Domestic Furnishings

Washboards, armchairs, lamps, and pots and pans may not seem to be museum pieces. But they are invaluable evidence of how most people lived day to day, last week or three centuries ago. The Museum's collections of domestic furnishings comprise more than 40,000 artifacts from American households. Large and small, they include four houses, roughly 800 pieces of furniture, fireplace equipment, spinning wheels, ceramics and glass, family portraits, and much more.

The Arthur and Edna Greenwood Collection contains more than 2,000 objects from New England households from colonial times to mid-1800s. From kitchens of the past, the collections hold some 3,300 artifacts, ranging from refrigerators to spatulas. The lighting devices alone number roughly 3,000 lamps, candleholders, and lanterns.

Circular tray with an everted, lobed rim and flat well decorated overall on obverse with flat-chased and stamped geometric and floral designs, beginning with an eight-petaled medallion at center encompassed by a diaper-patterned square bordered by stylized hammer or planishing ma
Description
Circular tray with an everted, lobed rim and flat well decorated overall on obverse with flat-chased and stamped geometric and floral designs, beginning with an eight-petaled medallion at center encompassed by a diaper-patterned square bordered by stylized hammer or planishing marks, semicircular rosettes, five-petaled fowers in scrolls, and a zigzag band. Textured reverse. No foot ring. Appears to have had a two-tone finish originally. Well underside struck incuse with "JAMES W. TUFTS / BOSTON / WARRANTED / QUADRUPLE PLATE" arranged in a circle around a "T" at center of a four-pointed star, and "2343".
Location
Currently not on view
date made
ca 1875 - 1915
ID Number
DL.289214.0001
catalog number
289214.0001
accession number
289214
Oversized, raised bulbous or bellied cann or mug engraved "JNB" on front in conjoined foliate script. Applied molded rim, rounded bottom, and cast stepped circular foot.
Description
Oversized, raised bulbous or bellied cann or mug engraved "JNB" on front in conjoined foliate script. Applied molded rim, rounded bottom, and cast stepped circular foot. Hollow, double C-scroll handle has a scrolled acanthus leaf on top, an upper terminal with conical strut at rim and a lower termin with flared strut and oval attachment. Struck once to left of handle below rim on exterior "W•H" in raised serif letters in a rounded-corner rectangle. No centerpoint.
Maker is William Homes Jr. (1742-1823) of Boston, MA; Homes Jr. apprenticed with his father, William Homes Sr., and became proprietor of his shop on Ann St. in 1763. Homes Sr. was the nephew of Benjamin Franklin.
Location
Currently not on view
date made
ca 1785
ID Number
DL.383523
catalog number
383523
accession number
162866
Raised shallow circular bowl with bulging sides, rounded bottom, and everted rim with applied molding, under which two, flat, hourglass-shaped handles are attached on opposite sides.
Description
Raised shallow circular bowl with bulging sides, rounded bottom, and everted rim with applied molding, under which two, flat, hourglass-shaped handles are attached on opposite sides. Bowl is scored with a pair of lines and pierced on its bottom with small holes arranged into a radiating six-petal flower design. Struck once on end face of one handle "W.BURT" in raised serif letters in a rounded-corner rectangle.
Maker is William Burt (1726-1751) of Boston, MA; son of John Burt (1692/3-1746) and brother of Samuel (1724-1754) and Benjamin (1729-1805), all silversmiths.
Location
Currently not on view
date made
1747-1751
ID Number
DL.383484
catalog number
383484
accession number
162866
Raised, double-bellied, baluster- or pear-shaped teapot with a domed and flared, hinged lid topped by a cast urn knop on a tall, flared pedestal base with circular foot; one side of body has an empty, wheelwork engraved, pointed-oval reserve with scrolls above and bowknot below.
Description
Raised, double-bellied, baluster- or pear-shaped teapot with a domed and flared, hinged lid topped by a cast urn knop on a tall, flared pedestal base with circular foot; one side of body has an empty, wheelwork engraved, pointed-oval reserve with scrolls above and bowknot below. Applied beading at rim of lid and outside edge of foot, and graduated beads on sides of cast, S-curve spout. Spurred, S-curve handle is pinned into a curved, cylindrical upper socket and scroll-ended lower socket with a diamond- or lozenge-shaped plate. Hole in body at spout. Outside of foot is struck twice "REVERE" in raised serif letters in a rectangle, both partial. Centerpunch on bottom underside.
The attribution of this teapot to Paul Revere, Jr. (1702/3-1758) is questionable.
Location
Currently not on view
date made
ca 1785
silversmith
Revere, Paul
ID Number
DL.383564
catalog number
383564
accession number
162866
The maker of this tankard is Samuel Minott (1732-1803) of Boston, MA. Minott was a well-known and successful silversmith who probably apprenticed with William Holmes of Boston.
Description
The maker of this tankard is Samuel Minott (1732-1803) of Boston, MA. Minott was a well-known and successful silversmith who probably apprenticed with William Holmes of Boston. He worked as a silversmith in the Boston area, specifically in Charlestown from 1753 to 1776, partnered from 1765 to 1769 with Josiah Austin and with William Simkins in 1770. He also sold groceries and luxury items such as tea and pottery such as Delft. Minott was a Tory, prompting his arrest and confiscation of his property by the Massachusetts Council in 1776. He was not forced to relocate though and was able to reopen his business in Boston by 1786 and then became a goldsmith by 1789, and remained in business until 1803.
The tankard has a raised stepped-and-domed lid topped by a cast acorn finial and straight tapered sides with applied moldings around rim, midbody and base; body is engraved on front "HD" in conjoined foliate script inside an oval reserve framed by C scrolls, diaper patterning, and trailing pendants of flowers at sides and below. Edge of lid fits over rim of body. Cast S-curve, grooved scroll thumbpiece attaches to five-knuckle hinge with pendant drop. Hollow, D-section, S-curve handle has a domed oval terminal with large oval attachment. Bottom underside inscribed "Richard Derby to E:S Haskit Derby / 1763", above "John Derby / George Derby 1831. / Roger Derby. 1874" in engraved script by two different hands. Struck once on rim exterior to left of handle and on bottom underside above centerpoint "Minott" in raised italic serif letters in a rectangle.
Location
Currently not on view
date made
1763
bequest
Michael, Arthur
maker
Minott, Samuel
ID Number
DL.383545
catalog number
383545
accession number
162866
Ball-and-spear or "steeple-top" andiron with hexagonal pedestal on circular base atop spurred cabriole legs ending in creased snake feet on platforms; brass strip on top of billet bar extends to matching log-stop (missing).
Description
Ball-and-spear or "steeple-top" andiron with hexagonal pedestal on circular base atop spurred cabriole legs ending in creased snake feet on platforms; brass strip on top of billet bar extends to matching log-stop (missing). Two-part upright, both parts hollow cast and vertically seamed . Hollow-cast legs are unfinished on back. All parts held together by an internal iron rod threaded at top and peened at bottom. Brass strip stamped incuse at end behind log-stop "J. DAVIS / BOSTON" in serif letters. One of a pair, 1978.0939.250-.251.
Location
Currently not on view
date made
1803 - 1828
ID Number
1978.0939.251
catalog number
1978.0939.251
accession number
1978.0939
This object is a sugar tong bearing the mark of Paul Revere’s silver shop. It is in bow form with tapering arms and acorn-shaped hollow tips.
Description
This object is a sugar tong bearing the mark of Paul Revere’s silver shop. It is in bow form with tapering arms and acorn-shaped hollow tips. Wriggle work lines are etched into the outside border of the arms and bow, a cross-hatch pattern enclosing dots is on the cap of the acorn-shaped tips and wriggle work and a bright-cut eclipse enclosing an engraved crest is on the bow.
Paul Revere Jr. trained with his father, Paul Revere Sr., in the silversmith trade. After his father’s death in 1754, the shop passed over to Revere Jr. It was a large and active shop where all manner of items were made or repaired. Revere also ran a very diverse business providing various services as well importing goods from overseas. In the post-war period, he greatly expanded his business services and brought his son into the business with him.
date made
1792
maker
Revere, Paul
ID Number
DL.60.2211
catalog number
60.2211
accession number
131186
Currently not on view
Location
Currently not on view
date made
ca 1750
maker
Edwards, Samuel
ID Number
DL.383509
catalog number
383509
accession number
162866
Dinner knife. Straight steel blade with rounded tip and “yankee” style bolster. Blade and bolster are one piece of steel with tang, fitted into an ivory block handle with rounded sides and butt. Tang is held in place with a steel pin. Metal is pitted, scratched, and discolored.
Description
Dinner knife. Straight steel blade with rounded tip and “yankee” style bolster. Blade and bolster are one piece of steel with tang, fitted into an ivory block handle with rounded sides and butt. Tang is held in place with a steel pin. Metal is pitted, scratched, and discolored. Ivory is yellowed, crazed, and has several cracks.
Blade is stamped: “HASSAM BROTHERS/BOSTON”
The Hassam Brother (Kingman & Hassam) were retailers active circa 1853-1872 in Boston, Massachusetts.
Location
Currently not on view
date made
1853- 1872
ID Number
1986.0531.071
accession number
1986.0531
catalog number
1986.0531.071
Bowl-shaped porringer with bulging sides, angled rim, and boss bottom with flat gutter; cast handle is pierced in a keyhole pattern with 11 voids and engraved on front "NPR / to / NRP" in conjoined foliate script letters facing out.
Description
Bowl-shaped porringer with bulging sides, angled rim, and boss bottom with flat gutter; cast handle is pierced in a keyhole pattern with 11 voids and engraved on front "NPR / to / NRP" in conjoined foliate script letters facing out. Struck once on back of handle "MOULTON" in incuse serif letters with traces of surround. Centerpoint on bottom inside and underside. No weight engraved.
Maker is either Joseph Moulton III (1744-1816) of Newburyport, MA, or his son, Ebenezer Noyes Moulton (1768-1824), working in Boston, MA, circa 1789-1820, and Newburyport, circa 1820-1824; without a first initial on the "MOULTON" stamp, uncertainty exists as to whether one or both used it. Father and son are part of large family of Newburyport silversmiths than spanned several generations, including Joseph III's father William Moulton III (1720-circa 1793) and uncle Joseph Moulton II (1724-1795), as well as Joseph III's four sons, Ebenezer, William IV (1772-1861), Enoch (1780-1820), and Abel (1784-1840), and one grandson, Joseph IV (1814-1903).
Location
Currently not on view
date made
ca 1800
ID Number
DL.313983.0001
catalog number
313983.0001
accession number
313983
Decorative, rounded horizontal rectangular tray with shallow curved sides and flat well ornamented in low relief with the half-man, half-beast figure of Raijin, the Japanese god of storms, thunder, and lightning, as he leaps amidst clouds and waves to strike his sticks at nine dr
Description
Decorative, rounded horizontal rectangular tray with shallow curved sides and flat well ornamented in low relief with the half-man, half-beast figure of Raijin, the Japanese god of storms, thunder, and lightning, as he leaps amidst clouds and waves to strike his sticks at nine drums swirling about his head. Cast iron; the entire piece electroplated in copper, then the ribbons in silver and the drums, his sticks, headband and drapery in gold, followed by black and verde antique finishes in imitation of patinated shakudō. Small hanging hole pierced at upper right. No foot ring. No marks.
Location
Currently not on view
date made
1885
maker
Magee Furnace Company
ID Number
DL.093490
catalog number
93490
accession number
16161
Raised circular bowl on short flared circular base with four ball feet; engraved on one side with a wreath of oak leaves and acorns above the inscription "Com. O.H.PERRY / CONQUERED the ENEMY, on LAKE ERIE, / Septem. 10\th/.
Description
Raised circular bowl on short flared circular base with four ball feet; engraved on one side with a wreath of oak leaves and acorns above the inscription "Com. O.H.PERRY / CONQUERED the ENEMY, on LAKE ERIE, / Septem. 10\th/. 1813.", and on the other "PRESENTED / by the Citizens of / BOSTON." Die-rolled band of roses at rim above stepped-ogee top portion of the round lower body. Gadrooning at edge of base. Underside of rounded bottom struck "Churchill & / Treadwell" in raised roman letters in a rectangle below centerpoint; "16,,6" scratched upside-down below maker's mark. Rim slightly bent or warped on one side. Few dents at bottom of bowl. One foot reattached. Part of tea and coffee service, 1985.0121.01-.07.
Maker is Jesse Churchill (1773-1819) and Daniel Treadwell (1791-1872) of Boston, MA; dates in partnership given as 1805-1813.and 1809-1819.
Location
Currently not on view
date made
1813-1814
ID Number
1985.0121.06
catalog number
1985.0121.06
accession number
1985.0121
Raised ovoid sauceboat with rounded sides and narrow pouring lip on a raised oval flared or trumpet-shaped pedestal with slightly tapered base; opposite sides of body are engraved "JSB" in conjoined foliate script and "AAB" in flecked script. Triple-reeded band at rim.
Description
Raised ovoid sauceboat with rounded sides and narrow pouring lip on a raised oval flared or trumpet-shaped pedestal with slightly tapered base; opposite sides of body are engraved "JSB" in conjoined foliate script and "AAB" in flecked script. Triple-reeded band at rim. High-loop, C-curve, reeded and tapered strap handle has pendant drop and bead at upper terminal. Body struck once to left of handle "BBURT" in raised serif letters in a rectangle. No centerpunch or other marks on underside of body or base.
Location
Currently not on view
date made
ca 1795
ID Number
DL.383476
catalog number
383476
accession number
162866
Old English type ladle with an attached horizontal oval bowl and downturned handle with midrib on back and "JJ TCC" engraved in conjoined foliate script on front; no shoulders. Swage-formed point facing up on bottom back of handle.
Description
Old English type ladle with an attached horizontal oval bowl and downturned handle with midrib on back and "JJ TCC" engraved in conjoined foliate script on front; no shoulders. Swage-formed point facing up on bottom back of handle. Back of handle struck twice "EMERY" in raised serif letters in shaped surround.
Attributed to Stephen Emery (1749-1801) of Boston, MA; working, circa 1775-1800. However, his mark includes his initial "S". The stamp on this ladle's handle has its left end (with initial) cut off. Stephen's son, Thomas Knox Emery (1784-1815), working 1802-1815, was also a silversmith and had an identically shaped mark with his initial "T". Perhaps Thomas removed his father's initial and used the altered stamp early in his career before having his own made.
Location
Currently not on view
date made
ca 1800
ID Number
DL.383511
catalog number
383511
accession number
162866
Circular, shallow, clear cranberry, blown bowl or dish with pinched rim and white enamel and gilt decoration that rests inside a two-handled circular frame on four splayed legs with scrolled brackets and flat shell feet.
Description
Circular, shallow, clear cranberry, blown bowl or dish with pinched rim and white enamel and gilt decoration that rests inside a two-handled circular frame on four splayed legs with scrolled brackets and flat shell feet. Bowl interior is painted with a child in Victorian dress standing in profile facing right surrounded by clusters of flowers. Frame has cast leaves and a pair of flying doves on rosette-decorated blocks applied to its curved wire handles, and a die-rolled band of overlapping arches encircling its lower edge. Small circular disc affixed inside of frame is struck with two incuse marks, "JAMES W. TUFTS / BOSTON / WARRANTED / QUADRUPLE PLATE" arranged in a circle around a "T" at center of a four-pointed star, and "2268".
Frame manufacturer is James W. Tufts (1835-1902) of Charlestown and Boston, MA. Tufts was an apothecary store apprentice who went on to open his own chain of drugstores in Massachusetts. His interest in sodas sold at his stores led him to invent and patent the Artic soda fountain in 1863 and he served as the first president of the Artic Soda Fountain Co. (later merged into the American Soda Fountain Co.). He diversified his business by manufacturing soda fountain equipment and, beginning in 1875, a variety of silverplated wares (not all were soda-related). He retired to North Carolina in 1895, where he worked with Frederick Law Olmstead to develop the town of Pinehurst. The silverplating business continued under his name until around 1915.
Location
Currently not on view
Date made
ca 1875-1891
ID Number
1994.0145.06
catalog number
1994.0145.06
accession number
1994.0145
Ball-and-spear or "steeple-top" andiron with cylindrical pedestal and base on spurred cabriole legs ending in creased snake feet on platforms; brass strip on top of billet bar extends to matching log-stop. Two-part upright, both parts hollow cast and vertically seamed.
Description
Ball-and-spear or "steeple-top" andiron with cylindrical pedestal and base on spurred cabriole legs ending in creased snake feet on platforms; brass strip on top of billet bar extends to matching log-stop. Two-part upright, both parts hollow cast and vertically seamed. Hollow-cast legs are unfinished on back. All parts held together by an internal iron rod threaded at top and peened at bottom. Brass strip stamped behind log-stop "B. EDMANDS / CHARLESTOWN" in incuse serif letters. One of a pair, 1979.0262.01-.02.
Location
Currently not on view
date made
ca 1799 - 1811
ID Number
1979.0262.01
catalog number
1979.0262.01
accession number
1979.0262
Single-reeded circular plate with flat well scored once near booge; no foot ring. Tombstone-shaped eagle touchmark of Thomas Badger above partial secondary mark of "[B]OSTON" in raised serif letters in a rectangular scrolled reserve on underside of well.
Description
Single-reeded circular plate with flat well scored once near booge; no foot ring. Tombstone-shaped eagle touchmark of Thomas Badger above partial secondary mark of "[B]OSTON" in raised serif letters in a rectangular scrolled reserve on underside of well. One of three plates, DL*388308A-C; A-B are identical, C is slightly smaller in size and exhibits more wear.
Maker is Thomas Badger (1764-1826) of Boston, MA; working 1787-1815.
Location
Currently not on view
date made
1787 - 1815
ID Number
DL.388308A
catalog number
388308A
accession number
182022
This 1850 print offers a defense of slavery in America by satirically comparing it with a perceived system of “wage slavery” in England.
Description
This 1850 print offers a defense of slavery in America by satirically comparing it with a perceived system of “wage slavery” in England. In the top panel, two Northern men and two Southern men look upon a group of seemingly content slaves who are shown dancing, playing music, and smiling. The Northerners are surprised at this scene, amazed to find that popular assumptions at home about slavery were unfounded. The Southerners hope that the Northerners will return home with a new perspective on slavery, but demonstrate their readiness to fight for their rights if necessary. The lower panel shows a gathering of people outside of a cloth factory in England. On the side of the factory, a sign reads, “Sale / A Wife to be Sold.” On the left, a young farmer talks to his childhood friend, who appears as an old man. The older figure explains that life in a British factory producing cloth ages one more quickly, and that the workers die of old age at 40. To their right, a mother looks down upon her three children, lamenting “What wretched slaves, this factory life makes me & my children. Continuing right, two factory workers contemplate running away to the coal mines, where they would only work for 14 hours instead of their current 17. On the far right, two rotund men, a priest and a tax collector, approach the workers with books labeled “Tythes” and “Taxes.” In the right corner, a man thanks God that he will soon die and be free of his “factory slavery.” Below the panels is included a portrait of the bust of George Thompson, a Scottish abolitionist. An accompanying quote from Thompson reads, “I am proud to boast that Slavery does not breathe in England,” although the creators of this print would argue otherwise. It was printed by British born John Haven ( born ca 1817), who was active in New York City at 3 Broad Street 1846-1848. He then moved to 86 State Street, Boston where he was active 1848-1850. He is known for designing maps as well as for prints on Manifest Destiny and prints with political commentary.
Location
Currently not on view
Date made
1850
depicted
Thompson, George
maker
Haven, Joshua P.
ID Number
DL.60.3490
catalog number
60.3490
This black and white allegorical print depicts the course of destruction through drinking. A train with its engine labeled "Distillery" is stopped at "Drunkard's Curve Station".
Description
This black and white allegorical print depicts the course of destruction through drinking. A train with its engine labeled "Distillery" is stopped at "Drunkard's Curve Station". The train is leaving a tranquil valley and heading toward doom with skeletons and snakes in the background. The print has a considerable amount of descriptive and interpretive text.
This print was created by the artist Emil F. Ackermann, who was born in Dresden, Germany in 1840 and came to the United States in 1848. Ackermann eventually went to work for the lithography firm of J.H. Bufford and Sons, which produced the lithograph in the 1860s.
It was issued by the Massachusetts Temperance Alliance and published by Reverend Steadman Wright Hanks in his book The Crystal River Turned Upon the Black Valley Railroad and Black Valley Country -- A Temperance Allegory (also known as The Black Valley: The Railroad and the Country). Hanks called the print "probably the most successful temperance lecture in the country." Stedman Wright Hanks (1811-1889) was a Congregational minister in Lowell, Massachusetts, as well as an author, artist, and fervent supporter of both the temperance and anti-slavery movements. Hanks spoke to audiences around the United States about the evils of overindulging in alcohol. In addition to his book about the Black Valley Railroad, his published works included Sailor Boys, or, Light on the Seaand Mutineers of the "Bounty and compiled a temperance song book and served as a representative in the Massachusetts General Court. He is also noted for performing the sermon commemorating John Quincy Adams death at the St. John Street Congregational Church.
This print was produced by J. Mayer and Company. Julius Mayer was a lithographer in Boston from 1857-1872. He was associated with Prang & Mayer (1857-1860), Mayer & Stetfield (1861-1862), and J. Mayer & Co. (1863-1872). His prints included scenes of Boston and Portland, Maine.
Location
Currently not on view
Date made
1863
copyright holder
Hanks, S. W.
artist; engraver
Ackermann, Emil
lithographer
J. Mayer and Company
ID Number
DL.60.2890
catalog number
60.2890
accession number
228146
Color print of a dark brown trotting horse pulling a sulky and driver. White picket fence in background.A color print of a dark brown stallion pulling a sulky and driver on a race track. The equipment is streamlined and colorful.
Description (Brief)
Color print of a dark brown trotting horse pulling a sulky and driver. White picket fence in background.
Description
A color print of a dark brown stallion pulling a sulky and driver on a race track. The equipment is streamlined and colorful. The driver wears a maroon jacket, white shirt, purple pants, a blue cap and yellow gloves. The track is enclosed by a white picket fence.
Ben Morrill was foaled in 1868 from Winthrop Morrill and the Harrison Ames Mare in Winthrop, Maine. He was owned by T.B. Williams. His career ran from 1872-79. Ben Morrill never reached the level of the Grand Circuit horses, but he was well loved throughout New England and Canada and a particular favorite in Boston. On October 29, 1874 Ben Morrill, driven by J.J. Bowen, won two out of nine heats at Prospect Park Fairgrounds in a race for trotters that had never raced under 2:30. Ben Morrill sired seven trotters that reached the under 2:30 achievement.
Haskell and Allen’s most memorable productions were their horse prints. A Boston based publisher of lithographs, the firm seems to have issued more large folio images than small. Haskell began as a print seller with Haskell and Ripley (1868) but in 1869 he began a partnership with George Allen. In 1873 they moved to 61 Hanover St in Boston where they prospered for a few years. They went bankrupt in 1878.
Location
Currently not on view
Date made
1875
maker
Haskell & Allen
artist
Howe, E.R.
original artist
Leighton, Scott
ID Number
DL.60.3538
catalog number
60.3538
Black & white print; half length portrait of a man (Lord Byron) seated, with his chin on his hand and his elbow resting on manuscripts.Currently not on view
Description (Brief)
Black & white print; half length portrait of a man (Lord Byron) seated, with his chin on his hand and his elbow resting on manuscripts.
Location
Currently not on view
Date made
ca 1830
depicted
Byron, George Gordon
maker
Pendleton's Lithography
artist
Peale, Rembrandt
ID Number
DL.60.3157
catalog number
60.3157
accession number
228146
Packard’s improvement in “Cooking Utensils,” her only patented invention, included a new design for a frying pan using rounded recesses to keep eggs in place on the pan while cooking.Currently not on view
Description (Brief)
Packard’s improvement in “Cooking Utensils,” her only patented invention, included a new design for a frying pan using rounded recesses to keep eggs in place on the pan while cooking.
Location
Currently not on view
date made
1870
patent date
1870-10-18
inventor
Packard, Elizabeth L.
ID Number
DL.65.0339
catalog number
65.0339
patent number
108,385
accession number
249602
This hand-colored allegorical print depicts the course of destruction through drinking in a series of symbols.
Description
This hand-colored allegorical print depicts the course of destruction through drinking in a series of symbols. A train labeled "Alcohol" is stopped at "Drunkard's Curve Station." It has left a tranquil valley and is heading toward doom in a land of evil serpents (as in Eden), skeletons, a vampire bat, and what appears to be a dangerous route to destruction, with fictional station names like "Horrorland," "Maniacville", "Prisonton" and “Woeland." The train runs on grain alcohol with the piston working in a decanter. Numerous travelers who can no longer pay the fare are lying abandoned, sick or passed out along the side of the tracks, while others appear to be looking for ways to escape. Station names bear a cautionary tale of scriptural citations along the left and right borders and below the image is a considerable amount of interpretive text.
This print was created by the artist Emil F. Ackermann, who was born in Dresden, Germany in 1840 and came to the United States in 1848. Ackermann eventually went to work for the lithography firm of J.H. Bufford and Sons, which produced the lithograph in the 1860s. It was issued by the Massachusetts Temperance Alliance and published by S.W. Hanks in his book The Crystal River Turned Upon the Black Valley Railroad and Black Valley Country -- A Temperance Allegory (also known as The Black Valley: The Railroad and the Country). Hanks called the print "probably the most successful temperance lecture in the country." Stedman Wright Hanks (1811-1889) was a Congregational minister in Lowell, Massachusetts, as well as an author, artist, and fervent supporter of both the temperance and anti-slavery movements. Hanks spoke to audiences around the United States about the evils of overindulging in alcohol. In addition to his book about the Black Valley Railroad, his published works included Sailor Boys, or, Light on the Sea and Mutineers of the "Bounty and compiled a temperance song book and served as a representative in the Massachusetts General Court. He is also noted for performing the sermon commemorating John Quincy Adams deathat the St. John Street Congregational Church.
John H. Bufford (1810-1870) started his career in 1835 in New York, working for George Endicott and Nathaniel Currier. In 1840 he moved back to Boston and started his own lithography company. His sons decided to follow their father into the lithography business, and in 1858 John Bufford Jr. (1841-1893) and Frank Gale Bufford (1837-1912) partnered with their father to form the J.H. Bufford & Sons lithography firm. After John H. Bufford's death in 1870 his two sons continued to operate the family firm and changed the name to Bufford Sons.
Location
Currently not on view
Date made
ca 1863
date made
ca. 1863
copyright holder
Hanks, S. W.
maker
J. H. Bufford and Sons
ID Number
DL.60.2891
catalog number
60.2891
accession number
228146
The tub takes its name from its form in the shape of a hat. The patient sat either on the bath’s ledge or on a chair outside the tub with his or her feet and legs in the center of the basin.
Description
The tub takes its name from its form in the shape of a hat. The patient sat either on the bath’s ledge or on a chair outside the tub with his or her feet and legs in the center of the basin. The Dover Stamping Company, a tinware firm in Boston, Massachusetts, listed this form as such in their 1869 catalog. The spout for emptying the bath water is beneath the ledge.
We know of Nathaniel Waterman, the tub’s maker, through his membership in the Massachusetts Charitable Mechanics Association and his listings in the Boston City Directories at 85 Cornhill Street from 1842 to 1846. He learned the tinsmith trade at a young age and his firm, the Waterman Kitchen and House Furnishing Wareroom, existed in Boston for over forty years. According to accounts, his store was a “veritable museum of all conceivable household necessities and conveniences.”*
For more information on bathing and bathtubs in the 19th and early 20th centuries, please see the introduction to this online exhibition.
*Massachusetts Charitable Mechanic Association. Annals of the Massachusetts Charitable Mechanic Association, 1795–1892. (Boston: Press of Rockwell and Churchill, 1892): p. 100.
Location
Currently not on view
date made
1840 - 1846
maker
Waterman, Nathaniel
ID Number
DL.68.0724
catalog number
68.0724
accession number
275377

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