Family & Social Life

Donations to the Museum have preserved irreplaceable evidence about generations of ordinary Americans. Objects from the Copp household of Stonington, Connecticut, include many items used by a single family from 1740 to 1850. Other donations have brought treasured family artifacts from jewelry to prom gowns. These gifts and many others are all part of the Museum's family and social life collections.

Children's books and Sunday school lessons, tea sets and family portraits also mark the connections between members of a family and between families and the larger society. Prints, advertisements, and artifacts offer nostalgic or idealized images of family life and society in times past. And the collections include a few modern conveniences that have had profound effects on American families and social life, such as televisions, video games, and personal computers.

This pen-and-ink drawing produced for the Dotty Dripple comic strip shows the title character’s son rushing back to college, leaving her with empty-nest syndrome.Buford Tune (1906-1989) started working as an assistant to the art editor of the New York Post in 1927.
Description (Brief)
This pen-and-ink drawing produced for the Dotty Dripple comic strip shows the title character’s son rushing back to college, leaving her with empty-nest syndrome.
Buford Tune (1906-1989) started working as an assistant to the art editor of the New York Post in 1927. One of his first assignments was to revive an old family comic strip called Doings of the Duffs. After a brief hiatus Tune returned to comic strip production in 1931. He created Dotty Dripple in 1944.
Dotty Dripple (1944-1974) was a domestic humor-themed comic strip like the popular Blondie strip. Dottie was described as a typical housewife responsible for her children, Taffy and Wilbert; her dog, Pepper; and her husband, Horace. Part of the running humor of the strip was that Horace was often seen behaving like a child himself. Between 1946 and 1955 the strip was also sold in comic book form by Harvey Comics.
Location
Currently not on view
date made
1966-09-12
graphic artist
Tune, Buford
publisher
Publishers Newspapers Syndicate, Inc.
ID Number
GA.22530
catalog number
22530
accession number
277502
Mostly Malarky was created and drawn by Wallace "Wally" Carlson (1884-1967) and distributed by The Chicago Tribune-New York News Syndicate from the 1950s until 1966. The comic features gag-joke panels.
Description
Mostly Malarky was created and drawn by Wallace "Wally" Carlson (1884-1967) and distributed by The Chicago Tribune-New York News Syndicate from the 1950s until 1966. The comic features gag-joke panels. In this comic, Dolly is talking to Wilbur, who is covered in various casts and bandages. The caption reads, "I'm glad you're finally making use of your hospitalization insurance, Wilbur."
Location
Currently not on view
date made
undated
graphic artist
Carlson, W. A.
publisher
Tribune Printing Company
ID Number
GA.22388
catalog number
22388
accession number
277502
This pen-and-ink drawing prepared for the Moon Mullins comic strip shows Mullins going to a therapist because he's being seen as procrastinating at work. The session is unsuccessful, however, as Mullins persists in his easygoing work habits.
Description (Brief)
This pen-and-ink drawing prepared for the Moon Mullins comic strip shows Mullins going to a therapist because he's being seen as procrastinating at work. The session is unsuccessful, however, as Mullins persists in his easygoing work habits. Included in this story board is Ferd Johnson's "topper" strip Kitty Higgins, about the young and clever girl who later became a Moon Mullins character.
Ferdinand "Ferd" Johnson (1905-1996) took a job in 1923 assisting on Frank Willard's new comic strip Moon Mullins. In 1925 Johnson started drawing his own Sunday comic called Texas Slim, and a few years later he launched Lovey-Dovey. In 1958 Johnson took over Moon Mullins which he continued until its cancellation in 1991.
Moon Mullins (1923-1991) was about a hard-living, would-be prizefighter nicknamed Moon. The strip offered storylines and personality characteristics which were appealing to readers during the Prohibition era. Moon Mullins was reinterpreted as a radio show and was regularly included as an animated television presentation on the 1970s Saturday morning cartoon program Archie’s TV Funnies.
Location
Currently not on view
date made
1961-10-22
graphic artist
Johnson, Ferd
publisher
News Syndicate Co., Inc.
ID Number
GA.22589
catalog number
22589
accession number
277502
This pen-and-ink drawing produced for the Blondie comic strip shows the title character cooking a big dinner for her family, which they all enjoy and praise.
Description (Brief)
This pen-and-ink drawing produced for the Blondie comic strip shows the title character cooking a big dinner for her family, which they all enjoy and praise. Blondie is left disappointed when everybody disappears once it comes time to clean up.
Murat Bernard "Chic" Young (1901-1973) began working as a comic artist in 1921 on the strip The Affairs of Jane. The strip was published by the Newspaper Enterprise Association. A few years later Young was hired by King Features Syndicate to draw the strip Dumb Dora, which ran until 1935. Young had modest success with other strips, but his debut of Blondie in 1930 far overshadowed his other artistic products. He drew the strip until his death in 1973.
Blondie (1930- ) is portrayed as a sweet, if not featherbrained, young woman whose 1933 marriage to the affluent Dagwood Bumstead made national news. The strip followed the young couple after Bumstead’s parents disowned him because of their aversion to Blondie. The strip continued to gain in popularity after the introduction of Blondie and Dagwood’s two children, Alexander and Cookie.
Location
Currently not on view
date made
1966-02-24
publisher
King Features Syndicate
ID Number
GA.22395
catalog number
22395
accession number
277502
Mr. Merryweather, created and drawn by Dick Turner (1909-1999), was a companion strip to his other comic, Carnival. The comic was distributed by the Newspaper Enterprise Association from 1940-1972.
Description
Mr. Merryweather, created and drawn by Dick Turner (1909-1999), was a companion strip to his other comic, Carnival. The comic was distributed by the Newspaper Enterprise Association from 1940-1972. The comic was based on the humor and humiliations of everyday life in a small town. In this strip, Mr. Merryweather deals with restaurant culture in five individual gag-joke panels.
Location
Currently not on view
date made
06/19/1966
publisher
NEA, Inc.
graphic artist
Turner, Dick
ID Number
GA.22525
catalog number
22525
accession number
277502
Mary Worth, also titled Mary Worth's Family during the early 1940s, was famously drawn by Ken Ernst and written by Allen Saunders during the 1960s-1980s. It continues to be distributed by King Features Syndicate, although with new artists and writers.
Description
Mary Worth, also titled Mary Worth's Family during the early 1940s, was famously drawn by Ken Ernst and written by Allen Saunders during the 1960s-1980s. It continues to be distributed by King Features Syndicate, although with new artists and writers. The strip features the title character Mary, a former teacher and widow, in a soap-opera style storyline including the drama surrounding her apartment house neighbors. In this strip, Tony tries to divert Avonne's afternoon plans by asking his mother to serve his friends lunch, even though it is her afternoon off.
Location
Currently not on view
date made
08/21/1966
graphic artist
Ernst, Ken
maker
Saunders, John Allen
publisher
Publishers Newspapers Syndicate, Inc.
ID Number
GA.22450
catalog number
22450
accession number
277502
This pen-and-ink drawing, prepared for the Gasoline Alley newspaper comic strip, shows character Walt Wallet being scolded for trying to walk Effie home.
Description (Brief)
This pen-and-ink drawing, prepared for the Gasoline Alley newspaper comic strip, shows character Walt Wallet being scolded for trying to walk Effie home. She waves goodbye, but Wallet sees little hope in her attentions.
Richard Arnold "Dick" Moores (1909-1986) worked as an assistant to Chester Gould on the Dick Tracy comic strip early in his career. Moores continued to work on other strips and branched out into animation and comic book illustration, working on titles such as Mickey Mouse, Scamp, Donald Duck, and Alice in Wonderland. In 1956 Frank King asked Moores to assist on the daily strip Gasoline Alley, which Moores took over completely after King’s retirement in 1959. When the Sunday artist for Gasoline Alley retired in 1975, Moores took over that work as well, and continued drawing the strip until his death in 1986.
Gasoline Alley (1918- ) originated on a black-and-white Sunday page for The Chicago Tribune called The Rectangle, a collaborative page with contributions by different artists. One corner of "The Rectangle," drawn by Frank King, was devoted to the discussions between four men about their cars, an impetus for the name of the strip Gasoline Alley. Within a year the strip began appearing in the daily newspapers. Gasoline Alley, whose original characters included Walt, Doc, Avery, Bill, and Skeezix, is noted for its use of characters who have continued to age naturally.
Location
Currently not on view
date made
1966-08-13
graphic artist
Moores, Dick
King, Frank
publisher
Tribune Printing Company
ID Number
GA.22550
catalog number
22550
accession number
277502
This pen-and-ink drawing produced for the Abbie an’ Slats comic strip shows Kit trying to irritate Miss Abbie by proposing to host a party and to demolish Miss Abbie’s apartment.Raeburn Van Buren (1891-1987) started his career as a freelance illustrator for magazines such as Life
Description (Brief)
This pen-and-ink drawing produced for the Abbie an’ Slats comic strip shows Kit trying to irritate Miss Abbie by proposing to host a party and to demolish Miss Abbie’s apartment.
Raeburn Van Buren (1891-1987) started his career as a freelance illustrator for magazines such as Life and The Saturday Evening Post. He quickly became one of the country’s most recognized magazine illustrators and eventually began drawing for Esquire and The New Yorker as well. In 1937 fellow artist Al Capp approached Van Buren with an offer to draw Capp's new comic strip, Abbie an’ Slats. Van Buren drew the strip until his retirement in 1971.
Abbie an’ Slats (1937-1971) was a story about a young orphaned boy from New York, Slats, who goes to live in the country with a spinster cousin named Abbie. Slats is headstrong and rebellious, and often disagrees with Abbie and her straight-laced sister, Sally.
Location
Currently not on view
date made
1966-08-23
graphic artist
Van Buren, Raeburn
publisher
United Feature Syndicate, Inc.
graphic artist
Capp, Al
ID Number
GA.22457
catalog number
22457
accession number
277502
Charles Kuhn (1892-1989), who studied under fellow cartoonist Frank King, is most known for his comic strip "Grandma". The strip features the antics of a 90-year old woman and her grandchildren, based on the artist's own mother.
Description
Charles Kuhn (1892-1989), who studied under fellow cartoonist Frank King, is most known for his comic strip "Grandma". The strip features the antics of a 90-year old woman and her grandchildren, based on the artist's own mother. In this strip, Grandma disguises a watermelon as a football so that the grandkids will stay away from it until its ready to eat.
Location
Currently not on view
date made
09/02/1966
graphic artist
Kuhn, Charles
publisher
King Features Syndicate
ID Number
GA.22592
catalog number
22592
accession number
277502
This pen-and-ink drawing produced for the Captain Easy comic strip shows the title character enjoying the fictitious Mediterranean Republic of Dizmaylia with his date, Lolita.
Description (Brief)
This pen-and-ink drawing produced for the Captain Easy comic strip shows the title character enjoying the fictitious Mediterranean Republic of Dizmaylia with his date, Lolita. He later discovers that she works for his enemies.
Leslie Turner (1899-1988) prepared freelance illustrations in Dallas in his early years. When he sold a cartoon to Judge, he moved to New York and began contributing to publications such as Redbook and Pictorial Review. In 1937 Turner took a job as an assistant to Roy Crane, creator of the Captain Easy newspaper strip, which was then called Wash Tubbs. Turner took over the strip in 1943 and continued to draw it, with some assistance from Walt Scott, until he retired in 1970.
Captain Easy, (1933-1988) an adventure strip originally called Wash Tubbs, starred an eccentric character named Washington Tubbs II. The Captain Easy character was included in a supporting role. In 1933 creator Roy Crane retitled the strip and remodeled it to highlight the new protagonist who joined the U.S. army during World War II, and later became a private detective.
Location
Currently not on view
date made
1966-08-14
graphic artist
Turner, Leslie
publisher
NEA, Inc.
ID Number
GA.22332
catalog number
22332
accession number
277502
This pen-and-ink drawing produced for the Beetle Bailey comic strip shows Beetle asking what the Chaplain thinks about sneaking naps after being told “Don’t do anything I wouldn’t do.”Addison Morton "Mort" Walker (1923- ) was first published at age eleven, and soon afterward was
Description (Brief)
This pen-and-ink drawing produced for the Beetle Bailey comic strip shows Beetle asking what the Chaplain thinks about sneaking naps after being told “Don’t do anything I wouldn’t do.”
Addison Morton "Mort" Walker (1923- ) was first published at age eleven, and soon afterward was drawing a weekly cartoon for the Kansas City Journal. After U.S. Army service in World War II, Walker began drawing a cartoon named Spider for the Saturday Evening Post. King Features Syndicate later contracted with him for the related comic strip devoted to the character Beetle Bailey. Walker also wrote for Hi and Lois, considered to be a spin-off of Beetle Bailey. More recently Walker has drawn the strip with the help of his sons.
Beetle Bailey (1950- ), a private in the U.S. Army, is regularly looking for a way to avoid doing work. He is memorable because his eyes are always covered by a hat or helmet. The strip location originally took place on a college campus but after a year Walker reimagined the location of the strip as a U.S. Army base called "Camp Swampy," where the characters seem to be stationed in never-ending basic training.
Location
Currently not on view
date made
1966-09-24
graphic artist
Walker, Mort
publisher
King Features Syndicate
ID Number
GA.22533
catalog number
22533
accession number
277502
Originally drawn as "Aggie Mack" by Hal Rasmusson in 1946, Roy Fox took over the comic strip in 1962 at the time of Rasmusson's death, shortening the title to "Aggie". The strip features the adventures of a blond teenager named Agnes (Aggie) and her friends.
Description
Originally drawn as "Aggie Mack" by Hal Rasmusson in 1946, Roy Fox took over the comic strip in 1962 at the time of Rasmusson's death, shortening the title to "Aggie". The strip features the adventures of a blond teenager named Agnes (Aggie) and her friends. In this strip, Wayout is describing the perfect person: himself.
Location
Currently not on view
date made
08/15/1966
graphic artist
Fox, Roy
publisher
Tribune Printing Company
ID Number
GA.22628
catalog number
22628
accession number
277502
This pen-and-ink comic art drawing by Rube Goldberg from 1924 features the concept of using “windy” political speeches as free energy.Rube Goldberg (1883-1970) was an engineer before he was a comic artist.
Description (Brief)
This pen-and-ink comic art drawing by Rube Goldberg from 1924 features the concept of using “windy” political speeches as free energy.
Rube Goldberg (1883-1970) was an engineer before he was a comic artist. After receiving an engineering degree, he started his career designing sewers for the City of San Francisco, but then followed his other interest and took a job as a sports cartoonist for the San Francisco Chronicle. After moving to New York in 1907 Goldberg worked for several newspapers, producing a number of short-lived strips and panels—many of which were inspired by his engineering background, including his renowned invention cartoons. In the late 1930s and 1940s he switched his focus to editorial and political cartoons and in 1945 founded the National Cartoonists Society. The Reuben, comic art’s most prestigious award, is named after him.
Location
Currently not on view
date made
1924-10-31
original artist
Goldberg, Rube
ID Number
GA.23492
catalog number
23492
accession number
299186
This pen-and-ink drawing produced for the Hubert comic strip shows the title character suspecting his wife of cheating at Checkers because she knocked over the Checkers table while she was sneezing.Richard C.
Description (Brief)
This pen-and-ink drawing produced for the Hubert comic strip shows the title character suspecting his wife of cheating at Checkers because she knocked over the Checkers table while she was sneezing.
Richard C. "Dick" Wingert (1919-1993) studied art in Indianapolis beginning in 1937. His career began as an artist for the U.S. Army newspaper Stars and Stripes, where his single comic character, a simple soldier named Hubert, was debuted. The character's wife, children, and dog were included in the story of his later civilian life. Wingert drew the strip until 1992.
Hubert (1942-1994), a single-panel comic strip concerning an ordinary soldier, was produced for Stars and Stripes. After the war the title character became a civilian and went back to everyday life, with its repetitious, disagreeable, and unsatisfying components.
Location
Currently not on view
date made
1966-09-07
graphic artist
Wingert, Dick
publisher
King Features Syndicate
ID Number
GA.22439
catalog number
22439
accession number
277502
Mr. Breger (also published as Private Breger and G.I. Joe during World War II) was created by Dave Breger (1908-1970), syndicated by King Features from 1946-1960s. Breger has been credited with creating the term "G.I.
Description
Mr. Breger (also published as Private Breger and G.I. Joe during World War II) was created by Dave Breger (1908-1970), syndicated by King Features from 1946-1960s. Breger has been credited with creating the term "G.I. Joe", replacing the term "Yank" to describe American soldiers. The comic is a gag-panel about life in the military. In this comic, The Bregers go to the attorney to discover what Mr. Breger's uncle willed to him.
Location
Currently not on view
date made
8/21/1966
publisher
King Features Syndicate
ID Number
GA.22334
catalog number
22334
This pen-and-ink drawing produced for the Ferd’nand comic strip shows the title character looking for his glasses.
Description (Brief)
This pen-and-ink drawing produced for the Ferd’nand comic strip shows the title character looking for his glasses. He cannot remember where he left them until he sits down to read the newspaper and realizes he's just broken them.
Henning Dahl Mikkelsen (1915-1982) was a Danish comic artist who worked in animation in Copenhagen and in filmmaking in London. In 1937 he created the Ferd’nand strip, which was syndicated in European and later American newspapers. Mikkelsen became an American citizen in 1954. He continued writing the strip until his death in 1982.
Ferd’nand (1937-2012) was first published in Copenhagen in 1937. It became syndicated and was first published in the United States in 1947. The characters in the strip included Ferd'nand, his wife, his son, and the family dog. The likable and extended strip also became popular with international readers because of its lack of dialogue.
Location
Currently not on view
date made
1966-08-24
graphic artist
Mikkelsen, Henning Dahl
publisher
United Feature Syndicate, Inc.
ID Number
GA.22641
catalog number
22641
accession number
277502
This pen-and-ink drawing produced for the Dondi comic strip shows Baldy and Dondi talking about how the bike they thought was missing was actually secretly purchased by Baldy's parents for his birthday.
Description (Brief)
This pen-and-ink drawing produced for the Dondi comic strip shows Baldy and Dondi talking about how the bike they thought was missing was actually secretly purchased by Baldy's parents for his birthday. The reader then sees a man sitting in a jail cell.
Irwin Hasen (1918-2015) started his career in comic book illustration for titles such as The Green Hornet and The Flash. After service in the U.S. Army Hasen returned to comic book production, but while on holiday in Europe he met Gus Edson, with whom he later collaborated on Dondi. The strip, written by Edson and drawn by Hasen, debuted in 1955. After Edson’s death in 1966, Hasen continued drawing and writing the strip.
Dondi (1955-1986), the title character, was the inspiration of cocreator Gus Edson after a USO trip to Europe during World War II. The young, orphaned Italian boy was found by an American soldier named Ted Willis, who took him back to the United States. The early comic strip story discussed Dondi's Italian history and new American life. Later, during and after the Korean and Vietnam wars, Dondi's heritage in the strip changed to fit a similar story in the later wars. A film adaptation of Dondi premiered in 1961.
Location
Currently not on view
date made
1966-08-17
author
Hasen, Irwin
graphic artist
Edson, Gus
publisher
Tribune Printing Company
ID Number
GA.22626
catalog number
22626
accession number
277502
"Here's Mom" was a series of comic panels created and drawn by Jud Isabel and distributed by the Chicago Tribune Syndicate between 1961 and 1970. The comic featured the domestic trials of everyday mothers.
Description
"Here's Mom" was a series of comic panels created and drawn by Jud Isabel and distributed by the Chicago Tribune Syndicate between 1961 and 1970. The comic featured the domestic trials of everyday mothers. In this panel, Mom comes home to find cupcakes and a mess in her kitchen, with her daughter baking. Written in blue ink beneath the picture, "Hi mom! Guess what I learned to make in school today!"
Location
Currently not on view
date made
08/22/1965
publisher
Tribune Printing Company
ID Number
GA.22349
catalog number
22349
accession number
277502
This pen-and-ink drawing produced for the Alley Oop comic strip shows Paleolithic cavemen trying to organize an “Eating Club.” Then they discuss the concept of eating first and organizing later.Vincent Trout "V.
Description (Brief)
This pen-and-ink drawing produced for the Alley Oop comic strip shows Paleolithic cavemen trying to organize an “Eating Club.” Then they discuss the concept of eating first and organizing later.
Vincent Trout "V. T." Hamlin (1900-1993) studied art and journalism after his service in World War I. His comic strip Alley Oop was first published in 1932. The storyline is said to have been inspired during his work for a Texas oil company during the 1920s. Hamlin wrote and drew the strip until 1971.
Alley Oop (1932- ) is a comic strip set in prehistoric times. The cast includes the title character; his girlfriend, Oola; his best friend, Foozy; his adversary, King Guz; and his pet dinosaur, Dinny. Alley Oop has been known for its liberal use of time and space travel. Oop and his friends have visited Ancient Egypt, Crusades-era Europe, and the moon. Over the years, the title character was also included in comic books and in the television-animated Saturday series called the Fabulous Funnies.
Location
Currently not on view
date made
1966-05-19
graphic artist
Hamlin, Vincent T.
publisher
NEA, Inc.
ID Number
GA.22467
catalog number
22467
accession number
277502
This pen-and-ink drawing produced for the Emmy Lou newspaper strip shows Emmy Lou thinking that her mother is setting her up on a date with a neighbor’s son, when it turns out that the boy is much younger and a cub scout.Martha B.
Description (Brief)
This pen-and-ink drawing produced for the Emmy Lou newspaper strip shows Emmy Lou thinking that her mother is setting her up on a date with a neighbor’s son, when it turns out that the boy is much younger and a cub scout.
Martha B. "Marty" Links's (1917-2008) early career included work in 1940 at the San Francisco Chronicle, where she contributed to a recurring feature called Women’s World. Links started the comic strip Bobby Sox in 1944, and later changed the title to Emmy Lou. She used a man’s name to sell her drawings to newspapers and advertising agencies. After Links ended the strip, she designed greeting cards for Hallmark until her retirement in 1999.
Emmy Lou (1944-1979), originally Bobby Sox, told the story of a young girl’s dealings with adolescence. "Bobby soxers," a name given to teenage girls of the 1940s, usually denoted fans of swing music and followers of certain fashion trends, most notably the poodle skirt and rolled ankle socks. Links eventually decided that her concept of teenage girls was no longer relevant, especially because her own daughters, the inspirations for the Emmy Lou character, were becoming adults. She discontinued the strip in 1979.
Location
Currently not on view
date made
1966-08-14
graphic artist
Links, Marty
publisher
United Feature Syndicate, Inc.
ID Number
GA.22473
catalog number
22473
accession number
277502
This pen-and-ink drawing produced for the Aggie comic strip shows the character Wayout coming over to Aggie’s house to find her staring at a coconut.
Description (Brief)
This pen-and-ink drawing produced for the Aggie comic strip shows the character Wayout coming over to Aggie’s house to find her staring at a coconut. After Wayout determines that the coconut might be a “hairy cantaloupe,” Aggie says she wants to get the milk out of the coconut, and Wayout’s follow-up quip results in his being thrown out of the house.
Roy L. Fox (1924- ) debuted his first work in The Philadelphia Bulletin in 1939. He began drawing Aggie Mack (later Aggie) after the death, in 1962, of creator Hal Rasmussen.
Aggie Mack, and later Aggie, (1946-1972) was a comic strip about a girl in her early teens. Aggie was raised by her father’s second wife, who favored her own daughter, Mona. Aggie's homelife interactions became less central to the strip over the years, and Aggie began to be shown in contemporary teenager, community-based situations. The strip was also popular overseas, particularly in France, where it appeared under the name Fillettes.
Location
Currently not on view
date made
1966-07-17
graphic artist
Fox, Roy
publisher
Tribune Printing Company
ID Number
GA.22504
catalog number
22504
accession number
277502
This pen-and-ink drawing produced for the Etta Kett comic strip shows a teenage girl talking to her father about her interest in sports, which coincided with her interest in star athletes.Paul Dowling Robinson (1898-1974) began his work as a cartoonist in New York in 1919.
Description (Brief)
This pen-and-ink drawing produced for the Etta Kett comic strip shows a teenage girl talking to her father about her interest in sports, which coincided with her interest in star athletes.
Paul Dowling Robinson (1898-1974) began his work as a cartoonist in New York in 1919. He worked on the Samson and Delia strip in 1924 and then in 1925 debuted Etta Kett, about the life of contemporary teenagers, which became a daily and a Sunday comic strip. Robinson also drew a strip called The Love-Byrds, which started out as a topper (or secondardy strip) for the Sunday page of Etta Kett. He drew both strips until his death in 1974.
Etta Kett (1925-1974) began as a comic panel series about manners and etiquette. It was later redeveloped as a comic strip about a middle-class teenage girl named Etta and her high school adventures with friends and boyfriends. The main character, Etta, continued to be described as innocent and well-mannered in the face of conspicuous societal changes.
Location
Currently not on view
date made
1966-09-22
graphic artist
Robinson, Paul
publisher
King Features Syndicate
ID Number
GA.22380
catalog number
22380
accession number
277502
This pen-and-ink drawing produced for the Louie comic strip shows the title character frustrated with cooking.
Description (Brief)
This pen-and-ink drawing produced for the Louie comic strip shows the title character frustrated with cooking. He misses his wife until she comes home and starts to scold him for leaving a messy kitchen, after which he starts to wish she was back on vacation.
Harry Hanan (1916-1982) was a British comic artist who started his illustrating career at the Liverpool Evening Express. After World War II he became a cartoonist for London's The People, in which his strip Louie was first published in 1947. The strip, without a script, was syndicated internationally.
Louie (1947-1976) was a domestic comedy strip about a short, ordinary, middle-aged man and his wife. The character Louie was often seen being frustrated while grinning and bearing everything silently, without a script, throughout the run.
Location
Currently not on view
date made
1965-07-25
graphic artist
Hanan, Harry
publisher
News Syndicate Co., Inc.
ID Number
GA.22598
catalog number
22598
accession number
277502
Maw Green, a drawn by Harold Gray (1894-1968) as a spin-off and "topper strip" of his immensely popular Little Orphan Annie, wasd distributed by The Chicago Tribune-New York News Syndicate Company from the 1940s to the late 1960s.
Description
Maw Green, a drawn by Harold Gray (1894-1968) as a spin-off and "topper strip" of his immensely popular Little Orphan Annie, wasd distributed by The Chicago Tribune-New York News Syndicate Company from the 1940s to the late 1960s. The strip used the title character, an old grandmother-type, along with comedy and soap opera-type storylines to draw in audiences. In this strip, Mildred is unhappy that her husband is cheap.
Location
Currently not on view
date made
6/19/1966
06/19/1966
graphic artist
Gray, Harold
publisher
News Syndicate Co., Inc.
ID Number
GA.22595
catalog number
22595
accession number
277502

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