company paperweight feature an three cane flower on an irregular white latticinio (latticework) basket ground, and blue canes with a running dog silhouette in white.
Location
Currently not on view
date made
1852-1878
maker
New England Glass Company
ID Number
CE.60.122 [dup1]
catalog number
60.122
accession number
211475

Whitall, Tatum and Company Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Whitall, Tatum & Company of Millville, New Jersey was formed in 1901 and employed first rate craftsmen who created outstanding paperweights.
This Whitall, Tatum and Company paperweight features a red Rose and a pedestal base. This style of Rose is attributed to glassworker Ralph Barber.
Location
Currently not on view
date made
ca 1900
maker
Whitall, Tatum and Company
ID Number
CE.67.230
catalog number
67.230
accession number
213138

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
Interlacing multi-colored garlands on a deep cobalt blue background decorate this faceted Clichy glass paperweight.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.66.20
catalog number
66.20
collector/donor number
126
accession number
268356

St. Louis Sulphide Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
This St. Louis paperweight is known as a “sulphide,” meaning it contains a porcelain cameo—in this case an American eagle. The eagle is surrounded by concentric millefiori, in which colored glass canes are placed in rings around a center cane, including one date cane marked “1847.” Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1847
maker
St. Louis
ID Number
CE.65.480
catalog number
65.480
accession number
264964
collector/donor number
32

St. Louis Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
Glass production at Saint Louis was authorized by Louis XV in 1767. By 1782 the firm was creating high quality glass crystal, progressing into pressed glass in the 1800s. St. Louis produced paperweights from 1845 to about 1867.
The design on this marbrie-type paperweight centers around a millefiori cane with typical St. Louis blue and white sections in a quartered marble pattern of outward extending red and green spaced loops. Millefiore paperweights, first manufactured in Venice, consist of sections from rods of colored glass encased in a clear, colorless sphere. By the mid-nineteenth century, glass factories elsewhere in Europe were emulating the millefiore style.
Location
Currently not on view
date made
1845-1870
maker
St. Louis
ID Number
CE.60.36
catalog number
60.36
accession number
211475

Clichy Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The French firm, Verrerie de Clichy, began operation after merging with another local glassworks in 1837. The height of paperweight production at the firm was 1846 to 1857.
A large white and green Rose is surrounded by interlacing swags of canes on a bright red ground on this large Clichy paperweight.
Location
Currently not on view
date made
1845-1850
maker
Clichy
ID Number
CE.65.472
catalog number
65.472
accession number
264964
collector/donor number
110

New England Glass Company Paperweight

In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter.
Description (Brief)
In the 1700s, paperweights made from textured stone or bronze were part of the writer’s tool kit, which also included a quill pen and stand, inkpot, and blotter. By the mid-1800s, decorative paperweights produced by glassmakers in Europe and the United States became highly desired collectibles.
Decorative glass paperweights reflected the 19th-century taste for intricate, over-the-top designs. Until the spread of textiles colorized with synthetic dyes, ceramics and glass were among the few objects that added brilliant color to a 19th-century Victorian interior. The popularity of these paperweights in the 1800s testifies to the sustained cultural interest in hand craftsmanship during an age of rapid industrialization.
The New England Glass Company in Cambridge, Massachusetts was founded about 1818 by Deming Jarves along with three wealthy businessmen, and probably began producing paperweights by the mid 1850s. In 1888 the business moved to Ohio, under the name Libbey Glass Company.
An upright Dahlia in blue, orange, and yellow above a white latticinio (latticework) ground decorates this New England Glass Company paperweight.
date made
1852-1880
maker
New England Glass Company
ID Number
CE.60.119
catalog number
60.119
accession number
211475

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