Family & Social Life

Donations to the Museum have preserved irreplaceable evidence about generations of ordinary Americans. Objects from the Copp household of Stonington, Connecticut, include many items used by a single family from 1740 to 1850. Other donations have brought treasured family artifacts from jewelry to prom gowns. These gifts and many others are all part of the Museum's family and social life collections.

Children's books and Sunday school lessons, tea sets and family portraits also mark the connections between members of a family and between families and the larger society. Prints, advertisements, and artifacts offer nostalgic or idealized images of family life and society in times past. And the collections include a few modern conveniences that have had profound effects on American families and social life, such as televisions, video games, and personal computers.

Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music.
Description
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music. Over the years, Harris has had a profound impact on contemporary popular and country music.
Location
Currently not on view
negative
1980
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.034
accession number
2003.0169
catalog number
2003.0169.034
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians.
Description
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians. It was a time when the casual atmosphere of outdoor venues was popular, and the music fans could often meet their favorite musicians in the parking lots or other areas of the grounds. In this image, taken in 1972 at Indian Ranch in Webster, Massachusetts, bluegrass musician and singer Joe Val (1926-1985) plays a Gibson mandolin in a picnic area. He is accompanied by other guitarists and is being watched by fans. Val (born Joseph Valiante) was an accomplished mandolinist and guitarist who played both traditional and progressive bluegrass in his band, the New England Bluegrass Boys.
Location
Currently not on view
negative
1972
1972
maker
Horenstein, Henry
ID Number
2003.0169.072
accession number
2003.0169
catalog number
2003.0169.072
Carl and Pearl Butler pose for photographs with fans.Currently not on view
Description
Carl and Pearl Butler pose for photographs with fans.
Location
Currently not on view
negative
1973
print
2003
Associated Name
Butler, Pearl
Butler, Carl
maker
Horenstein, Henry
ID Number
2003.0169.090
accession number
2003.0169
catalog number
2003.0169.090
Currently not on view
Location
Currently not on view
Date made
ca 1910
maker
Hine, Lewis
ID Number
1997.0258.01
catalog number
1997.0258.01
accession number
1997.0258
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.Currently not on view
Description
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.075
accession number
2003.0169
catalog number
2003.0169.075
Maybelle Carter (1909-1978) was an original member of the performing Carter Family. After the breakup of that group in 1943, she formed a new act, known as Mother Maybelle and the Carter Sisters, with daughters Helen (1927-1998) shown here on accordian, June and Anita.
Description
Maybelle Carter (1909-1978) was an original member of the performing Carter Family. After the breakup of that group in 1943, she formed a new act, known as Mother Maybelle and the Carter Sisters, with daughters Helen (1927-1998) shown here on accordian, June and Anita. Maybelle was an influential presence, particularly as the originator of a style of guitar playing emulated by Leadbelly, Woodie Guthrie, and many other musicians.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.079
accession number
2003.0169
catalog number
2003.0169.079
Many acts in country music were built around brother duos and family members.Currently not on view
Description
Many acts in country music were built around brother duos and family members.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.007
accession number
2003.0169
catalog number
2003.0169.007
The Johnson Mountain Boys was a traditional bluegrass band formed in the Washington, D.C. suburbs in the 1970s. Its members were vocalist, banjoist, and guitarist Dudley Connell, David McLauglin, fiddler Eddie Stubbs, and bassist Larry Robbins.
Description
The Johnson Mountain Boys was a traditional bluegrass band formed in the Washington, D.C. suburbs in the 1970s. Its members were vocalist, banjoist, and guitarist Dudley Connell, David McLauglin, fiddler Eddie Stubbs, and bassist Larry Robbins. Connell worked for Smithsonian Folkways for a time and Stubbs went on to host the Grand Ole Opry.
Location
Currently not on view
negative
1981
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.030
accession number
2003.0169
catalog number
2003.0169.030
Best known for her crossover hit, "Harper Valley PTA," Jeannie C. Riley (b. 1945) is pictured her on her tour bus.Currently not on view
Description
Best known for her crossover hit, "Harper Valley PTA," Jeannie C. Riley (b. 1945) is pictured her on her tour bus.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.033
accession number
2003.0169
catalog number
2003.0169.033
"How-dee! Ah'm so glad to be here," may be one of the most familiar and beloved radio greetings, Minnie Pearl (Sarah Ophelia Colley Cannon, 1912-1996) ranked among the premier comedians on the Grand Ole Opry and in country music.
Description
"How-dee! Ah'm so glad to be here," may be one of the most familiar and beloved radio greetings, Minnie Pearl (Sarah Ophelia Colley Cannon, 1912-1996) ranked among the premier comedians on the Grand Ole Opry and in country music. For decades she entertained audiences with gossip about the residents of her fictional town, Grinder's Switch. She joined the Opry in 1940 and later went on to star in the television show Hee Haw in the 1970s.
Minnie Pearl's costume consisting of her famous straw hat with the dangling price tag, the pink and white gingham dress, and maryjane-style shoes became part of the National Museum of Amercian History's collection after she donated them in 1993.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.050
accession number
2003.0169
catalog number
2003.0169.050
Nationally known by the 1950s, "Stringbean" David Akeman (1915-1973) was a country comedian and exceptional banjo player. He is credited with reviving interest in the banjo in bluegrass and country music.
Description
Nationally known by the 1950s, "Stringbean" David Akeman (1915-1973) was a country comedian and exceptional banjo player. He is credited with reviving interest in the banjo in bluegrass and country music. He made his first banjo from a shoebox and string, and later went on to play with Bill Monroe's Band. Uncle Dave Macon mentioned Stringbean in classic jokes and traditional tunes, and was among the first Opry members to join the cast of Hee Haw. Publicity photographs in the background of this picture include Jean Shepherd, Wilma Lee and Stoney Cooper, Stringbean himself, Bobby Lord, Bill Anderson, Flatt and Scruggs, the Browns, and the Four Guys.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.031
accession number
2003.0169
catalog number
2003.0169.031
Bartender Wanda Lohman, known as "Miss Wanda," worked at Tootsie's Orchid Lounge from 1960 to 1984. The walls of Tootsie's became a kind of community scrapbook. Tootsie, like her patrons, was a fan of country music.
Description
Bartender Wanda Lohman, known as "Miss Wanda," worked at Tootsie's Orchid Lounge from 1960 to 1984. The walls of Tootsie's became a kind of community scrapbook. Tootsie, like her patrons, was a fan of country music. She collected autographs, posters, record albums, and photographs. Patrons, family, and friends contributed their comments and added photos.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.107
catalog number
2003.0169.107
accession number
2003.0169
Fred's Lounge was a well-known honky-tonk in the heart of Cajun country. The bar opened at 7 a.m. on Saturday mornings to host the droves of visitors who came to hear the local bands that played from 9 a.m. to 2 p.m.Currently not on view
Description
Fred's Lounge was a well-known honky-tonk in the heart of Cajun country. The bar opened at 7 a.m. on Saturday mornings to host the droves of visitors who came to hear the local bands that played from 9 a.m. to 2 p.m.
Location
Currently not on view
negative
1977
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.039
accession number
2003.0169
catalog number
2003.0169.039
After performing individually with Jimmy Martin, Bill Monroe, and other headliners in the 1940s, Sonny (b.1937) and Bobby (b. 1931) Osborne became one of the most popular and innovative bluegrass groups of the postwar era.
Description
After performing individually with Jimmy Martin, Bill Monroe, and other headliners in the 1940s, Sonny (b.1937) and Bobby (b. 1931) Osborne became one of the most popular and innovative bluegrass groups of the postwar era. Experimenting in the mid-1960s, they added piano, steel guitar, and electric instruments. While these ventures angered traditionalists, their innovative sound attracted a new younger audience to country music.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.040
accession number
2003.0169
catalog number
2003.0169.040
The Holy Modal Rounders, a folk/country band, was formed in 1961 by guitarist Steve Weber (right) and banjoist and fiddler Peter Stampfel in New York City's Greenwich Villiage.
Description
The Holy Modal Rounders, a folk/country band, was formed in 1961 by guitarist Steve Weber (right) and banjoist and fiddler Peter Stampfel in New York City's Greenwich Villiage. The popular music label, Rounder Records, owes its name to this innovative and controversial band.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.032
accession number
2003.0169
catalog number
2003.0169.032
Mach Magaha (1929-2003) was a sought-after bluegrass fiddler. A member of Don Reno and Red Smiley's Tennessee Cut-Ups in the 1950s and 1960s, he next worked with Porter Wagoner for nearly twenty years.Currently not on view
Description
Mach Magaha (1929-2003) was a sought-after bluegrass fiddler. A member of Don Reno and Red Smiley's Tennessee Cut-Ups in the 1950s and 1960s, he next worked with Porter Wagoner for nearly twenty years.
Location
Currently not on view
negative
1975
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.037
accession number
2003.0169
catalog number
2003.0169.037
The Coopers welcomed Henry Horestein in their home, a great example of the accessibility of stars just thirty years ago. Wilma Lee (Leigh Leary, b. 1921) and Stoney Cooper (Dale Troy, 1918-1977) ranked as one of the great husband-wife teams in country music.
Description
The Coopers welcomed Henry Horestein in their home, a great example of the accessibility of stars just thirty years ago. Wilma Lee (Leigh Leary, b. 1921) and Stoney Cooper (Dale Troy, 1918-1977) ranked as one of the great husband-wife teams in country music. Their musical careers helped to bridge older and newer styles.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.038
accession number
2003.0169
catalog number
2003.0169.038
Some fans traveled great distances to participate in music festivals, and would camp nearby. This couple brought a grill to make a meal or two.Currently not on view
Description
Some fans traveled great distances to participate in music festivals, and would camp nearby. This couple brought a grill to make a meal or two.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.097
accession number
2003.0169
catalog number
2003.0169.097
The Lilly Brothers began as an old-time duet on radio stations in West Virginia, but eventually moved into bluegrass with the addition of a banjo.
Description
The Lilly Brothers began as an old-time duet on radio stations in West Virginia, but eventually moved into bluegrass with the addition of a banjo. They are credited with bringing the bluegrass sound to New England and the Boston area, with lengthy stints at the Hillbilly Ranch from 1952 into the 1970s.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.062
accession number
2003.0169
catalog number
2003.0169.062
Louis Marshall "Grandpa" Jones (1913-1998) enjoyed a long, distinctive career in country music. At age 22, he began to play the Grandpa character, with his high-topped boots, bushy mustache, and suspenders. Ramona Riggins (b.
Description
Louis Marshall "Grandpa" Jones (1913-1998) enjoyed a long, distinctive career in country music. At age 22, he began to play the Grandpa character, with his high-topped boots, bushy mustache, and suspenders. Ramona Riggins (b. 1924), whom he later married, accompanied him on fiddle and mandolin. Appearing regularly on the Grand Ole Opry and the television show Hee Haw, Grandpa Jones became a well-known character with his banjo-playing, old-time stories, songs, and jokes.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.047
accession number
2003.0169
catalog number
2003.0169.047
Currently not on view
Location
Currently not on view
ID Number
1985.0736.02.11
catalog number
1985.0736.02.11
accession number
1985.0736
Film still printed on a card showing a woman and a slot machine. The small card was probably a promotional piece or vending item like those which accompanied packs of gum and cigarattes or were distributed through machines at amusement areas.
Description (Brief)
Film still printed on a card showing a woman and a slot machine. The small card was probably a promotional piece or vending item like those which accompanied packs of gum and cigarattes or were distributed through machines at amusement areas. In the photograph, a woman in a dress with feathers in her hair is holding a fan and gazing above her right shoulder. A highly decorated slot machine with a dial showing playing cards is in the foreground. The number 384 is written in the lower right corner of the card.
date made
ca. 1900s
ID Number
1986.3048.2241
nonaccession number
1986.3048
catalog number
1986.3048.2241
Currently not on view
Location
Currently not on view
maker
Goldensky, Elias
ID Number
1988.0039.300
accession number
1988.0039
catalog number
1988.0039.300
Currently not on view
Location
Currently not on view
Date made
1966
maker
Arbus, Diane
ID Number
PG.69.149.3
accession number
298691
catalog number
69.149.3

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