Family & Social Life

Donations to the Museum have preserved irreplaceable evidence about generations of ordinary Americans. Objects from the Copp household of Stonington, Connecticut, include many items used by a single family from 1740 to 1850. Other donations have brought treasured family artifacts from jewelry to prom gowns. These gifts and many others are all part of the Museum's family and social life collections.

Children's books and Sunday school lessons, tea sets and family portraits also mark the connections between members of a family and between families and the larger society. Prints, advertisements, and artifacts offer nostalgic or idealized images of family life and society in times past. And the collections include a few modern conveniences that have had profound effects on American families and social life, such as televisions, video games, and personal computers.

This original artwork, for pages 2, 4, 5, 9, 15, and 20, was used for the book Come Play House written by Edith Osswald with illustrations by Eloise Wilkin.
Description (Brief)

This original artwork, for pages 2, 4, 5, 9, 15, and 20, was used for the book Come Play House written by Edith Osswald with illustrations by Eloise Wilkin. This book was published by Simon and Schuster in New York, New York, in 1948.

A Graduate of the Rochester Institute of Technology, Eloise Wilkin (1904-1987) studied illustration. In her early years she worked as a freelance artist in New York City, illustrating schoolbooks for children learning to read, paper dolls and puzzles. She was married and raising a family in upstate New York when she started working from home creating illustrations for Little Golden Books in 1946. A prolific illustrator, Wilkin's work is easily identifiable for her adorable images of children with round faces and rosy pink cheeks. It is reported that she modeled her characters on her own family members and friends. Her beautifully detailed settings and backgrounds demonstrate her meticulous research and attention to detail. Her depiction of the idyllic home and family life reflected the post war optimism of the 1950s. She worked for Little Golden Books until 1984 and continued to design dolls for Vogue and Madame Alexander.

A stalwart Catholic, Wilkins was much attuned to the awakening social conscious of the 1960s. In 1964, the National Urban League, headed up by Whitney Young, brought attention to what he considered a fundamental omission on the part of the juvenile publishing world who he accused of racial stereotyping. Indeed, there were no children of color depicted in this vast category of books, but Eleanor Wilkin was one of the first illustrators to include an integrated classroom in We Like Kindergarten.

Location
Currently not on view
Date made
1948
maker
Wilkin, Eloise Burns
ID Number
1992.0634.070.14
accession number
1992.0634
catalog number
1992.0634.070.14
Ira Wertman, a farmer in Andreas, Pennsylvania, raised fruits and vegetables and peddled them with this truck to retired coal miners near Allentown. He also used the truck to take produce to market and haul supplies from town to the farm.
Description
Ira Wertman, a farmer in Andreas, Pennsylvania, raised fruits and vegetables and peddled them with this truck to retired coal miners near Allentown. He also used the truck to take produce to market and haul supplies from town to the farm. Pickup trucks have been versatile aids to a wide range of agricultural, personal, and business activities. Early pickup trucks were modified automobiles, but postwar models were larger, more powerful, and able to carry heavier loads. Some postwar pickups were used in building suburban communities. Others were used for recreational purposes such as camping, hunting, and fishing. By the 1990s, many people purchased pickups for everyday driving.
date made
1949
maker
General Motors Corporation
ID Number
1999.0057.01
accession number
1999.0057
catalog number
1999.0057.01
All-American Glee Club. side 1: Rambling Wreck From Georgia Tech (track 1) Hail to Georgia (track 2) Cavalier Song/Virginia, Hail, All Hail (track 3); side 2: Carolina's Day (track 1) Hark!
Description
All-American Glee Club. side 1: Rambling Wreck From Georgia Tech (track 1) Hail to Georgia (track 2) Cavalier Song/Virginia, Hail, All Hail (track 3); side 2: Carolina's Day (track 1) Hark! The Sound of Tarheel Voice/Here Comes Carolina (track 2) (Victor 26684), from the album, College Songs, Vol. 3 - Southern (Victor P 34).
78 rpm.
Location
Currently not on view
recording date
1940
manufacturer
Victor
ID Number
1988.0384.25
accession number
1988.0384
maker number
26684
catalog number
1988.0384.25
Bob Crosby and his Orchestra. side 1: Ec-Stacy; side 2: Chain Gang (Decca DU 40145).78 rpm.Currently not on view
Description (Brief)
Bob Crosby and his Orchestra. side 1: Ec-Stacy; side 2: Chain Gang (Decca DU 40145).
78 rpm.
Location
Currently not on view
recording date
1942
recording artist
Bob Crosby and his Orchestra
manufacturer
Decca
ID Number
1978.0670.213
accession number
1978.0670
catalog number
1978.0670.213
maker number
DU 40145
Johnny's Machines written by Helen Palmer with illustrations by Cornelius De Witt, and published by Simon & Schuster in New York, New York, in 1949, reprint 1950.Cornelius De Witt (1905-1956) was born in Germany but spent most of his life in and around New York.
Description (Brief)

Johnny's Machines written by Helen Palmer with illustrations by Cornelius De Witt, and published by Simon & Schuster in New York, New York, in 1949, reprint 1950.

Cornelius De Witt (1905-1956) was born in Germany but spent most of his life in and around New York. De Witt worked successfully in several mediums including printmaking, painting and illustration. De Witt‘s realistic style of drawing created distinctly visual images and in turn children found the books easy to read and comprehend. He was best known for his Golden book on the human body.

Location
Currently not on view
Date made
1949
author
Palmer, Helen
illustrator
Dawitt, Cornelius
publisher
Simon and Schuster
maker
Simon and Schuster
ID Number
1990.0375.05
accession number
1990.0375
catalog number
1990.0375.05
Come Play House written by Edith Osswald with illustrations by Eloise Wilkin. This book was published by Simon and Schuster in New York, New York, in 1948, reprinted 1949.A Graduate of the Rochester Institute of Technology, Eloise Wilkin (1904-1987) studied illustration.
Description (Brief)

Come Play House written by Edith Osswald with illustrations by Eloise Wilkin. This book was published by Simon and Schuster in New York, New York, in 1948, reprinted 1949.

A Graduate of the Rochester Institute of Technology, Eloise Wilkin (1904-1987) studied illustration. In her early years she worked as a freelance artist in New York City, illustrating schoolbooks for children learning to read, paper dolls and puzzles. She was married and raising a family in upstate New York when she started working from home creating illustrations for Little Golden Books in 1946. A prolific illustrator, Wilkin's work is easily identifiable for her adorable images of children with round faces and rosy pink cheeks. It is reported that she modeled her characters on her own family members and friends. Her beautifully detailed settings and backgrounds demonstrate her meticulous research and attention to detail. Her depiction of the idyllic home and family life reflected the post war optimism of the 1950s. She worked for Little Golden Books until 1984 and continued to design dolls for Vogue and Madame Alexander.

A stalwart Catholic, Wilkins was much attuned to the awakening social conscious of the 1960s. In 1964, the National Urban League, headed up by Whitney Young, brought attention to what he considered a fundamental omission on the part of the juvenile publishing world who he accused of racial stereotyping. Indeed, there were no children of color depicted in this vast category of books, but Eleanor Wilkin was one of the first illustrators to include an integrated classroom in We Like Kindergarten.

Location
Currently not on view
Date made
1948
author
Osswald, Edith
illustrator
Wilkin, Eloise Burns
maker
Simon and Schuster
ID Number
1990.0375.04
accession number
1990.0375
catalog number
1990.0375.04
Duke Ellington and his Famous Orchestra. side 1: Drop Me Off at Harlem; side 2: Merry-Go-Round (Columbia 35837), from the album, Hot Jazz Classics - Duke Ellington (Columbia C-38).78 rpm. Side 1 was originally recorded in 1933 and released on Brunswick 6527.
Description
Duke Ellington and his Famous Orchestra. side 1: Drop Me Off at Harlem; side 2: Merry-Go-Round (Columbia 35837), from the album, Hot Jazz Classics - Duke Ellington (Columbia C-38).
78 rpm. Side 1 was originally recorded in 1933 and released on Brunswick 6527. Side 2 was dubbed from the original 1933 recording. The album was released in 1940.
Location
Currently not on view
recording date
1933
release date
1940
recording artist
Duke Ellington and his Famous Orchestra
manufacturer
Columbia
ID Number
1978.0670.490
maker number
35837
C-38
accession number
1978.0670
catalog number
1978.0670.490
Bunny Berigan and his Blue Boys. side 1: You Took Advantage of Me; side 2: Chicken and Waffles (Decca 18117), from the album, Gemsof Jazz, Vol. 2 (Decca A-201).78 rpm. Both tracks were recorded in 1935. This album was released in 1941.Currently not on view
Description
Bunny Berigan and his Blue Boys. side 1: You Took Advantage of Me; side 2: Chicken and Waffles (Decca 18117), from the album, Gemsof Jazz, Vol. 2 (Decca A-201).
78 rpm. Both tracks were recorded in 1935. This album was released in 1941.
Location
Currently not on view
recording date
1935
release date
1941
recording artist
Bunny Berigan and his Blue Boys
manufacturer
Decca
ID Number
1978.0670.548
accession number
1978.0670
maker number
18117
A-201
catalog number
1978.0670.548
side 1: Lyn Murray and his Orchestra with Audrey Marsh. I'm Wishing; side 2: Lyn Murray and his Orchestra with Harrison Knox. One Song (Decca 23328), from the album, Snow White and the Seven Dwarfs (Decca A-368).78 rpm.Currently not on view
Description
side 1: Lyn Murray and his Orchestra with Audrey Marsh. I'm Wishing; side 2: Lyn Murray and his Orchestra with Harrison Knox. One Song (Decca 23328), from the album, Snow White and the Seven Dwarfs (Decca A-368).
78 rpm.
Location
Currently not on view
recording date
1944
recording artist
Lyn Murray and his Orchestra
Marsh, Audrey
Knox, Harrison
manufacturer
Decca
ID Number
1979.1023.116
accession number
1979.1023
maker number
23328
A-368
catalog number
1979.1023.116
Doc Evans Ensemble. side 1: Fidgety Feet; side 2: Clarinet Marmalade (Disc 6071), from the album, Doc Evans' Dixieland Five (Disc).78 rpm.Album cover illustration was by David Stone Martin (born David Livingstone Martin, 1913-1992).
Description

Doc Evans Ensemble. side 1: Fidgety Feet; side 2: Clarinet Marmalade (Disc 6071), from the album, Doc Evans' Dixieland Five (Disc).
78 rpm.

Album cover illustration was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Location
Currently not on view
recording date
1947
recording artist
Doc Evans Ensemble
artist
Martin, David Stone
manufacturer
Disc
ID Number
1978.0670.603
accession number
1978.0670
maker number
6071
catalog number
1978.0670.603
Sharky Bonano and his Kings Of Dixieland. side 1: Milenberg Joys; side 2: I Like Bananas (Because They Have No Bones) (Dixieland D-1002).78 rpm.Currently not on view
Description (Brief)
Sharky Bonano and his Kings Of Dixieland. side 1: Milenberg Joys; side 2: I Like Bananas (Because They Have No Bones) (Dixieland D-1002).
78 rpm.
Location
Currently not on view
recording date
1949
recording artist
Sharkey Bonano and his Kings of Dixieland
manufacturer
Dixieland
ID Number
1978.0670.241
maker number
D-1002
accession number
1978.0670
catalog number
1978.0670.141
side 1: Joe Sullivan Quartet. Panama; side 2: Joe Sullivan. The Chimes (Disc 6004), from the album, Joe Sullivan Quartet (Disc 701).78 rpm.Album cover illustration was by David Stone Martin (born David Livingstone Martin, 1913-1992).
Description

side 1: Joe Sullivan Quartet. Panama; side 2: Joe Sullivan. The Chimes (Disc 6004), from the album, Joe Sullivan Quartet (Disc 701).
78 rpm.

Album cover illustration was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Location
Currently not on view
recording date
1945
recording artist
Sullivan, Joe
Joe Sullivan Quartet
artist
Martin, David Stone
manufacturer
Disc
ID Number
1978.0670.600
accession number
1978.0670
maker number
6004
701
catalog number
1978.0670.600
side 1: The Baby Dodds Trio. Albert's Blues; side 2: Don Ewell and Baby Dodds.
Description

side 1: The Baby Dodds Trio. Albert's Blues; side 2: Don Ewell and Baby Dodds. Manhattan Stomp (Circle J-1002) from the album, A Session With Baby Dodds (Circle S-17).
78 rpm.

Album design was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

Location
Currently not on view
recording date
1946
recording artist
Baby Dodds Trio
Dodds, Baby
Ewell, Don
manufacturer
Circle
ID Number
1978.0670.473
maker number
J-1002
S-17
accession number
1978.0670
catalog number
1978.0670.473
Teddy Wilson. side 1: I Can't Get Started; side 2: I Know That You Know (Columbia 36633), from the album, Teddy Willson and His Piano (Columbia C-93).78 rpm. Both tracks were recorded in 1941. This album was released in 1942.Currently not on view
Description
Teddy Wilson. side 1: I Can't Get Started; side 2: I Know That You Know (Columbia 36633), from the album, Teddy Willson and His Piano (Columbia C-93).
78 rpm. Both tracks were recorded in 1941. This album was released in 1942.
Location
Currently not on view
recording date
1941
release date
1942
recording artist
Wilson, Teddy
manufacturer
Columbia
ID Number
1978.0670.511
maker number
36633
C-93
accession number
1978.0670
catalog number
1978.0670.511
Sophie Tucker. side 1: You've Got to Be Loved to Be Healthy; side 2: The Older They Get the Younger They Want 'Em (Decca 23420), from the album, Sophie Tucker (Decca A-396).78 rpm. Both tracks were recorded in 1944. This album was released in 1945.Currently not on view
Description
Sophie Tucker. side 1: You've Got to Be Loved to Be Healthy; side 2: The Older They Get the Younger They Want 'Em (Decca 23420), from the album, Sophie Tucker (Decca A-396).
78 rpm. Both tracks were recorded in 1944. This album was released in 1945.
Location
Currently not on view
recording date
1944
release date
1945
recording artist
Tucker, Sophie
manufacturer
Decca
ID Number
1979.1023.117
accession number
1979.1023
maker number
23420
A-396
catalog number
1979.1023.117
Richard Dyer-Bennet. side 1: The Willow Tree; side 2: Villikens and His Dinah (Decca 24210), from the album, Richard Dyer-Bennet - 20th Century Minstrel (Decca 573).78 rpm. Side 1 was recorded in 1944. Side 2 was recorded in 1945.
Description
Richard Dyer-Bennet. side 1: The Willow Tree; side 2: Villikens and His Dinah (Decca 24210), from the album, Richard Dyer-Bennet - 20th Century Minstrel (Decca 573).
78 rpm. Side 1 was recorded in 1944. Side 2 was recorded in 1945. This album was released in 1948.
Location
Currently not on view
recording date
1944
1945
release date
1948
recording artist
Dyer-Bennet, Richard
manufacturer
Decca
ID Number
1996.0320.05098
maker number
24210
573
accession number
1996.0320
catalog number
1996.0320.05098
various artists. side 1: Mordido [part 3]; side 2: Mordido [part 4] (Mercury 11015), from the album, Norman Granz' Jazz at the Philharmonic, Vol. 9. 78 rpm.The cover art for this album was by David Stone Martin (born David Livingstone Martin, 1913-1992).
Description

various artists. side 1: Mordido [part 3]; side 2: Mordido [part 4] (Mercury 11015), from the album, Norman Granz' Jazz at the Philharmonic, Vol. 9.
78 rpm.

The cover art for this album was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Clef, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Location
Currently not on view
recording date
1947
recording artist
Jacquet, Illinois
Phillips, Flip
Harris, Bill
McGhee, Howard
Jones, Jo
Brown, Ray
Jones, Hank
manufacturer
Mercury
ID Number
1978.0670.626
accession number
1978.0670
maker number
11015
MERCURY VOL. 9
catalog number
1978.0670.626
Original artwork for the book, Two Little Miners, written by Margaret Wise Brown with illustrations by Richard Scarry, and published by Simon & Schuster in New York, New York, in 1949. Two Little Miners is part of the Little Golden Books Civic Series.
Description (Brief)

Original artwork for the book, Two Little Miners, written by Margaret Wise Brown with illustrations by Richard Scarry, and published by Simon & Schuster in New York, New York, in 1949. Two Little Miners is part of the Little Golden Books Civic Series. These books introduced young children to the everyday working man, fundamental occupations and essential public service jobs such as policeman, fireman and postman.

Scarry's physical depiction of the two miners and some of the elements depicted in the home scenes are reminiscent of immigrants from southern Europe. According to the online resource, eWV: The West Virginia Encyclopedia, “individuals of Italian extraction constitute one of the most important ethnic groups in West Virginia’s population. Most of these Italian Americans date their connection with the state to ancestors who were recruited during the early years of the 20th century to serve the labor needs of West Virginia’s rapidly developing industrial economy. With more than 17,000 Italian immigrants in the state by 1910, they made up 30 percent of West Virginia’s foreign-born population.”

“The great majority of Italian immigrants were employed in the coal industry as pick-and-shovel miners. West Virginia mines were among the most mechanized in this country, but miners born in America or northern Europe generally operated the new machines and usually earned better money, while their counterparts from less favored regions did the handwork.”

Better known for his animal characters and the Busytown series, Richard Scarry (1919-1994) was one of the most prolific 20th-century authors and illustrators of children’s books. He attended the School of the Museum of Fine Arts in Boston until he was drafted into the army during World War II. After the war, Scarry worked as a freelance artist and contracted with Simon & Schuster to work on the Little Golden Book series. His first illustrations appeared in Two Little Miners, a 1949 story written by Margaret Wise Brown. Scarry’s most popular Little Golden Book was Best Word Book Ever, published in 1963. He published more than 500 children’s books, most depicting animals who took on human characteristics.

Location
Currently not on view
Date made
1949
maker
Scarry, Richard
ID Number
1992.0634.072.04
accession number
1992.0634
catalog number
1992.0634.072.04
Gene Autry. side 1: Mexicali Rose; side 2: South of the Border (Down Mexico Way) (Columbia 37185), from the album, Gene Autry's Western Classics (Columbia C 120).78 rpm.Currently not on view
Description
Gene Autry. side 1: Mexicali Rose; side 2: South of the Border (Down Mexico Way) (Columbia 37185), from the album, Gene Autry's Western Classics (Columbia C 120).
78 rpm.
Location
Currently not on view
recording date
1946
release date
1947
recording artist
Autry, Gene
manufacturer
Columbia
ID Number
1996.0320.05057
maker number
37185
C 120
accession number
1996.0320
catalog number
1996.0320.05057
side 1: Lyn Murray and his Orchestra. Whistle While You Work; side 2: Lyn Murray and his Orchestra with Evelyn Knight and Andy Love Four.
Description
side 1: Lyn Murray and his Orchestra. Whistle While You Work; side 2: Lyn Murray and his Orchestra with Evelyn Knight and Andy Love Four. Bluddle-Uddle-Um-Dum (The Washing Song) (Decca 23327), from the album, Snow White and the Seven Dwarfs (Decca A-368).
78 rpm.
Location
Currently not on view
recording date
1944
recording artist
Lyn Murray and his Orchestra
Knight, Evelyn
Andy Love Four
manufacturer
Decca
ID Number
1979.1023.115
accession number
1979.1023
maker number
23327
A-368
catalog number
1979.1023.115
F. Carlton Booth. side 1: Singing; side 2: Gethsemane (Singspiration 1040), from the album, Singing (Singspiration 4). 78 rpm.Currently not on view
Description
F. Carlton Booth. side 1: Singing; side 2: Gethsemane (Singspiration 1040), from the album, Singing (Singspiration 4).
78 rpm.
Location
Currently not on view
release date
ca 1947
recording artist
Booth, F. Carlton
manufacturer
Singspiration
ID Number
1996.0320.05025
maker number
1040
4
accession number
1996.0320
catalog number
1996.0320.05025
This original artwork was used for the book Bugs Bunny by Warner Bros. Cartoons, Inc., with illustrations adapted by Tom McKimson and Al Dempster. Published by Simon and Schuster in New York, New York, in 1949, pg.
Description (Brief)

This original artwork was used for the book Bugs Bunny by Warner Bros. Cartoons, Inc., with illustrations adapted by Tom McKimson and Al Dempster. Published by Simon and Schuster in New York, New York, in 1949, pg. 26-27.

Many of the stories published in the early years of Little Golden Books included classics such as Mother Goose, fables and fairy tales. After the war, a new era of prosperity emerged in America. This optimism coupled with the baby boom encouraged Americans to create an idealized world, where family and home were fundamental attributes and life was full of opportunities. The introduction of TV into the home had great impact on American society and culture, and its impact on Little Golden Books was no exception.

In the 19th century, consumer products such as toys, books and games were already used as a tie into historical events, sports and famous people, and this phenomenon was expanded with the introduction of radio, movies and television. These new means of communication generated a whole new cast of characters and the impact on Golden Books was significant. A license with Walt Disney granted Little Golden Books the right to publish stories about some of Disney’s earliest creations, including favorites such as Snow White, Pinocchio, Dumbo and Sleeping Beauty. Moreover, the books began to feature television personalities like Howdy Doody, Roy Rogers and Captain Kangaroo, as well as popular Saturday morning cartoon characters like Woody Woodpecker, Bugs Bunny and Huckleberry Hound. These new agreements with Warner Brothers and Hanna-Barbera significantly reduced the development of original stories as the books featured stories taken from children’s television shows. This opened the flood gates to create consumer products associated with popular movie and cartoon personalities. This practice continues today and proves to be a very lucrative endeavor.

Born in 1911 in Atlantic City New Jersey, Al Dempster moved to California and studied at the Art Center school in LA. He joined the staff of Disney in 1939 as a layout trainee and shortly after was promoted to the Background department. His early works included Fantasia and Dumbo. He left Disney in 1945 but returned to Disney studio by 1952 where he worked on such renowned movies as Peter Pan, Lady and the Tramp, Sleeping Beauty, Santa's Toy Shoppe, Jungle Book and the Rescuers and Winnie the Pooh. He worked on more than a dozen Disney golden books. He died in 2001 and posthumously received the coveted Disney Legends Award in 2006 for his outstanding achievements and contribution to the Disney legacy.

Tom Mckimson (1907-1998) was best known for his work as an animator at Warner Bros. Studio. He joined Disney in 1928 but left in 1932 and moved over to work with Warner Bros., where he was credited with the original design for Tweety Bird. While working with Warner Bros. he also illustrated comic books for Dell Comics, including Bugs Bunny and Road Runner. He left Warner Bros. in 1947 and became the Art Director for Western Publishing, the original publishing company for Golden Books.

Location
Currently not on view
Date made
1949
ID Number
1992.0634.074.07
accession number
1992.0634
catalog number
1992.0634.074.07
Jelly Roll Morton. side 1: King Porter Stomp; side 2: The Pearls (Brunswick 80067), from the album, A King of the Piano, Volume One (Brunswick B-1018).78 rpm. Both tracks were originally recorded in 1926 and released on Vocalian 1020.
Description
Jelly Roll Morton. side 1: King Porter Stomp; side 2: The Pearls (Brunswick 80067), from the album, A King of the Piano, Volume One (Brunswick B-1018).
78 rpm. Both tracks were originally recorded in 1926 and released on Vocalian 1020. This pressing was released in 1945.
Location
Currently not on view
recording date
1926
release date
1945
recording artist
Morton, Jelly Roll
manufacturer
Brunswick
ID Number
1979.1023.091
maker number
80067
B-1018
accession number
1979.1023
catalog number
1979.1023.091
Original artwork, of page 27, for the book The Taxi that Hurried, written by Lucy Sprague Mitchell, Irma Simonton Black and Jessie Stanton with illustrations by Tibor Gergely, and published by Golden Press in New York, New York, in 1946.Born in Budapest, Hungary into a middle-cla
Description (Brief)

Original artwork, of page 27, for the book The Taxi that Hurried, written by Lucy Sprague Mitchell, Irma Simonton Black and Jessie Stanton with illustrations by Tibor Gergely, and published by Golden Press in New York, New York, in 1946.

Born in Budapest, Hungary into a middle-class Jewish family, Tibor Gergely (1900-1978) was captivated by art and culture at a young age. Known as a graphic illustrator and a caricature artist, Gergely’s early works documented Jewish life before the rise of Hitler. By 1939 the political situation in Europe was dire, and Gergely and his wife immigrated to America. They settled in New York and his love affair with the city never waned. He was enchanted with his new life in a postwar New York that included skyscrapers, rushing traffic and the excitement of life in the big city.

A member of the American Artists and Writers Guild, Gergely became a prominent illustrator for Little Golden Books, providing drawings for more than seventy books, including Tootle, Five Little Firemen, and Scuffy the Tugboat. His illustrations for The Taxi that Hurried and Make Way for the Thruway portray the celebrated automobile and the expanding highway system, both destined to bring dramatic social and cultural changes to American life.

Location
Currently not on view
Date made
1946
maker
Gergely, Tibor
ID Number
1992.0634.067.27
accession number
1992.0634
catalog number
1992.0634.067.27

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