Family & Social Life

various artists. side 1: Flip and Jazz [part 3]; side 2: Honeysuckle Rose (Vox 16029), from the album, WNEW Saturday Night Swing Session, Vol. 1 (Vox VSP 303).
78 rpm

WNEW (AM 1130) was a New York based radio station. This recording features jazz radio broadcasts from the station, recorded in 1947.

Oak Ridge Quartet. side 1: Gonna Move This Wicked Race; side 2: Turn Your Radio On (Capitol 48022), from the album, Songs from the Grand Ole Opry (Capitol AD 86).
78 rpm.

The cover art for this album was made by Carlos Andreson. Andreson, also as Anderson, (1905-1978) was an American painter, lithographer, and teacher. A native of Salt Lake City, Utah, Andreson studied at the University of Utah, then subsequently in Los Angeles, New York, Paris, and Berlin. In 1933, Andreson returned to the United States, creating paintings and drawings of early pioneer life for the Works Progress Administration (WPA) and teaching at Utah Arts Center. After the start of WWII, Anderson was commissioned by Abbott Laboratories to paint medical subjects at the stateside Naval hospitals. Andreson moved to San Francisco after the war where he produced artwork for the Oakland Army Base.

Nelson Eddy (singing in four-part harmony). side 1: Nearer, My God, To Thee; side 2: Ten Thousand Times Ten Thousand (Columbia 17388-D), from the album, Hymns We Love (Columbia M-646).
78 rpm.

The cover art for this album was made by Alex Steinweiss. Alexander “Alex” Steinweiss (1917-2011) was an American artist and graphic designer. He was the first art director of Columbia Records, expanding the use of album covers and cover art. Steinweiss created album cover art from 1938 to 1973.

Burl Ives. side 1: The Foggy Foggy Dew; side 2: Black Is the Color (Asch 345-2), from the album, The Wayfaring Stranger (Asch 345).
78 rpm.

The cover art for this album was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Clef, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Jelly Roll Morton. side 1: The Naked Dance [track 1] Sporting Life [track 2]; side 2: I Hate a Man Like You (Circle 85/86), from the album, Jelly Roll Morton, Volume 12: I'm the Winin' Boy (Circle Limited Edition #306).
78 rpm.

This recording is part of a limited edition 45 twelve-inch record set, The Saga of Mr. Jelly Lord. The set is comprised of interviews and musical performances of musician Ferdinand "Jelly Roll" Morton (1890-1941) recorded by American ethnomusicologist Alan Lomax (1915-2002) at the Coolidge Auditorium, Library of Congress, from May 23, 1938 to December 14, 1938. In the interviews, Morton recounts his experiences, both in New Orleans and on the road, as a popular musician of the early twentieth century.

The Saga of Mr. Jelly Lord limited edition record set was issued by Circle Sound Inc., incrementally with two albums every three months, beginning in late 1947. The recordings were pressed on red vinylite. Album design and typography for this set was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

McCravy Brothers. side 1: When They Ring the Golden Bells; side 2: Will the Circle Be Unbroken? (Davis DA-20-3/4), from the album, Religious Songs by the McCravy Brothers (Davis DA-20).
78 rpm. This coupling was initially released on Crown 3040.

Crown Records was a budget label started by the Plaza Music Company after its merger with the American Record Corporation (ARC) in 1930. Crown oversaw the Homestead Records mail order label from ARC. Crown and its subsidiaries were active until 1933.

various artists. side 1: Sweet Georgia Brown [part 3]; side 2: High on an Open Mike [part 3] (Vox 16104). from the album, WNEW Saturday Night Swing Session, Vol. 2 (Vox VSP 310).
78 rpm

WNEW (AM 1130) was a New York based radio station. This recording features jazz radio broadcasts from the station, recorded in 1947.

This album features artwork by American painter, printmaker, and teacher, Daniel (Dan) Shapiro (1920-1982). He created the artwork for several albums including recordings by Louis Armstrong, Alex Wilder, Charlie Christian, Marlene Dietrich, Edith Piaf, and Richard Dyer Bennett. Shapiro’s works were first exhibited at the Cooper Union Art School in 1940 and 1941. He had much success with his solo shows in the 1960s at the University of California at San Francisco, Cellini Gallery, San Francisco Museum of Art, and Rice University in Houston.